Woodslate Life DOVE - 2d files - 3d files

PRODUCT DESCRIPTION

A rustic look combined with a clean, modern sensibility.

The collection toys with the native materials of slate and oak wood, interpreted on a versatile and appealing color scale, from gray to hazelnut, allowing different natural inspirations to be combined with ease. The clean simplicity of wood-effect planks can thus become the perfect backdrop against which to enhance the material texture of slate-effect surfaces, or become a distinctive element of the space thanks to the herringbone decorations. The delicate grain of the slate and the gentle knots of the wood then fit easily into the interior, blending with different furniture styles, from the most modern and minimalist lacquered surfaces to elements with a rough, industrial feel in painted metal or stainless steel. Whether used in a cozy retail space or in a modern domestic context, the surfaces of the Woodslate Life collection will add an authentic and, at the same time, contemporary touch to any environment, without disregarding the functionality of Made in Florim porcelain stoneware products.

SUPPLIER: FLORIM

TYPE: FINISHES

HTTPS://WWW.FLORIM.COM

[email protected]

LIST OF FILES:

Woodslate Life Catalog - CATALOGO WOOD SLATE LIFE 01_2023 .pdf

Contemporary Design Organizer - organizer Contemporary Design 2023.pdf

Florim Magnum Oversize: general catalog extra-large sizes - cat-Magnum-completo.pdf

Ceramic materials technical guide - Guida tecnica Florim 2022_EN.pdf

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Airtech London_Black

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.

Airtech Berlin_Red

florim > Wall tile-stone-brick

Airtech Basel_Grey

florim > Wall tile-stone-brick

Airtech New York_Light Grey

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Airtech Stockholm_Greige

florim > Wall tile-stone-brick

Airtech MIAMI WHITE

florim > Wall tile-stone-brick

Antique Marble Pantheon Marble_06

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Ghost Marble_01

florim > Wall tile-stone-brick

Antique Marble Pure Marble_02

florim > Wall tile-stone-brick

Antique Marble Imperial Marble_04

florim > Wall tile-stone-brick

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete. «The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.» Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these. He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him. This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen. A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Ardoise NOIR

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.

Ardoise Ecrù

florim > Floor tile-stone

Ardoise Blanc

florim > Floor tile-stone

Ardoise Plomb

florim > Wall tile-stone-brick

Ardoise Gris

florim > Floor tile-stone

Ardoise Ivoire

florim > Wall tile-stone-brick

Artifact Worked_Charcoal

florim > Wallcovering

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Artifact Vintage_Taupe

florim > Wallcovering

Artifact Used_Grey

florim > Wallcovering

Artifact Worn_Sand

florim > Synthetic Floor

Artifact Aged_White

florim > Wallcovering

Atmosphères Mystère

florim > Wall tile-stone-brick

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Atmosphères Désir

florim > Wall tile-stone-brick

Atmosphères Aurore

florim > Wall tile-stone-brick

Atmosphères Lumière

florim > Wall tile-stone-brick

Atmosphères Charme

florim > Wall tile-stone-brick

Atmosphères Ombre

florim > Wall tile-stone-brick

Atmosphères Harmonie

florim > Wall tile-stone-brick

Biotech Soap Stone

florim > Wall tile-stone-brick

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Biotech Crema Stone

florim > Wall tile-stone-brick

Biotech Lapis Greige

florim > Wall tile-stone-brick

Biotech Serizzo Stone

florim > Wall tile-stone-brick

Biotech Stonewood

florim > Wall tile-stone-brick

Buildtech/2.0 Build Coal GG

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".

Buildtech/2.0 Build Coal TU

florim > Wallcovering

Buildtech/2.0 Build Coal CE

florim > Wallcovering

Buildtech/2.0 Midnight

florim > Synthetic Floor

Buildtech/2.0 Sky

florim > Synthetic Floor

Buildtech/2.0 Burgundy

florim > Synthetic Floor

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florim > Wall tile-stone-brick

A rustic look combined with a clean, modern sensibility. The collection toys with the native materials of slate and oak wood, interpreted on a versatile and appealing color scale, from gray to hazelnut, allowing different natural inspirations to be combined with ease. The clean simplicity of wood-effect planks can thus become the perfect backdrop against which to enhance the material texture of slate-effect surfaces, or become a distinctive element of the space thanks to the herringbone decorations. The delicate grain of the slate and the gentle knots of the wood then fit easily into the interior, blending with different furniture styles, from the most modern and minimalist lacquered surfaces to elements with a rough, industrial feel in painted metal or stainless steel. Whether used in a cozy retail space or in a modern domestic context, the surfaces of the Woodslate Life collection will add an authentic and, at the same time, contemporary touch to any environment, without disregarding the functionality of Made in Florim porcelain stoneware products.

Woodslate Life STORM

florim > Wall tile-stone-brick

Storie Casale

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Rilievi Sabbia

florim > Wall Paint

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florim > Wall Paint

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florim > Wall Paint

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petitefriture > Table

Fromme Fromme Square Table - Terracotta Tom Chung

petitefriture > Table

Donut Set of 2 espresso - Blueberry

petitefriture > Styling

In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs. The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal. Read more

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petitefriture > Wallpaper

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petitefriture > Wallpaper

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petitefriture > Wallpaper

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Panorama Carole Baijings - Evening / Part 1

petitefriture > Wallpaper

Cherry Extra Small Pendant light - Mint Green

petitefriture > Ceiling lamp

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Vertigo Medium Pendant light - Neon

petitefriture > Ceiling lamp

To celebrate the Vertigo icon, Petite Friture will launch the yellow neon limited edition. Generous amounts of colour, a shot of light for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du Passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination: is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted: "to open a door to the imagination". Read more

