End Piece S black painted metal - 2d files - 3d files

Azulej by Patricia Urquiola

mutina > Floor tile-stone

Azulej is aimed at re-evaluating the memory of ancient handcrafted majolica and hydraulic cement, experimenting with an innovative printing technique aimed at mass distribution. This tradition – revisited in a contemporary way – is serially produced in a 20x20 cm format. The composition echoes the characteristics of the patchwork technique: an innovative, intentionally random mix and match, which combines abstract designs and unsaturated, neutral, barely consumed colours; colours that attach to the support material in a naturally irregular manner.

Bas-Relief by Patricia Urquiola

mutina > Floor tile-stone

Bas-Relief is a handmade collection where the ancient art of bas-relief becomes the protagonist, by being proposed in four different decorative patterns: three patterns just for wall covering in a 18x54 cm size and one for floor covering in a 26,5x18 cm size. Code is characterized by an austere and refined texture, expressed through a movement that repeats itself on the surface as a code; Patchwork consists of a mix and match of patterns that creates a constantly evolving design; in Garland, the flower element is revised with a contemporary and digital attitude; Cloud, the last one, is airy and light as a cloud, and it creates an abstract and constant design.

Botanica by Tokujin Yoshioka

mutina > Floor tile-stone

With Botanica, Tokujin Yoshioka expresses once again his deep fascination for the natural world, its different characteristics and the poetry of its forms, designing the first Mutina mosaic specially developed for floors. The collection is produced in non-rectified glazed porcelain stoneware, with an innovative digital system for the dry application of glazes.

Chamotte by Patricia Urquiola

mutina > Floor tile-stone

Chamotte – which takes its name from the raw material made of crushed ceramic fragments, embedded in raw clay to strengthen ceramic mixtures – is a project dedicated to pure colour. The collection presents a range of surfaces with an artisanal taste and a tactile texture that enhances the natural beauty of ceramics, suitable for indoor spaces.

Chymia by Laboratorio Avallone

mutina > Floor tile-stone

Chymia evokes the alchemical process of transformation of raw material. The project come to life through the collaboration with Laboratorio Avallone, Milano-based studio led by Gennaro Avallone, whose’s research reaches into the applied arts, drawing on the arts of painting and sculpture to create unique and very special objects of contemporary furnishing. The collection consists of a series that fluctuates between the discipline of graphic design and the expressive gestures of mark-making as well as between the two extremes of black and white, in which symbols and textures are combined to create patterns of light and shadow on the surface. Black and white are never separate but co-exist.

Déchirer by Patricia Urquiola

mutina > Floor tile-stone

Déchirer was a breakthrough in the world of designer tiles. The use of Continua technology allowed to realise large slabs in unglazed porcelain stoneware, modular and single work-size, that can be used both on floors and walls. The bas-reliefs that elegantly cross the surface are barely visible; they are not mere decorations, but represent what remains of torn memories. The colour palette is composed by neutral tones that allow to create changeable spaces, harmonic and enchanting, yet able to keep a contemporary look.

Déchirer XL by Patricia Urquiola

mutina > Floor tile-stone

Déchirer XL comes from the idea of creating a surface inspired by the opacity of cement, always preserving its identity as a ceramic material, revolutionizing the field of designer ceramic tiles. Mutina has decided to celebrate the great success of this collection by re-proposing it in a new XL format, which allows the bas-reliefs to develop on a continuous surface. The Decor version is made in 100x300 cm format and has three colours: Gesso, Grafite and Avana. The slabs are made entirely with a mixture of unglazed porcelain stoneware (UGL) in the smallest thickness available (3 mm with fiber) and are perfectly suited to be used on walls, indoor and outdoor.

Diarama by Hella Jongerius

mutina > Floor tile-stone

Diarama comes from the desire of giving birth to a collection characterised by a wide range of chromatic shades, that come to light spontaneously and randomly by stratifying colours, as it happens in paintings. It’s a study about pure colour, applied on different ceramic basis like a second skin. The collection is made of glazed porcelain stoneware in a single format of 9,4x18,7 cm and is composed by various glazed chromatic references, applied on 7 different matte coloured clay bases.

