Cromatica Gradiente grigio-verde - 2d files - 3d files

Finishes > Wall Paint

PRODUCT DESCRIPTION

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to Ettore Sottsass. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.

With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.

The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Other Products From This Supplier

A wide range of product from furniture to finishes to meet the desire of all designers.

Airtech London_Black

Airtech London_Black

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Berlin_Red

Airtech Berlin_Red

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Basel_Grey

Airtech Basel_Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech New York_Light Grey

Airtech New York_Light Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Stockholm_Greige

Airtech Stockholm_Greige

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech MIAMI WHITE

Airtech MIAMI WHITE

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Antique Marble Pantheon Marble_06

Antique Marble Pantheon Marble_06

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Ghost Marble_01

Antique Marble Ghost Marble_01

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Pure Marble_02

Antique Marble Pure Marble_02

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Imperial Marble_04

Antique Marble Imperial Marble_04

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Araldica Cemento

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Ardoise NOIR

Ardoise NOIR

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ecrù

Ardoise Ecrù

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Blanc

Ardoise Blanc

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Plomb

Ardoise Plomb

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Gris

Ardoise Gris

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ivoire

Ardoise Ivoire

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Artifact Worked_Charcoal

Artifact Worked_Charcoal

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Vintage_Taupe

Artifact Vintage_Taupe

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Used_Grey

Artifact Used_Grey

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Worn_Sand

Artifact Worn_Sand

florim > Synthetic Floor

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Aged_White

Artifact Aged_White

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Atmosphères Mystère

Atmosphères Mystère

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Désir

Atmosphères Désir

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Aurore

Atmosphères Aurore

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Lumière

Atmosphères Lumière

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Charme

Atmosphères Charme

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Ombre

Atmosphères Ombre

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Harmonie

Atmosphères Harmonie

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Biotech Soap Stone

Biotech Soap Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Crema Stone

Biotech Crema Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Lapis Greige

Biotech Lapis Greige

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Serizzo Stone

Biotech Serizzo Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Stonewood

Biotech Stonewood

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Buildtech/2.0 Build Coal GG

Buildtech/2.0 Build Coal GG

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal TU

Buildtech/2.0 Build Coal TU

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal CE

Buildtech/2.0 Build Coal CE

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Midnight

Buildtech/2.0 Midnight

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Sky

Buildtech/2.0 Sky

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Burgundy

Buildtech/2.0 Burgundy

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Recently Viewed Products

A wide range of product from furniture to finishes to meet the desire of all designers.

Catch JH17

Catch JH17

&tradition > Stool

When Jaime Hayon started working on Catch, he drew a man with open arms, like a chair that wants to catch you - and the chair works like that. &Tradition’s collaboration with Jaime Hayon dates to when the company was founded in 2010, and Catch was the first product to come out of the exchange between Hayon and &Tradition in 2013. The Catch-series now involves chairs with both wooden legs and swivel base, bar and counter chair and two different lounge chairs.

Brasilia

Brasilia

minotti > Armchair

Brasilia, designed by Marcio Kogan / studio mk27, has an ultra-precise, contemporary, minimal style, rooted in Brazilian modernism. Minotti has successfully incorporated Kogan’s stylistic trademarks into the 2021 Collection, blending their charm with that of the overall design concept. A family of furniture with a highly innovative profile that reinterprets shapes from the past, transforming their apparent simplicity into a form of real beauty that conceals an intricately complex design concept: by juxtaposing different materials with strong powers of expression, it offers a new take on the distinctive style that identifies the Minotti brand. A design that looks to the future, made to stand the test of time and become a new classic. The family hosts a range of seats for different environments, from the living to the night area, including sofas, elements with one armrest, an armchair and ottoman, and a varied selection for the bedroom. It is characterised by a Mid-Century aesthetic revisited and modernised not only in its lines and volumes, but also in its use of materials, in particular Dark Brown stained palisander Santos, and in its elegant structural details. In this proposal, the distinctive characteristics of the Minotti brand are clearly visible: it does not focus so much on the design in terms of its shape, but rather on the project’s cultural elements, offering a new take on classic lines, volumes and proportions, and showcasing original new uses of materials. The seats, conceived for the home environment, can also play an original role in hospitality settings, given the wide variety of elements, coverings and configurations to choose from. The strong architectural feel conveyed by the volumes and proportions of Brasilia points to the world of Marcio Kogan, his interiors and architectures, paying tribute to the period of great cultural ferment that swept through Brazil in the 1950s, in which Oscar Niemeyer and Lùcio Costa were prominent figures. The seating elements are enclosed in a square frame in Dark Brown stained palisander Santos, sourced from responsibly managed forests, accommodating a system of even, comfortable padding, offering a comfy, cushioned seat. With their airy look, they rest on metal feet with a polished Brandy finish, a prime example of the continuous and constant interaction of materials exploited by Kogan - wood, metal, fabric, and leather - to evoke warmth and comfort. The Brasilia range comprises two sizes of sofa (196 and 273 cm in length), elements with one armrest in various lengths with and without a top - made of slender staves in Dark Brown stained Canaletto walnut or one piece in Dark Brown stained palisander Santos -, an armchair and a small ottoman.

