This friendly lamp, a revolutionary milestone in design, is essential in any context, directing light wherever it is needed. A synonym to good design, modernity and comfort.
The Americana series is built around a satin nickel rotating arm holding an elegant white linen shade. The arm gently swivels the light nearer or further away, while the wide metal base stays put, in an evocation of the harmonic motion of swing dancing.
Asa is built of an ingenious, single, continuous tube structure which also defines the upper, handle-shaped structure for carrying. It has two colour versions: white or, in its original 1961 version, with black structure and switch. Three visible elements, structure, shade and switch, make up a beautifully-proportioned ensemble.
Babel, whose name comes from the biblical story of the unfinished tower, is both a sturdy sculpture and a lamp apt for night-time intimacy. The use of alabaster, solid at the base and hollow for the shade, with no two units the same, made Babel a piece of art that began as a deliberate affront to the prevailing trends of the time.
The Básica lamp champions the return to natural materials. A birch wood cylinder, which is supported by a heavy metal base of equal diameter, holds a variety of shade options of different shapes and colours, made of sewn paperboard or ribbon. In defiance of the metallic taste of the eighties.
Básica Mínima is the pocket edition of the Básica lamp. On its own or with others, it combines sturdiness and lightness. The shade and finish are available in two unique versions. The first features a bronze finish base and a pleated natural parchment lampshade. The second version has a nickel finish base and a ribbon-stitched lampshade.
Básica Mínima Batería is the portable version of Básica Mínima. Its cylindric structure, made of birch wood, holds two lampshade options: pleated natural parchment and ribbon stitched. With a light touch, the lamp turns on and off, making it a light and practical companion.
On a stroll through Barcelona in the 1960s, designer Miguel Milá found an abandoned opal globe outside a glass factory. He took it home, and over the years, it became the heart of a large family. As its name suggests, Cesta (Spanish for “basket”) was designed to hold this fragile shade.
After decades of producing Miguel Milá’s iconic design from the sixties, we have now incorporated its outdoor version. With the same aesthetic characteristics as the original and with the same lighting efficiency, it comes with an aluminium structure, in black or olive green, and a polyethylene shade, two water-resistant materials suitable for outdoor use.
The smaller version of the Cesta lamp is defined by a smaller wooden structure, always carefully polished and strongly assembled, holding the small opal glass globe in which its light is wrapped. This design, an object-lamp that creates spaces of pleasure wherever it is located, is one of its author’s most widely publicised international icons.
A cordless, portable version, Cestita Batería is a lantern that creates an ambience of pleasure anywhere; depicting Chinese shadows in the garden, emanating light from any corner, or on a table. The perfect balance of technology and craftsmanship, the rechargeable lamp offers two lighting intensities.
Robust yet lightweight, Cestita Alubat is ready for action indoors and out. Its aluminium structure, with a closed plastic balloon for better sealing and a rechargeable battery, is distinguished by its sobriety.
Miguel Milá learned to master the expressiveness of steel by giving it a fragile heart. Strength and emotion, angle and curve. In a duel between strength and fragility, Cesta Metálica comes with or without a soft leather handle, contrasting with the well-aimed severity of the brackets that gently hold the delicate opal globe.
Miguel Milá learned to master the expressiveness of steel by giving it a fragile heart. Strength and emotion, angle and curve. With the constructive singularity of its older sibling, ennobling whatever it illuminates, Cestita Metálica does not feature a handle, thereby signalling its willingness to stay wherever it is placed.
In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Barcelona’s new offices in the run-up to the 1992 Olympics, its appearance evokes a balance between classic tradition and modernity wherever it is placed.
The Duo lamp was conceived by André Ricard for “executive desks”, not only that good focal light was required when going through extensive paperwork, but also the fact that, in the face of visitors, the view of those who sat in the confidants’ chairs should not be obstructed by a large or ostentatious lampshade. Duo fulfils both purposes seamlessly. It illuminates with proximity, and does not interrupt the visual horizon. The luminous flux is adjustable by the independent rotation of its glass shades, which can be opaque to focus the light on the work surface, or translucent to provide a more general illumination too.
Miguel Milá got everything right compositionally with this demonstration of industrial craftsmanship. Its cylindrical oak column creates a vertical symmetry that gracefully supports an almost cylindrical white linen shade. With no time for unnecessary adornment, FAD lamps are distinguished by their permanent elegance.
The Gira lamp has all the simplicity and the profile of a classic. This lamp encapsulates all the essential elements, providing range of motion through its rotating arm and adjustable shade. Great for work, Gira is concentrated to give prominence to the light, creating desktop lighting spaces.
Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart, to link up to one another and to constitute a system of very pleasant light. Now it also finds its way to tabletops offering a general and nuanced light.
