Cromatica Verde - 2d files - 3d files

Finishes > Wall Paint

PRODUCT DESCRIPTION

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to Ettore Sottsass. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.

With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.

The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Other Products From This Supplier

A wide range of product from furniture to finishes to meet the desire of all designers.

Airtech London_Black

Airtech London_Black

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Berlin_Red

Airtech Berlin_Red

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Basel_Grey

Airtech Basel_Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech New York_Light Grey

Airtech New York_Light Grey

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech Stockholm_Greige

Airtech Stockholm_Greige

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Airtech MIAMI WHITE

Airtech MIAMI WHITE

florim > Wall tile-stone-brick

Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>

Antique Marble Pantheon Marble_06

Antique Marble Pantheon Marble_06

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Ghost Marble_01

Antique Marble Ghost Marble_01

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Pure Marble_02

Antique Marble Pure Marble_02

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Antique Marble Imperial Marble_04

Antique Marble Imperial Marble_04

florim > Wall tile-stone-brick

Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.

Araldica Cemento

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Ardoise NOIR

Ardoise NOIR

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ecrù

Ardoise Ecrù

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Blanc

Ardoise Blanc

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Plomb

Ardoise Plomb

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Gris

Ardoise Gris

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Ardoise Ivoire

Ardoise Ivoire

florim > Wall tile-stone-brick

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>

Artifact Worked_Charcoal

Artifact Worked_Charcoal

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Vintage_Taupe

Artifact Vintage_Taupe

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Used_Grey

Artifact Used_Grey

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Worn_Sand

Artifact Worn_Sand

florim > Synthetic Floor

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Artifact Aged_White

Artifact Aged_White

florim > Wallcovering

Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>

Atmosphères Mystère

Atmosphères Mystère

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Désir

Atmosphères Désir

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Aurore

Atmosphères Aurore

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Lumière

Atmosphères Lumière

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Charme

Atmosphères Charme

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Ombre

Atmosphères Ombre

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Atmosphères Harmonie

Atmosphères Harmonie

florim > Wall tile-stone-brick

A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.

Biotech Soap Stone

Biotech Soap Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Crema Stone

Biotech Crema Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Lapis Greige

Biotech Lapis Greige

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Serizzo Stone

Biotech Serizzo Stone

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Biotech Stonewood

Biotech Stonewood

florim > Wall tile-stone-brick

<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>

Buildtech/2.0 Build Coal GG

Buildtech/2.0 Build Coal GG

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal TU

Buildtech/2.0 Build Coal TU

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Build Coal CE

Buildtech/2.0 Build Coal CE

florim > Wallcovering

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Midnight

Buildtech/2.0 Midnight

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Sky

Buildtech/2.0 Sky

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Buildtech/2.0 Burgundy

Buildtech/2.0 Burgundy

florim > Synthetic Floor

Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br /> 

Recently Viewed Products

A wide range of product from furniture to finishes to meet the desire of all designers.

Miniatures Art. 41 "Paimio"

Miniatures Art. 41 "Paimio"

vitra > Styling

In his designs, Alvar Aalto combines the functional ideas of the Bauhaus with the Scandinavian crafts tradition and a strong sense of unity with Nature. This led to an exchange of ideas with Marcel Breuer and later influenced the work of both men. <br/><br/>Aalto designed Armchair No. 41 for the Sanatorium of the City of Paimio in Finland, a building for which he also created the plans and interior design. The armchair is of a simple, highly effective construction, because the rolled-up ends of the seat and back also function as springs &#8211; affording the sitter a degree of comfort hitherto unknown in wooden furniture. The armchair was also exceptionally well suited for series production, as it involves very few components and thus little assembly work.

DuraSystem® Hygienic flush

DuraSystem® Hygienic flush

duravit > Accessories

power supply Design by Duravit

fogo - 8051.15

fogo - 8051.15

vescom > Curtain

semi-transparent with length effect

Extravaganza

Extravaganza

arte-international > Wallcovering

Musa

Musa

arte-international > Wallcovering

The leaves of the banana plant depict the tropics. This print stands out figuratively in its naturalness and literally in the luxurious finish in metallic lustre.

Kimono

Kimono

arte-international > Wallcovering

Six silk foulards with Eastern scenes are the source of inspiration for this composition. The colour explosion is perfectly balanced and creates one harmonious and panoramic whole.

