Moss Satin - 2d files - 3d files

Azulej by Patricia Urquiola

mutina > Floor tile-stone

Azulej is aimed at re-evaluating the memory of ancient handcrafted majolica and hydraulic cement, experimenting with an innovative printing technique aimed at mass distribution. This tradition – revisited in a contemporary way – is serially produced in a 20x20 cm format. The composition echoes the characteristics of the patchwork technique: an innovative, intentionally random mix and match, which combines abstract designs and unsaturated, neutral, barely consumed colours; colours that attach to the support material in a naturally irregular manner.

Bas-Relief by Patricia Urquiola

mutina > Floor tile-stone

Bas-Relief is a handmade collection where the ancient art of bas-relief becomes the protagonist, by being proposed in four different decorative patterns: three patterns just for wall covering in a 18x54 cm size and one for floor covering in a 26,5x18 cm size. Code is characterized by an austere and refined texture, expressed through a movement that repeats itself on the surface as a code; Patchwork consists of a mix and match of patterns that creates a constantly evolving design; in Garland, the flower element is revised with a contemporary and digital attitude; Cloud, the last one, is airy and light as a cloud, and it creates an abstract and constant design.

Botanica by Tokujin Yoshioka

mutina > Floor tile-stone

With Botanica, Tokujin Yoshioka expresses once again his deep fascination for the natural world, its different characteristics and the poetry of its forms, designing the first Mutina mosaic specially developed for floors. The collection is produced in non-rectified glazed porcelain stoneware, with an innovative digital system for the dry application of glazes.

Chamotte by Patricia Urquiola

mutina > Floor tile-stone

Chamotte – which takes its name from the raw material made of crushed ceramic fragments, embedded in raw clay to strengthen ceramic mixtures – is a project dedicated to pure colour. The collection presents a range of surfaces with an artisanal taste and a tactile texture that enhances the natural beauty of ceramics, suitable for indoor spaces.

Chymia by Laboratorio Avallone

mutina > Floor tile-stone

Chymia evokes the alchemical process of transformation of raw material. The project come to life through the collaboration with Laboratorio Avallone, Milano-based studio led by Gennaro Avallone, whose’s research reaches into the applied arts, drawing on the arts of painting and sculpture to create unique and very special objects of contemporary furnishing. The collection consists of a series that fluctuates between the discipline of graphic design and the expressive gestures of mark-making as well as between the two extremes of black and white, in which symbols and textures are combined to create patterns of light and shadow on the surface. Black and white are never separate but co-exist.

Déchirer by Patricia Urquiola

mutina > Floor tile-stone

Déchirer was a breakthrough in the world of designer tiles. The use of Continua technology allowed to realise large slabs in unglazed porcelain stoneware, modular and single work-size, that can be used both on floors and walls. The bas-reliefs that elegantly cross the surface are barely visible; they are not mere decorations, but represent what remains of torn memories. The colour palette is composed by neutral tones that allow to create changeable spaces, harmonic and enchanting, yet able to keep a contemporary look.

Déchirer XL by Patricia Urquiola

mutina > Floor tile-stone

Déchirer XL comes from the idea of creating a surface inspired by the opacity of cement, always preserving its identity as a ceramic material, revolutionizing the field of designer ceramic tiles. Mutina has decided to celebrate the great success of this collection by re-proposing it in a new XL format, which allows the bas-reliefs to develop on a continuous surface. The Decor version is made in 100x300 cm format and has three colours: Gesso, Grafite and Avana. The slabs are made entirely with a mixture of unglazed porcelain stoneware (UGL) in the smallest thickness available (3 mm with fiber) and are perfectly suited to be used on walls, indoor and outdoor.

Diarama by Hella Jongerius

mutina > Floor tile-stone

Diarama comes from the desire of giving birth to a collection characterised by a wide range of chromatic shades, that come to light spontaneously and randomly by stratifying colours, as it happens in paintings. It’s a study about pure colour, applied on different ceramic basis like a second skin. The collection is made of glazed porcelain stoneware in a single format of 9,4x18,7 cm and is composed by various glazed chromatic references, applied on 7 different matte coloured clay bases.

