Custom patina available.Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.
Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.
First produced 2017 Black anodised satin aluminium or Inox anodised satin aluminium
Pendant rod length to order
S14s opal LED tube Radium Raledina 15W / 1000mm Ø 29mm Lead time: 4 to 6 weeks
Vertigo is a pendant light formed of two elements: a simple horizontal beam with a linear array of LED light acts as an up and downlighter, with a vertical strap that holds the fixture in balance. It is this simple attachment, suggesting the hoisting of a structural beam, that evokes the iconic images of the steel construction of skyscrapers in 1930s New York City captured by photographer Charles C. Ebbets.There is no separate ceiling rose – the driver is fully integrated into the structure of the pendant and the two pendant rods carry the electrical current, removing any need for wires that might visually obstruct the design. The light intelligently operates through a touch-sensitive dimmer in the middle of the horizontal beam.Vertigo is produced in aluminium, powder coated in either black or white. It is available in two length options – 1.5m and 2m – and there are multiple drop lengths to choose from, covering all possible requirements.
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available. The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
First produced 2015 Black patinated brass
Mouth-blown opaline sphere
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2011 Black patinated brass
Mouth-blown opaline spheres
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
First produced 2017 Black patinated brass
Mouth-blown opaline sphere
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.Bob is an inverted tear drop resembling a weight suspended from a string, which is often used as a vertical reference line; a tool for building and measurements. Instead, this is a simple pendant that hangs to illuminate a space. Bob is a family of pendants and wall or ceiling-mounted sconces.
Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.
Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.
First produced 2017 Satin brass or satin nickel-plated brass
Mouth-blown opaline glass
Pendant rod length to order
G9 3.5W LED bulb Lead time: 4 to 6 weeks
First produced 2011 Black patinated brass
Mouth-blown opaline sphere
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline sphere
Pendant rod length to order
Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Custom patina available. One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.Tip of the Tongue consists of table lamp, wall lamp and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design. Tip of the Tongue was launched at Euroluce in Milan in 2013. It has gone on to become one of Michael Anastassiades’ most iconic pieces.
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A wide range of product from furniture to finishes to meet the desire of all designers.
Evocative picture frame galleries bring together favourite moments, people and design pieces in custom-made wall decorations. Composed by frames in various sizes, shapes, colours and materials each gallery is a unique and highly personalised work of art going far beyond the picture motifs. The arrangement can look minimalistic and well-structured or unorganised and random – without being so. When taking a closer look even the picture frame constructions and wooden carvings add new design dimensions to a picture frame gallery. The Epoca Frame collection expresses the exact same “structured irregularity” in the multilevel construction, elegantly refined by yarns in three different nuances. Like small frames varying in size, shape and depth Epoca Frame invites further exploration. Embracing a hard wearing construction in a wide selection of classic and on trend hues the collection is ideal for any office environment and other high-traffic areas.
Silhouette is a series of mirrors framed in solid wood, informed by a focus on materials, craftsmanship and the experience of living with design. The concept is based on a simple geometric equation – a round, a square and a rectangle as universal shapes that are timeless, trendless and, at the same time, contemporary.
The Citizen armchair combines an unconventional design with a new way of sitting: the seat is suspended on three cables, enabling a pleasant swinging movement and a unique dynamic experience for the sitter.
The No. 1 Sofa was the first sofa series that Mogensen designed for Fredericia, and it marked the start of a close collaboration. The tightly upholstered wooden frame is softened by loose, interchangeable buttoned cushions. It’s all in keeping with Mogensen’s quest to create functional furniture that would enhance people’s everyday lives.
Custom patina available.Somewhere in the Middle, To the Top and Rest pay homage to Wilhelm Wagenfeld and Carl Jakob Jucker’s MT8 Lamp – also known as the Bauhaus Lamp. Their work was designed in 1924, and is one of the purest expressions of Bauhaus theory. This series features cut opaline spheres resting on different configurations of identical brass sections.
