The Greek philosopher Socrates urged young people to look at themselves in mirrors so that, if they were beautiful, they would become worthy of their beauty. The Beauty Mirror takes inspiration from those ancient polished surfaces, offering a reflective image with a golden glow. This mirror challenges the notion of what a true reflection is, both in terms of consistency and colour.
Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.
Peaks is a family of pendants, composed of a string of elongated cones in different configurations. The graded shading on the curved surface of each cone is as much of a feature as the projected beams emitted from each cone. It can be displayed as a single, double or triple arrangement, pointing up or down depending on the preferred direction of light. An identical inverted cone acts as a rose attached to the ceiling. When the light is off, the forms appear very schematic, as if borrowed from a geometric still life. When on, the shading changes, as light casts along the curved surface.
First produced 2017 Black anodised satin aluminium or Inox anodised satin aluminium
Pendant rod length to order
S14s opal LED tube Radium Raledina 15W / 1000mm Ø 29mm Lead time: 4 to 6 weeks
Vertigo is a pendant light formed of two elements: a simple horizontal beam with a linear array of LED light acts as an up and downlighter, with a vertical strap that holds the fixture in balance. It is this simple attachment, suggesting the hoisting of a structural beam, that evokes the iconic images of the steel construction of skyscrapers in 1930s New York City captured by photographer Charles C. Ebbets.There is no separate ceiling rose – the driver is fully integrated into the structure of the pendant and the two pendant rods carry the electrical current, removing any need for wires that might visually obstruct the design. The light intelligently operates through a touch-sensitive dimmer in the middle of the horizontal beam.Vertigo is produced in aluminium, powder coated in either black or white. It is available in two length options – 1.5m and 2m – and there are multiple drop lengths to choose from, covering all possible requirements.
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
First produced 2019 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available. The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
First produced 2015 Black patinated brass
Mouth-blown opaline sphere
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2011 Black patinated brass
Mouth-blown opaline spheres
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks
First produced 2017 Black patinated brass
Mouth-blown opaline sphere
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2015 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.Bob is an inverted tear drop resembling a weight suspended from a string, which is often used as a vertical reference line; a tool for building and measurements. Instead, this is a simple pendant that hangs to illuminate a space. Bob is a family of pendants and wall or ceiling-mounted sconces.
Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.
Custom patina available.Inspired by the shape of fishing hooks, this collection of ceiling lamps evokes the image of a luminous sphere captured in three different configurations. Just like in angling, it consists of simply a single, double and triple hook. As often happens in his practice, Michael Anastassiades infuses the memory of modernist design with humorous narrative and figurative qualities. He references a common, familiar object and takes it through a process of abstraction, aiming to create a pure definition of what a light source can be.
First produced 2017 Satin brass or satin nickel-plated brass
Mouth-blown opaline glass
Pendant rod length to order
G9 3.5W LED bulb Lead time: 4 to 6 weeks
First produced 2011 Black patinated brass
Mouth-blown opaline sphere
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm sphere
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline spheres
Pendant rod length to order
Integrated LED, 9W for Ø 150mm
Integrated LED, 3W for Ø 60mm sphere Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
First produced 2008 Black patinated brass
Mouth-blown opaline sphere
Pendant rod length to order
Integrated LED, 9W Lead time: 12 to 14 weeks The first Mobile Chandelier was presented at Design Miami in 2008 for Cristina Grajales Gallery in New York. It was later developed as a collection for the Michael Anastassiades brand and has since remained an ongoing series. There are 16 chandeliers to date, the concept evolving with each new design. For example, Mobiles 1 to 6 consist of linear tubes assembled in varying configurations, while Mobiles 7 to 13 see the introduction of geometric curves. The newest additions, Mobiles 14 to 16, introduce a more free-form design, representing a departure from the disciplined geometry presented in previous models.
Custom patina available.One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Custom patina available. One of the most recognisable designs by Michael Anastassiades Studio, the Ball Lights consists of pendants, wall pendants and ceiling and wall sconces. Designed around existing incandescent bulbs of that time, the project began as an exercise to abstract the bulb into a perfectly spherical ball, celebrating its perfect shape by repeating it in metal.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.The result of a carefully curated take on an existing series of products, the Brass Architectural collection brings together the simplicity and elegance that characterises Michael Anastassiades’ aesthetic. Through a formal economy of shapes and materials, these architectural features call for an understanding of luxury as a discreet presence: glass, brass and nickel articulate a geometric, minimalistic alphabet of forms that adorn the space with luminosity akin to a piece of jewellery.
Custom patina available.Tip of the Tongue consists of table lamp, wall lamp and ceiling-mounted sconce, all which feature an interesting illusion: a luminous mouth-blown opaline sphere appears to roll down the edge of a solid polished brass base. This delicate gesture of a sphere poised on the edge of the surface evokes the familiar phenomenon of failing to retrieve a word from memory, expressing a moment of tension in the form of the design. Tip of the Tongue was launched at Euroluce in Milan in 2013. It has gone on to become one of Michael Anastassiades’ most iconic pieces.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The Greek philosopher Socrates urged young people to look at themselves in mirrors so that, if they were beautiful, they would become worthy of their beauty. The Beauty Mirror takes inspiration from those ancient polished surfaces, offering a reflective image with a golden glow. This mirror challenges the notion of what a true reflection is, both in terms of consistency and colour.
The Gio Ponti 99.80 is a stunning blown glass chandelier, meticulously handcrafted by master artisans in the furnace, embodying the innovative spirit of its creator, Gio Ponti. Designed in 1946, this iconic piece from Murano features transparent hues and elegant, understated decorations that have been widely imitated but never replicated, solidifying its status as both a work of art and a timeless myth. Its modern and original design is accentuated by its multicolored arms, each showcasing a unique shade, making it a truly one-of-a-kind masterpiece. Available as a chandelier or wall light, the Gio Ponti 99.80 is powered by energy-efficient LED lights and comes in numbered editions by year. A 3D file of the product is also available for download, allowing for detailed visualization and planning.
VENINI, the esteemed Italian supplier behind this masterpiece, has been a symbol of excellence in glassmaking since its founding in 1921 in Murano, Italy. Renowned for its collaboration with top designers and artists, VENINI continues to produce high-quality, luxurious glassware and lighting fixtures that blend traditional craftsmanship with contemporary innovation.
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A wide range of product from furniture to finishes to meet the desire of all designers.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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