Taipei Media Bookcase

Taipei Media Bookcase

lexington > Cabinet

Configurable asymmetrical horizontal and vertical partitions make a grand statement without compromising function. The Pan-Asian styling consists of two main sections. The upper section consists of six stationary shelves and two removable shelves and posts. The lower section has three stationary shelves and grommets for electrical cords. A TV compartment can be created measuring 57.25 inches wide and 37.87 inches high.

Newport Natural 23"X23"

Newport Natural 23"X23"

porcelanosa > Floor tile-stone

Matt-gloss beige concrete effect porcelain floor tiles. size 23 x 23 in, suitable for indoor wall or floor and outdoor walls.

I Filati Goldfinger Rugiada

I Filati Goldfinger Rugiada

florim > Carpet

From the art of fabric, to enveloping spaces   From lampas and jacquard, all the way to the simplest silk fabrics, from rich, baroque motifs to more optical, geometric patterns, all of these fabrics share an extremely natural look. The collection's nine surfaces are inspired by Rubelli's signature precious fabrics that, in turn, are born from the contemporary reworking of several decorative motifs coming from the noble Venetian heritage of weaving.<br />  

Cromatica Cobalto

Cromatica Cobalto

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Cromatica Verde

Cromatica Verde

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

VEROSAFE 12256-4

VEROSAFE 12256-4

verotex > Curtain

M16 - Ash chair with armrests _ DE PADOVA

M16 - Ash chair with armrests _ DE PADOVA

DE PADOVA > Chair

This geometrically angular yet lightweight and agile Chiavarina chair, available in black or bleached solid ash wood, combines a sleek design with exceptional comfort. The seat options include woven natural rattan, fabric, or leather upholstery, ensuring a perfect blend of style and functionality. The frame is crafted from solid aniline-dyed ash wood, finished with eco-friendly water-based or solvent-based coatings, while the seat features moulded birch plywood (certified to E1, CARB P2, and TSCA Title VI standards), veneered in ash wood, and padded with polyurethane foam for added comfort. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by DE PADOVA, a renowned Italian interior design company with over 60 years of expertise, this chair reflects the brand’s commitment to modern, minimalist, and versatile designs, crafted with premium materials and exceptional attention to detail.

PICO - Rectangular marble table _ Flexform

PICO - Rectangular marble table _ Flexform

Flexform > Table

The Pico dining table features elegantly tapered legs crafted from cast aluminum, offering a sense of fluid dynamism and visual lightness, complemented by a versatile top available in various materials such as marble, Canaletto walnut veneer, or ash veneer, each with a range of finishes. The table is highly customizable, with options for metal structures in satin, chrome, black chrome, or burnished finishes, and tops in polished or matt Calacatta Gold, White Carrara, Black Marquina, Emperador marble, or wood veneers in natural or stained finishes like walnut, cherry, teak, coffee, wenge, ebony, or brown. Designed for both aesthetic appeal and practicality, the Pico dining table and coffee tables come in multiple sizes, ensuring a perfect fit for any space. A 3D file of the product is available for download, allowing for detailed visualization and planning. Flexform, an esteemed Italian interior design supplier founded in 1959 and headquartered in Meda, Italy, is renowned for its high-end, contemporary furniture that seamlessly blends elegance, comfort, and functionality, catering to both residential and commercial spaces worldwide.

PARTITION - Open double-sided bookcase _ Roche Bobois

PARTITION - Open double-sided bookcase _ Roche Bobois

Roche Bobois > Cabinet

This double-sided bookcase features a sleek, modern design with a structure made from laser-cut L-shaped lacquered steel sheets in a black matte finish, complemented by a top available in Alpi® veneer (offered in five colors) or a lacquered finish. The 3D file of this product is available for download, allowing for detailed visualization and planning. Roche Bobois, the supplier, is a prestigious French furniture and home decor brand established in 1960, renowned for its luxurious, contemporary designs and collaborations with top designers, making it a favorite among modern homeowners and interior designers worldwide.

MCO5 CASSETTA - Ash jewel box _ Mattiazzi

MCO5 CASSETTA - Ash jewel box _ Mattiazzi

Mattiazzi > Accessories

The Cassetta MCO5 is a beautifully crafted jewel box with an ash wood frame, available in four elegant finishes: natural, walnut stain, natural with a red top, and natural with a green top. Designed for both practicality and aesthetic appeal, this box draws inspiration from everyday shapes, making it instantly recognizable and versatile enough to be left on a table like a book, blending seamlessly into any space. Its design reflects simplicity and honesty, deriving its beauty from its surroundings, much like the ethos of Mattiazzi, the renowned Italian furniture manufacturer behind it. Founded in 1979 and headquartered in Udine, Italy, Mattiazzi is celebrated for its innovative, high-quality wooden furniture that combines modern, minimalist designs with exceptional craftsmanship. For those interested in customization or further exploration, a downloadable 3D file of the Cassetta MCO5 is available, allowing for a closer look at its intricate details and design.

