The The key advantage with this range is that it can be laid on an uneven substrate, meaning that The range is available in The main advantage with this PVC plank lies in its rigidity, and it will not budge an inch if you try to bend it. The rigid design ensures that planks are resistant to the deformation that can be caused by the effects of time and heat. The planks are an ideal solution, planks are 100% recyclable and phthalate-free as part of the brand's determination to protect the environment. As with all Gerflor products, this range features an A+ rating for its indoor air quality performance with very low fine particulate emissions. Choosing Gerflor vinyl planks and tiles is not just good for the environment, but also for your health. Their chemical resistance means that they can be cleaned with eco-friendly household products and soap. To keep your Gerflor floor in pristine condition for years to come, remember to protect chair and furniture legs to avoid any risk of scratches.The designs in this collection come with a 15-year guarantee. x 1250 mm,
With a selection of 15 superior quality finishes reflecting the latest trends sweeping the home interior market, the TopSilence Design range features 4D The acousticGerflor TopSilence Design can beWhen it comes to cleaning Gerflor TopSilence Design, do not be intimidated by its authentic wood design! These snap-together PVC planks combine all the advantages of a PVC floor with the benefits of a laminate floor. This 9.5 mm-thick hybrid floor covering comprises several layers, including a This acoustic floor covering also contains a resilient core for absorbing ambient noise and ensuring TopSilence Design planks and tiles are certified by the FSC ecolabel, which guarantees that the wood used in their construction is sourced from sustainably managed forests. As such, this collection remains true to Gerflor'sTheir chemical resistance means that they can be cleaned with eco-friendly household products and soap.The designs in this collection come with a 12-year guarantee. 229 x 1235 mm or 298 x 620 mm;
Made of 98% natural (bio based and mineral) and 76% rapidly renewable materialsUp to 40% recycled contentProduct certified by many eco-labels including Blue Angel,M1 and FloorscoreExclusive Neocare™ surface treatment : best in class micro scratch and stain resistance, easy maintenance, no emissionsHygienic properties : antibacterial activity (EN ISO 22196) and antiviral activity (ISO 21702)Range of 5 coloursFire rating Bfl-s1 ( EN13501-1)
Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.
Joyn 2 Touchdown tables are designed for temporary use: the user has quick and easy access to power and data options, while screens provide acoustic and visual privacy for focused tasks. Joyn 2 Touchdown can be configured with table top lengths from 200 to 900 cm (in one-metre increments), in sitting or standing-height variants, on glides or on castors. Furniture with castors promotes dynamic work methods in the office, while variants with glides ensure that electrification cables can be concealed in the table legs.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Cat is an ornamental ceramic figure with a peaceful presence that goes beyond the decorative to communicate a deep sense of contentment.
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
For over two decades, the Vitra Design Museum has been crafting meticulously detailed miniature replicas of iconic furniture designs, encapsulating the evolution of industrial furniture design from Historicism and Art Nouveau to Bauhaus, Radical Design, Postmodernism, and contemporary styles. These miniatures, scaled to one-sixth the size of their original counterparts, faithfully reproduce every detail, from construction and materials to color and even the natural grain of wood, making them both prized collector’s items and valuable educational tools for universities, design schools, and architects. A 3D file of the product is also available for download, offering a digital perspective on these timeless designs. Vitra, the Swiss family-owned company behind this collection, has been a pioneer in furniture design since 1950, renowned for its innovative, functional, and aesthetically timeless creations, often developed in collaboration with legendary designers like Charles and Ray Eames and Verner Panton.
The Vitra Design Museum has been crafting meticulously detailed miniature replicas of iconic furniture designs for over two decades, encapsulating the evolution of industrial furniture design from Historicism and Art Nouveau to Bauhaus, Radical Design, Postmodernism, and contemporary styles. Each miniature, scaled to one-sixth the size of the original, faithfully reproduces every detail, from construction and materials to color and even the natural grain of wood, making them highly sought-after collector’s items and valuable educational tools for universities, design schools, and architects. A 3D file of the product is also available for download, offering further versatility for design enthusiasts. Vitra, the Swiss family-owned company behind this collection, has been a pioneer in furniture design since 1950, renowned for its innovative, timeless creations that blend functionality with aesthetics, crafted in collaboration with legendary designers like Charles and Ray Eames, George Nelson, and Verner Panton.
The AAC 153 chair combines functionality and modern design, featuring a five-legged castor base with a 14 cm height-adjustable gas lift, available in polished or powder-coated aluminum finishes. Its high backrest and generously padded seat, upholstered in a variety of fabric or leather options, ensure comfort and versatility for corporate, public, or private settings. The shell is crafted from 10 mm injection-molded polypropylene with 10% glass fiber, while the seat cushion is made of 20-50 mm molded polyurethane foam for added comfort. A 3D file of the product is available for download, allowing for detailed visualization and planning.
HAY, the Danish interior design company behind this product, is renowned for its contemporary, high-quality furniture and accessories, blending minimalist aesthetics with functionality since its founding in 2002.
The Loop Stand Table, designed by Leif Jørgensen, is a sleek and highly functional piece of furniture that embodies a clean, minimalist aesthetic, making it a versatile addition to both corporate and private spaces. Part of the Loop Stand series, this table features a distinctive three-legged trestle design, securely attached to the tabletop with screws, and is available in various heights and finishes to suit diverse settings. Options include tabletops with grey or black linoleum paired with ash veneer edges, or a white laminate top with a raw plywood edge, all supported by a durable 30 mm powder-coated steel frame. The table also includes felt pads for added stability and protection. For those interested in customization or detailed planning, a 3D file of the product is available for download.