Vertigo Medium Pendant light - Black

petitefriture > Ceiling lamp

The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles. Made in France Read more

Vertigo Large Pendant light - White

petitefriture > Ceiling lamp

Week-end Week-End Backless Bench - Blue Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminium, the backless benchesÂ are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean, and come with a 5-year warranty. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

Week-end Week-End Backless Bench - Ocean blue Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the backless benches are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

U18031

pfleiderer > Paneling

LAKE - LED ABS wall lamp _ Foscarini

foscarini > Wall lamp

The Lake wall lamp, crafted from injection-moulded and varnished ABS paired with aluminium, features a 220/240V LED light source (10W, 3000K, 850 lm, CRI>80) that is dimmable with TRIAC-compatible Seoul-Acrich LED modules, offering an IP20 rating and energy efficiency class F. Its design showcases a fluid, organic form with a glossy asymmetrical surface, where light elegantly emerges from the outer fold and flows inward, creating dynamic light patterns that bring life to large walls. For those interested in customizing or visualizing the lamp in their space, a downloadable 3D file of the product is available. Foscarini, the renowned Italian lighting design company behind Lake, was established in 1981 on the island of Murano, Venice, and is celebrated for its collaboration with international designers to create innovative, high-quality lighting solutions that blend contemporary artistry with functionality.

BRABO - Rectangular wooden side table _ Herman Miller

Herman Miller > Coffee table

The Brabo lounge collection by Vincent Van Duysen, available through Herman Miller, brings warmth and sophistication to any space, whether paired with its complementary seating or standing alone. Designed by the acclaimed Belgian architect in his first collaboration with an American company, this collection combines the timeless elegance of fine materials like solid wood, metal, and leather with meticulous craftsmanship and clean, architectural lines. Named after a Dutch folk hero from Van Duysen’s hometown of Antwerp, the Brabo collection features sustainably produced pieces, crafted using water-based stains, low VOC finishes, and wood from responsibly managed forests. A 3D file of the product is available for download, allowing for seamless integration into design plans. Herman Miller, a globally recognized leader in interior design since 1905, is celebrated for its innovative, high-quality furniture and accessories that blend functionality with modern aesthetics, making it a trusted choice for residential and commercial spaces worldwide.

FORMWORK - ABS stationery organizer _ Herman Miller

Herman Miller > Accessories

The Formwork stackable desktop storage system, designed by Sam Hecht and Kim Colin, is a thoughtfully crafted solution for organizing papers, tools, and personal items with both functionality and aesthetics in mind. Its modular design allows for versatile stacking and combination, offering flexibility to keep frequently used items accessible while concealing others based on preference or practicality. Made from durable ABS plastic, some pieces feature non-slip silicone bases for added stability. The collection’s sophisticated forms, refined material production, and carefully curated color palette reflect a level of detail rarely seen in desktop accessories. A 3D file of the product is available for download, enabling users to visualize and integrate it seamlessly into their workspace. Manufactured by Herman Miller, a globally recognized leader in innovative and high-quality furniture design since 1905, the Formwork series exemplifies the brand’s commitment to blending timeless design with modern utility.

I BEAM - Square glass and aluminium coffee table _ Herman Miller

Herman Miller > Coffee table

Ward Bennett’s I Beam tables are a versatile and stylish addition to any space, serving as pedestals, side tables, or coffee tables that celebrate modern architecture and industrial precision. Crafted from durable powder-coated cast aluminum, these tables are available with optional glass or stone tops, offering both functional surfaces and a bold artistic statement. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the company is celebrated for its innovative, high-quality furniture and accessories that blend functionality with timeless aesthetics, catering to both residential and commercial environments.

NEW WAVE - Fabric sofa _ NORR11

NORR11 > Sofa

**New Wave Sofa** The **New Wave** sofa is a minimalist design inspired by Danish sofas from the 1950s, featuring a sleek, curvy silhouette reduced to three essential elements—base, back, and cushion—each meticulously crafted for both function and elegance. The tight, sculpted frame contrasts with plush cushions, making it versatile for residential, office, or hospitality settings. Upholstery options include **Linen in Burned Orange, Anthracite, and Sand**, paired with **Oak legs in Black, Natural, Dark Stained, or Smoked finishes**, along with **Brass accents**. High-resilience foam and nozak springs ensure lasting comfort without compromising its refined aesthetic. Available in **Two-Seater and Open-End configurations**, the New Wave also includes a downloadable **3D file** for design planning. **Supplier:** NORR11 is a Danish design brand founded in 2011, blending Scandinavian minimalism with Asian craftsmanship to create timeless, high-quality furniture.

MEDLEY BLUE - Porcelain stoneware wall/floor tiles terrazzo effect _ emilgroup

emilgroup > Wall tile-stone-brick

RAIN II - Ceramic vase _ kiasmo

kiasmo > Accessories

CIRCLE VI - Ceramic vase _ kiasmo

kiasmo > Accessories

HAIKU VII - Ceramic tile with frame _ kiasmo

kiasmo > Wall tile-stone-brick

PORZIA V - Ceramic wall tiles _ kiasmo

kiasmo > Wall tile-stone-brick

TRUMEAU NEOCLASSICO - Neoclassical style cherry wood chest of drawers _ carpanelli

carpanelli > drawer

Globe-K M Soft

papatya > Chair

Spectacular characteristic design involves variety of solutions for home, work and hospitality settings. Its curved shape makes the design more attractive as a complement of trendy architectures. Globe Collection is inspired by our planet.

Globe-S Bar

papatya > Stool

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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marazzi group > Wall tile-stone-brick

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