PLISSET - Rectangular crystal table _ Cattelan Italia

PLISSET - Rectangular crystal table _ Cattelan Italia

Cattelan Italia > Table

The PLISSET table is a stunning fusion of elegance and modernity, featuring a base crafted from matt Palissandro white marble (BPO) paired with a 15mm clear or extra clear glass top, or a 12mm glass top for the 182x90 and 200x106 versions. Its design captivates with the harmonious blend of luxurious marble and the transparency of crystal, while the sinuous, sculptural base, inspired by Greek drapery, creates a mesmerizing interplay of light and shadow. Rooted in Cattelan Italia's traditional marble craftsmanship, the PLISSET table masterfully balances contemporary and classical aesthetics, making it a standout piece for any designer living room. A 3D file of the product is available for download, allowing for detailed visualization and planning. Cattelan Italia, a renowned Italian interior design brand founded in 1979, is celebrated for its innovative, high-quality furniture and accessories, blending Italian craftsmanship with modern luxury to enhance both residential and commercial spaces worldwide.

LUDOVIC - Double bed with high headboard _ Cattelan Italia

LUDOVIC - Double bed with high headboard _ Cattelan Italia

Cattelan Italia > Bed frame

The LUDOVIC bed by Cattelan Italia is a luxurious upholstered bed available in a variety of premium finishes, including synthetic leather, fabric, micro nubuck, or soft leather, with customizable options such as a soft leather headboard. It features elegant bronze (GFM18) or graphite (GFM69) embossed lacquered steel feet, adding a touch of sophistication and lightness to its design. The bed is complemented by a high padded headboard with a bergère-inspired look, making it a standout piece for modern bedrooms. Slats are included for added comfort, and a 3D file of the product is available for download, allowing for seamless integration into design plans. Cattelan Italia, a renowned Italian furniture brand established in 1979, is celebrated for its innovative, high-quality designs that blend Italian craftsmanship with contemporary aesthetics, offering premium and luxury furniture for residential and commercial spaces worldwide.

CROSSING - Wall-mounted sectional lacquered bookcase _ MisuraEmme

CROSSING - Wall-mounted sectional lacquered bookcase _ MisuraEmme

MisuraEmme > Cabinet

The **Crossing** modular shelving system is a versatile and highly functional solution for both floor-based and wall-mounted storage, featuring matte lacquered Gesso finishes, sliding doors with satin-tinted glass, and varnished Gesso detailing. This innovative system allows for complete adjustability along three-dimensional axes, supporting up to 400 kg, and includes a variety of modules such as hanging cabinets with flap, leaf, or sliding doors, as well as drawers in multiple sizes. Available in two versions—**Fusion** (with lacquered or faced wood particleboard) and **Listellare** (veneered or laminated poplar blockboard)—the system is enhanced by a special LED lighting system within the compartments. Finishes range from matte lacquer and glossy colors to natural wood and veneer/facing options. The construction utilizes high-stability materials, including three crossed layers of solid poplar wood sandwiched between MDF layers, ensuring durability and lightness. Additional features include tempered glass panels, eco-leather accents, and optional mirror or partition inserts. A 3D file of the product is available for download, allowing for precise planning and customization. Supplied by **MisuraEmme**, a renowned Italian interior design brand established in 1939, the Crossing system reflects the company’s commitment to luxury, innovation, and meticulous craftsmanship, offering premium furniture solutions for both residential and commercial spaces.

VERS L'EST - Motif wallpaper _ Wall&decò

VERS L'EST - Motif wallpaper _ Wall&decò

Wall&decò > Wallpaper

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Contemporary Wallpaper 2019 transforms artistic expressions—from photographs and trompe-l'oeils to macro-designs on textured backgrounds—into striking vertical wall patterns, delivering truly unique visual effects. A 3D file of the product is available for download, allowing for virtual previews and seamless integration into design plans. For further details, explore the collection by Wall&decò, a renowned Italian interior design supplier celebrated since 2005 for its innovative, high-quality wall coverings that blend cutting-edge trends with timeless versatility."* (Note: I condensed the supplier details significantly while retaining key credibility points—origin, reputation, and specialty—to keep the focus on the product.)