Emilia 574

Emilia 574

leoline > Floor tile-stone

Touquet

Touquet

arte-international > Wallcovering

Wallpaper with a linen structure and limestone-paint effect.

Cromatica Gradiente grigio-verde

Cromatica Gradiente grigio-verde

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

HIPPO - Fabric pouf with castors _ Roche Bobois

HIPPO - Fabric pouf with castors _ Roche Bobois

Roche Bobois > Pouf

The "Hippo" ottoman is a playful yet sophisticated statement piece, designed for mobility with its mounted wheels. Upholstered in durable Lasti fabric (50% polyamide, 40% polyester, 10% elasthanne), it features a solid fir wood and pine plywood structure, paired with a monobloc seat cushion made of HR foam (35kg/m³). Manufactured in Europe, this ottoman combines functionality with bold design, and a 3D file of the product is available for download to explore its details further. Roche Bobois, the renowned French high-end furniture and home decor supplier behind this creation, is celebrated for its contemporary, luxurious designs and collaborations with top designers, offering premium products that blend innovation, craftsmanship, and style.

PARROT - Fabric pouf _ Roche Bobois

PARROT - Fabric pouf _ Roche Bobois

Roche Bobois > Pouf

This collection of ottomans combines playful design with bold, statement-making appeal, making them perfect for adding a touch of personality to any space. Upholstered in durable Lasti fabric (50% polyamide, 40% polyester, 10% elasthanne), they feature a sturdy structure crafted from solid fir wood and pine plywood, with a comfortable monobloc seat cushion made of HR foam (35kg/m³). Manufactured in Europe, these ottomans are a testament to quality craftsmanship and modern design. A 3D file of the product is available for download, allowing for easy visualization and integration into your design plans. Roche Bobois, the supplier, is a prestigious French furniture and home decor brand renowned for its luxurious, contemporary designs and collaborations with world-class designers, offering premium to luxury products that elevate living spaces globally.

OMAN - Patterned wool rug _ Élitis

OMAN - Patterned wool rug _ Élitis

Élitis > Carpet

The Oman kilim rug, crafted by Élitis, is a luxurious and contemporary piece featuring a composition of 75% wool and 25% cotton, complemented by a durable cotton backing for added resilience. This rug is part of Élitis's exclusive collection, known for its bold patterns, rich textures, and vibrant colors, making it a standout addition to any interior space. A 3D file of the product is available for download, allowing for seamless integration into design projects. Élitis, a globally recognized interior design supplier founded in 1988 and headquartered in France, is celebrated for its innovative and high-quality wallcoverings, fabrics, and furniture, offering premium solutions for residential, commercial, and hospitality spaces.

HALOSCAN ST - LED adjustable ceiling lamp _ Deltalight

HALOSCAN ST - LED adjustable ceiling lamp _ Deltalight

Deltalight > Ceiling lamp

Haloscan is a versatile family of accent lights available in semi-recessed, surface-mounted, or magnetic profile module configurations, designed to deliver a sleek, ultra-minimalistic aesthetic paired with a soothing light effect. Its flat optics and plane lens softly diffuse light, offering up to four distinct beam angles—spot, floodlight, and linear light—while the innovative Ex-Centric Rotation System allows for smooth tilting and turning with an asymmetrical hinge. Available in black and white, Haloscan features energy-efficient LED technology with options for 2700K or 3000K color temperatures, CRI>90, and IP20 rating, making it ideal for both residential and commercial spaces. A downloadable 3D file of the product is available for design integration. Manufactured by Deltalight, a globally renowned lighting supplier founded in 1987 and headquartered in Belgium, the company is celebrated for its high-end, innovative lighting solutions tailored for modern, contemporary, and minimalist interiors.

