Light, sophisticated and practical – Portello has a handle under the upper table top, so you can put this side table wherever you want it, even with the table top above the seat of your sofa. That's no problem because the height of the table top is designed around Leolux furniture.
This spectacular rug, designed by Studiopepe in Milan, is a visual interplay of overlapping surfaces in which colours and patterns enhance one another to dramatic effect.
This rug has a strong sense of depth. The distinctive valley pattern cut into the pile means you’re effectively looking into the different layers of the rug.
When it comes to interiors, structure is just important as colour. Varying the texture and feel helps create ambience and depth. That is the idea behind Frame rug, designed by Studio Truly Truly. The rug is split into three sections, each with its own structure.
The Amund rug is named for polar explorer Roald Amundsen, one of the first people to visit both the North and South Poles. It is a gorgeous rug with a nice, high pile that feels cosy under your feet. It comes in three sizes: two rectangular (200 x 300 cm and 240 x 340 cm) and a round version with a diameter of 280 cm.
The Leolux rug collection offers a wide range of options in size, colour, and design. And the Patna rug is always an excellent choice. Available in an array of warm colours, this hand-made rug features an accent colour incorporated with small loops throughout the rug. Patna is made entirely of viscose, which gives it a beautiful sheen.
The designer's signature is crystal clear in the Mizu rug. The geometric pattern in the foreground is a hallmark of Edward van Vliet's designs. The background features the flowing water hinted at with the name 'Mizu'. The softness of the background paired with the hard, graphic lines makes for an exciting contrast.
With the right accessories, you can create a picture-perfect interior. That's why Leolux has put together an extensive cushion collection, Cosy Cushions. It's a series of luxury cushions available in any of the materials and colours in our collection. Choose from a wide range of sizes and have the cushion finished with one of our gorgeous decorative stitching options.
Lusso's beautiful hand-stitched motif gives it a unique look that brings a playful feel that's almost like a contemporary relief. Your Lusso cushion is personalised to your style, because you can pick the materials and colours from the Leolux collection, with the option of fabric or leather on the front and fabric on the back. It's filled with a combination of duck feathers and high-quality foam to make this cushion sumptuously soft.
It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!
The Mimas armchair will put a smile on your face, for two reasons. Firstly because with a little imagination it reminds you of a smile, and secondly because it’s so comfortable and comes with so many practical options.
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
For the Leolux Cream swivel armchair, Studio Truly Truly has combined the loveliest natural materials to create an armchair with unprecedented comfort and elegance. The wooden shell in curved walnut or oak takes centre stage, covered with soft fabric or leather upholstery. The aluminium swivel base gives you even more options to personalise Cream, which can be finished in any colour for the ideal look.
The gorgeous Caruzzo swivel chair was made just for you. It's a slender sculpture, a joy to behold and relax in. The seat, with its striking high back, provides wonderfully supportive comfort as well as plenty of privacy. It's a high class armchair that's centred around design and ergonomics.
The distinctive Lanah is a compact Leolux armchair with style. This Christian Werner design is modest in size and pairs a comfortable seat with a sleek aluminium base. The rich detailing makes it irresistibly appealing.
Gerard Vollenbrock ontwierp Scylla met herinneringen aan ‘De Stijl’. Hij voorzag het ontwerp van een schitterend buisframe dat helemaal achter de rug doorloopt en stoere beklede armsteunen. Het zijn de kleine details en de perfectionistische afwerking die zorgen dat dit ontwerp ook na vele jaren gemakkelijk elke toets doorstaat.
This is Lloyd. A beacon of design. Sturdy and yet so inviting. With supple, almost nonchalant upholstery and traditional detailing, like decorative piping that highlights the powerful shape. Lloyd merges two different worlds – the Leolux commitment to comfort, cast in Gino Carollo's distinctive Italian design.
With Volare, Jan Armgardt has crafted a contemporary armchair with a surprisingly light look. Its minimalist industrial design that's the hallmark of wire furniture is paired with wonderful springy comfort and quilted cushions for a luxurious feel. Sitting feels almost like floating.
A Leolux icon. The ball chair that specially designed in 1989 for the house of the future is still as futuristic as it was back in the days of its introduction. And perhaps that's why it's so successful. Pallone is a personality, the perfect centrepiece for eccentric interiors.