HAY, the Danish interior design company behind this product, was founded in 2002 and is renowned for its contemporary, high-quality designs that blend functionality with modern aesthetics. Collaborating with both established and emerging designers, HAY offers a diverse range of furniture, lighting, and accessories, making their products accessible and appealing to a global audience.
Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The Amsterdam is a versatile wooden storage unit by Bontempi Casa, available in two heights (72 cm or 83 cm), with customizable configurations including doors, drawers, baskets, or open shelves to suit varied storage needs. A downloadable 3D file of the product is available for detailed visualization. For additional specifications, refer to the manufacturer’s product page for AMSTERDAM by Bontempi Casa—an esteemed Italian design brand renowned for its high-quality, contemporary furniture since 1963.*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"The Old Mazandaran Gelim 2 is a rectangular wool rug from the Heritage collection, which features archaic Luri and Ghashgha’i flatweaves alongside rare ‘modernist’ Mazandaran designs—once obscure but now celebrated in Parviz Tanavoli’s seminal work, ‘Undiscovered Minimalism.’ Reza Zollanvari has curated exceptional examples of these gelims, including unique double-sided pieces, blending tradition with striking contemporary appeal. A downloadable 3D file of this rug is available for visualization. Crafted by Zollanvari, a globally renowned Iranian brand since 1903, this piece reflects their legacy of exquisite handmade carpets and rugs, merging heritage artistry with modern design sensibilities."*
(Note: I condensed the supplier details to one impactful sentence while retaining key brand credentials. Let me know if you'd like further refinements!)
This artisan series of tiles owes its beauty to the use of authentic glazes. The tiles look playful due to the use of subtle color nuances and thus create a special whole. The shape of the GLAZE tile invites you to play with patterns; vertical, off-set, herringbone or diagonal.
Piet Boon’s passion for concrete is reflected in the CONCRETE tile series. For this series, the studio created exclusive ceramic tiles that exactly mimic the natural propertions of concrete. The tiles show no repetition of pattern, making them indistinguishable from the real thing.
The SAND tile is an elegant tile with a natural look and earthy color. This is due to the use of authentic glazes that are given a playful effect through the application of subtle color nuances. The tiles fit seamlessly into the characteristic color palette of the entire Piet Boon collection. SAND tile is ceramic; a hard, heat-resistant, waterproof, hygienic and maintenance-friendly material. This tile is beautiful on the floor as well as on the wall. The SAND tile is suitable for use in bathrooms but can also be used in the kitchen.
The TINY CONCRETE is a playful mosaic version of the CONCRETE series. The collection reflects the natural properties of concrete and shows no repetition of pattern, making each tile unique and indistinguishable from the real thing. Combining the two formats creates a harmonious whole. Moreover, the subdued color tones of this tile seamlessly match the characteristic color palette of the entire Piet Boon collection. The TINY CONCRETE tile is available in several colors and of course offers the proven practical properties of ceramics.
GIANT tile is a tile series in a large format. Each GIANT tile is characterized by subtle shade nuances that emphazise its natural origin. The colors fit seamlessly into the characteristic color palette of the entire Piet Boon collection. This tile can be used both separately and in combination with the other tiles. GIANT tile naturally offers the proven practical characteristics of ceramics: hard, strong and hygienic.
Unexpected softnessAs in a synaesthesia, the surface comes alive and becomes a multi-sensory narrative, arising from an evocative connection with organic matter.Archaic gestures are transformed and evolved through contemporary interpretations, suggesting endless possibilities for everyday environments. The transformation process is thus sublimated into a totally innovative proposal that generates new emotions and traces a timeless dimension.
Unexpected softnessAs in a synaesthesia, the surface comes alive and becomes a multi-sensory narrative, arising from an evocative connection with organic matter.Archaic gestures are transformed and evolved through contemporary interpretations, suggesting endless possibilities for everyday environments. The transformation process is thus sublimated into a totally innovative proposal that generates new emotions and traces a timeless dimension.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
Simply sophisticatedBreathe, stop, imagine. Aptitude for subtraction to leave space for light and stillness, in tune with the elements of nature. Sensations of lightness, measured gestures, amplified perceptions: emotions flow fluidly and the free gaze embraces interior landscapes marked by balance. The surfaces alternate and chase each other with a gentle rhythm, in a pure atmosphere.
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
The new classicStone materials are back in the spotlight once again in the Prestigio collection: top-class natural marble from the most renowned quarries in Italy and Europe whose typical nuances of colour and original veining patterns – sometimes delicate, others more marked – are enhanced by the lapping that gives a beautifully polished finish. The collection is thus the expression of classic style given an elegant modern twist thanks also to the large 120×240, 120×120, 75×150 and 60×60 size. See also: white bathroom tiles
Contemporary emotionThe collection expresses the peculiarities of limestone through a careful aesthetic elaboration: we enriched the surface with calibrated graphic signs, such as light veins and delicate fossil inclusions, which mingle with the nuances and chiaroscuro of the background. The proposal thus acquires a discreet and contemporary image, which makes it suitable for minimal and urban style projects as well as elegant and prestigious settings.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
A way back to colorSize 6×24 cm (23/8″×97/16″), glossy finish, intense colours: eclectic and super-contemporary attitude for the Halo wall tiling, which alternates light and dark halos, including pinholes, has irregularities especially near the edges. Surface variability, a glazed effect, and bold tones help define a dynamic proposal that reflects light, creating compositions with a strong decorative impact. The collection is versatile in emphasising architectural volumes and furnishing elements, designing scenic backdrops that enrich different residential environments and give personality to retail and Ho.Re.Ca. premises.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
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vescom
auckland - 7071.28
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vescom
harding - 7070.07
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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vescom
cyprus - 7038.15
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vescom
lindau - 7028.01
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vescom
lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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vescom
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