An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
Evoking the archetype of a traditional chandelier, the Silo Atelier models forges their way as a new type of 3-dimensional object. Composed of a mix of six existing and custom Silo models, it features a total of 12 downlight sources. It expands both vertically and horizontally, juxtaposing its theatrical, monumental form and mechanical material.
Evoking the archetype of a traditional chandelier, the Silo Atelier 01 forges its way as a new type of 3-dimensional object. Composed of a mix of six existing and custom Silo models, it features a total of 15 downlight sources. It expands both vertically and horizontally, juxtaposing its theatrical, monumental form and mechanical material.
Evoking the archetype of a traditional chandelier, the Silo Atelier 01 forges its way as a new type of 3-dimensional object. Composed of a mix of twelve existing and custom Silo models, the Atelier features 30 light sources in total. It expands both vertically and horizontally, juxtaposing its theatrical, monumental form and mechanical material.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
The Silo collection inhabits many worlds at once, creating a striking metaphor for duality. Mysterious yet inviting, the true magic lies in how its rhythmic curves shape light and space around it. Made using custom aluminium extrusions, the modular uplight-downlight creates a theatrical yet sleek composition.
As modular and versatile as the collection itself, Silo makes its debut as an object. A flower vase and candle holder hybrid. From one end, water-resistant extrusions accommodate fresh cut flowers. Flip it over, and it becomes the perfect candle holder. Offered in two, three or four cylinders, and in various heights.
As modular and versatile as the collection itself, Silo makes its debut as an object. A flower vase and candle holder hybrid. From one end, water-resistant extrusions accommodate fresh cut flowers. Flip it over, and it becomes the perfect candle holder. Offered in two, three or four cylinders, and in various heights.
As modular and versatile as the collection itself, Silo makes its debut as an object. A flower vase and candle holder hybrid. From one end, water-resistant extrusions accommodate fresh cut flowers. Flip it over, and it becomes the perfect candle holder. Offered in two, three or four cylinders, and in various heights.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Trapezoidal, Type of installation: Installation, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 Right, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm, Height with panel: 600 mm Design by EOOS
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
An ode to quiet strength, Isle is a play both on illusion and perception allowing lightness to anchor and foundations to rise. Composed of a delicate glass tube resting on solid-stone and aluminum pedestals and suspended in mid-air like a surreal bridge, Isle is minimal, but never simplistic.
Mi 06681 Reading deskReading desk for Jetson with arms. The arm and plate are individually adjustable in height and angle. Arm and mecanism of chromium plated steel. The arm can be released and folded away without changes in other settings.Can be retrofitted. Suitable for books or reading tablets. i Göteborg. I denna anda finns en uppföljare som komplement till fåtölj Jetson 66. Läsbordet kan eftermonteras och är lämpligt för såväl böcker som läsplatta.Armen och läsbordet är var för sig steglöst justerbara i höjd och vinkel. Med ett enkelt handgrepp kan armen frigöras och vikas undan utan att övriga inställningar ändras. Utförande i förkromat stål
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners.
Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying.
The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate.
The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
The Chancellor Conference chair features a sleek and elegant design, crafted with a chrome-plated or dark grey lacquered tubular steel sled base, complemented by a seat and backrest structure made of moulded polyurethane foam with metallic inserts. Enhanced with differentiated-density padding and an elastic belt spring system, it ensures exceptional comfort. Upholstered in premium Pelle Frau® leather with contrast or tone-on-tone stitching, this chair is available with or without armrests, the latter featuring leather-upholstered tubular steel and polished aluminium or dark grey terminal joints. Designed by Lievore - Altherr - Molina, the Chancellor Conference chair boasts a compact, sophisticated profile, making it an ideal choice for modern workspaces. The collection includes height-adjustable, rotating versions with a 'Syncron' mechanism for customizable seating positions, as well as a fixed-height model with an automatic return rotation mechanism. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Poltrona Frau, the esteemed Italian luxury furniture brand founded in 1912, is renowned for its exquisite craftsmanship and timeless designs, offering a range of high-end leather furniture and accessories that blend modern aesthetics with unparalleled quality.
BETTA is a stunning porcelain sculpture that beautifully captures the essence of a fighting fish, renowned for its vibrant colors and graceful, flowing fins. This exquisite piece, crafted by sculptor Raul Rubio, showcases the intricate details and delicate mother-of-pearl hues of the fish, brought to life through the pliability of porcelain. The sculpture weighs 3.5 kg and features a matte finish, making it a perfect decorative accent for any space. Additionally, a 3D file of the product is available for download, allowing enthusiasts to explore its design in greater detail. Lladró, the esteemed Spanish brand behind this creation, has been a global leader in high-end porcelain artistry since its founding in 1953 by the Lladró brothers, known for their exceptional craftsmanship and timeless designs inspired by nature and mythology.