DIN by Konstantin Grcic

mutina > Floor tile-stone

DIN represents a complete new way of conceiving a modern mosaic. The collection is conceived in a strictly modular logic that allows to play with the elements and offers a wide scope of possible applications, from simple concepts to the most complex ones, demonstrating an almost unlimited flexibility.

Folded by Raw Edges

mutina > Floor tile-stone

Folded is inspired by traditional ceramic patterns that were – and still are – present in the Tel Aviv apartments of the Fifties and Sixties, played on repetition and chromatic alternation. Hence the desire to reproduce the effects of folded paper on a material such as ceramics, respecting the material characteristics and making use of specific peculiarities such as the possibility of melting it into unexpected shapes and outlines, creating elements in a single 60x60 cm format characterized by a palette of neutral and delicate tones.

Folded XL by Raw Edges

mutina > Floor tile-stone

Folded XL reproduces the effect of the folded paper of the original collection, but on large-size slabs – 100x300 cm with a thickness of 5,6 mm – suitable for floor and wall coverings, for indoors and outdoors. This new version is made entirely of an extra-white porcelain stoneware mixture, without the use of enamels and dyes.

Fringe by Michael Anastassiades

mutina > Floor tile-stone

Fringe – ornamental border made of threads or strips – is the first collection designed by Michael Anastassiades for Mutina. It is a tile divided into a series of parallel segments of two widths, directly engraved onto the surface. The pronounced grout spacing forms a “brick like” design and can be woven into multiple patterns through a simple interplay of a change in orientation. The result is a series of seamless carpets with or without borders which demarcate spaces, perfectly adapting to each environment.

Kosei by Vincent Van Duysen

mutina > Floor tile-stone

With Kosei – which means composition in Japanese – Vincent Van Duysen proposes a range of ceramic surfaces developed with pure and tactile materials, inspired by lava rocks such as obsidian and volcanic glasses, which are homogeneous, amorphous and with exceptional hardness. The end result is a timeless design conceived for “grand” architecture, characterised by extreme versatility thanks to the 8 formats and 5 colours that can be matched to create infinite combinations with a progressively decorative taste.

Mater by Patricia Urquiola

mutina > Floor tile-stone

Mater – name that comes from materia, matter in Italian, which recalls the earth used to realise the neutral bases of the collection – is a project where glaze becomes the true protagonist, being applied with an innovative glazing technique which allowed for the creation of a tactile effect with great visual impact. It is an industrial collection able to convey the same sensations of an artisanal product, suitable for residential and commercial spaces, indoor and outdoor.

Mattonelle Margherita by Nathalie Du Pasquier

mutina > Floor tile-stone

With Mattonelle Margherita, Mutina has worked with colour, along with the artist Nathalie Du Pasquier, creating a complex project featuring a blend of different aesthetic and formal means of expression. The collection is characterised by a dual concept: on the one hand, a simple, minimalist style and, on the other, a courageous, creative approach. The elements are created in glazed porcelain stoneware, deepening into a careful research about the glazes, in order to identify the most reactive, so as to give a bright, vibrant finish to the satin-effect surface.

Mews by Barber & Osgerby

mutina > Floor tile-stone

Mews, a term referring to the narrow alleys in London's historic centre with their unique and picturesque aesthetic, is inspired by urban landscape, history, and textures of the English capital. These details merge, creating pleasantly vibrant geometric compositions. The collection is the result of a long experimentation on colour, which led to the creation of a palette of nine shades: Chalk, Fog, Pigeon, Lead, Ink, Soot, Green, Light Blue and Pink, each of which is further divided into over 15 different tones, imparting a sense of depth and movement to the surfaces.