Showtime Graphic offers a robust needlefelt construction of fine polyamide fibres that ensures high quality and long-lasting appearance. The collection consists of 5 tonal graphics designed to complement hospitality styles: Loft, Heritage 05, Ecosystem 07, Wonderlab 06 and Wonderlab 07. Each of these graphics is available in a selection of Showtime base colours, providing 20 options for immediate installation.• polyamide fine fibres for increased underfoot comfort• enhanced acoustic value of 20 dB for minimal noise transmission• backing consists of 100% recycled polyester• full collection contains over 50% recycled content
Three stories, three narratives, three patterns: Gaufrettes: inspired by the suppleness of fabric, it is one of the Crafties' signature pieces. Mosaïque: a tribute to Maison Picassiette, a house entirely made of mosaic fragments. Croisillon: inspired by cane weaving. Patterns used by the Crafties are indicative of a fascination for printing techniques found in micropublishing, in particular: risographs. The technique involves the application of successive layers (just one colour per layer) that are added atop each other to reveal the final pattern. With the design comes additional inspiration: textiles. Materials that the duo can harness to create a narrative in space through the use of wallpapers, coverings, custom-made textile decorations, fabric frescoes. Read more
The Elephant Stool is an iconic piece of Japanese post-war design, celebrated for its timeless form and versatile functionality. Crafted from dyed-through polypropylene, this stackable plastic stool is perfect for indoor spaces, balconies, gardens, or even as portable picnic furniture. Enhanced with special UV-resistant additives, it is suitable for outdoor use, though prolonged exposure to sunlight may cause gradual colour changes over time. For added convenience, a downloadable 3D file of the Elephant Stool is available for design and planning purposes. Produced by Vitra, a renowned Swiss family-owned company founded in 1950, the stool reflects the brand’s commitment to innovative, functional, and aesthetically pleasing designs, created in collaboration with world-class designers.
The **Italy CRIIT620 - 1/2" Shut-Off Tap** is a luxurious faucet inspired by the opulent baths of the 1920s and 1930s, blending timeless elegance with modern design. Designed by CRISTINA in collaboration with Busetti Garuti Redaelli, this tap features a range of exquisite finishes, including polished chrome, brushed black chrome, PVD polished rose gold, and more. Its faceted design, reminiscent of glass and precious stone cutting, creates a stunning visual impact, while the option to pair the galvanized body with marble or stone knobs adds a unique, customizable touch. Available in four distinct moods—RAW, STYLISH, SUMPTUOUS, and more—this faucet transforms any bathroom into a sophisticated sanctuary. A 3D file of the product is also available for download, allowing for seamless integration into design projects.
**Supplier Description:** CRISTINA Rubinetterie, an Italian leader in high-quality faucets since 1949, combines cutting-edge technology with timeless elegance, offering luxurious and durable solutions for bathrooms, kitchens, and wellness spaces.
The **Londra CRILD207** is a dual-control, 3-hole deck-mounted washbasin mixer featuring mechanical mixing and a 1" 1/4 pop-up waste, available in elegant finishes such as Chrome Brushed and Old Brass. This fixture embodies timeless sophistication, blending classic design with modern accents through its harmonious interplay of shapes, balanced proportions, and refined details. Perfect for those who appreciate a touch of heritage in their spaces, the Londra series redefines elegance with its luxurious aesthetic. Additionally, a downloadable 3D file of the product is available for precise planning and integration into your design projects.
**CRISTINA Rubinetterie**, the esteemed Italian manufacturer behind this product, has been a leader in crafting high-quality faucets and bathroom accessories since 1949, renowned for merging cutting-edge technology with timeless elegance.
The Bonamour collection by Bonaldo captures the essence of 1970s design with its timeless geometric purity and harmonious aesthetic, creating a socially inviting atmosphere. This modular seating system features seats, armrests, and backrests that rest directly on the floor, offering a contemporary and minimalist design. The collection’s rectangular modules can be combined in various linear and angular configurations, showcasing a formal and architectural elegance. The meticulous craftsmanship, highlighted by pleated details, reflects Bonaldo’s commitment to artisanal quality and luxury. A 3D file of the product is available for download, making it easier for designers to integrate Bonamour into their projects.
Bonaldo, a prestigious Italian furniture brand founded in 1936 and based in Padua, is celebrated for its innovative, high-end designs that blend modern technology with traditional craftsmanship, offering a wide range of luxury furniture for residential and commercial spaces.
**ECCELSA 1032 – Toilet Roll Holder**
Rubinetterie Stella’s ECCELSA 1032 toilet roll holder combines timeless elegance with exceptional craftsmanship, offering a variety of premium finishes to suit any interior style. Choose from classic Chrome, warm Bronze and Brass, or modern Nickel (available in PVD and Brushed variations) for a sophisticated retro touch. For a luxurious appeal, the collection also features exquisite galvanic finishes like Silver, Gold, and Rose Gold, with options up to 23.5Kt, alongside advanced PVD coatings for enhanced durability.