DIN by Konstantin Grcic

mutina > Floor tile-stone

DIN represents a complete new way of conceiving a modern mosaic. The collection is conceived in a strictly modular logic that allows to play with the elements and offers a wide scope of possible applications, from simple concepts to the most complex ones, demonstrating an almost unlimited flexibility.

Folded by Raw Edges

mutina > Floor tile-stone

Folded is inspired by traditional ceramic patterns that were – and still are – present in the Tel Aviv apartments of the Fifties and Sixties, played on repetition and chromatic alternation. Hence the desire to reproduce the effects of folded paper on a material such as ceramics, respecting the material characteristics and making use of specific peculiarities such as the possibility of melting it into unexpected shapes and outlines, creating elements in a single 60x60 cm format characterized by a palette of neutral and delicate tones.

Folded XL by Raw Edges

mutina > Floor tile-stone

Folded XL reproduces the effect of the folded paper of the original collection, but on large-size slabs – 100x300 cm with a thickness of 5,6 mm – suitable for floor and wall coverings, for indoors and outdoors. This new version is made entirely of an extra-white porcelain stoneware mixture, without the use of enamels and dyes.

Fringe by Michael Anastassiades

mutina > Floor tile-stone

Fringe – ornamental border made of threads or strips – is the first collection designed by Michael Anastassiades for Mutina. It is a tile divided into a series of parallel segments of two widths, directly engraved onto the surface. The pronounced grout spacing forms a “brick like” design and can be woven into multiple patterns through a simple interplay of a change in orientation. The result is a series of seamless carpets with or without borders which demarcate spaces, perfectly adapting to each environment.

Kosei by Vincent Van Duysen

mutina > Floor tile-stone

With Kosei – which means composition in Japanese – Vincent Van Duysen proposes a range of ceramic surfaces developed with pure and tactile materials, inspired by lava rocks such as obsidian and volcanic glasses, which are homogeneous, amorphous and with exceptional hardness. The end result is a timeless design conceived for “grand” architecture, characterised by extreme versatility thanks to the 8 formats and 5 colours that can be matched to create infinite combinations with a progressively decorative taste.

Mater by Patricia Urquiola

mutina > Floor tile-stone

Mater – name that comes from materia, matter in Italian, which recalls the earth used to realise the neutral bases of the collection – is a project where glaze becomes the true protagonist, being applied with an innovative glazing technique which allowed for the creation of a tactile effect with great visual impact. It is an industrial collection able to convey the same sensations of an artisanal product, suitable for residential and commercial spaces, indoor and outdoor.

Mattonelle Margherita by Nathalie Du Pasquier

mutina > Floor tile-stone

With Mattonelle Margherita, Mutina has worked with colour, along with the artist Nathalie Du Pasquier, creating a complex project featuring a blend of different aesthetic and formal means of expression. The collection is characterised by a dual concept: on the one hand, a simple, minimalist style and, on the other, a courageous, creative approach. The elements are created in glazed porcelain stoneware, deepening into a careful research about the glazes, in order to identify the most reactive, so as to give a bright, vibrant finish to the satin-effect surface.

Mews by Barber & Osgerby

mutina > Floor tile-stone

Mews, a term referring to the narrow alleys in London's historic centre with their unique and picturesque aesthetic, is inspired by urban landscape, history, and textures of the English capital. These details merge, creating pleasantly vibrant geometric compositions. The collection is the result of a long experimentation on colour, which led to the creation of a palette of nine shades: Chalk, Fog, Pigeon, Lead, Ink, Soot, Green, Light Blue and Pink, each of which is further divided into over 15 different tones, imparting a sense of depth and movement to the surfaces.

Phenomenon by Tokujin Yoshioka

mutina > Floor tile-stone

Phenomenon stems from the desire to incorporate natural phenomena and the laws of nature into a contemporary design project, not simply for reproducing their aspect but to evoke an emotion. The collection reminds of different expressions of natural patterns such as honeycombs, snowflakes, sticks of ice, plant cells, evoking memories of natural sceneries and individual experiences of the natural world. With the new edition of Phenomenon, the range is enriched with 3 new colours – Blu, Rosa and Verde – which join the 4 historical ones – Bianco, Grigio, Fango and Nero –, each of which is offered on all the available elements: Honeycomb A, Honeycomb B, Rock, Air, Wind, Rain A, Rain B e Rain C. The range also includes the new Phenomenon Glossy: the Honeycomb B, Rock and Rain A modules have been chosen to experiment the glossy finish for the first time, featuring the Bianco, Nero, Oro and Argento shades. The extremely small size of the tesserae has made it necessary to set up a new production process that combines industrial and craft approaches with the objective of making the finish stand out as much as possible.