Phenomenon by Tokujin Yoshioka

mutina > Floor tile-stone

Phenomenon stems from the desire to incorporate natural phenomena and the laws of nature into a contemporary design project, not simply for reproducing their aspect but to evoke an emotion. The collection reminds of different expressions of natural patterns such as honeycombs, snowflakes, sticks of ice, plant cells, evoking memories of natural sceneries and individual experiences of the natural world. With the new edition of Phenomenon, the range is enriched with 3 new colours – Blu, Rosa and Verde – which join the 4 historical ones – Bianco, Grigio, Fango and Nero –, each of which is offered on all the available elements: Honeycomb A, Honeycomb B, Rock, Air, Wind, Rain A, Rain B e Rain C. The range also includes the new Phenomenon Glossy: the Honeycomb B, Rock and Rain A modules have been chosen to experiment the glossy finish for the first time, featuring the Bianco, Nero, Oro and Argento shades. The extremely small size of the tesserae has made it necessary to set up a new production process that combines industrial and craft approaches with the objective of making the finish stand out as much as possible.

Pico by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

While developing Pico, we have worked on defining a regular-irregular texture, declined in two surfaces: Down, with sunken dots, and Up, with elevated dots. To add dynamics, we also decided to use colours such as red and blue, applied as little dots in the hollow or as a base. With the new edition of Pico, the colours Blanc and Gris are joined by Argile, realised with the same materials and technology of the already existing variants, and Pico Satin which is obtained by using CONTINUA technology and a satin atomised glaze, that allow to get surface of absolute whiteness, soft and pleasant to the touch.

Primavera by Barber & Osgerby

mutina > Floor tile-stone

Primavera represents the contrast between the natural element and the artificial world, translated into ceramic. The designers have reproduced a slab that resembles a natural element with all its irregularities, perceptible to sight and touch, by throwing small coloured ceramic inserts in a completely random way, thus creating a unique and always different texture. Produced in unglazed porcelain stoneware, the tiles are available in sizes 120x240 cm, 120x120 cm and 60x60 cm and consist of five basic colours: Bianco, Grigio, Verde, Blu e Nero. With all its variations, delicately complementary and visually contrasting, the shade rage gives the interiors a modern and refined atmosphere.

Punto by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Developed from the concept that inspired Pico collection, Punto is a three-dimensional decorative element that can be used only on walls. The pattern is characterised by big sunken dots (Down) or elevated dots (Up) and finds its highest expression when used on large surfaces. Depending on how light hits the elements, they create unexpected chiaroscuro effects that enliven interiors. Both the Up and Down options are available in a single size of 4x31.5 cm, provided on meshes of five pieces each. The palette presents five colours in Matt finish (White, Grey, Red, Green and Blue) and five in the Glossy one (Blanc, Gris, Rose, Vert and Brun), which is obtained by applying a transparent, polished and bright glaze.

Puzzle by Barber & Osgerby

mutina > Floor tile-stone

Puzzle represents the freedom of giving birth to endless random combinations by pairing up graphic patterns with a modern and contemporary aesthetic, thus maximising the possibility of customisation of the interiors. It’s an unprecedented collection that allows to lay the elements (available in the size 25x25 cm) both horizontally and vertically, on floors and walls, following regular and abstract patterns. The colour combinations create refined effects, more or less intense, all along the surfaces, that communicates with the architecture and space elements.

Rombini by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Rombini is a journey made of ceramic vibration. The collection presents two different modules of great chromatic strength, that can be combined to give the interiors an architectural aesthetic: Losange, which recalls a contemporary mosaic and can be used on both floors and walls, and Triangle, a three-dimensional element specifically developed for walls. On the occasion of the new edition, the already existing variants Triangle Large and Small are joined by the new Extra Small format in the size 2x31.5 cm, as well as by a new Glossy finish in the colours Blanc, Gris, Rose, Vert and Brun, declined on the entire range.

Tape by Raw Edges

mutina > Floor tile-stone

Tape reproduces the illusion of rolls of colourful patterns that rest on the raw tiles, creating different settings and various atmospheres thanks to the vast number of possible combinations. The design consists of a first slight, almost imperceptible pattern on the base tile that evokes the chalky effect of the surfaces of the carreaux-ciment, and a range of eight patterns – that can be easily combined thanks to the base tiles, one white and one black – all in the five shades of the range: white, blue, green, brown and black. Tape is suitable for both floor and wall tiles, for indoor and outdoor use.