The **PVD (Physical Vapor Deposition)** finish ensures superior resistance to abrasion, corrosion, and UV rays while maintaining a stunning chromatic effect. This hypoallergenic and eco-friendly treatment is not only durable but also safe for prolonged contact, making it ideal for both residential and high-end commercial spaces. Additionally, a **3D file of this product is available for download**, allowing for seamless integration into design plans.
**Supplier Overview:**
Rubinetterie Stella, an Italian luxury fittings brand since 1882, is renowned for its high-end bathroom and kitchen accessories, blending traditional craftsmanship with timeless design.
Inspired by shapes of traditional table lamps, the Ease Portable Lamp transforms this typology into a carriable size suitable to take wherever. Ease offers a high-quality dimmable, no-glare light with 3 levels, striking a balance between atmospheric and functional light. The design has a distinct lightness to it, with the top and bottom gently touching. A slightly flared bottom mimics the lip of a vase in a grounding gesture that allows the base to be slimmer and easier to grab. Ease Portable Lamp is a humble friend with a strong character that works alone or in repetition in any setting; from the bedside, reading nook and home office to the café table, co-working space or library.
Created from the idea of stripping a design down to its essentials, the Tip Table Lamp is an example of simple, functional design with careful attention to detail. Offering direct as well as ambient light, the lamp's adjustable head and arm feature an opal diffuser and dimmer function that effortlessly alters the volume of light.
With its modern shape in mouth-blown glass, the Cosy In Grey Table Lamp provides gentle lighting through its dimmable naked bulb, encased in smoked grey glass. Place the Cosy In Grey Table Lamp in any space for a new perspective on ambient lighting.
Halo is a portable lamp that brings comfortable task lighting to any space in your home, including bedside tables, work surfaces or the living room. Available in Light Bronze, it complements any modern décor. Halo's intuitive touch control and durable, contemporary design make it the ideal choice for modern task lighting.
Ferruccio Laviani’s Bourgie lamp is waiting to brighten up your Christmas with its soft, warm aura. A touch of light is all it takes to create a magical atmosphere. After the new colours launched to celebrate the product’s twentieth anniversary at Salone del Mobile, Bourgie now comes in a XMAS limited edition in four new colours. Bordeaux, grey, bronze and matte champagne have been specially chosen to turn Bourgie into an exclusive gift to place under the tree.
Bourgie unites classicism, wealth and tradition with technological innovation. The baroque-style base consists of three decorated elements that interlock, while the large shade is created with a pleated effect which creates a multitude of reflections when lit. Thanks to a special system used to hang the shade, three different heights can be obtained, altering them to suit personal preference, depending on the use to be made of the lamp: 68, 73 and 78 centimetres.
Bourgie unites classicism, wealth and tradition with technological innovation. The baroque-style base consists of three decorated elements that interlock, while the large shade is created with a pleated effect which creates a multitude of reflections when lit. Thanks to a special system used to hang the shade, three different heights can be obtained, altering them to suit personal preference, depending on the use to be made of the lamp: 68, 73 and 78 centimetres.
A family of lamps: suspended, for a coffee table and with a metal structure, and the most recent floor version of the lamp is available in two heights: 130 and 160 cm. The distinctive trait is the shape of the slightly elliptical transparent diffuser, which is characterised by a multi-faceted surface, both inside and out, which creates a rich tapestry of reflections.
The iconic bear of Moschino, re-launched by the designer, becomes a table lamp for Kartell that interprets the playful, irreverent and colourful style that the two brands have in common.
Named after the famed and pioneering French author known simply as ‘Colette’, &Tradition’s new table lamp has an avant-garde aesthetic. Showcasing a tactile shade and base, this dimmable lamp is elegant, fresh and playful.
Table lamp with adjustable head. Integrated LED bulb and cut-off providing direct lighting . Body made of a special pigmented polycarbonate deriving from a by-product of paper production rather than from petroleum. Adjustability through steel sphere treated with protective layer deposited in PVD. Useful length of the cable 2 mt. The cable can be adjusted and locked in place through a special slit in the base of the lamp. The product has been designed according to the ISCC standards and it is assembled with total absence of glued components so that it can be completely separated for future recyclability.
Table lamp giving direct light with enamelled metal reflector and white Carrara's marble base. It was designed by Achille e Pier Giacomo Castiglioni in 1967.
