Cromatica Rosa - 2d files - 3d files

Finishes > Wall Paint

PRODUCT DESCRIPTION

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to Ettore Sottsass. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.

With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.

The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Other Products From This Supplier

A wide range of product from furniture to finishes to meet the desire of all designers.

Airtech London_Black

Airtech London_Black

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Berlin_Red

Airtech Berlin_Red

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Basel_Grey

Airtech Basel_Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech New York_Light Grey

Airtech New York_Light Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Stockholm_Greige

Airtech Stockholm_Greige

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech MIAMI WHITE

Airtech MIAMI WHITE

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Antique Marble Pantheon Marble_06

Antique Marble Pantheon Marble_06

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Ghost Marble_01

Antique Marble Ghost Marble_01

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Pure Marble_02

Antique Marble Pure Marble_02

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Imperial Marble_04

Antique Marble Imperial Marble_04

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Araldica Cemento

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Ardoise NOIR

Ardoise NOIR

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ecrù

Ardoise Ecrù

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Blanc

Ardoise Blanc

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Plomb

Ardoise Plomb

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Gris

Ardoise Gris

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ivoire

Ardoise Ivoire

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Artifact Worked_Charcoal

Artifact Worked_Charcoal

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Vintage_Taupe

Artifact Vintage_Taupe

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Used_Grey

Artifact Used_Grey

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Worn_Sand

Artifact Worn_Sand

florim > Synthetic Floor

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Aged_White

Artifact Aged_White

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Atmosphères Mystère

Atmosphères Mystère

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Désir

Atmosphères Désir

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Aurore

Atmosphères Aurore

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Lumière

Atmosphères Lumière

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Charme

Atmosphères Charme

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Ombre

Atmosphères Ombre

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Harmonie

Atmosphères Harmonie

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Biotech Soap Stone

Biotech Soap Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Crema Stone

Biotech Crema Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Lapis Greige

Biotech Lapis Greige

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Serizzo Stone

Biotech Serizzo Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Stonewood

Biotech Stonewood

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Buildtech/2.0 Build Coal GG

Buildtech/2.0 Build Coal GG

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal TU

Buildtech/2.0 Build Coal TU

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal CE

Buildtech/2.0 Build Coal CE

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Midnight

Buildtech/2.0 Midnight

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Sky

Buildtech/2.0 Sky

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Burgundy

Buildtech/2.0 Burgundy

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Recently Viewed Products

A wide range of product from furniture to finishes to meet the desire of all designers.

Wooden Doll No. 9 super large

Wooden Doll No. 9 super large

vitra > Styling

The &#8216;super large&#8217; version of Wooden Doll No. 9 is enlarged to a scale of 4.15:1 and measures approximately 80 centimetres in height. Like the smaller models, the super large Wooden Dolls are crafted and painted by hand &#8211; true to the originals by Alexander Girard. Although the differences may be very subtle, each specimen is in fact unique. The super large Wooden Dolls are numbered and limited to 1000 pieces per model.

Canvas

Canvas

arte-international > Wallcovering

Canvas represents linen in an authentic and timeless way. With its woven pattern and an exceptionally matt finish, you can clearly discern the structure of real linen.

Myriad

Myriad

arte-international > Wallcovering

An abstract, tropical print that gives a real inlaid feel. If you look closely, you can see the texture of woven grasses in the background. The watercolour effect lends a soft touch to the exotic flowers.

Chevronette

Chevronette

arte-international > Wallcovering

Combo

Combo

arte-international > Wallcovering

A design made on the plain with natural sisal look. It is inspired by the rapidly-growing trend of furniture and decoration with elegant, glowing lines and pronounced round shapes. The circles contrast beautifully with the subtle, geometric grid pattern.

Cromatica Rosa

Cromatica Rosa

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

allura decibel 0.35 wood smoke twine (100x20 cm)

allura decibel 0.35 wood smoke twine (100x20 cm)

forbo > Floor plank

Allura Decibel is Forbo’s acoustic LVT flooring solution. The luxury vinyl tiles offer a combination of 19 dB acoustic performance and very good technical properties. Allura Decibel 0.35 floors are specially designed for use in residential environments. The 25 Wood floor designs offer a balanced mix of classic natural woods and contemporary wood designs. The collection offers a wide choice in colour and shapes, including plank sizes that are ideal for herringbone laying patterns. Allura Decibel meets all the aesthetic requirements of luxury vinyl tiles, including beveling and a perfect match between each individual pattern and the different plank sizes.

sarlon red doodle

sarlon red doodle

forbo > Synthetic Floor

Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.