Teknotessere by Mutina Team

mutina > Floor tile-stone

Teknotessere represents modernity and simplicity, in the form of ceramic elements. The collection is made of small 1x1 cm tiles, geometric and essential, in five sober and refined colours: Bianco, Cemento, Nero and Fango. The minimalism of Teknotessere allows for it to be easily complimented with other Mutina collections in the same evironment, thus creating unique and unprecedented atmospheres.

Tex by Raw Edges

mutina > Floor tile-stone

Tex is a re-interpretation of textile textures, entirely ceramic. The shape of the tiles consists of a simplified enlargement of the basic knitted stitch and can be arranged in three main patterns, each of which can be declined in eight different colours: a mix inspired by the design of textiles, which re-creates the feel of the different tones of the yarn.  The production of Tex enhances the variety of the textures, the authenticity of colours and the quality of the glaze that, once applied on the surface, gives birth to irregular and more or less saturated light effects.

Tierras by Patricia Urquiola

mutina > Floor tile-stone

Tierras came about from the Mediterranean artisanal tradition and focuses on the concept of sedimentation, in order to create a collection where the elements seems to come from earth, marked by the hand of a man and the time passing by. It’s a re-interpretation of traditional craftsmanship, where different kind of terracotta and clays, chromatically matching with each other, combine and mix, enriching and softening the black base of recycled ceramics on which they deposit.

Time by Barber & Osgerby

mutina > Floor tile-stone

Time was conceived to commemorate a decade of collaboration between Mutina and Barber and Osgerby. It serves as an exploration of the natural weathering processes, where the recurrent actions of water and wind gradually erode and refine surfaces, shaping landscapes and evolving rugged features into sleek forms.

Bloc by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Bloc is a terracotta brick produced with the artisanship extrusion process. It’s a three-dimensional element conceived to build architectural and decorative structures. It features a Natural version and a palette of four shades – Pearl, Blue, Red and Grey – declined in both Matt and Glossy finishes. The glazed matt modules are obtained by using some paints from Mutina Accents, while the glossed ones came about from the application of a bright transparent ceramic glaze.

Brac by Nathalie Du Pasquier

mutina > Floor tile-stone

Brac is a brick exclusively designed by Nathalie Du Pasquier. It is a three-dimensional element in the size of 12.5x22x10 cm, imagined as versatile component for the creation of all sorts of structures and walls, where unexpected interplays of light and shadow come alive. Realised in extruded terracotta, the bricks that characterise the collection are real design elements that can be installed both vertically and horizontally, in residential and public interiors.

Celosia by Patricia Urquiola

mutina > Floor tile-stone

Celosia is a new take on the artisanal production process typical of terracotta with the aim of giving birth to imperfect and tactile elements that come from earth, marked by the hand of man and time passing by. Roof tiles, bricks, hollow bricks and partition walls are undone, unstructured and re-interpreted in a new way, keeping the traditional touch given by the handcrafted production. Aesthetically unique and extremely functional design elements are thus created, in the 20,5x26,5x10 cm nominal size. They allow limitless solutions for indoors and outdoors, in both commercial and residential spaces.

Hives by Konstantin Grcic

mutina > Floor tile-stone

Hives features one single module: an hexagonal brick handcrafted in extruded terracotta, an ancient material of which it preserves colour, texture and properties. It is a functional 3D element with an organic geometry, available in the size 13x22,5x7 cm.

Jali by Patricia Urquiola

mutina > Floor tile-stone

Jali – form of decoration typical of the Indian architecture, composed by perforated rocks with an ornamental motif, translated as grid – is a simple and functional terracotta brick with delicate shapes, conceived to build structures and decorative furnishings of various kind. The collection features a three-dimensional element in the size 24x12x24 cm, produced by extrusion, available in three colours: Neutro, the natural version, Nero and Bianco, with a glossy finish.

Mistral by Barber & Osgerby

mutina > Floor tile-stone

With Mistral, Mutina continues its research on three-dimensional elements, abandoning what is the classic perception, in favor of a contemporary and innovative project. The collection was born from a reminiscence of the ancient architecture typical of the Italian countryside, from which the designers drew inspiration to design extremely innovative and highly functional elements. Mistral is composed of a single terracotta module handcrafted for casting, geometrically refined and proportioned, available in 12,5x25,5x12,5 cm sizes.

