PRODUCT DESCRIPTION
Christmas decoration in decorated porcelain.
SUPPLIER: ALESSI
TYPE: STYLING
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A wide range of product from furniture to finishes to meet the desire of all designers.
The Five Seasons
alessi > Styling
Leaf fragrance diffuser in porcelain. Leaves in mahogany wood. Brrr.
The Five Seasons
alessi > Styling
Leaf fragrance diffuser in porcelain. Leaves in mahogany wood. Brrr.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Freyr
leolux > Chair
Designer Erik Munnikhof and Leolux have combined the classic curved tubular frame with contemporary comfort to create the Freyr dining armchair. The chair has a sprung seat that's the hallmark of the 'freischwinger' style and gives you the delightful experience you expect from a Leolux.
Tam Tam
marset > Ceiling lamp
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.
The W
marset > Ceiling lamp
Unfold the light or fold it. The latest from PerezOchando is a flexible, large-format lamp designed to adapt to the different lighting requirements in large spaces.A large black vertical structure is the main shaft from which a number of rods emerge; some can be moved upwards to expand the light and others downwards to focus it. The rods all have a suspended spotlight that projects the light downwards or in a large, sharp beam. The cylindrical spotlights – with an inner ring that comes in ivory, terracotta or gold – spread the light evenly. This decorative light, with an extremely graphic profile that’s easy to outline, takes its inspiration from an old-fashioned winding machine: used to wind thread or wire around an axis and form a ball. Designers Pedro Ochando and Claudia Pérez have no interest in the machine’s function, rather in its shape, which enables vertical movement with a horizontal effect. A light, sober and functional design with great presence that can change shape, opening to extend the light up to a diameter of 2 metres for large spaces, or folding up to 1.2 metres in diameter to focus on a smaller area. The designers say that standing under the open lamp feels like being below a dome of light. The key feature is that, whatever its size, it always provides exceptional ambient lighting.
Bohemia
marset > Ceiling lamp
The Bohemia is unique. At first glance, it appears to be made of blown glass—but its size made this option untenable. Its designer, Joan Gaspar, overcame this difficult challenge by opting for polycarbonate instead.The result is an exciting, organic, translucent profile that integrates two volumes into a single shape. This allows for a large shade in different colors that don’t interfere with the interior, which is always white, giving of impeccable lighting with no color bleed. When it’s on, the Bohemia shines a white light downward, while also enhancing the shade with subtle hues and shadows. This interplay between shadow and light defines the two volumes. The Bohemia is bright and striking, with an exceptional light that aims to surprise all viewers.
Ginger
marset > Ceiling lamp
Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood, paper and resins pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.This collection has been expanding over time to provide a solution to different lighting needs: different sizes for the suspension, tabletop (including the portable version) and floor models, two wall versions with a movable arm, and four wall lamp sizes that are simple yet formal and that can be combined with one another. The Ginger is also available in metal, offering the same warm, reflected light with no glare that helps highlight spaces. This material is applied to some models in the collection with different finishes: brushed brass, black or white on the outside, and brushed brass or white on the inside. A lighter, more refined, almost sculptural option. With these two highly diverse materials –wood and metal– the Ginger turns into a versatile collection, rounding out the circle and offering a lamp for every lighting and decorating need.
Hazy Day
marset > Ceiling lamp
Hazy Day is the outcome of a delicate study of light and how it diffuses, inspired by that time of day when the sun has not yet come up and the light of the sky is filtered through the haze. As a hanging lamp, the opal glass ball fades from a sandy matte to a shiny transparent finish at the small curvature that rounds out the lampshade. This detail breaks up the essential geometry of the sphere and harkens back to the technical procedure of glassblowing, the technique used to craft it.From certain vantage points, the downward-shifted position of the bulb and the bottom curvature generate a provocative sense that there is a double source of light.
Ihana
marset > Ceiling lamp
The serene shapes of the Ihana trace out a silhouette of light. This lighting system consists of several opal blown glass diffusers that are pleasing to the eye, appear ductile and contrast with the firmness of the metal structure that determines its shape and fastens it to the ceiling.In an effort to offer ambient light for any classic or contemporary interior design project, this collection can be used to create light compositions. This is made possible by its structure, which can be extended to include 14 diffusers, connected to a single point of light. It is available in different sizes to illuminate spaces with high ceilings as well. In addition, the Ihana features dim to warm technology, which allows not only regulating the intensity of the light, but also its colour temperature, which can vary from a warm white (3000K) to an ultra warm white, simulating candle light (1800K). Often, a design is born of necessity. Ihana, which means “exquisite” in Finnish, is one of them. Its creator, the architect Joanna Laajisto, moved her studio to a 19th century building in Helsinki and couldn’t find any lamps that fit in with her new office. In search of the beauty of light, she created a sculptural lamp defined by its pure, almost graphic forms, and by the balance between rigidity and fragility. Ihana is a synthesis of contrasts that combines contrasting colours, the black metallic structure and white diffusers, and nuances of old and new. A contemporary and timeless design made by its creator to endure over time and become part of those stories in which no one remembers what year it was designed.