MARANGA - Pendant lamp _ Marset

MARANGA - Pendant lamp _ Marset

marset > Ceiling lamp

**Maranga** is a sculptural pendant lamp crafted from polycarbonate, designed to distribute light efficiently while creating a captivating play of shadows. Its shade comprises 32 intricately arranged pieces that allow delicate rays of light to escape, casting beautiful patterns on surrounding surfaces. A central opening at the base, fitted with a transparent polycarbonate diffuser, softly filters downward illumination, ensuring a warm, glare-free glow. With its unique geometric form and chromed metal cover, this lamp blends modern aesthetics with functional elegance. A **3D file of the product is available for download**, making it ideal for architects and designers. **Supplier Insight:** Marset, a renowned Spanish lighting brand since the 1940s, merges innovative design with sustainable craftsmanship to create striking, high-end lighting solutions for contemporary spaces.

MADRASA IN SKY & MIDNIGHT BLUE - Rectangular wool rug _ Zollanvari

MADRASA IN SKY & MIDNIGHT BLUE - Rectangular wool rug _ Zollanvari

Zollanvari > Carpet

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Madrasa in Sky & Midnight Blue is a luxurious rectangular wool rug, blending rich hues with timeless elegance to elevate any interior space. Crafted with precision, this piece reflects Zollanvari’s legacy of exceptional handmade carpets and rugs since 1903—a brand synonymous with quality and artistry in the global design world. A downloadable 3D file of this rug is available for virtual visualization, making it easier to envision in your home or project. Explore more at https://zollanvari.com/."*

BOCCA - Coffee table _ Fornasetti

BOCCA - Coffee table _ Fornasetti

Fornasetti > Coffee table

Here’s a refined and expanded product description, including a concise supplier overview and a note about the 3D file: *"Transform your living space with this iconic Fornasetti coffee table, where surreal architectures, optical designs, and whimsical anthropomorphic details elevate it from a functional piece to a captivating work of art. Each table is meticulously hand-silkscreened and lacquered, ensuring no two are exactly alike—a testament to the artisanal craftsmanship behind every creation. Crafted from 75% MDF CARB, 20% solid beechwood, and 5% iron, this limited-edition piece reflects Fornasetti’s commitment to quality and exclusivity. A 3D file of the product is available for download, allowing for seamless integration into your design plans. Fornasetti, the renowned Italian luxury design house founded in 1940, is celebrated for its surrealist motifs and imaginative elegance, making this table a true collector’s item. Further details from the manufacturer can be found on BOCCA Fornasetti."* This keeps the supplier description brief while adding value to the product description. Let me know if you'd like any adjustments!

BERTOIA - Leather stool with back _ KNOLL

BERTOIA - Leather stool with back _ KNOLL

KNOLL > Stool

Here’s a refined and expanded product description, along with a concise supplier overview that includes the 3D file availability: **Product Description:** The iconic Bertoia collection welcomes a luxurious leather-covered barstool, blending timeless design with premium craftsmanship. The sculptural seat shell, meticulously upholstered in fine leather, showcases a 1/5” flange and exposed running stitch detail along the outer edge, with stitching color-matched to the leather for a seamless finish. Reinforced with durable glass-fiber nylon, the seat rests atop a sleek welded steel rod base, available in polished chrome, white, or black powder-coated finishes. Plastic glides are included to protect floors, while the Knoll logo is discreetly stamped into the base for authenticity. For designers and enthusiasts, a downloadable 3D file of the stool is available for virtual planning and visualization. **Supplier Overview:** Knoll, a globally renowned design leader since 1938, is celebrated for its innovative furniture and textiles that merge functionality with modern aesthetics. Explore their portfolio at [www.knoll-int.com](http://www.knoll-int.com).

DIMENSIONE74 6734T - Floor standing bathtub spout _ MINA

DIMENSIONE74 6734T - Floor standing bathtub spout _ MINA

MINA > Tap

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"This freestanding floor bath spout (Ø 34 mm) features an aerator and is crafted from premium AISI 316L stainless steel, available in brushed or polished finishes for a sleek, modern look. Designed with a versatile base for flexible installation, it can also be customized in finishes like deep grey or gold. The minimalist yet bold design, with a 74 mm mixer size, plays with proportions to create a striking visual balance. Part of the DIMENSIONE74 6734T MINA collection, it is available in both standard and exclusive BAKED INOX versions—where each piece undergoes high-temperature baking for unique, nuanced aesthetics. A downloadable 3D file is available for precise planning. Supplied by MINA, a renowned Italian specialist in high-end stainless steel interior design solutions, the product reflects their expertise in durable, stylish fittings for residential and commercial spaces."* (Note: The supplier description is condensed to one sentence while retaining key details about their reputation and focus.)