36E8 GLASS 1326 - Glass sideboard _ Lago

36E8 GLASS 1326 - Glass sideboard _ Lago

Lago > Cabinet

Here’s your refined product description with an expanded yet concise supplier overview and mention of the 3D file availability: *"A standout in LAGO’s iconic collection, this sideboard reimagines the brand’s revolutionary 36e8 aesthetic with a dynamic interplay of smoked glass compartments—featuring sleek 45° joins—and bold, closed storage units. Blending modular versatility with contemporary elegance, the design offers endless configurations, enhanced by glass or metal supports for clean, adaptable styling. The 36e8 Glass modules seamlessly integrate with painted or Wildwood finishes, functioning as freestanding pieces that elevate spaces with lightness and reflective depth. A 3D file of the product is available for download, enabling precise visualization. Crafted by LAGO, a pioneering Italian design brand since 1976 renowned for its innovative, modular furniture, this sideboard embodies the brand’s commitment to timeless sophistication and functional artistry. Explore more at www.lago.it."* Let me know if you'd like any further adjustments!

36E8 - 2109 - Glass sideboard with doors _ Lago

36E8 - 2109 - Glass sideboard with doors _ Lago

Lago > Cabinet

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The 36e8 system redefines modular storage with its customizable sideboards, offering endless possibilities in size, shape, and color to seamlessly blend with any interior style. Whether as monolithic units or deconstructed compositions, these pieces can be suspended or freestanding, enhanced with all-glass modules or wall panels for added versatility. Crafted with precision, the design features an original aluminium filigree with 45° angled construction, sleek door profiles, and interior lacquering, complemented by premium materials like colored glass, XGlass, or Wildwood—showcasing exceptional craftsmanship. The 36e8 Glass modules expand LAGO’s storage solutions, integrating painted or Wildwood finishes as standalone elements that harmonize with other pieces without wall mounting, creating airy spaces with striking depth and reflection. A 3D file of the product is available for download to explore its design in detail. For more information, refer to the manufacturer’s 36E8 - 2109 Lago documentation.* **Supplier Overview:** *Lago, a pioneering Italian design brand since 1976, is celebrated for its innovative, modular furniture and contemporary aesthetics.* Let me know if you'd like any further refinements!

KARUSELLI - Leather footstool _ Artek

KARUSELLI - Leather footstool _ Artek

Artek > Pouf

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Karuselli Ottoman, designed by Yrjö Kukkapuro, serves as the perfect companion to the iconic Karuselli Lounge Chair, embodying the designer’s pursuit of ultimate comfort through a harmonious blend of ergonomics, functionality, and organic form. Featuring a plush leather-upholstered top with PU foam padding, it rests atop a sleek white fiberglass pedestal base, complemented by a steel brace, smooth swivel mechanism, and protective felt glides. Celebrating its 50th anniversary in 2014, this modern classic was born from Kukkapuro’s meticulous four-year experimentation, using his own body as a model to achieve its distinctive, human-centric shape. A 3D file of the product is available for download, offering designers and enthusiasts a closer look at its innovative construction. Artek, the Finnish design powerhouse founded in 1935 by Alvar and Aino Aalto, reintroduced this legendary piece, staying true to its legacy of merging timeless aesthetics with cutting-edge craftsmanship.*

PLAN - Wall-mounted Corian® washbasin _ Rexa

PLAN - Wall-mounted Corian® washbasin _ Rexa

Rexa > Washbasin

**Product Description:** *Plan*, a sleek Corian® basin, features a minimalist design with slim, refined edges and seamless construction for a joint-free appearance. Available in multiple configurations, it includes a practical organizer with dedicated compartments to keep essentials neatly arranged. The two-basin version incorporates a central Corian® tray, which can be upgraded with an integrated dispenser for added functionality. Part of the *Unico Collection*, this basin is part of a fully customizable Corian® system that extends to vanity units and other bathroom furnishings, showcasing expert craftsmanship and seamless material integration. A downloadable 3D file of the product is available for design planning. For more details, visit the manufacturer’s page on *PLAN by Rexa*. **Supplier Description:** *Rexa*, an Italian design leader since 2009, specializes in innovative, sustainable bathroom solutions, blending functionality with modern and timeless aesthetics.