Cantate is a compact club chair that envelopes and supports the body. Its powerful shape shows hallmarks of Frans Schrofer's subtle design language. It's beautifully finished with the decorative 'Artisan' stitch on the back, and the smart swivel base means Cantate automatically returns to its starting position when you leave the chair.
The shapes of the Mayon sofa are the foundation, but Mayuro is a more compact imagining. The flexible arms and back offer absolute comfort. The stunning accents, loose upholstery and specially designed legs make Mayuro a gorgeous addition to any contemporary interior.
With Indra, designer Cuno Frommherz says he has crafted 'a universe for dreams and ideas'. The seat of this armchair seems to float in a trapezoidal frame. The seat cushion atop it is divided into soft, padded segments.
This armchair, designed by Jan Armgardt, symbolises playfulness, fun and humour. And the organic shapes mean this chair won't fall prey to the ravages of transient trends. Papageno has been bringing smiles to interiors worldwide since 1993, and for good reason.
Versatility is inherent to humans. That was the inspiration behind Parabolica, a design from Stefan Heiliger. The idea came to life with a single curl on a sheet of paper. The graceful, versatile result is universally beloved. Parabolica will prove its worth at any moment in your day.
Kikko will surprise you at first glance. Is it a chaise longue? Yes, but this multifunctional piece offers even more possibilities. By slightly lifting the back, it turns 90 degrees left or right. This turns the chaise longue into a comfortable seat with an extra seat next to it.
This design is a reference to the past, inspired by luxury 19th-century hotel interiors. You can see Edward van Vliet's classic style in the armchair and chaise longue. He combines a touch of nostalgia with contemporary comfort, charming curves and elegant details.
With his clear designs, Brussels-based product designer Sylvain Willenz has built up an impressive oeuvre for an international clientele. Leolux joins their ranks with the versatile Baani armchair.
Designer Christian Werner has stripped the dining chair back to the basics. The result is Gyon, a design built entirely on basic shapes. Werner has created a stunningly elegant chair that doesn't compromise on comfort.
Gino Carollo has brought a range of subtle detailing to his Mime design – the soft folds, the accent on the front of the seat back and the fine decorative stitch, in monochrome or a different colour. Give the space a playful 'touch' with a mix of seats and chairs without arms, or by using different materials for the interior and exterior. Multiple base options are available, each with their own unique purpose.
You'll see Mara's friendly softness if you take a moment to appreciate the design from a distance. This dining chair is unmistakably a Christian Werner design - it's clear from the curves of the seat, the casual nonchalance of the upholstery and the refined finish.
Designer Erik Munnikhof and Leolux have combined the classic curved tubular frame with contemporary comfort to create the Freyr dining armchair. The chair has a sprung seat that's the hallmark of the 'freischwinger' style and gives you the delightful experience you expect from a Leolux.
The Callas dining chair is ideal for expressive choices. This stylish design is the perfect showcase for beautiful materials. And yet this chair also offers outstanding comfort.
A great dining experience demands a lot from a dining chair. The stylish Talos is a strong candidate, with its modern design and comfortable seat. And its compact size means it’s a wonderful option for smaller dining room tables.
Tamarinde is a slender dining chair with invitingly open arms and an adjustable back, so you can easily relax after dessert. With Tamarinde, a good conversation can go on for hours after an amazing meal.
The comfortable Caron barstool is a Frans Schrofer design with especially luxurious detailing. Caron is available in two heights, both with a high and a low back.
The Leolux Viewpoint Collection is an exploration of new design territory. For example the BRAM Alu Stool, a thoroughly intriguing collaborative project with the artist and designer Bram Vanderbeke, examines the possibilities of cast aluminium.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Natural materials and high-quality craftsmanship are always an inspiration for designers. Nunos from Leolux is the perfect example. Hanne Willmann has created a table design that is as ingenious as it is bold, with the slender wooden parts fitting together like puzzle pieces.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
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A wide range of product from furniture to finishes to meet the desire of all designers.
Light, sophisticated and practical – Portello has a handle under the upper table top, so you can put this side table wherever you want it, even with the table top above the seat of your sofa. That's no problem because the height of the table top is designed around Leolux furniture.