In its flat and golden version, Lámina preserves the delicacy of its line through a new reflection game, very suggestive for tabletops. Simple, clean shapes laid bare and fully exposed. A visual break found no matter in which corner it is placed.
Maija conveys the feeling of light typical of Baltic cities, where the streets are barely illuminated, apart from the light that streams from the windows of homes and shops; from the inside outwards. A tower composed of stacked metal discs through which its inner light filters, vibrant and inviting conversation.
A sturdy wooden cylinder supports a head with three bulbs, surrounded by a generous circular shade. The shade is made from cotton ribbon and has a thread running along the edge, reminiscent of bookbinding, and forming an asymmetry that creates a splendid contrast of light and shadow.
A lamp that combines simplicity and technology to create a lucent ring of light suspended in the air. It comes in two sizes, both available in matte white or graphite, to which a shade can be affixed. Or they can be left without a shade, unapologetic. Sin broadly illuminates any work surface with direct, warm light, and does not take up space on a desk because all kinds of errant items can be kept on its base, including papers.
Freed from oils, kerosene or cords, and powered by an efficient rechargeable battery, Sylvestrina, very robust in its delicacy, comes in handy for every occasion. Simply press the outer tube down to activate the switch, adjusting accordingly, to full, medium or zero strength. It is charged by induction, and its light really is that of an oil lamp.
Tatu is an object-lamp that has become a memorable icon of Spanish pop culture in the 1970s. Incorporating LED technology, the light intensity and focal aperture are easily adjustable, conducive to quiet retreat or activities that require concentration. And its friendliness is legendary.
With a structure supported by a circular metal base, the while linen shade of the TMD lamp looks like a sail hoisted on a mast. Whether switched on or off, the TMD manages to add warmth to the space around it. Another example of the timeless sobriety of Miguel Milá.
Trípode humanises neutral spaces with its colourful and functional sobriety. Each one of its shade options is hand ribboned: the natural, red-amber and black; the Raw Color terracotta, green and mustard, as well as the Diplomática and Bretona stiped shades by Júlia Esqué. Switched on, it provides a characteristic, warm light, rich in nuances. Switched off, it is a small volumetric sculpture that invites immediate use.
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Styling
Life swings from side to side in search of balance. The double flame, the most subtle part of the fire, dances enchanted by its splendour. Two flames that seek each other to their centre. The simple consumption of the wick produces the oscillating movement that dazzles the beholder. Vita simultaneously elevates our spirit while rooting us to the earth. Incipit vita nova, start a new life, light the next candle.
Inspired by an Art Déco design, Zeleste is reminiscent of Barcelona night life, with a story that takes us back to the early seventies. Its peculiarity is determined by the material it is made of: alabaster, a translucent stone that gives a very special warmth.
The Americana series is built around a satin nickel rotating arm holding an elegant white linen shade. The arm gently swivels the light nearer or further away, while the wide metal base stays put, in an evocation of the harmonic motion of swing dancing.
In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Barcelona’s new offices in the run-up to the 1992 Olympics, its appearance evokes a balance between classic tradition and modernity wherever it is placed.
The balance of materials that make up this lamp—its cotton shade, metallic structure and stitched leather grip—are a vindication of industrial craftsmanship. With a strong presence, Dórica is an impressive lamp that evokes the classical doric column.
Miguel Milá got everything right compositionally with this demonstration of industrial craftsmanship. Its cylindrical oak column creates a vertical symmetry that gracefully supports an almost cylindrical white linen shade. With no time for unnecessary adornment, FAD lamps are distinguished by their permanent elegance.
Maintaining the good size of its more than half sphere lampshade and the peripheral illumination caused by its slit, we are extending the Fontana family by including its floor version more than fifty years after its creation.
The GATCPAC lamp is a tribute to the group of Catalan architects of the same name who sought to modernise the approach to construction during their era. Conceived as a machine à illuminer, members of the group used to leave these lamps as a gift to their customers, symbolic of their modern outlook, by way of a collective signature.
A line of light and a thin metal sheet create a faint yet effective diffusion. Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart. It now stands as light sculptures that contrast with any wall finish on its back.
A line of light and a thin metal sheet create a faint yet effective diffusion. Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart. It now stands as light sculptures that contrast with any wall finish on its back.White and concave lampshade of 165 cm, opens up new depths of space both vertically and horizontally.
The elegance of Lamina’s shades captivates, soon pleased by its efficacy. Simple, clean lines laid bare and fully exposed. Reflection provides more nuanced results than direct light. Sober, supporting, contrasting and without glare.
Maija conveys the feeling of light typical of Baltic cities, where the streets are barely illuminated, apart from the light that streams from the windows of homes and shops; from the inside outwards. A tower composed of stacked metal discs through which its inner light filters, vibrant and inviting conversation.