MUSA - Upholstered leather armchair with armrests _ Maxalto

MUSA - Upholstered leather armchair with armrests _ Maxalto

Maxalto > Armchair

The **Musa armchairs** are available in two elegant designs: the **lower and deeper SM65P version** and the **higher, less deep SM65T version**, both crafted with a solid wood frame and offered in brushed light or black oak, as well as grey or brown oak finishes. This versatile collection also includes a **classic chair, a petite armchair, and a tall stool**, making it ideal for modern kitchens or stylish dining spaces. For added convenience, the **3D file of the product is available for download**, allowing for seamless integration into design projects. **Maxalto**, the esteemed Italian supplier behind these pieces, is celebrated for its high-end, contemporary furniture and meticulous craftsmanship since its founding in 1975.

MODERNIST TREE OF LIFE RUNNER 5 - Rectangular wool rug _ Zollanvari

MODERNIST TREE OF LIFE RUNNER 5 - Rectangular wool rug _ Zollanvari

Zollanvari > Carpet

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Modernist Tree of Life Runner 5 is a luxurious rectangular wool rug from Zollanvari’s Super Fine Gabbeh collection, featuring an artistic blend of trees, flowers, and animals—particularly lions—woven into its design. Tribal artisans craft each piece by hand, drawing inspiration from ancient motifs like the ‘Tree of Life’ while infusing their own creativity, ensuring every Gabbeh is one-of-a-kind. This rug is also available in other Zollanvari Super Fine qualities (Kashkuli, Luribaft, Bulurbaft) and Zollanvari Fine variants. A 3D file of the product is available for download, allowing you to visualize it in your space. Zollanvari, a globally renowned Iranian brand founded in 1903, is celebrated for its exquisite handmade carpets and rugs that merge traditional craftsmanship with timeless design."* Let me know if you'd like any further refinements!

PIKKUVELJEKSET - Nonwoven wallpaper _ Jannelli&Volpi

PIKKUVELJEKSET - Nonwoven wallpaper _ Jannelli&Volpi

Jannelli&Volpi > Wallpaper

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Pikkuveljekset is a stylish nonwoven wallpaper from the exclusive MARIMEKKO VOL. 5 collection, featuring timeless, evergreen designs that bring a touch of artistry to any space. For further details, refer to the manufacturer PIKKUVELJEKSET by Jannelli&Volpi—a renowned Italian interior design supplier established in 1954, known for its high-quality wallpapers and decorative solutions. A 3D file of this product is also available for download, allowing you to visualize it in your space before purchase."* This keeps the supplier description brief while adding value with the 3D file mention. Let me know if you'd like any adjustments!

ELEMENTA - Wall-mounted stainless steel and acrylic stone soap dish _ RITMONIO

ELEMENTA - Wall-mounted stainless steel and acrylic stone soap dish _ RITMONIO

RITMONIO > Sanitary accessories

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Elementa is a sleek, wall-mounted stainless steel soap dish from Rubinetterie Ritmonio, available in multiple sizes to suit diverse design needs. Part of a versatile collection, it embodies eclecticism and dynamic composition, allowing users to craft fully customized spaces. The Elementa line—offered in 19 finishes, including polished stainless steel and acrylic stone—features modular components that can be mixed and matched for tailored functionality, from soap dispensers to toothbrush holders, seamlessly integrating with Ritmonio’s faucet designs. A 3D file of the product is available for download to aid in visualization and planning. Ritmonio, a renowned Italian brand since 1947, specializes in premium bathroom and kitchen fixtures, blending innovative design with meticulous craftsmanship."* This keeps the supplier description brief while highlighting key details about the product and its customization options. Let me know if you'd like any further refinements!

XQI - High teak garden stool with footrest _ Royal Botania

XQI - High teak garden stool with footrest _ Royal Botania

Royal Botania > Stool

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The XQI is a premium high stool featuring armrests, crafted from durable teak wood and upholstered with weather-resistant Batyline® fabric. Designed for both comfort and elegance, the XQI—whose name signifies "exquisite comfort"—has been a timeless staple in the Royal Botania collection for years. Available in three Batyline sling colors and paired with a high-quality teak frame, this stool combines enduring style with exceptional durability for any outdoor setting. A downloadable 3D file of the XQI is also available for design planning. Royal Botania, a renowned Belgian outdoor furniture brand since 1992, is celebrated for its innovative, high-end designs that merge modern aesthetics with lasting functionality.* (Note: I kept the supplier description to one sentence while still capturing key details—brand reputation, origin, and design ethos.)

