In this creation by Antonio Citterio, a tubular steel base opens up into a slender, sophisticated structure upon which the fabric-upholstered padded shell rests, as if floating on air. Leather upholstery with hand-stitched legs and armrests makes this creation a perfect example of Cassina’s attention to detail.
The separation between the loadbearing metal structure and the cushions, reminiscent of the architectural relationship between the concrete skeleton and the in-fill paneling, is consistent with the principles of rationalism.
The separation between the metal structure and the cushions is consistent with the principles of Rationalism, just as the separation between the parts is based on an industrial approach to production, reminiscent of the architectural relationship between the loadbearing structure and the in-fill elements.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Designed by Patricia Urquiola, Moncloud is an extremely elegant, versatile sofa, studied to rethink upholstered furniture design with an eye to circularity. The wood structure lifts the upholstered parts off the floor, lending the entire sofa the lightness and softness of a cloud. The fabric upholstery envelops the contours of the sofa, creating a distinctive fold that enhances the beauty of its silhouette. The backrest cushions, instead, are defined by centre stitching that lends a unique, sophisticated aesthetic signature to each module.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
All the structural elements are seamlessly integrated into the whole – made up of seat, backrest and armrests – making Lady a made-in-Italy masterpiece, awarded the Medaglia d'Oro at the IX Triennale di Milano in 1951.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Designed for ease of conversation, the armchair was exhibited in 1929 at the Salon d’Automne in Paris as the archetype of the modern concept in furnishings, interpreted by its authors as “household equipment”.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
Over the years, Cassina has worked very closely with Charlotte Perriand, her daughter Pernette and the Fondation Le Corbusier to introduce new versions and finishes that, while reinterpreting the original design, remain faithful to its authenticity.
In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified.
In 1974, Charlotte Perriand collaborated in the first reworking of the original, in one size only, with chrome finish. Over the years, the finishes have been expanded and the sizes modified.
The extruded aluminum base allows the pieces to be arranged in a broad array of configurations that, given its clean lines, make it ideal for contemporary interior design.
The spacious seat, high backrest and upholstered armrest are shaped to create an enveloping effect, further accentuated by the soft, down-wrapped padding.
A sectional floor sofa that offers various backrest and seat options to be used as stand-alone sculptural elements or to pair in ample arrangements; add design ottomans and coffee tables for decorator flair.
The generous padding that envelops the seat, armrests and backrest of the settee signals an immediate sense of comfort. Tied to the history of Chandigarh, the Indian city designed by Le Corbusier in the 1950s, the family of furnishings – which, in addition to the small sofa, includes the equally iconic armchair – pays tribute to Pierre Jeanneret, a key figure in the creation of the city and considered the author of many pieces of its furniture.
The pleat on the front and back of the backrest-armrest, encases a zipper that extends to the base, and the gros-grain piping around the sofa seat cushions announce its luxury and artisan heritage.
The sofa possesses the elegance and powerful, bold lines of the original design but aims for a more minimalist design, doing away with the padded side cushions in both the two-seat and three-seat sofas.
The Esosoft collection comprises eight modules that can be used as individual sofas or combined to form L-shaped sofas, ensuring the utmost flexibility in configuring living spaces. Benches, ottomans and a series of coffee tables complete the family.
A material approach that sculpts the pieces like chunks of ice, combines flexibility and support through the optimized relationship between the elastic webbing and the empty spaces in the foam.
Design brilliance, business insight and made-in-Italy artisan craftsmanship shine in an even more contemporary version that retains the bicycle-chain mechanism to adjust the backrest position.
A deeper seat and more generous proportions for the two-seat sofa, three-seat sofa and armchair, and an accessory down-filled lumbar cushion sized to boost the ergonomic effect.
The unpretentious innovation of the adjustable headrest and the reassuring appearance and simplicity of the soft padding sum up the singularity of this design by Vico Magistretti.
Maralunga 50 maintains intact the innovation of the original model – the headrest that moves to raise or lower the backrest, thanks to a mechanism made from a simple bicycle chain.
The Met family comprises stand-alone and sectional sofas and an armchair, in a product range that also includes a club chair and chaise longue, for relaxing and sharing.
