Thanks to her sophisticated shell construction, Ella makes for a remarkably supple swivel chair – both at home and in public spaces. In addition to this sleek original, we now also welcome Ella Soft to the table. With its padded interior and subtle tone-on-tone stitching, this easy chair meets the current demand for more softness. The option to choose a different fabric or leather upholstery for the interior and exterior offers surprising combination possibilities.
Trapezoidal, Type of installation: Installation, Seamless acrylic panel, White, Sanitary acrylic, Number of backrests: 1 Right, Incl. support frame, Overflow: Yes, Waste outlet position: Middle, Overflow position: Middle, Capacity: 170 l, Internal depth: 460 mm, Height with panel: 600 mm Design by EOOS
The Eel Lounge chair was born out of the idea of making a sculptural and timeless chair. A piece that gives a soul to the room, both visually and conceptually. The curvy shape takes inspiration from the image of an eel, swimming in the ocean. The base is Penylon, a material developed in collaboration with Ocean Tech Hub. Penylon is made of recycled fishing net mixed with rest products from the stone industry. The chair is made by order through 3d-printing in Sweden.
This toned down design is so versatile, it matches every interior style. It’s lightly grained and the wooden pattern softly changes throughout the design. It has sleek and elegant written all over it.
For the first time in the Luceplan catalogue, Farel introduces an iconic dome structure, a neutral geometric form proposed in sound-absorbing thermoformed material with outer fabric cladding. The lamp can be personalized thanks to a combination of colors of the shade, ranging through cool, warm and neutral tones for the outside, combined with dark or pale hues for the inside.
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Mi 06681 Reading deskReading desk for Jetson with arms. The arm and plate are individually adjustable in height and angle. Arm and mecanism of chromium plated steel. The arm can be released and folded away without changes in other settings.Can be retrofitted. Suitable for books or reading tablets. i Göteborg. I denna anda finns en uppföljare som komplement till fåtölj Jetson 66. Läsbordet kan eftermonteras och är lämpligt för såväl böcker som läsplatta.Armen och läsbordet är var för sig steglöst justerbara i höjd och vinkel. Med ett enkelt handgrepp kan armen frigöras och vikas undan utan att övriga inställningar ändras. Utförande i förkromat stål
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners.
Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying.
The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate.
The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
BETTA is a stunning porcelain sculpture that beautifully captures the essence of a fighting fish, renowned for its vibrant colors and graceful, flowing fins. This exquisite piece, crafted by sculptor Raul Rubio, showcases the intricate details and delicate mother-of-pearl hues of the fish, brought to life through the pliability of porcelain. The sculpture weighs 3.5 kg and features a matte finish, making it a perfect decorative accent for any space. Additionally, a 3D file of the product is available for download, allowing enthusiasts to explore its design in greater detail. Lladró, the esteemed Spanish brand behind this creation, has been a global leader in high-end porcelain artistry since its founding in 1953 by the Lladró brothers, known for their exceptional craftsmanship and timeless designs inspired by nature and mythology.
The R11 is a versatile lighting device featuring both direct and swivel functionality, equipped with an integrated LED that offers adjustable beams ranging from narrow to wide, and an electronic driver seamlessly housed within its base. Available in white or anthracite, the device is crafted from durable aluminum and comes in three configurations: narrow beam (4800lm, 3000K, Class A++), medium beam (4800lm, 3000K, Class A++), and wide beam (4800lm, 3000K, Class A++). A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Martinelli Luce, a renowned Italian lighting design company founded in 1950, the R11 reflects the brand’s commitment to innovative, high-quality, and stylish lighting solutions that blend functionality with modern aesthetics.