Pico by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

While developing Pico, we have worked on defining a regular-irregular texture, declined in two surfaces: Down, with sunken dots, and Up, with elevated dots. To add dynamics, we also decided to use colours such as red and blue, applied as little dots in the hollow or as a base. With the new edition of Pico, the colours Blanc and Gris are joined by Argile, realised with the same materials and technology of the already existing variants, and Pico Satin which is obtained by using CONTINUA technology and a satin atomised glaze, that allow to get surface of absolute whiteness, soft and pleasant to the touch.

Primavera by Barber & Osgerby

mutina > Floor tile-stone

Primavera represents the contrast between the natural element and the artificial world, translated into ceramic. The designers have reproduced a slab that resembles a natural element with all its irregularities, perceptible to sight and touch, by throwing small coloured ceramic inserts in a completely random way, thus creating a unique and always different texture. Produced in unglazed porcelain stoneware, the tiles are available in sizes 120x240 cm, 120x120 cm and 60x60 cm and consist of five basic colours: Bianco, Grigio, Verde, Blu e Nero. With all its variations, delicately complementary and visually contrasting, the shade rage gives the interiors a modern and refined atmosphere.

Punto by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Developed from the concept that inspired Pico collection, Punto is a three-dimensional decorative element that can be used only on walls. The pattern is characterised by big sunken dots (Down) or elevated dots (Up) and finds its highest expression when used on large surfaces. Depending on how light hits the elements, they create unexpected chiaroscuro effects that enliven interiors. Both the Up and Down options are available in a single size of 4x31.5 cm, provided on meshes of five pieces each. The palette presents five colours in Matt finish (White, Grey, Red, Green and Blue) and five in the Glossy one (Blanc, Gris, Rose, Vert and Brun), which is obtained by applying a transparent, polished and bright glaze.

Puzzle by Barber & Osgerby

mutina > Floor tile-stone

Puzzle represents the freedom of giving birth to endless random combinations by pairing up graphic patterns with a modern and contemporary aesthetic, thus maximising the possibility of customisation of the interiors. It’s an unprecedented collection that allows to lay the elements (available in the size 25x25 cm) both horizontally and vertically, on floors and walls, following regular and abstract patterns. The colour combinations create refined effects, more or less intense, all along the surfaces, that communicates with the architecture and space elements.

Rombini by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Rombini is a journey made of ceramic vibration. The collection presents two different modules of great chromatic strength, that can be combined to give the interiors an architectural aesthetic: Losange, which recalls a contemporary mosaic and can be used on both floors and walls, and Triangle, a three-dimensional element specifically developed for walls. On the occasion of the new edition, the already existing variants Triangle Large and Small are joined by the new Extra Small format in the size 2x31.5 cm, as well as by a new Glossy finish in the colours Blanc, Gris, Rose, Vert and Brun, declined on the entire range.

Tape by Raw Edges

mutina > Floor tile-stone

Tape reproduces the illusion of rolls of colourful patterns that rest on the raw tiles, creating different settings and various atmospheres thanks to the vast number of possible combinations. The design consists of a first slight, almost imperceptible pattern on the base tile that evokes the chalky effect of the surfaces of the carreaux-ciment, and a range of eight patterns – that can be easily combined thanks to the base tiles, one white and one black – all in the five shades of the range: white, blue, green, brown and black. Tape is suitable for both floor and wall tiles, for indoor and outdoor use.

Teknotessere by Mutina Team

mutina > Floor tile-stone

Teknotessere represents modernity and simplicity, in the form of ceramic elements. The collection is made of small 1x1 cm tiles, geometric and essential, in five sober and refined colours: Bianco, Cemento, Nero and Fango. The minimalism of Teknotessere allows for it to be easily complimented with other Mutina collections in the same evironment, thus creating unique and unprecedented atmospheres.