Maranga
marset > Ceiling lamp
Distributing the light to make rational use of lighting. The design of the Maranga consists of a shade made up of 32 interspersed pieces that allow fine chinks of light to escape and generate shadows on any nearby wall or surface. In the centre at the bottom, an opening fitted with a diffuser filters the direct light which is projected downwards.It has a unique shape and emits a warm, nuanced light without any glare.
MVV
marset > Ceiling lamp
The MVV story begins in the 1970s. This new suspension lamp is a first, and was designed by Manuel Valls Vergés, one of Spain’s most notable architects at the time and partner of Jose Antonio Coderch for 15 years, alongside whom he undertook such prominent projects as the Ugalde house, near Barcelona. The MVV name reflects Vergés’ initials, as a way of displaying his authorship of this unique lamp. That was the desire of his grandson, also an architect, and of his partners in the Two-bo studio. Pablo, María and Alberto rescued this lamp 45 years later.Marset, acting as a bridge in time, took the original design —an octagon with overlapping sheets— and updated it by giving it a dual skin: cherry wood on the outside of the sheets and a white colour inside to enhance the light quality. The measurements are the same as the original’s —45 cm— and the interior structure, which was originally made of iron, is now polycarbonate, which makes it lighter. Through the use of wood, the MVV yields an exceptionally warm light. An understated, rational and eminently geometric lamp —the MVV is like a construction site, in which the direct, down-facing light is complemented by indirect light that filters through the sheets. A design that, though timeless, reflects the constructive logic of that period and evokes a great many memories.
Piola
marset > Ceiling lamp
How does one design a light that translates the playfulness of an endlessly spiraling ribbon? The Piola collection is about imitating this fluidity of infinite movement, in search of a balance between the diffusion of light and the creation of shadows.A central metal column holds more than 5 meters of spiraling, laminated band, enveloping, protecting, and sifting the light for beauty and comfort. Several different types of light coexist here: direct downward light, indirect reflected light, and a light that sneaks between the edges of the spiral, illuminating the fixture itself with a warm, homey glow. The fixture’s spiraling form breaks with the monotony of cleanly ordered lines, offering a different face from every angle. At the same time, the central column provides a symmetry and solidity that supports and reinforces the visual movement of the screen.
Scotch Club
marset > Ceiling lamp
The warmth of the Scotch Club’s ceramics contrasts with the angles of the shade. This design follows a careful artisanal production process in which its shade is kiln-fired four times. But the Scotch Club collection isn’t just defined by ceramics. The different enamels created especially for this collection – white, terracotta and black for the outside and the brilliant white enamel or 24-carat liquid gold finishes for the inside – provide colour and texture.This original design draws geometric sculptures and is available in pendant, wall and small ceiling light versions.
Vetra
marset > Ceiling lamp
At first glance, Vetra could be no more than a traditional, old-fashioned, blown-glass lamp, but turning it on yields a surprise. Joan Gaspar uses a completely closed glass diffuser as a reflector, and creatively places the light source outside -instead of inside- the shade. The Vetra gives off more light than one would expect, without glare. Much of the light is directed downward, and the rest is filtered toward the inside of the shade, subtly illuminating it.Like an echo multiplying the light, when it’s on, its entire outline is drawn out and seems to come alive. This collection is offered in different diameters (20, 32 and 43 cm) in white and amber, a color that emphasizes even more its relationship with the light. A contrasting layout in which the lamp proper becomes more visible and its light – sheltered by these tones – warmer.
Zenc
marset > Ceiling lamp
The Zenc’s design is inspired by the water tanks on New York rooftops. With this in mind, Gaspar has created a contemporary form reminiscent of industrial aesthetics.A shade 44 cm in diameter and 28 cm high surrounds the light source. On the outside its texture enriches the volume, and generates surprise… It seems to be made of metal, specifically zinc, a material traditionally linked to storage tanks, and like tanks, even the joints stick out. However, it is produced in rotomoulded bi-layer polyethylene. Its interior is covered in a white layer so that the light bounces, emanates and catches the eye. And that’s where the contrast is created: the outside is available in several colours – blue, grey, off-white, red, pale pink and pale yellow – while the inside is always white. A simple design reminiscent of a circular house, an archetype of essential shapes that also work in combination with each other, in different heights and colours, to offer multiple lighting possibilities. Walking around New York means looking up, wanting to discover where the skyscrapers end. On his last trip to this city, Joan Gaspar looked around the rooftops of New York and there, seeing the water tanks, he found the shape for this new design. A unique element that forms part of the city’s skyline. Water tanks have been a sign of New York’s identity since the beginning of the 19th century, and not only are they still there, but, surprisingly enough, they are also still installed, performing the same function.
Tam Tam
marset > Floor lamp
Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including silver-grey and olive yellow.Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.