The R11 is a versatile lighting device featuring both direct and swivel functionality, equipped with an integrated LED that offers adjustable beams ranging from narrow to wide, and an electronic driver seamlessly housed within its base. Available in white or anthracite, the device is crafted from durable aluminum and comes in three configurations: narrow beam (4800lm, 3000K, Class A++), medium beam (4800lm, 3000K, Class A++), and wide beam (4800lm, 3000K, Class A++). A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Martinelli Luce, a renowned Italian lighting design company founded in 1950, the R11 reflects the brand’s commitment to innovative, high-quality, and stylish lighting solutions that blend functionality with modern aesthetics.
The "Door" collection features free-standing metal washbasins in various sizes, complemented by solid wood doors that embody warmth, comfort, and timeless elegance. Crafted with ancient cabinet-making techniques updated for contemporary minimalism, the collection includes refined options in solid teak and oak, as well as reclaimed spruce with a raw yet sophisticated aesthetic, alongside minimalist designs in "Prefinito Cemento" and "Calce." Available in 18 Moab colors with custom options upon request, this collection seamlessly blends tradition with modern design. A downloadable 3D file of the product is also available for detailed visualization. Moab, an Italy-based interior design supplier renowned for its modern and contemporary offerings, provides versatile, high-quality furniture and accessories for residential and commercial spaces, catering to a global clientele with a focus on clean lines and minimalist sophistication.
The Osso MC3 is a sleek rectangular table crafted from an ash wood frame, available in seven elegant finishes: natural, black, white, grey, blue, pink, and green. Designed by Ronan & Erwan Bouroullec, this piece reflects Mattiazzi’s unique hybrid production approach, blending advanced CNC technology with refined artisanal craftsmanship. The designers were inspired by Mattiazzi’s commitment to sustainability, as the company uses solar energy to power its operations and sources untreated wood from local forests. The Osso MC3, like the rest of the Osso collection, celebrates the natural beauty of wood, with its sculpted and polished surfaces inviting tactile interaction. The collection, which includes chairs, stools, and tables, is designed to harmonize as a family while allowing each piece to stand out individually. A 3D file of the product is available for download, offering a detailed preview for design enthusiasts. Mattiazzi, an Italian furniture manufacturer founded in 1979 and based in Udine, is renowned for its premium, sustainably crafted wooden furniture that combines modern aesthetics with timeless functionality.
Here’s the rephrased and expanded product description, including the supplier details and mention of the 3D file:
*The Tambour coffee tables, designed in 2012 by Ronan & Erwan Bouroullec, feature a versatile die-cast aluminium structure with a liquid-painted concrete top in a glossy finish, ensuring seamless adaptation to any indoor or outdoor setting—available in both standard and weather-resistant polyester-coated aluminium versions. A downloadable 3D file of the product is also available for further customization and planning. For more details, visit the manufacturer’s page on TAMBOUR by Magis, a renowned Italian design brand celebrated for its innovative, high-quality furniture since 1976.*
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file:
*"Low tables featuring a sleek, modern design, crafted with a frame and top in polished die-cast aluminium for a refined, contemporary look. The 3D file of this product is available for download, making it easy to visualize in your space. For additional details, refer to the manufacturer’s listing on TAMBOUR by Magis—a renowned Italian design brand known for its innovative, high-quality furniture and home accessories since 1976."*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*The 36e8 system redefines modular storage with its customizable sideboards, offering endless possibilities in size, shape, and color to seamlessly blend with any interior style. Whether as monolithic units or deconstructed compositions, these pieces can be suspended or floor-standing, enhanced with all-glass modules or wall panels for added versatility. Crafted with precision, the design features an original aluminium filigree with a 45° angle construction, refined door profiles, and interior lacquering, complemented by premium materials like colored glass, XGlass, or Wildwood—showcasing exceptional craftsmanship. The 36e8 collection now expands with new glass modules, integrating effortlessly with painted or Wildwood storage units. These standalone elements require no wall mounting, introducing lightness and dynamic reflections to any space. A 3D file of the product is available for download, enabling seamless planning and visualization. For further details, refer to the manufacturer’s product code: 36E8 - 0474 | Highboard Lago.
Lago, a pioneering Italian design brand since 1976, is renowned for its innovative, modular furniture that blends functionality with contemporary aesthetics.*
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*The Week-End is a sleek, modern garden high table crafted entirely from durable, powder-coated aluminium, featuring an anti-UV, grained matte finish for exceptional outdoor resilience—ideal for coastal or garden settings. Designed in 2017 in collaboration with BrichetZiegler studio, this piece is part of a versatile collection characterized by framed oval plates and clean lines, blending functionality with timeless aesthetics. The entire range is built to withstand water, salt, and UV exposure, using eco-friendly, VOC-free coatings. Complementing the square and rectangular tables in the collection, the Week-End chairs (with or without armrests) can be paired with matching cushions for added comfort. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization. Petite Friture, the French design house behind this collection, is known for its innovative, contemporary furniture and collaborations with top-tier designers.*
(Note: The supplier description is condensed into one sentence while retaining key details.)