This slender synthesis of traditional lamps is a sparkle of timeless elegance created in a context of the avant-garde. The combination of materials with its symmetrical, leather-wrapped chrome centre shaft, its choice of three shade materials and eight colour options make it a paradigm of industrial craftsmanship.
This friendly lamp, a revolutionary milestone in design, is essential in any context, directing light wherever it is needed. A synonym to good design, modernity and comfort.
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The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
This friendly lamp, a revolutionary milestone in design, is essential in any context, directing light wherever it is needed. A synonym to good design, modernity and comfort.
Provocatively ice clear “pleated” lamp-shades with right angle cranked legs stand in contrast with the ornamental composition of shadows that appear on the walls after you switch on the light. The classical design together with an optical projection merges into a “romantic functionalism”.
**Glamora’s Arcadia Collection** reimagines classical Greco-Roman aesthetics through a contemporary lens, offering a wallcovering series that blends sculptural elegance with poetic scenography. Comprising ten designs, each features a dual figurative module paired with complementary elements, creating striking visual and tactile depth for walls. The collection marries artisanal craftsmanship with sustainable innovation, using premium materials like **GlamCanvas**—a durable, artist-inspired viscose fabric—and **GlamVelour**, an eco-Alcantara evoking velvet’s luxury, available in refined hues such as ecru, sage green, and London smoke grey. A warm, earthy palette nods to natural pigments, from organic greens to Pompeian reds, while the neoclassical motifs and high-quality textures redefine modern elegance. Designers can explore endless creative possibilities, layering material surfaces and optical illusions for bespoke projects. **3D files of the designs are available for download**, enabling seamless integration into virtual planning.
*Supplied by **Glamora**, a renowned Italian design brand celebrated for its premium, innovative wallcoverings since 2010, the collection reflects their commitment to luxury and craftsmanship.*
**Materials:**
- **GlamCanvas**: Viscose-based fabric with mineral powder finish, offering abrasion resistance and a canvas-like texture.
- **GlamVelour**: Soft eco-Alcantara in four sophisticated shades, merging tactile comfort with visual allure.
**Puente del Alma** is an exquisite wallpaper from Glamora’s *Creative Collection Chapter XIV*, available in two sophisticated finishes: **GlamDecor**, a vinyl wallcovering that accentuates design texture with a delicate fabric effect, and **GlamTrace**, a non-woven natural fiber wallcovering that enhances the artistic stroke with a handmade paper-like quality. The collection also integrates cutting-edge solutions like **AcousticShield™** for improved acoustic comfort and **ECOPUR® by Oltremateria®**, an eco-resin that enhances indoor air quality. Inspired by the serene flow of a river, the collection’s 36 designs evoke nature’s whispers—rustling leaves, dawn’s soft light, and water’s silent murmur—blending reality with introspection. A standout innovation is the introduction of **Module C**, a versatile design element that adds visual rhythm without overwhelming the space, complementing the existing Modules A and B for greater customization. For added convenience, a **3D file of the product is available for download**, allowing seamless integration into design projects.
**Glamora**, a renowned Italian interior design brand since 2010, is celebrated for its premium wallcoverings that merge innovation with luxury, serving both residential and commercial markets worldwide.
Explore more at [www.glamora.it](http://www.glamora.it).
**Product Description:**
*Sentiero del Canto* is an elegant wallpaper from Glamora’s *Creative Collection Chapter XIV*, available in two exquisite finishes: *GlamDecor*, a vinyl wallcovering with a delicate fabric-like texture, and *GlamTrace*, a natural fiber non-woven fabric that enhances the artistic strokes with a handmade paper effect. The collection also offers two innovative solutions to elevate indoor environmental comfort—*AcousticShield™*, an advanced acoustic enhancement system, and *ECOPUR®* by Oltremateria®, an eco-resin that improves air and surface quality. Inspired by the serene flow of a river, the collection’s thirty-six designs capture the whisper of leaves, the soft glow of dawn, and the tranquil murmur of water, blending reality with introspection. Breaking traditional modular boundaries, Glamora introduces a third module (C) alongside A and B—a subtle yet versatile element with abstract micropatterns—allowing for greater customization and dynamic spatial rhythm in modern interiors. A downloadable 3D file of the product is available for designers seeking precise visual integration.
**Supplier Description:**
*Glamora*, a leading Italian interior design brand since 2010, specializes in premium wallcoverings, combining innovative craftsmanship with luxurious aesthetics for residential and commercial spaces.