Renga by Vincent Van Duysen

mutina > Floor tile-stone

Renga – a term used in Japanese culture to indicate a traditional form of poetry characterised by the alternation of long and short stanzas that can be literally translated as «chain poetry» – is the three-dimensional element designed by Vincent Van Duysen for Mutina, conceived as a brick with which to create partition walls, but also as a decorative object in its own right.

El Lobo by Patricia Urquiola

mutina > Accessories

El Lobo is the result of the intuition of Patricia Urquiola: a single continuous line that traces the profile of a wild and free wolf howling at the moon. It’s a strongly symbolic animal, an expression of vitality, instinct and nature, characteristics which the designer has associated with Mutina’s own spirit and creative journey.

Yama by Vincent Van Duysen

mutina > Accessories

In Japanese language, yama means mountain. This is how Vincent Van Duysen calls the new project forming part of Mutina Editions, an ode to the strength of nature and its transforming force. The architect has taken inspiration from the pebbles which, carried by the current of rivers flowing from the highland peaks to the valley, are shaped into soft, sensual shapes.

Paesaggi by Nathalie Du Pasquier

mutina > Accessories

Paesaggi provides a range of artistic objects designed for interior decoration: three models declined in three colour options with a glossy finish, for a total of 9 unique pieces. The elements are composed of a 10 cm thick base – squared in the size 40x40 cm, rectangular in the size 40x60 cm and rounded with a diameter of 40 cm – on which a composition of geometric shapes come to life. These components present rich hues – black, white, green, red, yellow and pink –, used individually for the variants in solid colour or combined with each other in the polychrome ones.

Rombini Vases by Ronan & Erwan Bouroullec

mutina > Accessories

With Rombini Vases, Mutina adds a new, significative collaboration within the world of auteur interiors. The ceramic vases, designed by Ronan and Erwan Bouroullec and produced in collaboration with Bitossi, are made to be paired with the collections of the brand as well as providing new stimuli for interior decoration.

Rivington Tables by Barber & Osgerby

mutina > Accessories

Rivington Tables derives its name from the Rivington Bar & Grill Restaurant in London. Situated in close proximity to Edward Barber and Jay Osgerby’s studio, this establishment quickly became a favourite meeting spot with the Mutina team. The project celebrates not only the infinite expressive potential of ceramics but also a decade of collaboration with the company.

The Cylinder Glass by Laboratorio Avallone

mutina > Accessories

The Cylinder Glass is the first limited edition project by Mutina, that came about from the synergy with Laboratorio Avallone. It is the result of a specific research focused on a new material, glass, and takes shape in the furnaces of Murano.

End Piece S black painted metal

mutina > Styling

Black metallic element to close the baseboard Skirting S.

Policroma Valtoce

florim > Wall tile-stone-brick

Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.

SIPS - Cordless LED polycarbonate table lamp _ Marset

marset > Table lamp

**Product Description:** The **Sips portable lamp** embodies ingenious minimalism with a decisive purpose—to craft an intimate, distinctive glow, whether indoors or outdoors. Its understated, timeless design features a small opaque shade that directs light precisely onto the table without overwhelming the space. The wider base ensures stability, while the touch switch offers three adjustable light intensities. Available in two elegant finishes—warm white with a silver stem and dark brown with a gold stem—it seamlessly blends into culinary and leisure settings. Cable-free, lightweight, and effortlessly mobile, the Sips lamp enhances restaurants, bars, terraces, and patios with unobtrusive, atmospheric lighting. A **3D file of the product is available for download**, making it ideal for designers and architects. **Lighting Specifications:** - **Light source:** LED SMD 2.2W, 1.5A, 2700K, CRI90, 327lm - **Battery life:** 5h (peak), 10h (half power), 20h (quarter power) - **Charging time:** 10h (5V DC 1.5A adapter not included) **Supplier Description:** Marset is a renowned Spanish lighting brand celebrated for its innovative, contemporary designs that merge functionality with aesthetic elegance. Would you like any further refinements?

