UPTOWN - LED stained glass floor lamp _ Foscarini - 2d files - 3d files

Bahia

foscarini > Ceiling lamp

An asymmetric composition of shapes, Bahia is a large-size ceiling lamp that decorates and lights with its elemental scenic effect and a magical game of shadows and glows.

Rituals XL

foscarini > Table lamp

With its large dimensions and the fine hand-blown glass embellished with thin engravings that recall the art of grinding glass, Rituals XL plays the starring role in any contemporary setting. The different-thickness horizontal lines across its surface filter and modulate the intensity of light, generating a sophisticated luminous effect.

Rituals 3

foscarini > Ceiling lamp

The Rituals ceiling lamps translate the luminous magic of Oriental rice paper lanterns into items of contemporary design, made of blown glass with a special processing on the surface. The compact shape and cosy glow of the Rituals 3 ceiling lamp make it perfect for a multitude of settings.

Caboche Plus

foscarini > Floor lamp

A genuine design gem, sparkling and precious like a bracelet, the Caboche Plus floor lamp has a metal base with a circular design that reflects the shape of the diffuser. To add a touch of charm to the most varied of settings.

Tite 2

foscarini > Ceiling lamp

Compact and harmonious, the Tite 2 suspension lamp is made with an unmistakable mixture of black carbon thread and fibreglass: a genius combination that acts as both the graphic decoration and the functional frame.

Orbital

foscarini > Floor lamp

The Orbital floor lamp is a unique project in the history of design, entailing a composition of white or multi-coloured outlines that diffuse an unmistakable graphic and luminous sign through space.

Big Bang

foscarini > Wall lamp

An explosion of criss-crossing surfaces and shadows, which generates a diffused and concurrently reflected light: this extreme scenic idea is behind the concept of the Big Bang wall lamp.

Lake

foscarini > Wall lamp

Lake is a wall lamp with a fluid and surprising light, which comes to life inside the fold located along the external edge and runs inwards, on its glossy, asymmetrical surface. An organic shape, packed with colour, to give motion and create original light games on the wall.

Dolmen

foscarini > Ceiling lamp

An iconic concept of the sculpture-lamp, launched in the mid 1990s and restyled with the introduction of LED technology, with a warm light that is cast through large holes, similar to the portholes on a ship.

Buds 2

foscarini > Ceiling lamp

The magic of blown glass, for a family of lamps that explore various combinations of shapes and colours, also devised to create multiple compositions. The full shape of the Buds 2 suspension lamp, which is available in stylish grey or in warm white, make it suitable for any setting.

Rituals 1

foscarini > Wall lamp

The Rituals lamps are distinguished by special processing on the blown glass, with irregular lines engraved on its surface. The volume of Rituals 1 will not go unnoticed, since it features slight creases that create a warm, vibrant light. Like the pedestal of a work of art, the L-shaped support of the wall lamp version allows multiple solutions to be created: with the glass directed up or down, or in the version fitted with two diffusers.

Gregg Mix&Match

foscarini > Floor lamp

Gregg’s shape is reminiscent of a large pebble, its surface polished by the water. Made of hand-blown glass, this floor version is part of the Mix&Match System and is available in 2 sizes and 3 colors that can be combined in a flexible way, to define and coordinate the lighting of diverse invironments.

Lumiere XXL

foscarini > Floor lamp

A fine, generously-sized blown-glass diffuser makes the Lumiere XXL floor lamp suitable both for reading and for interior lighting. A very trendy colour choice with – alongside classic white – grey and brown which appear pleasantly cold when the lamp is switched off, and fill up with warmth when it is on.

Rituals 3 Parete

foscarini > Wall lamp

The Rituals lamps speak the language of beauty and poetry. They are made with hand-blown glass marked by thin engravings which recall the art of grinding and create a warm, vibrant light. Rituals 3 is distinguished by a small volume that makes its use more versatile. Part of Foscarini’s Mix & Match System, this lamp can be combined in a flexible way, to define and coordinate the lighting of diverse environments.

Big Bang

foscarini > Ceiling lamp

An apparently chaotic stack of surfaces, this ceiling lamp has a design featuring explosive creativity and dynamism.

Twice As Twiggy

foscarini > Floor lamp

The thin, flexible feature of the original project becomes “oversized” in Twice as Twiggy, a floor lamp designed for large spaces, without foregoing lightness.

Tutù

foscarini > Wall lamp

Like a graceful veil of blown glass, the Tutù wall lamp can be directed up or down, obtaining two different decorative and lighting effects.

Bump

foscarini > Ceiling lamp

The surface of Bump is not trivially complex, it is not a simple shape embellished with a decoration, but rather a real experience of interaction with light, recreating the archaic naturalness of light itself.

Havana Terra

foscarini > Outdoor lighting

The outdoor version of one of Foscarini’s best-selling products, distinguished by a simple and natural silhouette, Havana outdoor is ideal for lighting open-air settings, embellishing them with a presence capable of blending in seamlessly with its surroundings, casting a warm, suffused light around it.

Havana

foscarini > Wall lamp

Tapered like a cigar, the Havana wall lamp has a timeless style which fits in any environment, diffusing a warm, suffused and sunny light all around it, further to distinguish its famous and inimitable design.

Satellight

foscarini > Ceiling lamp

Like a moon suspended in mid-air, the Satellight suspension lamp boasts a poetic and surprising design, and it is entirely made of hand-blown glass.

Poly Gregg

foscarini > Table lamp

The pure yet concurrently personality-packed design of the Gregg table lamps, in a polyethylene version, which is highly versatile thanks to the choice of several different sizes.