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*"The wild, oversized leaves of Sardinian myrtle carve a striking negative-space landscape, bathed in silvery light, transforming the Mediterranean scrub into an elegant black-and-white motif that repeats in endless harmony. While color fades, the subtle fragrance of the shrubs lingers, adding sensory depth. Part of Glamora’s Creative Collection—an ever-evolving series blending art, design, and photography—this design reflects a journey through Italy, where iconic motifs are reimagined with lomographic flair, bridging abstract cubism, 1970s graphics, and bold natural brushstrokes. Available in two finishes: GlamDecor (vinyl with a delicate fabric texture) and GlamTrace (nonwoven with handmade paper-like tactility). A 3D file of the product is available for download, ideal for visualizing the design in your space. Glamora, a renowned Italian design brand since 2010, crafts premium wall coverings fusing innovation with luxury. Explore more at www.glamora.it."*
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*"A dynamic interplay of pen-and-ink scribbles brings this design to life, where delicate blots, subtle dots, and sinuous curves appear to effortlessly escape the stroke of a masterful hand. Inspired by Wassily Kandinsky’s iconic blue and the Blaue Reiter movement, the composition floats weightlessly across a milky sky, blending artistic freedom with modern elegance. Part of Glamora’s ever-evolving Creative Collection—a globally inspired range that fuses art, design, and architecture—this design is available in two exquisite finishes: GlamDecor, a vinyl wallcovering with a soft fabric-like texture, and GlamTrace, a natural fiber nonwoven that mimics the tactile quality of handmade paper. Chapter XII of the collection draws from an imaginative journey through Italy, reinterpreting cities and landscapes with lomographic flair, faded smudges, and bold photographic effects. Bridging abstract cubism, 1970s graphic motifs, and vibrant natural brushstrokes, it’s a versatile wunderkammer for interiors that crave storytelling and beauty. A 3D file of the product is available for download, allowing seamless integration into design projects. Glamora, the Italian innovator behind this collection, is renowned for its premium wallcoverings that merge cutting-edge techniques with timeless sophistication."*
(Note: I condensed the supplier details into a single sentence while preserving key brand attributes—luxury, innovation, and Italian craftsmanship—to keep the focus on the product.)
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This captivating design features overlapping layers of geometric shapes and wave motifs, inviting the viewer to explore the space beyond the porthole. The composition masterfully juxtaposes straight lines and fluid curves, creating a dynamic visual rhythm that pays homage to the artistic style of Carmelo Cappello, celebrated for his exploration of line and volume. Part of Glamora’s *Creative Collection*—an ever-evolving series enriched annually with fresh, innovative designs—this piece reflects international research into new style codes, interpreted through the brand’s signature cross-disciplinary lens. The collection seamlessly blends art, design, architecture, fashion, and photography, offering patterns that embody creative freedom. Available in two finishes: *GlamDecor*, a vinyl wallcovering with a delicate fabric-like texture, and *GlamTrace*, a natural fiber nonwoven that mimics the tactile quality of handmade paper. *Chapter XII* draws inspiration from an imaginary journey through Italy, reimagining cities and landscapes with lomographic flair—transforming them into faded, smudged images with striking photographic effects. Bridging abstract cubist forms, 1970s graphic motifs, and bold brushstrokes, the collection weaves a multifaceted narrative of nature, from subtle whispers to vibrant bursts of joy. A true *wunderkammer* for interior design, it infuses spaces with creativity and storytelling elegance. A 3D file of this product is available for download, allowing for seamless integration into design projects.
**Supplier Overview**: Glamora, a leading Italian interior design brand since 2010, is renowned for its premium wallcoverings that merge innovation with luxury, serving both residential and commercial markets worldwide.
For further details, contact the manufacturer: **ATOMO GLAMORA**.
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*"The interplay of concentric rectangles is softened by freehand lines, creating a dynamic surface that evokes the geometric abstraction of Josef Albers’ *Homage to the Square*—blending art and interior design into a single statement. Part of Glamora’s ever-evolving Creative Collection, this design reflects international research into new stylistic codes, interpreted with the brand’s signature cross-disciplinary flair. Inspired by an imaginary journey through Italy, Chapter XII merges cubist shapes, 1970s graphics, and lush brushstrokes to portray nature in both muted and vibrant expressions. Available in two finishes—*GlamDecor* (a textured vinyl with a delicate fabric effect) and *GlamTrace* (a natural fiber nonwoven resembling handmade paper)—the collection transforms spaces into storytelling canvases. A 3D file of the product is available for download, offering designers a versatile tool for visualization. Glamora, the Italian luxury wallcovering brand renowned for its innovative designs since 2010, combines advanced techniques with artistic craftsmanship to redefine modern interiors."*
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Musical minimalism. It is hard to imagine a faucet as stylish with fewer elements. A water device that highlight the perfection of lines and simplicity while sounds with vanguards notes.
A crystal line. Elegant and sophisticated bathroom faucet collection with a touch of bling. Skip Diamond is subtly decorated with a thin two-raw of Swarovski crystals, securely fixed to the lever. Its svelte design distinguish itself and outstands from the ordinary.
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The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.
The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.
Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel.
Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.
For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.
The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.
The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.
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