UGAO - Towel holder in tubular and walnut wood _ Ligne Roset

UGAO - Towel holder in tubular and walnut wood _ Ligne Roset

Ligne Roset > Sanitary accessories

The UGAO corner hanging storage is a sleek and innovative solution for organizing your space, featuring a satin black lacquered tubular steel frame (Ø 18 mm) paired with a natural satin varnished solid American walnut hanging bar. Designed to be mounted in a corner using four screws, this piece reimagines the traditional clothes stand by transforming an often-overlooked area into a functional and stylish storage solution. Its sculptural, minimal geometry and the contrast between the warm walnut and the black steel make it a striking installation that enhances any room, even when not in use. A 3D file of the product is available for download, allowing for easy visualization and planning. Crafted by Ligne Roset, a renowned French furniture manufacturer established in 1860, the UGAO exemplifies the brand’s commitment to modern, high-quality design and innovative craftsmanship.

ACQUAFIT 93 K072 - Built-in round 2-spray stainless steel overhead shower _ Fantini Rubinetti

ACQUAFIT 93 K072 - Built-in round 2-spray stainless steel overhead shower _ Fantini Rubinetti

Fantini Rubinetti > Shower

The **ACQUAFIT 93 K072** is a versatile, ceiling-mounted, multi-function showerhead with a round design (Ø 30 cm) and a brushed stainless steel finish, offering a luxurious and multisensory shower experience. Available in both square and rectangular versions, it features an innovative dual rain function with anti-limestone nozzles and a tonic water function for a refreshing experience. The **ACQUAFIT DREAM** version enhances the experience with white RGB LED lights, chromotherapy in four colors, and a 'Feel' color program featuring Dawn, Leaves, Sunset, and Night themes. Crafted from AISI 304 stainless steel, it comes in a variety of finishes, including polished stainless steel, brushed stainless steel, matte black, matte white, and several PVD-coated options like nickel, gun metal, British gold, and copper, with an aluminum framework coated in matte white RAL 9010 polyester powder. A 3D file of the product is available for download, allowing for detailed visualization and planning. **Fantini Rubinetti**, the supplier, is a renowned Italian luxury interior design brand founded in 1947, celebrated for its high-quality bathroom and kitchen fixtures that blend traditional craftsmanship with cutting-edge technology, offering products that cater to a wide range of styles and budgets.

AGUABLU ZAC420 / ZAC421 / ZAC422 - Towel rail _ ZUCCHETTI

AGUABLU ZAC420 / ZAC421 / ZAC422 - Towel rail _ ZUCCHETTI

ZUCCHETTI > Sanitary accessories

The ZAC420, ZAC421, and ZAC422 towel holders, available in lengths of 300mm, 400mm, and 500mm respectively, are part of the Aguablu collection designed by Barbara Sordina, featuring rigorously geometric, clean, and refined forms. This elegant transverse collection adds an innovative and flexible touch to any bathroom, seamlessly blending into various environments. A 3D file of the product is available for download, allowing for easy visualization and integration into design plans. Manufactured by ZUCCHETTI, a renowned Italian company established in 1929 and based in Gozzano, Italy, the towel holders reflect the brand's commitment to high-quality, stylish, and durable bathroom and kitchen fixtures, catering to both residential and commercial projects worldwide.

BABYLON - Chandelier with pleated fabric lampshades _ Barovier&Toso

BABYLON - Chandelier with pleated fabric lampshades _ Barovier&Toso

Barovier&Toso > Ceiling lamp

This collection features four distinct models of chandeliers with pleated fabric lampshades, designed with a reduced height ranging from 22 ½” to 31 ½”, making them ideal for spaces with lower ceilings where traditional chandeliers may not fit. Crafted by Barovier&Toso, a prestigious Italian supplier with a legacy dating back to 1295, these chandeliers exemplify the brand’s commitment to blending timeless craftsmanship with modern design. A 3D file of the product is available for download, allowing for detailed visualization and planning. Barovier&Toso, headquartered in Murano, Italy, is celebrated worldwide for its exquisite handcrafted glass lighting and decorative pieces, offering premium solutions for residential and commercial interiors.

M2 55 - Wall-hung ceramic bidet _ GALASSIA

M2 55 - Wall-hung ceramic bidet _ GALASSIA

Galassia > Toilet seat

The **Wall-Hung Bidet (Code 5246)** is a sleek and functional one-hole design measuring 55x27x28 cm, crafted with precision and sustainability in mind. Made from traceable raw materials and produced through eco-friendly processes, this bidet reflects a commitment to quality, durability, and environmental responsibility. Every detail, from its functional design to its long-lasting construction, ensures a product that respects both the planet and the end user. A 3D file of the product is available for download, allowing for seamless integration into design plans. Supplied by **GALASSIA**, a renowned Italian interior design company specializing in high-quality ceramic and bathroom furnishings, this product is part of a diverse range that caters to modern aesthetics and functionality. With its headquarters in Italy and a global presence, GALASSIA is a trusted name in the industry, offering products that suit various styles and budgets for both residential and commercial spaces.