Table lamp providing diffused light. White powder coated internal steel structure sprayed with a unique "cocoon" resin to create the diffuser which is then protected by a transparent sprayed on finish. On the cable there is the electronic dimmer which allows the regulation of light brightness.
Italamp Teco 3058/LG Table Lamp – A Statement of Contemporary Elegance
Refined Italian Craftsmanship in a Modern Form
The Teco 3058/LG Table Lamp by Italamp is a striking blend of modern design and refined craftsmanship, embodying the essence of Italian lighting excellence. With a design that is both sophisticated and adaptable, this lamp is the perfect addition to contemporary interiors, offering an ambient glow that enhances the atmosphere of any space. Whether placed in a luxury hotel suite, a high-end restaurant, an executive office, or a stylish residential living room, the Teco 3058/LG brings a touch of understated elegance.
Exquisite Design and Premium Materials
Designed with meticulous attention to detail, the Teco 3058/LG features a beautifully blown glass body, seamlessly transitioning from the base to the diffuser. The glass is available in a refined white-shaded finish, ensuring a soft, harmonious light that elevates the ambiance of any room. The top diffuser, a key feature of the design, comes in mirror-effect gold or titanium, adding a luxurious accent while enhancing the reflective qualities of the light.
Supporting the glass structure is a sturdy metal base, available in finishes such as light gold, iron grey, and white. These options provide flexibility, allowing the lamp to be tailored to various interior palettes, from warm, classic settings to cool, industrial-inspired environments.
Dimensions and Technical Specifications
Diameter: 36 cm
Height: 48 cm
Light Source: 1x GU10 LED bulb (maximum 8W)
Voltage: 110V
With its compact yet statement-making dimensions, the Teco 3058/LG is an ideal fit for bedside tables, console tables, desks, and hospitality settings, offering both practical lighting and a decorative presence.
Perfect for Residential, Hospitality, and Commercial Spaces
One of the greatest strengths of this lamp lies in its versatility. The combination of high-quality materials, timeless design, and soft yet effective lighting makes it suitable for a variety of applications:
Luxury Residential Interiors
In homes and apartments, the Teco 3058/LG serves as a chic lighting accent for living rooms, bedrooms, or reading nooks. Its warm, diffused light creates an inviting atmosphere, while its sleek silhouette complements modern, Scandinavian, and contemporary interior styles.
Hotels, Restaurants, and Bars
For the hospitality industry, lighting is crucial in shaping the mood of a space. The Teco 3058/LG’s mirror-effect top diffuser and sophisticated finishes make it an excellent choice for high-end hotels, boutique restaurants, and stylish bars, where it can enhance the luxurious ambiance without overpowering the overall design.
Office and Workspaces
In executive offices and co-working spaces, where aesthetics and functionality go hand in hand, this lamp provides a stylish lighting solution that complements modern desks, conference rooms, and reception areas. Its soft yet precise light makes it ideal for workspaces requiring focused but atmospheric illumination.
Aesthetics: Minimalist with a Luxurious Edge
Modern Minimalism – The clean lines, smooth glass surface, and simple yet effective structure align with minimalist design principles.
Sophisticated Elegance – The combination of refined materials and luxurious finishes adds a sense of exclusivity and style.
Versatile Appeal – Available in various finishes, the lamp can be tailored to different aesthetics, from classic elegance to industrial chic.
Alternative Options in the Teco Collection
For those looking for a cohesive lighting scheme, Italamp offers additional models in the Teco series, such as the Teco 3057/LG and Teco 3059/LG, which feature similar design elements but differ in size and proportions. These variations provide options for different spatial needs while maintaining the same sophisticated appeal.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
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vescom
auckland - 7071.28
Upholstery
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vescom
harding - 7070.07
Upholstery
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vescom
harding - 7070.08
Upholstery
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vescom
furka plus - 7064.14
Upholstery
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vescom
acton - 7062.20
Upholstery
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vescom
leone plus - 7054.02
Upholstery
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vescom
noss - 7058.13
Upholstery
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vescom
lani - 7060.49
Upholstery
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vescom
wolin - 7050.32
Upholstery
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vescom
wolin - 7050.35
Upholstery
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vescom
hestan - 7035.11
Upholstery
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vescom
hestan - 7035.22
Upholstery
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vescom
cyprus - 7038.15
Upholstery
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vescom
lindau - 7028.01
Upholstery
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vescom
lindau - 7028.09
Upholstery
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vescom
dalma - 7024.13
Upholstery
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vescom
dalma - 7024.14
Upholstery
>
vescom
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