BIG PRINT is a sound absorbent that lends itself to be the centerpiece of your design. Decide upon graphics using a photo/illustration of your own, or purchase a photo from an artist of your choice. BIG PRINT come in sizes of up to 3 x 50 metres without having to cut the canvas, something that has been requested by many interior designers. Marking: Basta | BIM Object | pCon Planner | Byggkatalogen
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
The Walking Pole is a versatile bollard light available in two heights, 60 cm and 90 cm, offering both signal and functional lighting options. The signal light variant comes in a range of colors including Blue, Yellow, Grey-white Ral 9002, Black, and Red, with light colors available in Red, Green, Blue, and White. It features a 4W power output with delivered lumens ranging from 11lm to 23lm, and an efficiency of 7% to 13%. The functional light variant, also available in the same color options, offers a higher power output of 10W with delivered lumens of 328lm to 443lm, and an efficiency of 38% to 52%. Both variants are made from durable materials such as aluminium and glass, designed for outdoor use with an IP65 rating, and feature a CCT of 3000K. The Walking Pole family is designed to create dynamic lighting landscapes, focusing on human perception and interaction with sensors, the Artemide App, and advanced intelligences. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Artemide, a globally recognized Italian design company founded in 1960 by Ernesto Gismondi and Sergio Mazza, is renowned for its innovative and high-quality lighting solutions, including the Walking Pole, which exemplifies their commitment to blending aesthetics with functionality in outdoor lighting.
The Pirce Mini is a stunning suspension lamp crafted from painted aluminum, extending the iconic Pirce collection. Its design features delicate spirals that gracefully unfurl from a slender disk, cascading downward to create mesmerizing patterns of light and shadow. This dimmable lamp (SwitchDim) is available in elegant white or gold finishes, offering versatile installation options. With a luminous flux ranging from 3097lm to 3686lm and color temperatures of 2700K or 3000K, it delivers both warmth and efficiency, achieving up to 82% efficacy. Originally designed with halogen lighting, the Pirce Mini has been reimagined with a high-quality, energy-efficient LED light source, making it a perfect blend of art and functionality. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Artemide, the supplier, is a globally acclaimed Italian design company founded in 1960, celebrated for its innovative lighting solutions and timeless designs that seamlessly blend aesthetics with functionality.
The Ego Spot is a versatile LED aluminum outdoor floodlight designed for floor, wall, or ceiling mounting, featuring adjustable spotlight functionality and high-quality LED sources. Crafted with a durable painted aluminum body and tempered glass screen, it includes PMMA lenses for precise spot optics and emits a warm monochrome white light at 3000K. Key features include a 12W power rating, 24Vdc power supply, luminous flux of up to 755lm, 96% efficiency, and an IP65 rating for weather resistance. The product is available in silver grey and comes with an electronic power supply sold separately. Additionally, a downloadable 3D file of the Ego Spot is available for design and planning purposes. Artemide, the supplier, is a globally recognized Italian design company founded in 1960, celebrated for its innovative and high-quality lighting solutions that blend functionality with modern aesthetics.
This collection of ottomans combines playful design with bold, statement-making appeal, making them perfect for adding a touch of personality to any space. Upholstered in durable Lasti fabric (50% polyamide, 40% polyester, 10% elasthanne), they feature a sturdy structure crafted from solid fir wood and pine plywood, with a comfortable monobloc seat cushion made of HR foam (35kg/m³). Manufactured in Europe, these ottomans are a testament to quality craftsmanship and modern aesthetics. For those interested, a 3D file of the product is available for download, allowing for easy visualization and integration into design plans. Roche Bobois, the supplier, is a renowned French luxury furniture brand established in 1960, celebrated for its innovative, high-end designs and collaborations with top designers, making it a global leader in contemporary home decor.
The WALRUS armchair, a Scandinavian-inspired design, appears to elegantly balance on its two front legs while being subtly supported by the back, creating a tripod-like structure. Upholstered in Plana fabric—a blend of 66% wool, 17% polyamide, 13% elasthanne, and 4% other fibers—it combines durability with a luxurious feel. The seat cushion features HR bi-density foam (30-35kg/m3), while the back cushion uses HR tri-density foam (30-35-75kg/m3) for optimal comfort. The chair’s structure is crafted from solid fir wood and pine plywood, supported by XL elastic cross-webbing straps, and rests on a solid walnut base with a natural varnish finish. Manufactured in Europe, the WALRUS armchair is a testament to refined craftsmanship and modern design. Additionally, a 3D file of the product is available for download, allowing for seamless integration into design projects.