MIXU - Upholstered fabric stool with oak legs _ Arper

MIXU - Upholstered fabric stool with oak legs _ Arper

Arper > Stool

The **Mixu** stool is a versatile and sustainable piece of furniture featuring a four-legged base crafted from solid oak, available in natural or stained black finishes. It offers a range of customization options, including a seat upholstered in fabric, leather, coated fabric, or a customer’s own material, paired with a polypropylene backrest available in five colors. For added personalization, the seat and backrest can be upholstered in different shades of the same material (additional charges may apply). With a seat height of 66.5 cm, Mixu’s softly rounded geometric curves and minimalist design create a timeless yet adaptable aesthetic, making it suitable for various environments, from hospitality to residential spaces. The stool is part of a larger collection that emphasizes sustainability, as it can be shipped disassembled to reduce its carbon footprint and is designed for easy disposal at the end of its lifecycle. Additionally, a 3D file of the product is available for download, allowing for seamless integration into design projects. **Supplier Description:** Arper, an Italian design leader founded in 1989, is renowned for its contemporary, minimalist furniture and accessories, crafted with premium materials and timeless elegance for residential, office, and public spaces.

BRICK 99 - Wall-mounted round mirror _ Gervasoni

BRICK 99 - Wall-mounted round mirror _ Gervasoni

Gervasoni > Accessories

The **Brick 99** is a uniquely designed wall mirror featuring white lacquered decorations that mimic freehand brushstrokes, part of the Brick collection by Gervasoni. This collection blends Asian inspirations, Nordic influences, and industrial elements, offering a versatile range of furniture and decor, including mirrors, tables, chairs, and upholstered pieces, all characterized by a youthful yet timeless appeal. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. Gervasoni, an esteemed Italian interior design brand established in 1882, is renowned for its high-quality, timeless furniture and accessories crafted with natural materials, catering to both residential and commercial spaces with a global presence.

OSAKA 2811 - Upholstered chair _ Pedrali

OSAKA 2811 - Upholstered chair _ Pedrali

Pedrali > Chair

The Osaka chair features an upholstered shell available in fabric or leather, paired with a solid ash wood frame, creating a striking blend of comfort and elegance. Part of the Osaka collection, this seating piece boasts a strong graphic impact, with its construction elements inspired by the linear features of an ideogram, making it a standout addition to any modern interior. A 3D file of the product is available for download, allowing for seamless integration into design plans. Manufactured by Pedrali, a prestigious Italian design company founded in 1963, the brand is celebrated for its contemporary, high-quality furniture that combines functionality with timeless aesthetics, catering to both commercial and residential spaces worldwide.

LOG 367 - Upholstered fabric pouf _ Pedrali

LOG 367 - Upholstered fabric pouf _ Pedrali

Pedrali > Pouf

The Log pouf is a versatile piece of furniture designed for multiple uses, serving as a comfortable support, an additional seat, or a footrest for ultimate relaxation. Part of the Log collection, this fully upholstered seating combines a sculptural aesthetic with an unexpectedly lightweight design, achieved through a meticulous refinement process that balances form, stability, and comfort. A 3D file of the product is available for download, allowing for easy integration into design projects. Crafted by Pedrali, a renowned Italian interior design supplier established in 1963, the pouf reflects the brand’s commitment to contemporary, high-quality furniture that blends functionality with minimalist elegance, catering to both commercial and residential spaces worldwide.

NYM 2840 - Swivel trestle-based ash chair _ Pedrali

NYM 2840 - Swivel trestle-based ash chair _ Pedrali

Pedrali > Chair

The Nym chair is a modern reinterpretation of the classic Windsor chair, crafted entirely from solid ash wood, featuring a seamless arching backrest that elegantly merges with the seat, complemented by a swivel base equipped with an automatic return mechanism. This collection embodies a contemporary aesthetic while maintaining the timeless appeal of traditional craftsmanship. For those interested in detailed customization or prototyping, a 3D file of the Nym chair is available for download. Manufactured by Pedrali, a prestigious Italian design company established in 1963 in Bergamo, Italy, the Nym chair is part of their extensive portfolio that includes a variety of furniture designed for both public and private spaces, renowned for their minimalist style and premium quality.