Mex Cube is the intuition that turned into a project. A graceful succession of variations on a theme, in which each shape is purposely designed to keep pace with the rhythms of daily life and conversation.
From stand-alone to corner sofa or sofa with island, the arrangement options are many, thanks to the different-sized bases to which the cushions – filled with 100% recycled fiber developed by – are attached.
Miloe is right at home in any residential setting, thanks to a vast and versatile array of pieces that includes a chaise longue and, with a focus on flexibility, pieces more streamlined in size.
The wide array of pieces includes various lengths and depths, from the two-seat and three-seat sofas to the sofas with chaise longue, as well as easily paired elements, all come complete with backrest with fold-up and down headrest.
An innovative capitonné tufting technique to attach the buttons is featured on the upholstery of all the different pieces, including the extra-large island sofa, equipped with two backrests and table top armrest.
The top is made up of 19 strips of wood and supported on graceful legs; a simple anchoring system allows the sofa seat cushions and those for the backrest to be positioned at any point along the structure.
A vast, complete range of elements facilitates the creation of personalised arrangements, with ergonomic seating and high-quality, eco-friendly materials. The soft cushions of the floor sofa, placed against the backrest, are padded with blown recycled PET fibre, developed thanks to the work of Cassina LAB.
Designed by Patricia Urquiola and inspired by the Japanese custom of the cyclical reconstruction of temples, it is crafted to imbue modern living rooms with a ritual of welcome, physical and mental wellbeing and cordial informality.
In contrast to the soft, padded shapes of the design ottomans, the collection is completed by an industrial style stainless-steel coffee table composed of three pieces welded together.
The idea for this armchair that changed the face of upholstered furniture belongs to Afra and Tobia Scarpa, who designed it in 1969, starting with the new possibilities offered by the forming of polyurethane foam to create an unconventional look of leisure.
The Tramonto a New York design sofa is reproduced larger than the archive model, in a limited series of 50 pieces, and made with sustainable materials developed by Cassina LAB.
The curved three-seat sofa, two-seat sofa and armchair are available in various sizes. On all of them, the weight-bearing structure is made of steel and the upholstery features a zig-zag or blanket-stitch detail.
Thanks to its elegant, timeless aesthetic, emphasized by the blind tufting on the backrest and single seat cushion, it is a versatile addition to any modern living room.
The space-saving size, of both the two-seat (150cm) and the large two-seat (180cm) model, make this contemporary, compact and versatile sofa perfect for the bedroom.
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Number of doors: 1, Without handle, Automatic door hinge with damping, Profile: Chrome, High Gloss, Aluminum, Incl. support frame, Integrated height adjustment, Necessary articles: Hand basin DuraSquare # 073245 Design by Kurt Merki Jr.
Named after the city of trees, Sendai, this line of furnishing pieces consists of a small sofa, an armchair, a lounge armchair and dining and lounge little armchairs. Like slender trunks, the elegant, polished legs, in Canaletto walnut solid wood stained Light Brown, or Licorice lacquered ash, rest on the ground, lifting the enveloping upholstered body and creating a soft rhythm of vertical lines. The possibility of having the armchair, the dining little armchair and the lounge armchair also in the 360° swivel version with return (base in polished Bronze-coloured varnished metal, with sheathed spokes in solid ash with an open-pore Licorice-coloured lacquer, or in solid Canaletto walnut with Light Brown stain) makes the Sendai seats particularly comfortable for both residential and hospitality environments. The compact and well-proportioned silhouette of both the seats and the small sofa, opens up to a new way of using the dining space: as a living room within the living room, a hybrid situation, such as when dinner is served on a large table, while guests meet and socialise round a lounge table. A new, more intimate way of opening up new visual and proportional horizons of the living space, both in homes and in hospitality venues. In 2023, the elegant and airy Sendai family of seats expands, with a new enveloping sofa, a comfortable swivel armchair with armrests and a footstool. The design of the armchair, with its upholstered frame resting on a 360° swivel base with return mechanism, also stems from the desire to have a larger seat whose comfort is ensured by a higher backrest and the presence of comfortable armrests, perfect for ensuring a satisfying sensation of relaxation, especially when used in combination with the footrest.