Roche Bobois, the supplier, is a prestigious French furniture and home decor brand established in 1960, renowned for its contemporary, luxurious designs and collaborations with world-class designers, offering premium to luxury products globally.
The Venezia shower set by Fantini Rubinetti features a built-in bathtub/shower mixer with diverter handles crafted from exquisite Murano glass in Silver/Black, paired with a shower arm and a 360 mm headshower. This collection embodies the artistry of Murano glassblowing, blending vibrant colored glass cores within transparent, bevelled glass solids, creating a modern, fossil-like aesthetic encased in timeless elegance. The geometric precision of the design, combined with fluid contours and vibrant edging, results in a luxurious yet understated piece that redefines bathroom sophistication. The metal finishes add a refined touch, enhancing the collection's allure. A 3D file of the product is available for download, allowing for detailed visualization and planning. Fantini Rubinetti, founded in 1947 in Pella, Italy, is a globally renowned supplier of luxury bathroom and kitchen fixtures, celebrated for its fusion of traditional craftsmanship and cutting-edge design, offering products that cater to diverse styles and budgets across over 60 countries.
The Mixu chair is a versatile and sustainable seating solution featuring a four-legged base available in chromed or powder-coated steel, with customizable options for the seat and backrest, including fabric, leather, coated fabric, or customer-provided materials. The chair’s three-part system—seat, backrest, and base—offers endless design possibilities, allowing for personalized combinations of colors, textures, and materials, such as post-industrial recycled plastic, FSC-certified wood, or premium leather. Designed with sustainability in mind, the Mixu system can be shipped disassembled to reduce its carbon footprint and is fully recyclable at the end of its lifecycle. A 3D file of the product is available for download, enabling designers and customers to visualize and integrate the chair into their spaces seamlessly.
Crafted by Arper, a renowned Italian design company founded in 1989, the Mixu chair reflects the brand’s commitment to contemporary, minimalist aesthetics and high-quality craftsmanship. Arper’s products, ranging from chairs and tables to sofas and accessories, are celebrated for their timeless elegance and versatility, making them ideal for both residential and commercial settings worldwide.
The NYM chair features a seamless arched backrest that elegantly merges with its solid ash wood seat, complemented by matching ash wood legs, blending traditional Windsor chair elements with a modern aesthetic. This piece is part of the NYM collection by Pedrali, an esteemed Italian interior design supplier established in 1963, renowned for its contemporary, high-quality furniture crafted for diverse settings, from public spaces to private homes. A 3D file of the NYM 2830 chair is available for download, allowing for detailed visualization and integration into design projects.
The Mya collection features a series of seating options characterized by their sleek, refined, and filiform design, combining elegance with functionality. Each chair is crafted with a die-cast aluminum frame, an upholstered seat, and a backrest available in fabric or faux leather, complemented by an injection-molded polypropylene backrest profile for added durability and comfort. For those interested in customization or further exploration, the 3D file of the product is available for download. Pedrali, the esteemed Italian manufacturer behind the Mya collection, has been a leader in contemporary furniture design since 1963, offering premium, versatile pieces for public spaces, offices, and homes, with a strong emphasis on modern aesthetics and high-quality materials.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"This sofa features a durable steel rod frame, available with a polyester powder coating or cataphoretic treatment for enhanced resilience, paired with cushions crafted from expanded polyurethane and topped with removable covers in premium fabrics (such as Kvadrat ‘Steelcut Trio’ or outdoor-ready Polyhedra) or leather. An optional acrylic stone tablet adds functionality, while weather-resistant versions make it suitable for outdoor use. For additional details, consult TRAFFIC Magis. A downloadable 3D file of the product is available for design planning. Manufactured by Magis, a renowned Italian design brand since 1976 celebrated for its innovative, high-quality furniture and global reach."*
**Aura** is a modular sectional sofa designed by Hannes Peer, featuring a removable cover for easy maintenance and customization. This elegant piece combines modern aesthetics with functional design, making it a versatile addition to any contemporary living space. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Supplier:** Baxter is an Italian luxury furniture brand renowned for its exquisite craftsmanship, timeless designs, and high-end leatherwork, creating pieces that embody sophistication and comfort.