TRANSIT - Folding food trolley _ Magis

TRANSIT - Folding food trolley _ Magis

Magis > Outdoor furniture

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *This folding trolley features a durable chromed steel tube frame, sturdy injection-moulded polypropylene tops, and a polished die-cast aluminium handle, combining functionality with sleek design. A 3D file of the product is available for download, allowing for easy visualization and integration into project plans. For additional details, refer to the manufacturer’s profile in TRANSIT Magis.* **Supplier Overview:** Magis, a renowned Italian design brand since 1976, is celebrated for its innovative, high-quality furniture and home accessories, blending modern aesthetics with functionality. Let me know if you'd like any further refinements!

CLAIRE - Upholstered armchair with metal frame _ Lema

CLAIRE - Upholstered armchair with metal frame _ Lema

Lema > Armchair

Here’s a refined and expanded product description with a concise supplier overview, including the 3D file availability: *The Claire lounge chair, designed by Norm Architects, combines enveloping comfort and contemporary elegance with its high backrest, rounded silhouette, and plush upholstery. The minimalist metal frame is subtly contrasted by solid wood armrests, adding warmth and tactility, while the thoughtful proportions create a timeless yet modern piece perfect for relaxation. A harmonious balance of generous curves and slender lines gives Claire its distinctive character—a sweet soul with a refined spirit. For those seeking customization or digital integration, the 3D file of this design is available for download. Crafted by Lema, a renowned Italian design house celebrated for its premium furniture since 1970, Claire embodies the brand’s commitment to sophisticated craftsmanship and enduring style.*

WOODS - Height-adjustable wooden office desk _ FANTONI

WOODS - Height-adjustable wooden office desk _ FANTONI

FANTONI > Desk

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *Designed for the contract market, the Woods collection by Fantoni seamlessly blends comfort and aesthetic appeal, bringing the warmth of natural wood into modern office environments. This versatile series features a range of tables—from focused workstations to collaborative meeting spaces—adapting effortlessly to evolving workplace needs. The collection includes executive tables, fixed desks, and height-adjustable workstations, with interchangeable tops and legs that allow for flexible configurations while maintaining a cohesive design. Crafted from solid beech or oak, the tables exude natural elegance while offering ergonomic versatility, suitable for both sitting and standing use. The sleek, sloped legs incorporate telescopic cylindrical elements—one in wood—housing an electronic mechanism for smooth height adjustment. For further customization, the 3D file of the product is available for download. Fantoni, a renowned Italian office furniture specialist since 1882, is celebrated for its innovative, high-quality designs that enhance functional and aesthetic workplace solutions.*

QUARANTA5 - Executive desk _ FANTONI

QUARANTA5 - Executive desk _ FANTONI

FANTONI > Desk

**Product Description:** The Quaranta5 executive desk embodies dynamic elegance, blending sleek design with functional sophistication. Crafted with an 18-mm thick MDF modesty panel at the front and reinforced by a central panel for stability, it ensures durability and a refined aesthetic. The desk includes an adjustable aluminum cable tidy, which can be positioned on either side for added convenience. Designed with absolute modularity in mind, the Quaranta5 series features adaptable dimensions and seamless "folded" storage units, creating a cohesive and clutter-free workspace. A 3D file of the product is available for download, allowing for precise planning and integration into any office environment. For more details, visit the manufacturer's page on **QUARANTA5 | Executive desk by FANTONI**. **Supplier Description:** FANTONI, a renowned Italian design leader since 1882, specializes in premium office furniture and acoustic solutions, combining innovation with timeless minimalism.

MARQUETERIE - Geometric nonwoven wallpaper _ LELIEVRE

MARQUETERIE - Geometric nonwoven wallpaper _ LELIEVRE

LELIEVRE > Wallpaper

**MARQUETERIE** – This exquisite design celebrates the art of marquetry, showcasing the delicate precision and timeless craftsmanship of this traditional technique. Bold blocks of color, accentuated with gold and copper highlights, intertwine to create a striking pattern set against a chic chevron backdrop. The 3D file of this design is available for download, allowing for seamless integration into your creative projects. **TECHNICAL DATA** Composition: INTISSE - NON WOVEN Size: 46 cm Weight: 190 g Part of *"The Wall"* collection, this piece invites you on a captivating journey through pattern, texture, and light, perfect for elevating the walls of the most refined interiors. The collection harmoniously complements Lelièvre’s luxurious fabric offerings, blending archival inspirations with innovative new designs. *LELIEVRE*, a prestigious Paris-based design house since 1914, is celebrated for its high-end fabrics, wallcoverings, and accessories, renowned for their craftsmanship and sophisticated aesthetics. Explore more at [lelievreparis.com](https://lelievreparis.com/). For further details on **MARQUETERIE**, please contact the manufacturer.