Tex by Raw Edges

mutina > Floor tile-stone

Tex is a re-interpretation of textile textures, entirely ceramic. The shape of the tiles consists of a simplified enlargement of the basic knitted stitch and can be arranged in three main patterns, each of which can be declined in eight different colours: a mix inspired by the design of textiles, which re-creates the feel of the different tones of the yarn.  The production of Tex enhances the variety of the textures, the authenticity of colours and the quality of the glaze that, once applied on the surface, gives birth to irregular and more or less saturated light effects.

Tierras by Patricia Urquiola

mutina > Floor tile-stone

Tierras came about from the Mediterranean artisanal tradition and focuses on the concept of sedimentation, in order to create a collection where the elements seems to come from earth, marked by the hand of a man and the time passing by. It’s a re-interpretation of traditional craftsmanship, where different kind of terracotta and clays, chromatically matching with each other, combine and mix, enriching and softening the black base of recycled ceramics on which they deposit.

Time by Barber & Osgerby

mutina > Floor tile-stone

Time was conceived to commemorate a decade of collaboration between Mutina and Barber and Osgerby. It serves as an exploration of the natural weathering processes, where the recurrent actions of water and wind gradually erode and refine surfaces, shaping landscapes and evolving rugged features into sleek forms.

Bloc by Ronan & Erwan Bouroullec

mutina > Floor tile-stone

Bloc is a terracotta brick produced with the artisanship extrusion process. It’s a three-dimensional element conceived to build architectural and decorative structures. It features a Natural version and a palette of four shades – Pearl, Blue, Red and Grey – declined in both Matt and Glossy finishes. The glazed matt modules are obtained by using some paints from Mutina Accents, while the glossed ones came about from the application of a bright transparent ceramic glaze.

Brac by Nathalie Du Pasquier

mutina > Floor tile-stone

Brac is a brick exclusively designed by Nathalie Du Pasquier. It is a three-dimensional element in the size of 12.5x22x10 cm, imagined as versatile component for the creation of all sorts of structures and walls, where unexpected interplays of light and shadow come alive. Realised in extruded terracotta, the bricks that characterise the collection are real design elements that can be installed both vertically and horizontally, in residential and public interiors.

Celosia by Patricia Urquiola

mutina > Floor tile-stone

Celosia is a new take on the artisanal production process typical of terracotta with the aim of giving birth to imperfect and tactile elements that come from earth, marked by the hand of man and time passing by. Roof tiles, bricks, hollow bricks and partition walls are undone, unstructured and re-interpreted in a new way, keeping the traditional touch given by the handcrafted production. Aesthetically unique and extremely functional design elements are thus created, in the 20,5x26,5x10 cm nominal size. They allow limitless solutions for indoors and outdoors, in both commercial and residential spaces.

Hives by Konstantin Grcic

mutina > Floor tile-stone

Hives features one single module: an hexagonal brick handcrafted in extruded terracotta, an ancient material of which it preserves colour, texture and properties. It is a functional 3D element with an organic geometry, available in the size 13x22,5x7 cm.

Jali by Patricia Urquiola

mutina > Floor tile-stone

Jali – form of decoration typical of the Indian architecture, composed by perforated rocks with an ornamental motif, translated as grid – is a simple and functional terracotta brick with delicate shapes, conceived to build structures and decorative furnishings of various kind. The collection features a three-dimensional element in the size 24x12x24 cm, produced by extrusion, available in three colours: Neutro, the natural version, Nero and Bianco, with a glossy finish.

Mistral by Barber & Osgerby

mutina > Floor tile-stone

With Mistral, Mutina continues its research on three-dimensional elements, abandoning what is the classic perception, in favor of a contemporary and innovative project. The collection was born from a reminiscence of the ancient architecture typical of the Italian countryside, from which the designers drew inspiration to design extremely innovative and highly functional elements. Mistral is composed of a single terracotta module handcrafted for casting, geometrically refined and proportioned, available in 12,5x25,5x12,5 cm sizes.