WIRES - Glazed porcelain stoneware wall/floor tiles _ Mutina

WIRES - Glazed porcelain stoneware wall/floor tiles _ Mutina

mutina > Wall tile-stone-brick

**Mattonelle Margherita by Mutina** is a vibrant collaboration with artist Nathalie Du Pasquier, blending minimalist elegance with bold creativity through 41 hand-designed patterns—including 27 graphics and 8 solid elements in two modular sizes (20.5x20.5 cm and 10.1x20.5 cm). The collection’s satin-finish glazed porcelain stoneware tiles, crafted using traditional industrial methods, feature reactive glazes for rich color depth, while an optional anti-slip treatment ensures functionality without compromising the tactile, luminous surface. Ideal for floors, walls, or decorative accents, the tiles’ mix-and-match versatility invites endless layouts, from subtle pairings to daring contrasts. A downloadable 3D file of the product is available for design planning. **Supplier Insight:** Mutina redefines ceramics through artistic innovation, collaborating with global designers to create high-end, sustainable surfaces that merge functionality with avant-garde aesthetics. *For details, visit WIRES Mutina or www.mutina.it.*

YAKSI - Panoramic wallpaper with floral pattern _ Tecnografica

YAKSI - Panoramic wallpaper with floral pattern _ Tecnografica

Tecnografica > Wallpaper

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Yaksi is a versatile panoramic wallpaper featuring bold, textured designs inspired by 1970s motifs, floral patterns, and fabric artistry, available in six rich color variants: Rose (81367-1), Blue (81367-2), Dark Rose (81367-3), Dark Blue (81367-4), Rust (81367-5), and Beige (81367-6). Crafted with SD technology, it delivers striking tactile effects, and its dimensions are fully customizable to fit any project. A downloadable 3D file of the design is available for visualization. Produced by Tecnografica, a premium Italian supplier of bespoke decorative surfaces since 1992, Yaksi reflects their expertise in high-end, customizable interior solutions."* (Note: Adjust the 3D file detail if the format or platform specifics are known, e.g., "*...available as a 3D model (STL/OBJ) for download*").

ONICE JADE - Polycarbonate Decorative panel _ Tecnografica

ONICE JADE - Polycarbonate Decorative panel _ Tecnografica

Tecnografica > Wallcovering

**Onice Jade** is an elegant decorative panel featuring a stunning marble effect, perfect for adding a touch of natural sophistication to any interior space. Each slab can be customized to fit your project’s unique requirements, with sizes reaching up to 150x300 cm, and is available for download as a 3D file for seamless integration into your designs. Inspired by the timeless beauty of nature, this piece is part of **Grandi Marmi**, Tecnografica’s exquisite collection of digitally printed surfaces that replicate the grandeur of natural stone, including luxurious varieties like *Arabescato, Paonazzo, New Travertino, Azul, Copenhagen, and White Paradise*. Designed for large-scale applications, the high-definition graphics can be printed across multiple panels for a continuous, breathtaking effect. For even more versatility, the **New Smart Panel**—a revolutionary flexible decorative panel—allows for effortless installation on curved surfaces, offering an ultra-thin (2.2 mm), lightweight (3 kg/m²), and easy-to-work material that can be cut, drilled, or shaped with standard tools. **Supplier Overview:** *Tecnografica, a premium Italian interior design supplier since 1992, specializes in high-end custom decorative surfaces, combining innovative digital printing with artisanal craftsmanship.* Explore their portfolio at [www.tecnografica.net](https://www.tecnografica.net/).

Gleam

Gleam

calicowallpaper > Wallpaper

– Panel pricing– Non-repeating mural– Class A fire-rating– Four-week lead time– International shipping

Recommended Products

A wide range of product from furniture to finishes to meet the desire of all designers.

Clay Satin

Clay Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Oxide Satin

Oxide Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Olive Satin

Olive Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Arctic Satin

Arctic Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Coal Satin

Coal Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Pearl Satin

Pearl Satin

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Limestone

Limestone

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

Chalk

Chalk

mutina > Wall Paint

Developed by OEO Studio, Accents collection offers a range of 6 lime based decorative paints called Limetouch.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.

UPHOLSTERY

A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.

auckland - 7071.18

Upholstery > vescom

harding - 7070.07

Upholstery > vescom

furka plus - 7064.14

Upholstery > vescom

leone plus - 7054.02

Upholstery > vescom

lani - 7060.49

Upholstery > vescom

wolin - 7050.35

Upholstery > vescom

hestan - 7035.22

Upholstery > vescom

lindau - 7028.01

Upholstery > vescom

dalma - 7024.13

Upholstery > vescom