In this creation by Antonio Citterio, a tubular steel base opens up into a slender, sophisticated structure upon which the fabric-upholstered padded shell rests, as if floating on air. Leather upholstery with hand-stitched legs and armrests makes this creation a perfect example of Cassina’s attention to detail.
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
The Geberit iCon Square wall-hung bidet, crafted from durable vitreous china, embodies a sleek, linear design that combines modern aesthetics with exceptional versatility. Part of the iCon bathroom series, it features subtly rounded inner basins that contrast with its sharp outer geometry, offering a harmonious blend of form and function. This bidet is part of a comprehensive range of ceramics, bathroom furniture, and illuminated mirror elements, all designed for flexible combinations to suit diverse preferences. Enhanced hygiene is ensured with Geberit Rimfree® technology, while the storage concept and adjustable installation heights provide practical solutions for modern bathroom planning. Additionally, a 3D file of the product is available for download, allowing for seamless integration into design projects.
Geberit, a globally recognized leader in innovative and sustainable bathroom solutions, is headquartered in Switzerland and operates in over 40 countries, offering premium-quality products that combine functionality, durability, and contemporary design.
The Owen dining table features a base crafted from wood or a marble plinth, paired with a top made of stained oak veneer available in either a matte or glossy finish, or a lacquered marble surface. It is important to note that the table should not be lifted after the top is secured to the base. For additional details, customers can refer to the manufacturer's information on the Owen table by Meridiani, an esteemed Italian interior design brand renowned for its contemporary furniture and home accessories since its founding in 1996. A 3D file of the Owen table is available for download, allowing customers to visualize the product in their space before purchase.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"This elegant bed features a curved headboard and upholstered sides, available in premium fabrics like Extra Amsterdam or luxurious leather options such as cat. C, Nabuk, Colorata, and Dune. The design is complemented by sleek, matte black legs, offering a modern and sophisticated aesthetic. Note that the orthopaedic slat is not included. For additional details, refer to the manufacturer’s specifications on NUVOLA | Bed Reflex. A 3D file of this product is also available for download. Reflex, a renowned Italian luxury furniture brand since the 1940s, is celebrated for its high-end contemporary designs and impeccable craftsmanship."*
**Product Description:**
A bold and transformative design solution that elevates any space, Inkiostro Bianco’s collection turns walls and surfaces into expressive canvases, blending artistic graphics, nature-inspired motifs, and man-made details to create unique interior statements. The 2014 collection, developed by a dynamic and multidisciplinary team, showcases a fusion of painted and digital artistry, offering endless customization for architecture and interior design. Available in three innovative materials:
- **Vinyl Wallpaper:** Featuring a printable vinyl front and a non-woven fabric (TNT) backing for stability, this easy-to-install and removable option is ideal for walls and furniture.
- **EQ•Dekor Fibra di Vetro:** A revolutionary fiberglass wall covering developed in collaboration with Mapei, offering superior stability, flexibility, and earthquake-resistant properties—perfect for high-traffic areas like kitchens, bathrooms, and floors.
- **Tela® Taffetà:** A durable, high-resistance polyester fabric designed for temporary installations, crafted with a premium 110-thread-per-inch weave.
A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Supplier Description:**
Inkiostro Bianco is an Italian design leader renowned for its artistic wall coverings, offering customizable solutions for residential and commercial spaces since 2010.
Here’s your refined product description with an expanded yet concise supplier overview and a mention of the 3D file availability:
*"The Thomas chair combines a gracefully bent plywood shell with a sturdy solid ash frame, blending the refined elegance of Scandinavian design with subtle Japanese influences. Its timeless form, enhanced by exquisite timber detailing, adapts effortlessly to any interior, offering customizable upholstery options in a palette of natural, carbon-stained, or walnut-stained ash finishes. A 3D file of the product is available for download, allowing for seamless integration into design plans. Crafted by SP01—an innovative Italian design studio renowned for its contemporary, high-quality furniture—the chair reflects their signature fusion of minimalist aesthetics and expert craftsmanship. Explore more at sp01design.com."*
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file:
**SOLODOCCIA SNNiche Separè**
This custom-made shower enclosure features an innovative, patented design with pivot doors equipped with flat hinges and sliding doors that glide on a unique track. Available in standard sizes (30-180 cm or 180-220 cm) or tailored to your needs, it accommodates glass thicknesses of 8 mm and reaches a height of 200 cm with a 2.5 cm extensibility. The design ensures stability through a supporting bar while prioritizing crystal transparency and sleek profile aesthetics. It can be installed directly on the floor or most shower trays, and includes protective elements for added durability. A 3D file of the product is available for download to assist with visualization and planning.