PETAL - Glass pendant lamp _ Rakumba

PETAL - Glass pendant lamp _ Rakumba

Rakumba > Ceiling lamp

**Rephrased and Expanded Product Description:** Inspired by the delicate beauty of flowers, the **Petal collection**—designed by Sebastian Herkner in collaboration with **Rakumba**—celebrates organic textures and elegant forms through hand-illustrated glass and bold, sculptural silhouettes. The generously thick glass, adorned with natural motifs, creates a mesmerizing play of light, casting soft, refracted glows that evoke the ethereal charm of a single petal. Available as a pendant, wall sconce (in two sizes), and an alluring table lamp, the collection blends artistry with functionality. A **3D file of the design is available for download**, allowing for seamless integration into virtual planning. **Model:** Classic / Large **Metal Finish:** Golden anodised / Black anodised **Glass Finish:** Colourless / Bronze / Champagne **Suspension Length:** 2 m / 5 m / Custom **Power:** Max 4.8W LED globe (dimmable with compatible globes) **Voltage:** 220-240V AC / 110-120V (US) **IP Rating:** IP20 **Certifications:** Australia, New Zealand, Europe **About Rakumba:** A Melbourne-based leader in bespoke lighting design for over 50 years, Rakumba combines craftsmanship with contemporary innovation, serving residential, commercial, and hospitality projects worldwide. *(Further details available upon request.)*

DP - Wall-hung ceramic bidet _ Axa

DP - Wall-hung ceramic bidet _ Axa

Axa > Toilet seat

HENLEY - Task Lamp in Hand-Rubbed Antique Brass _ Visual Comfort Europe

HENLEY - Task Lamp in Hand-Rubbed Antique Brass _ Visual Comfort Europe

Visual Comfort Europe > Table lamp

EVERETT - Table Lamp in Natural Brass _ Visual Comfort Europe

EVERETT - Table Lamp in Natural Brass _ Visual Comfort Europe

Visual Comfort Europe > Table lamp

DAISY - Motif gold leaf wallpaper _ Instabilelab

DAISY - Motif gold leaf wallpaper _ Instabilelab

Instabilelab > Wallpaper

MINDO 100 - Square teak garden side table _ Mindo

MINDO 100 - Square teak garden side table _ Mindo

Mindo > Side table

RUFUS - Metal pendant lamp _ Studio Beam

RUFUS - Metal pendant lamp _ Studio Beam

Studio Beam > Ceiling lamp

FLOWER POWER ANTHURIUM - LED ceiling lamp _ VGnewtrend

FLOWER POWER ANTHURIUM - LED ceiling lamp _ VGnewtrend

VGnewtrend > Ceiling lamp

COFFEE - Round Corten™ coffee table _ TrackDesign

COFFEE - Round Corten™ coffee table _ TrackDesign

TrackDesign > Coffee table

SQUARE - Freestanding open metal bookcase _ Tremolada

SQUARE - Freestanding open metal bookcase _ Tremolada

Tremolada > Cabinet

PERLA GRANDE - Bronze window handle on rose _ GIARA ART DESIGN-BRONZE

PERLA GRANDE - Bronze window handle on rose _ GIARA ART DESIGN-BRONZE

GIARA ART DESIGN-BRONZE > Finishes accessories

Recommended Products

A wide range of product from furniture to finishes to meet the desire of all designers.

Clay Satin

Clay Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Oxide Satin

Oxide Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Olive Satin

Olive Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Arctic Satin

Arctic Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Coal Satin

Coal Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Pearl Satin

Pearl Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Limestone

Limestone

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Chalk

Chalk

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

UPHOLSTERY

A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.

auckland - 7071.18

Upholstery > vescom

harding - 7070.07

Upholstery > vescom

furka plus - 7064.14

Upholstery > vescom

leone plus - 7054.02

Upholstery > vescom

lani - 7060.49

Upholstery > vescom

wolin - 7050.35

Upholstery > vescom

hestan - 7035.22

Upholstery > vescom

lindau - 7028.01

Upholstery > vescom

dalma - 7024.13

Upholstery > vescom