The "Door" collection features free-standing metal washbasins in various sizes, complemented by solid wood doors that embody warmth, comfort, and timeless elegance. Crafted with ancient cabinet-making techniques updated for contemporary minimalism, the collection includes refined options in solid teak and oak, as well as reclaimed spruce with a raw yet sophisticated aesthetic, alongside minimalist designs in "Prefinito Cemento" and "Calce." Available in 18 Moab colors with custom options upon request, this collection seamlessly blends tradition with modern design. A downloadable 3D file of the product is also available for detailed visualization. Moab, an Italy-based interior design supplier renowned for its modern and contemporary offerings, provides versatile, high-quality furniture and accessories for residential and commercial spaces, catering to a global clientele with a focus on clean lines and minimalist sophistication.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"The Italian-Danish design duo GamFratesi reinforces their significance in Porro’s collection with the Kite Sofa, an essential yet striking piece that blends sculptural elegance with timeless appeal. Inspired by the organic form of a seashell, the sofa’s enveloping silhouette exudes warmth and sophistication, making it a comforting anchor in any living space. Meticulous craftsmanship shines through its refined details—balanced proportions, precise thicknesses, and the graceful curve of its tubular frame, which wraps around the upholstered interior like a tailored haute couture collar. Combining artisanal finishes with subtle vintage influences, the Kite Sofa is a contemporary design statement that transcends trends, perfect for homes that embrace both modernity and heritage. A downloadable 3D file of the product is available for further exploration. For additional details, visit Porro’s official resources.*
*Porro, a celebrated Italian design brand since 1925, is renowned for its minimalist, high-end furniture and innovative storage solutions, crafted with impeccable Italian artistry."*
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Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*"HIMACS is the perfect choice for bathrooms, combining a striking aesthetic with a water-resistant, non-porous surface that is both hygienic and effortless to maintain. The material’s seamless design allows for stunning, integrated applications—from sleek washbasins and countertops to expansive wall cladding, creating the illusion of a single, fluid piece. The range includes a variety of sinks and washstands, with the option for custom-made solutions to suit any design vision. A 3D file of the product is available for download, enabling precise planning and visualization. For more details, refer to the manufacturer’s product code CB4232 | Washbasin HIMACS.
HIMACS, a premium solid surface supplier headquartered in Seoul, South Korea, is renowned for its high-end, customizable materials used in residential and commercial interiors worldwide."*
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**Product Description:**
Bedroom A by String Furniture is an elegant and space-saving wall-hung bedside table, offering ample storage with its 50 cm height and 30 cm depth. The set includes a sleek two-pack wall panel (Art. SW5030) and a functional two-drawer cabinet (Art. LH5830, 58W x 30D x 42H), combining practicality with minimalist Scandinavian design. A downloadable 3D file of the product is available for precise planning and visualization.
**Supplier Description:**
String Furniture, a renowned Swedish design brand since 1949, is celebrated for its timeless, modular storage solutions and high-quality craftsmanship.
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*The Week-End is a sleek, modern garden high table crafted entirely from durable, powder-coated aluminium, featuring an anti-UV, grained matte finish for exceptional outdoor resilience—ideal for coastal or garden settings. Designed in 2017 in collaboration with BrichetZiegler studio, this piece is part of a versatile collection characterized by framed oval plates and clean lines, blending functionality with timeless aesthetics. The entire range is built to withstand water, salt, and UV exposure, using eco-friendly, VOC-free coatings. Complementing the square and rectangular tables in the collection, the Week-End chairs (with or without armrests) can be paired with matching cushions for added comfort. For designers and enthusiasts, a downloadable 3D file of the product is available for planning and visualization. Petite Friture, the French design house behind this collection, is known for its innovative, contemporary furniture and collaborations with top-tier designers.*
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**Product Description:**
Inspired by the rich textures of the Far East—luxurious silks, delicate cashmeres, and the timeless elegance of mid-century décor—this collection blends vintage charm with contemporary abstract art. The designs feature bold geometric patterns, iridescent hues, and organic motifs like leaves and blossoms, evoking the beauty of nature and the allure of distant lands. Perfect for modern galleries and stylish interiors, these wall coverings transform spaces with their prism-like radiance and sophisticated compositions. A 3D file of the product is also available for download, allowing for seamless visualization and integration into design projects.
**Supplier Description:**
GLAMORA, a renowned Italian interior design brand founded in 2010, specializes in premium wall coverings known for their innovative designs and superior craftsmanship.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"Memories and emotions come alive as the traveler’s mind wanders through the countries and places they’ve explored—marble patterns from Milan’s grand entrances, the delicate shimmer of silk kimonos, the rhythmic crests of ocean waves, and the intricate geometry of oriental rugs, all blending into a vibrant collage of fleeting snapshots. After all, the world’s streets always surprise with their endless inspiration. This design, part of the AGUA SECRETA collection by GLAMORA, is also available as a downloadable 3D file for seamless integration into your projects. GLAMORA, a renowned Italian interior design brand since 2010, specializes in premium wall coverings that fuse innovation with luxury, offering timeless elegance for residential and commercial spaces."*
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**Product Description:**
The **Jaro** is a stylish and functional trestle-based swivel fabric chair with armrests, designed for both comfort and dynamic movement. Its sturdy metal inner frame ensures durability, while the high-quality seat and back fabric provide a luxurious feel, supporting up to 130 kg. The chair features a patented **Moover rotating function**, which promotes healthy sitting by engaging back muscles and allowing a smooth 360° rotation for easy sitting and standing. The built-in return spring ensures the chair always resets to its original position, keeping spaces tidy.