EMEA - Oak bench _ ALKI

EMEA - Oak bench _ ALKI

ALKI > Bench

Here’s a refined and expanded version of your product description, along with a concise supplier overview and mention of the 3D file availability: **Product Description:** The *Emea Bench* is crafted from solid oak, embodying the timeless elegance and durability of natural wood. Part of the *Emea Collection*, this bench highlights ALKI’s mastery of craftsmanship, precision assembly, and technical expertise in woodworking. Designed with a minimalist yet striking aesthetic, its components appear seamlessly carved from a single block, showcasing the beauty of solid wood in its purest form. Ideal for both residential and commercial spaces, the bench blends functionality with understated sophistication. A downloadable 3D file of the product is available for further visualization and planning. For additional details, visit the manufacturer’s page: [EMEA | Bench ALKI](https://www.alki.fr). **Supplier Overview:** ALKI, a renowned French interior design brand founded in 1982, specializes in high-quality furniture and decor, combining modern minimalism with natural materials. Let me know if you'd like any further adjustments!

NATURALMENTE - Modern wallpaper, eco-friendly, PVC free and washable _ WallPepper®/Group

NATURALMENTE - Modern wallpaper, eco-friendly, PVC free and washable _ WallPepper®/Group

WallPepper®/Group > Wallpaper

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The Up-to-date collection wallpapers showcase an elegant and innovative design, featuring bold textures, striking optical effects, and a fusion of shapes and colors—from abstract creations and hypnotic patterns to unexpected geometries and minimalist styles. The graphics replicate the surfaces of premium materials like marble, concrete, wood, and metal, blending timeless motifs with industrial and urban-inspired designs. Available in WP/Smooth TNT, a breathable, soft-touch non-woven wallpaper made from agave and cellulose, it’s washable with neutral solutions and ideal for stylish indoor spaces. The collection also includes specialized options like WP/Suede (recycled PET, stain-resistant), WP/Acoustic (sound-absorbing), WP/H2O (humidity-resistant), WP/Strong (reinforced durability), and WP/Off (exterior-grade), all with optional CE-certified WALLSILK® antibacterial finish. A 3D file of the product is available for download, allowing for virtual visualization. WallPepper®/Group, a renowned Italian leader in high-end, eco-friendly wall coverings, combines technical excellence with artistic innovation, using PVC-free, fire-resistant, and sustainable materials. Their collections cater to every aesthetic, ensuring limitless creativity for residential and commercial spaces.*

TULIP - Metal console table _ Adriani e Rossi edizioni

TULIP - Metal console table _ Adriani e Rossi edizioni

Adriani e Rossi edizioni > Console

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tulip is a sleek, minimalist metallic console with a 10 mm thickness, featuring a discreet, no-visible-fixing design for a seamless aesthetic. It is finished with a durable epoxy powder coating in a rich anthracite (manganese) tone and is available in multiple sizes to suit diverse spaces. A downloadable 3D file of the product is available for visualization and planning. For further details, contact the manufacturer, Adriani e Rossi edizioni—a renowned Italian interior design supplier celebrated for its fusion of traditional craftsmanship and contemporary elegance.*

LEONARDO L815 - Console with metal base _ Arte Brotto

LEONARDO L815 - Console with metal base _ Arte Brotto

Arte Brotto > Console

PURE 18266 - Bronze furniture handle _ Dauby

PURE 18266 - Bronze furniture handle _ Dauby

Dauby > Furniture accessories

MUZIO - Wooden chest of drawers _ formitalia luxury group

MUZIO - Wooden chest of drawers _ formitalia luxury group

formitalia luxury group > drawer

STRIPES - Cashmere lap robe _ formitalia luxury group

STRIPES - Cashmere lap robe _ formitalia luxury group

formitalia luxury group > Furniture accessories

Vitality

Vitality

calicowallpaper > Wallpaper

– Panel pricing– Non-repeating mural– Class A fire-rating– Four-week lead time– International shipping

Relief 4 star updown

Relief 4 star updown

infinitidesign > Chair

Relief is a polypropylene monocoque chair collection, characterized by soft and comfortable lines. The shell has two high reliefs in different finishes, that recall virtual cushions on the seat and on the backrest, emphasizing the minimal but not trivial form. From this technical detail derives the name Relief. The chair has a polypropylene shell, which is assembled on different bases.Three versions are available: plastic, with upholstered seat or fully upholstered. The ergonomics of the shell make Relief perfect as a work, meeting or conference chair.

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