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
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**DJEMBÉ 65.35/42.21** is a sculptural LED pendant lamp crafted from rotomolded polyethylene, blending striking design with functional illumination. Part of the Djembé collection, it transforms ceilings into dynamic compositions of light, available in multiple sizes and vibrant hues (White, Grey, Red, or Sky Blue) for solo or grouped installations. Designed by Joan Gaspar, its bell-shaped form features a textured, stone-like exterior for a bold visual weight, while the smooth white interior optimizes light reflection—ideal for large contract spaces. The rotomolding technique ensures durability and a unique duality of finishes. Dimmable and energy-efficient, it offers a skylight effect, with versions spanning 41.6 cm to over 1 meter in diameter. A **3D file of the product is available for download**, aiding seamless integration into architectural plans.
*Supplied by Marset, a pioneering Spanish lighting brand renowned for merging innovative design with sustainable practices since the 1940s, their fixtures elevate residential and commercial spaces worldwide.*
**Details:**
- **Materials:** Bi-injected polyethylene shade (stone texture outside, satin white inside), aluminum diffuser.
- **Dimmable:** Yes (TRIAC/DALI options).
- **Sizes & Specs:**
- **Djembé 42.21:** Ø 41.6 x H 225.6 cm | 33.8W LED | 4037lm.
- **Djembé 65.35:** Ø 64.6 x H 239.6 cm | 22.4W LED | 2933lm.
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**Product Description:**
The **Bali coffee table** embodies essential design and natural inspiration, perfectly complementing the armchairs and sofas from the same collection with its low-profile 27 cm height, fostering a relaxed and cohesive aesthetic. Crafted from certified plantation teak wood, its natural finish highlights the simplicity and richness of raw materials, seamlessly blending into outdoor settings—from home gardens to hotel terraces. The solid teak structure is weather-resistant and UV-protected, ensuring durability. Part of the **Bali collection**, which includes sofas, armchairs, bergères, and coffee tables, this piece combines lightness and robustness with clean, minimalist lines to create inviting lounge spaces. The accompanying cushions feature removable, customizable outdoor fabrics and are padded with Dryfeel® foam for all-weather comfort. A **3D file of the product is available for download**, allowing for detailed visualization and planning.
**Supplier Description:**
Varaschin, a renowned Italian outdoor furniture brand since 1969, combines innovative design with premium craftsmanship to create elegant, durable furnishings for residential and commercial spaces.
For more details, visit [www.varaschin.it](http://www.varaschin.it).
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The **Typography Vela Gantry** is a modular metal ceiling lamp designed for limitless creativity, allowing you to mix and match its components to craft unique lighting expressions. Featuring a versatile rail system with seven distinct luminaires—**Globe 60, Globe 85, Globe 110, Amid, Eclipse 75, Eclipse 110, and Eclipse 150**—each can be flexibly positioned and individually controlled for infinite configurations. Available in pendant, chandelier, or wall arrangements, the luminaires offer customizable plate finishes (black anodized, golden anodized, white, red, blue, yellow, or custom) and stem finishes (black anodized or white), all mounted on a sleek black rail.
With integrated **4W LED** delivering **300 lumens** of warm **2700K CRI90** light, the Vela Gantry combines elegance and functionality, boasting an **IP20** rating and a long lifespan of **55,000 hours (L70)**. Inspired by celestial forms, the collection’s planetary spheres and eclipse-like discs create a striking interplay of light and shadow, evoking the Vela constellation. Designed as part of the **Typography Series by Studio Truly Truly and Rakumba**, this lighting system supports both curated compositions and bespoke designs, making it a standout piece for modern interiors.
A **3D file of the product is available for download**, enabling seamless integration into design plans.
*Rakumba, a Melbourne-based lighting specialist with over 50 years of expertise, is renowned for its innovative, high-quality designs tailored for residential, commercial, and hospitality spaces.*
For further details, contact the manufacturer directly.
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Bianco Carrara, Michelangelo’s material of choice, is your classic veined white marble. A sculptor’s starting block and builder’s foundation, this marble conjures up centuries of history and use. Originating from Italy’s Carrara region, the cool-white coloring can be seen from a distance covering the mountains (easily mistaken for snow-capped peaks). Produced from one of the oldest working quarries, Bianco Carrara meets the needs of traditional to contemporary design. Our versatile, ultimate classic.
Vinyl sheet flooring is more resilient, comfortable and realistic-looking than ever. Choose from three distinct performance levels, each with a different balance of durability and comfort to fit your lifestyle and budget. Then choose the look you love — we offer dozens of modern and stylish options.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
With its universal and simple design, Top Pendant is a contemporary reinterpretation of the archetypical cone-shaped pendant. Its top is a striking feature designed to neatly fit its compact LED light source. Manufactured in spun steel with a graphic rolled hem, it is a versatile lighting family that offers an array of opportunities in color, size and function.
The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.
Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.
Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.
Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.
FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).
Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and
a textile cord, the Mist pendant lamp is available in two sizes.
Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.
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