Available in multiple finishes, including **black powder-coated, smoky brown powder-coated, matte polished stainless steel, and anthracite powder-coated**, the Jaro blends seamlessly into various interiors. The glider base comes standard in black plastic, with felt glides available as an upgrade.
Customization options include **fixed fabric or leather covers** with tone-on-tone or contrast piping, and different back heights can be mixed and matched for a personalized look. A **3D file of the product is available for download**, making it easy to visualize in different settings.
**Supplier Description:**
Christine Kröncke Interior Design, a prestigious German-based supplier, is celebrated for its innovative, high-end furniture and bespoke interior solutions, combining modern aesthetics with exceptional craftsmanship.
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**Product Description:**
The *Basket Chair* by Gaber features a sleek PU-FLEX upholstered shell and a durable metal-polymer co-injected frame, blending comfort with cutting-edge design. Inspired by traditional wicker baskets, its elegant interplay of solid and open elements creates a striking yet refined aesthetic, making it a standout piece for any setting. Versatile enough for both indoor and outdoor use, it seamlessly transitions from conference rooms to lounges, offices to hospitality spaces. For added comfort, an optional removable cushion—upholstered and non-slip—introduces a tactile contrast between soft fabric and sleek plastic. A 3D file of the chair is available for download, enabling seamless integration into design projects.
**Supplier Overview:**
Gaber is a renowned Italian design brand celebrated for its innovative, high-quality furniture since 1983.
Here’s the rephrased and expanded product description with a concise supplier overview and mention of the 3D file:
*"The Sailor collection—featuring a chair, barstool, and lounge—reimagines traditional weaving by combining ancient cellulose cord techniques with sleek metal frames, creating a distinctive aesthetic inspired by fishermen’s nets and coastal elements. Crafted from 100% eco-sustainable and recyclable materials, including weather-resistant polyester nautical ropes and steel, these stackable pieces are built for durability and low maintenance, ideal for both indoor and outdoor use. Designed with the future in mind, Sailor emphasizes easy component separation for recycling, addressing the growing demand for sustainable goods. A 3D file of the product is available for download, offering flexibility for designers and architects. Produced by Tonon, a renowned Italian design brand since 1926, the collection reflects their legacy of blending innovation with timeless craftsmanship."*
(Note: The supplier description is condensed into one sentence while retaining key details about Tonon’s heritage and expertise.)
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
**Step Soft** is an elegantly upholstered chair available in premium leather or fabric, drawing inspiration from the classic Step design. Its organic-shaped shell features a self-supporting frame injected with colored "soft touch" integral foam, contouring to the body for exceptional comfort and a plush seating experience. The chair rests on a sleek sled steel base, offered in black or white, and boasts upholstery options like vintage Ecoleather or sumptuous premium soft leather. With its versatile and ductile design, Step Soft seamlessly adapts to diverse settings—from formal workspaces to cozy home environments. The harmonious blend of classic and contemporary fabrics and leathers allows for a customizable aesthetic, ranging from refined elegance to vibrant modernity. For added convenience, a 3D file of the product is available for download, enabling seamless integration into design projects.
**Supplier Overview:** Tonon, a renowned Italian design house since 1926, is celebrated for its premium furniture craftsmanship and innovative aesthetics. Explore their collection at [www.tononitalia.com](http://www.tononitalia.com).
*Further details available from the manufacturer on STEP SOFT UPHOLSTERED by Tonon.*
Bianco Carrara, Michelangelo’s material of choice, is your classic veined white marble. A sculptor’s starting block and builder’s foundation, this marble conjures up centuries of history and use. Originating from Italy’s Carrara region, the cool-white coloring can be seen from a distance covering the mountains (easily mistaken for snow-capped peaks). Produced from one of the oldest working quarries, Bianco Carrara meets the needs of traditional to contemporary design. Our versatile, ultimate classic.
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A wide range of product from furniture to finishes to meet the desire of all designers.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.