Renga by Vincent Van Duysen

mutina > Floor tile-stone

Renga – a term used in Japanese culture to indicate a traditional form of poetry characterised by the alternation of long and short stanzas that can be literally translated as «chain poetry» – is the three-dimensional element designed by Vincent Van Duysen for Mutina, conceived as a brick with which to create partition walls, but also as a decorative object in its own right.

El Lobo by Patricia Urquiola

mutina > Accessories

El Lobo is the result of the intuition of Patricia Urquiola: a single continuous line that traces the profile of a wild and free wolf howling at the moon. It’s a strongly symbolic animal, an expression of vitality, instinct and nature, characteristics which the designer has associated with Mutina’s own spirit and creative journey.

Yama by Vincent Van Duysen

mutina > Accessories

In Japanese language, yama means mountain. This is how Vincent Van Duysen calls the new project forming part of Mutina Editions, an ode to the strength of nature and its transforming force. The architect has taken inspiration from the pebbles which, carried by the current of rivers flowing from the highland peaks to the valley, are shaped into soft, sensual shapes.

Paesaggi by Nathalie Du Pasquier

mutina > Accessories

Paesaggi provides a range of artistic objects designed for interior decoration: three models declined in three colour options with a glossy finish, for a total of 9 unique pieces. The elements are composed of a 10 cm thick base – squared in the size 40x40 cm, rectangular in the size 40x60 cm and rounded with a diameter of 40 cm – on which a composition of geometric shapes come to life. These components present rich hues – black, white, green, red, yellow and pink –, used individually for the variants in solid colour or combined with each other in the polychrome ones.

Rombini Vases by Ronan & Erwan Bouroullec

mutina > Accessories

With Rombini Vases, Mutina adds a new, significative collaboration within the world of auteur interiors. The ceramic vases, designed by Ronan and Erwan Bouroullec and produced in collaboration with Bitossi, are made to be paired with the collections of the brand as well as providing new stimuli for interior decoration.

Rivington Tables by Barber & Osgerby

mutina > Accessories

Rivington Tables derives its name from the Rivington Bar & Grill Restaurant in London. Situated in close proximity to Edward Barber and Jay Osgerby’s studio, this establishment quickly became a favourite meeting spot with the Mutina team. The project celebrates not only the infinite expressive potential of ceramics but also a decade of collaboration with the company.

The Cylinder Glass by Laboratorio Avallone

mutina > Accessories

The Cylinder Glass is the first limited edition project by Mutina, that came about from the synergy with Laboratorio Avallone. It is the result of a specific research focused on a new material, glass, and takes shape in the furnaces of Murano.

Desk Clocks - Diamond Clock

vitra > Styling

The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.

Moss Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Iron Matt

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Matrice Sostanza

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

tessera chroma calypso

forbo > Carpet

"Chroma is the quality by which we communicate color. It is how we define a color's purity, its intensity or saturation. In this way it provides a measure by which we can create a relationship between colors, allowing them to bring balance and harmony to a space." This semi-plain textured loop pile carpet tile features 27 sophisticated and trend led colors representing contemporary aesthetics. Each design is a mix of 3 colors, carefully composed to be softer and ‘chalky’ for a pleasing color balance. Beautiful on it's own, yet great to combine with other carpet tiles or Allura Flex vinyl tiles using the same adhesive. Tessera Chroma offers:● 750gsm pile weight for opulent texture and underfoot comfort● 100% Aquafil soloution dyed polyamide 6 yarn, for durability and color fastness● 61% recycled content by weight● Ska criteria for M12 soft floor coverings

BEAUTIFUL CATRINA - Porcelain decorative object _ Lladró

Lladró > Accessories

The Beautiful Catrina is an exquisite limited-edition Mexican figurine crafted from high-gloss porcelain, featuring a striking black finish and adorned with three meticulously handmade flowers. Designed by renowned sculptor Raul Rubio, this piece is part of a limited series of only 500 units, making it a rare and collectible treasure. A downloadable 3D file of the product is also available for those interested in exploring its intricate design digitally. Lladró, the esteemed Spanish brand behind this masterpiece, has been synonymous with luxury porcelain artistry since its founding in 1953 by the Lladró brothers in Valencia, Spain, and is celebrated worldwide for its exceptional craftsmanship and timeless elegance.

