The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
With craftsmanship, sisal fibres have been shaped into sturdy textile yarns. The cultivation of the Agave Sisalana plant, from which these fibres originate, primarily takes place in the Northeastern region of Brazil.
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
This dazzling design in metallic colours, inspired by gold leaf, references the shiny materials that were all the rage in post-war Japan, as well as a heritage with a rich, intriguing history.
This 100% Dupion silk is sourced from mulberry silkworms. The elegant fabric, with its lovely subtle sheen, is woven on high-tech looms, with the sophistication and weave setting this pure Dupion quality apart from other silks.
Delicate embroidery with a classic floral design. The black and white version has been finished with elegant pearls. Like in haute couture, pearls add a touch of sophistication.
A stunning jacquard design, incorporating a sleek damier pattern in the weave of the fabric, with the loose threads creating a spectacular effect on the wall.
A stunning jacquard design, incorporating a whimsical zigzag pattern in the weave of the fabric, with the loose threads creating a spectacular effect on the wall.
Lose yourself in the magic of this enthralling design. In French, dérive is synonymous with a spontaneous journey, where the traveller leaves their ordinary life behind for some time, choosing instead to let the landscape and architecture be their guide – in the same way that you may be inspired by this embroidered wallcovering.
This cheerful design was inspired by the upbeat, relaxed atmosphere of Kona, the sunny district on Hawaii’s west coast. The playful, loose shapes were embroidered with raffia on linen before being transposed to the wall.
This refreshing semi-plain is an interpretation of hand-woven banana leaves. It was named after the more remote Hawaiian district of Puna, which is dotted with banana trees.
The island of Maui is a dream destination, with its lush waterfalls, rocky shores, sandy beaches and many palm trees inspiring this design, in which elegant palm leaves are embroidered on stylish linen using raffia. Our Maui wallpaper is a very realistic representation of this hand-crafted design.
Small pieces of rattan were carefully inlaid by hand into a playful, seemingly random pattern, after which a machine-made version of this artisanal artwork was produced. The alternation of straight and curved lines lends this design a natural look. Mauna is named after Mauna Kea, the highest mountain in Hawaii and a dormant volcano.
This design takes its name and inspiration from enchanting Kailua on the east side of Oahu, where palm trees reign supreme. For this wallpaper, swaying palms were inlaid using small pieces of rattan against a background of bark cloth, a fibrous cloth made from the bark of fig trees. This beautiful, realistic interpretation comes to life when transposed to the wall.
Inspired by the sophisticated Japanese concept of simplicity and complexity, Shibumi offers a visual experience that is never boring. In this unique wallcovering, the diagonal strips change direction to create an intriguing visual dynamic. This 3D wallcovering, finished with soft velvet fabric, enchants both the eye and the fingertips.
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The outspoken knots of this floor bring the wild nature of rugged mountains into every environment. A durable and distinguished floor full of character that transforms every space.
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
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