*(Note: The expanded supplier description has been condensed to one concise sentence while retaining key details.)*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*The BC1, BC2, and BC3 wall lamps combine robust construction, minimalist elegance, and exceptional functionality, making them versatile for both residential and commercial spaces. Available in three models—the fixed BC2 or the adjustable BC1 and BC3 (with or without external cabling)—these lamps feature a satin nickel structure and a beech wood handle, exuding understated sophistication. Choose from seven shade finishes, including stitched beige parchment, natural ribbon, or vibrant Raw Color options in terracotta, mustard, or green, all paired with an included dimmer. The integrated 4.5W LED bulb (dimmable) ensures energy efficiency, while the E27 socket accommodates bulbs up to 60W (100-230V, 50/60Hz). For added convenience, a 3D file of the product is available for download, enabling seamless integration into design plans. Crafted by Santa & Cole—a Barcelona-based design leader since 1985, celebrated for its timeless lighting and furniture—these lamps reflect the brand’s dedication to quality and sustainable innovation.*
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file:
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**Napier** is a striking crystal and metal wall lamp that seamlessly merges architectural precision with the luminous beauty of crystal. Designed with integrated LEDs, it offers two power options (5.5W or 11.5W) delivering 875 lm or 1875 lm of warm, high-quality light at 2700K (with 3000K or 4000K available on request). The lamp features a CRI90 for exceptional color clarity, operates on 24V DC, and boasts an impressive 60,000-hour lifespan (L70). With its IP20 rating and integrated driver, Napier combines elegance with technical sophistication.
Inspired by the Art Deco grandeur of New York’s skyline and the creative vision of designer Scott Fitzsimons, Napier transforms from a sleek, monolithic form when unlit into a radiant spectacle when illuminated. Light dances across its chamfered edges, creating a dazzling jewel-like effect. Ideal for minimalist installations, it can be used individually or arranged in dynamic linear or chandelier-style compositions for dramatic effect. A 3D file of the product is available for download, allowing for seamless integration into design plans.
**Supplier Overview:** Rakumba, a Melbourne-based lighting design leader with over 50 years of expertise, crafts innovative, high-quality lighting solutions for residential, commercial, and hospitality spaces.
For further details, explore the **NAPIER** collection by Rakumba.
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Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
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**Product Description:**
This external wall-mounted part for a built-in shower mixer features a four-way diverter, blending sleek functionality with modern aesthetics. Part of the Cleo 84 line, its design reinterprets the collection’s signature rounded elegance with contemporary flair. The cylindrical body and spout, paired with a minimalist lever, create a harmonious, fresh look perfect for modern spaces. A "mini" version with a compact profile is also available.
**Finishes:**
Choose from an extensive palette of high-end finishes, renowned for their durability and visual appeal: Chrome, Burning Black, Dark Graphite, Warm Grey, Icy Grey, Light Sand, White Chalk, Ravishing Gold, Sparkling Silver, Gentle Copper, Royal Black, Silky Rose, Frosted Silver, Urban Brass, Deep Bronze, Industrial Copper, Matt Majestic Gold, Matt Deluxe Gold, Ocean Dream, Blazing Sunset, Brown Caramel, and Mocha Coffee.
**3D File:**
A downloadable 3D file of this product is available for design and planning purposes.
**Supplier Overview:**
Fir Italia, a premium Italian brand since 1954, specializes in innovative bathroom and kitchen fittings, combining timeless design with cutting-edge functionality. Explore more at [www.fir-italia.it](http://www.fir-italia.it).
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Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*"This sleek and functional clothes hanger is part of the ‘One’ series by INDA®, designed for both residential and hospitality use, combining practicality with minimalist elegance. The product reference AV120A INDA® includes a downloadable 3D file for easy integration into design projects. INDA® is a trusted Italian interior design brand renowned for its high-quality, stylish solutions for commercial and residential spaces, with a global presence and a diverse product range."*
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The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Mogens Lassen designed the ML10097 Egyptian Table after being inspired by folding stands found in Tutankhamun's tomb in 1922. The table was first shown at the Copenhagen Cabinetmakers' Guild Exhibition in 1940.