SPRITE - Porcelain decorative object _ Lladró

Lladró > Accessories

The SPRITE is a charming glossy porcelain figurine depicting a whimsical little elf resting in a vibrant garden filled with flowers, elegantly mounted on a wooden base adorned with a gold plaque and the iconic Lladró logo. Crafted by sculptor José Puche, this piece showcases the brand's signature gloss porcelain finish and is not part of a limited series. For added convenience, a 3D file of the product is available for download, allowing enthusiasts to explore its intricate details digitally. Lladró, a prestigious Spanish brand founded in 1953 by the Lladró brothers, is celebrated worldwide for its exquisite porcelain sculptures and figurines, blending timeless artistry with modern elegance.

SCIENTIA MAN - Porcelain decorative object _ Lladró

Lladró > Accessories

The Scientia Man is a striking matte white porcelain figurine depicting a naked man seated in a bucket, adorned with intricate drawings of formulas and ochre enamel accents, showcasing a blend of art and science. This unique piece, sculpted by Ernest Massuet, is part of Lladró's collection, a prestigious Spanish brand founded in 1953 by the Lladró brothers, renowned for its exquisite porcelain craftsmanship and globally celebrated designs. A 3D file of the product is also available for download, offering a digital perspective of this artistic creation.

ASTRA - Wall-hung rimless ceramic toilet _ Ceramica Flaminia

Ceramica Flaminia > Toilet seat

The **ASTRA goclean®** is a sleek, wall-hung WC featuring the innovative goclean® system, designed for both functionality and modern aesthetics. Part of the Astra sanitaryware collection, which includes back-to-wall and wall-hung WCs and bidets, this product boasts a monolithic design with softly chamfered edges, blending boldness with elegance. Available in various shades from the Flaminia color palette, the ASTRA seamlessly complements a wide range of Flaminia basins, making it a versatile choice for contemporary bathrooms. Additionally, a downloadable 3D file of the product is available for design planning and visualization. **Ceramica Flaminia**, the esteemed Italian manufacturer behind the ASTRA collection, has been a leader in high-quality ceramic bathroom fixtures since its founding in 1955, offering premium, minimalist designs that cater to both residential and commercial spaces.

COMFORT - Upholstered leather chair with armrests _ Reflex

Reflex > Chair

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"This elegant chair features a sturdy wooden structure with a padded seat and back for added comfort, available with legs in oakwood Beluga and a choice of finishes—Bronze (100M), satin brass (104M), dark brass (105M), or titanium (101M). Upholstery options include premium fabric or leather, catering to diverse aesthetic and functional preferences. For detailed specifications on comfort and design, refer to the manufacturer’s notes for the COMFORT | Chair with armrests Reflex. A downloadable 3D file of the product is also available for visualization and planning purposes. Reflex, the renowned Italian luxury furniture brand behind this piece, has been crafting high-end contemporary designs since the 1940s, combining innovative craftsmanship with timeless elegance."*

BUZZICANE - Fabric armchair _ BuzziSpace

BuzziSpace > Armchair

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a vintage-inspired touch in modern workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort, making it perfect for relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, offering a warm and welcoming vibe. Versatile in application, it suits hotel suites, private offices, and residential spaces, available in one-, two-, or three-seater configurations. A downloadable 3D file is also available for seamless integration into your design plans. Crafted by BuzziSpace—a leading Belgian innovator in sustainable, acoustic-driven interior solutions—this sofa reflects their commitment to merging functionality with contemporary style.*

AERO - Bar cabinet _ Capo d’Opera

Capo d’Opera > Cabinet

BOOST MINERAL - Porcelain stoneware wall/floor tiles with stone effect _ Atlas Concorde

Atlas Concorde > Wall tile-stone-brick

LOLIPOP SU - Cork pendant lamp _ Exporlux

Exporlux > Ceiling lamp

VALE - LED acrylic pendant lamp _ A-N-D

A-N-D > Ceiling lamp

Clay Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Oxide Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Olive Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Arctic Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Coal Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Pearl Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Limestone

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Chalk

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.