Cala Metal
marset > Floor lamp
The beauty exuded by the Cala stems from its simple, synthetic and essential form: a shade that embraces the light without containing it, letting it escape to yield very warm lighting. Its structure has always been made of wood, and now it’s also available in a black lacquered metal. An iconic Marset design defined by that most valuable pairing: form and function.The new Cala with a metal stand is even more sophisticated: a structure that is easier on the eyes, and is lighter. Both versions speak the same language: the proportions, the harmony, the cosy light, and now with two different finishes to offer more possibilities. This collection is expanding, and this new metal edition provides a more neutral and versatile version.
Copérnica
marset > Floor lamp
When moving the Copérnica lamp, you feel the sensation of weightlessness. As if levitating, its weight is barely noticeable. It moves through space precisely, with no friction or resistance.Circles, semicircles, tubes, and bars of different diameters, materials, and weights…with the combination of these primary elements the Copérnica collection constructs geometric sculptures of light, establishing an intimate relationship with space and combining functionality with the beauty of pure lines. This collection consists of a table and floor lamp, as well as a separate torchier-style floor lamp, all of which use mixed materials of different densities, such as aluminum and steel, to create a unique counterweight system. This structure affords great precision when moving the lamp, reaching different heights and distances to adjust the position and direction of the light beam. Copérnica draws minimalist sculptures in the space as if it were a canvas, and is offered in different finish combinations with subtle chromatic pairings.
Ginger
marset > Floor lamp
Wood is a great ally of cozy lighting. It is a material that is hard to mold, a challenge that the Ginger collection neatly resolves. The combination of sheets of wood and paper pressed together under high pressure achieves a laminate that appears almost entirely flat, which discreetly lights up spaces with indirect light.
Mystone Travertino
marazzi group > Wall tile-stone-brick
Stone Effect Porcelain Stoneware Classico, Navona and Silver: three colours – light beige, light grey and cream – are matched with three patterns to reproduce types of stone that differ in appearance and feel, with two decor options – Classic and Botanic. Three mosaics and four sizes – 90x180, 60x60, 60x120 and 30x60 cm – are ideal for juxtapositions and contrasts between colours and geometric effects, covering the floors and walls of modern, elegant spaces. Two finishes, one softer and warmer and the other more glossy and sophisticated, highlight marble’s expressive potential, allowing new design possibilities for the most classic of materials.
3D WALL DESIGN DUNE - White-paste 3D Wall Cladding _ Atlas Concorde
Atlas Concorde > Paneling
**Product Description:** The **3D Wall Design Dune** by Atlas Concorde captures the natural elegance of wind-sculpted sand dunes, transforming spaces into serene wellness retreats. These three-dimensional ceramic surfaces feature sinuous, natural reliefs that create harmonious light and shadow effects, enhanced by strategic lighting, making them perfect for damp areas like bathrooms. The satin-finish tiles, available in shades like White Matt, Sand Matt, and Night Matt, evoke warmth and sophistication, while the White Glossy finish adds a luminous touch. With textures like Ribbon, Dune, Grid, and Wave, these tiles combine functionality with striking design, ideal for both residential and commercial spaces. Additionally, a downloadable 3D file of the product is available for design visualization. **Supplier Description:** Atlas Concorde, a globally renowned Italian brand founded in 1969, specializes in high-quality ceramic and porcelain tiles, offering innovative designs that blend craftsmanship with sustainability for residential and commercial projects worldwide.
APP SOLUTION - Single washbasin with overflow _ Ceramica Flaminia
Ceramica Flaminia > Sanitary accessories
The App Solution is a sleek, wall-hung basin featuring a single-hole tap ledge and an overflow, available in elegant colors such as White Carbone and Milky White. Designed with the philosophy of making sophisticated design and beauty accessible to all, this product line combines functionality with aesthetic appeal, offering back-to-wall and wall-mounted sanitary ware that caters to diverse needs while maintaining a high standard of formal and aesthetic research. The collection includes toilets equipped with the innovative, ultra-quiet Gosilent flushing system, ensuring a serene bathroom experience. Additionally, a 3D file of the product is available for download, allowing for seamless integration into design projects. Ceramica Flaminia, the esteemed Italian supplier behind this collection, has been a leader in high-quality ceramic bathroom fixtures since its founding in 1955, renowned for its modern, minimalist designs and premium craftsmanship.
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Silent Vase
muuto > Styling
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Avail Coat Rack
muuto > Styling
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
Story Pinboard
muuto > Styling
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
Dots Ceramic
muuto > Styling
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
Jellies coat hangers (2 pieces)
kartell > Styling
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
Shanghai
kartell > Styling
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
Matelasse'
kartell > Styling
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
Jelly
kartell > Styling
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
All saints
kartell > Styling
Round mirror with a transparent or coloured frame, with a unique pleated effect.
H-45 Red Heart
Elica Studio > Styling
H-45 Red Heart Material Porcelain, glaze Finishing Matte Sizes (cm) 24X26X17 Weight (g) 1150 Designed in 2017 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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