**Supplier Overview:**
MEGIUS, a leading Italian interior design supplier, specializes in high-quality, innovative bathroom solutions, combining modern aesthetics with functionality. Explore their offerings at [www.megius.com](http://www.megius.com).
The Binuance develops colours, material and technology of the Pure Loop family. The sophisticated two-colour shell is obtained from a single polypropylene injection and it is available in seven tone-on-tone versions. The contrast of the two colours of the shell can be emphasised by the wooden leg frame, or by the retro frame.
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Wrap is a soft Lounge Chair with a blanket-like textile wrapped around its shell, allowing a deep sense of comfort with a strong sense of character. While its design is guided by the search for ultimate comfort, its generous shape is supported by a light steel frame creating a contrasting image of airy lightness. The draped upholstery is a result of extensive research and development as well as craftsmanship and knowhow. The Wrap Lounge Chair is simple, yet refined, combining a sense of ease with a strong design language.
Designed with extensive comfort and a modern expression through the vibrant lines and folds of its back and armrests along with an embracing seat, the Doze Lounge Chair join together the ideas of Scandinavian design with the lines of 1970's furniture for a contemporary perspective on the archetypal lounge chair. Use the Doze Lounge Chair on its own or with the Doze Ottoman.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!
The Mimas armchair will put a smile on your face, for two reasons. Firstly because with a little imagination it reminds you of a smile, and secondly because it’s so comfortable and comes with so many practical options.
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
For the Leolux Cream swivel armchair, Studio Truly Truly has combined the loveliest natural materials to create an armchair with unprecedented comfort and elegance. The wooden shell in curved walnut or oak takes centre stage, covered with soft fabric or leather upholstery. The aluminium swivel base gives you even more options to personalise Cream, which can be finished in any colour for the ideal look.
Gerard Vollenbrock ontwierp Scylla met herinneringen aan ‘De Stijl’. Hij voorzag het ontwerp van een schitterend buisframe dat helemaal achter de rug doorloopt en stoere beklede armsteunen. Het zijn de kleine details en de perfectionistische afwerking die zorgen dat dit ontwerp ook na vele jaren gemakkelijk elke toets doorstaat.
This is Lloyd. A beacon of design. Sturdy and yet so inviting. With supple, almost nonchalant upholstery and traditional detailing, like decorative piping that highlights the powerful shape. Lloyd merges two different worlds – the Leolux commitment to comfort, cast in Gino Carollo's distinctive Italian design.
Kikko will surprise you at first glance. Is it a chaise longue? Yes, but this multifunctional piece offers even more possibilities. By slightly lifting the back, it turns 90 degrees left or right. This turns the chaise longue into a comfortable seat with an extra seat next to it.
This design is a reference to the past, inspired by luxury 19th-century hotel interiors. You can see Edward van Vliet's classic style in the armchair and chaise longue. He combines a touch of nostalgia with contemporary comfort, charming curves and elegant details.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
Enzo is an armchair with a very modern and classic Scandinavian design. Here, focus is on simplicity, clean lines, and natural materials. The armchair has an wooden frame, loose soft cushions, and paper cord as an extra design wise detail.
Judi is a cool lounge chair inspired by the early James Bond movies. The chair is named after actor Judi Dench, who plays M. Judi is a glamorous and cool chair with fine, round shapes. The empty space in the backrest makes the design less bombastic and even more elegant.
Oscar is a small and light armchair with attractive curves and contrasts. The shell is wide and framed by the dark piping that set off the simple design of the chair. A cool chair with a rather elegant masculine look.
With Otis the idea was to scale down the look of an old-school armchair to accommodate the small living tendency. This chair fulfills the need for a soft and embracing chair. With its round shape and low height, it looks welcoming and super cute.
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