ATLANTIS J01 - Brass chains and metal structure plated pendant lamp _ TERZANI

terzani > Ceiling lamp

**Product Description:** Inspired by the unparalleled expertise of Terzani’s master artisans, the *Precious Project* transcends traditional lighting, transforming it into a breathtaking work of art. Combining rare materials, time-honored craftsmanship, and advanced technology, this collection redefines Italian luxury with its exquisite, heritage-inspired designs. The *Atlantis* chandelier captivates with its dynamic, organic presence, featuring hundreds of hand-draped nickel chains that shimmer like flowing water, cascading over polished nickel bands in a mesmerizing play of light and movement. Meticulously crafted by Italian artisans using nearly three miles of chain, this piece exudes opulence and artistry, available in an elegant champagne finish. For designers and enthusiasts, a downloadable 3D file of *Atlantis* is available for seamless integration into projects. **Supplier Description:** Terzani, a Florence-based luxury lighting brand since 1972, blends artisanal tradition with avant-garde design, creating sculptural masterpieces that redefine illumination.

TIERRAS INDUSTRIAL RUST - Porcelain stoneware wall/floor tiles _ Mutina

mutina > Wall tile-stone-brick

**Tierras** is crafted from homogeneous porcelain stoneware using the innovative *Continua* technology, a modern dry-pressing production system that minimizes water waste, making it an environmentally conscious choice. The tile features a dual-layer composition: a base layer of recycled ceramic scraps in a deep black hue, topped with a vibrantly colored sediment layer that creates rich, earthy tones intensified by the dark foundation. Inspired by Mediterranean craftsmanship and the concept of sedimentation, this collection blends cutting-edge technology with artisanal tradition, offering four harmonious, naturally inspired colors that seamlessly complement each other. The surface showcases a striking interplay of textures, with six variations of lava, terracotta, and clay subtly revealing glimpses of the recycled black base. A 3D file of the product is available for download, allowing for precise design integration. **Supplier:** *Mutina*, an Italian pioneer in ceramic innovation, collaborates with renowned designers to create high-end, artistic surfaces that redefine contemporary interiors. For further details, visit **TIERRAS INDUSTRIAL RUST** by Mutina.

DIEU DANSEUR WPN 107 - Panoramic wallpaper with floral pattern _ Spaghetti Wall

Spaghetti Wall > Wallpaper

**DIEU DANSEUR WPN 107** is a luxurious panoramic wallpaper featuring an intricate floral pattern, meticulously customized to fit your wall dimensions with millimeter precision—like a bespoke tailored suit. Available in a variety of high-quality materials, each option enhances the design uniquely, with special finishes requiring expert adaptation by **Spaghetti Wall**, a renowned Italian interior design supplier known for innovative and stylish decor solutions. Choose from premium options like **SABLÉ** (textured vinyl with vibrant colors), **NATURAL** (eco-friendly cellulose with FSC certification), **ORO GLOSSY** (iridescent PVC-treated polyester), **GLASS SYSTEM** (durable, water-resistant fiberglass), **WHITE SOUND** (sound-absorbing fibreglass), or **WOOD TOUCH** (warm wood-effect finishes). A 3D file of this design is also available for download, allowing for virtual previews or custom modifications. Perfect for creating immersive, artistic spaces inspired by nature, culture, or pop art, this wallpaper transforms interiors into extraordinary environments. Explore more at **[Spaghetti Wall](https://spaghettiwall.it/it)**.

Balance

calicowallpaper > Wallpaper

– Panel pricing– Non-repeating mural– Class A fire-rating– Four-week lead time– International shipping

Silent Vase

muuto > Styling

A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.

Avail Coat Rack

muuto > Styling

Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.

Story Pinboard

muuto > Styling

The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.

Dots Ceramic

muuto > Styling

The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.

Jellies coat hangers (2 pieces)

kartell > Styling

The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.

Shanghai

kartell > Styling

A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.

Matelasse'

kartell > Styling

The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.

Jelly

kartell > Styling

The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.

All saints

kartell > Styling

Round mirror with a transparent or coloured frame, with a unique pleated effect.

H-45 Red Heart

Elica Studio > Styling

H-45 Red Heart Material Porcelain, glaze Finishing Matte Sizes (cm) 24X26X17 Weight (g) 1150 Designed in 2017 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.