Mite Anniversario

foscarini > Floor lamp

Twenty years after the achievement of the Compasso d’Oro, Mite Anniversario combines the iconic and timeless carachter of Mite with an even greater graphic impact and excellent lighting performance.

Gregg Terra

foscarini > Outdoor lighting

With organic, familiar shapes, the Gregg Outdoor suspension lamps are designed to create luminous presences and compositions out in the open air, thanks also to the various sizes available.

Chouchin 2

foscarini > Ceiling lamp

A family of lamps that play on the visual contrast between the painted and white blown glass, combined with different shapes and colours, also ideal for multiple compositions. The colour green of the Chouchin 2 suspension lamp, with its more elongated shape, speaks of nature, tradition, and elegance.

Rituals 1

foscarini > Ceiling lamp

The Rituals ceiling lamps translate the luminous magic of Oriental rice paper lanterns into items of contemporary design, made of blown glass with a special processing on the surface. Distinguished by an elongate shape, Rituals 1 diffuses a caressing and suffused light.

Lumiere

foscarini > Table lamp

A contemporary restyling of the classic bedside lamp, the Lumiere table lamp has become an icon of design, and it is distinguished by the blown glass diffuser combined with an unmistakable aluminium tripod.

Nile

foscarini > Table lamp

A sophisticated sculptural lamp that blends contrasting elements in a dynamic composition of volumes.

Lumiere XX

foscarini > Ceiling lamp

The XXL and XXS ceiling lamps stand out for the dynamic oblique cut of the blown glass diffuser: strikingly simple and unprecedented geometric shapes made with the craftsmanship skill of master glass-makers. Using the two sizes or adjusting the direction of the glass differently, you can create a game of balanced and lively ceiling compositions.

Allegro Assai

foscarini > Ceiling lamp

With their altogether special way of distinguishing and light a setting, the Allegro suspension lamps are a concept combining lighting effects with graphic design. With its truly impressive dimensions, Allegro Assai is distinguished by the colour gold, which enhances its warm personality.

Plena

foscarini > Ceiling lamp

Large in size but light and dynamic, Plena provides dual lighting: reflected on the surface below it, and spreading towards the ceiling. An intriguing light, of special charm, to completely permeate a room while remaining soft and enveloping. Placed over a table, Plena never emits the slightest glare.

Aplomb Large

foscarini > Ceiling lamp

A special, exclusively formulated concrete plays the starring role in the Aplomb lamps. The especially large and slimline design of the Aplomb Large suspension lamp diffuses broad beam of light.

Allegro Vivace

foscarini > Ceiling lamp

With their altogether special way of distinguishing and light a setting, the Allegro suspension lamps are a concept combining lighting effects with graphic design. Allegro Vivace consists of elemental geometric silhouettes clad with copper-plated reflections.

Folio

foscarini > Ceiling lamp

In the Folio ceiling lamp, the thousand-year tradition of blown glass is restyled in view of contemporary design culture. Folio is a visibly light and delicate body like a simple sheet of paper, with two only slightly folded corners.

Anisha

foscarini > Table lamp

An enveloping frame that surrounds the void and fills up with light, the Anisha table lamp is a design masterpiece that will astound you with its elemental beauty.

Tuareg

foscarini > Floor lamp

The Tuareg floor lamp is a three-dimensional composition that recalls the assembly of branches and rods – like a work of land art – with adjustable light sources.

Bit

foscarini > Wall lamp

More than a family of wall lamps, Bit is an alphabet of organic shapes and basic colours, with which to create endless compositions, coming up with original designs and languages.

Birdie Lettura

foscarini > Floor lamp

Multifarious and friendly, the Birdie floor lamp is a reinterpretation of the classic lampshade-lamp with a contemporary twist. Discreet and elegant in the white version, it dons an air of the prima donna in the other coloured versions.

Bahia Mini

foscarini > Ceiling lamp

Compact and strikingly simple, the Bahia Mini ceiling lamp retains the seductive personality of the larger version. This lamp decorates and lights with its elemental scenic effect and a magical game of shadows and glows.

Fields

foscarini > Wall lamp

A modular project. The three different components of the Fields wall lamps can be used individually or in multiple combinations, to create the most diverse luminous geometries. Fields 1 has a linear design, whereas Fields 2 and Fields 3 overlap various surfaces to create a three-dimensional effect.

ID Soft

vitra > Chair

The fully upholstered backrest of ID Soft ensures a high level of comfort, while its clean lines and reductive forms lend the chair an understated presence. ID Soft therefore blends in perfectly with diverse architectural environments. Thanks to its height-adjustable backrest, ID Soft provides adequate support in the upper shoulder region for even very tall users.

Robots 1:2

vitra > Styling

'Robots 1:2' is a catalogue presenting the toy robots of the R. F. Robot Collection at the Vitra Design Museum. Rolf Fehlbaum, Chairman Emeritus of Vitra and founder of the Vitra Design Museum, describes the objects he has avidly collected over the decades as 'small kinetic sculptures of great originality'. Robots 1:2 showcases each piece on a scale of 1:2, with the largest robot in the collection determining the size of the book. The catalogue also includes images of the original packaging, whose illustrations depict the evolution of our futuristic fantasies and notions of a future that has long since been consigned to the past.

Fauteuil Kangourou

vitra > Chair

Vitra has reissued the Fauteuil Kangourou in collaboration with Catherine Prouv&#233;, the daughter of Jean Prouv&#233;. In the second limited edition, the lounge chair pairs a dark oak base structure with metal legs in the original hue Prouv&#233; Blanc Colombe; the cushions are covered in a softly woven, light-coloured boucl&#233; fabric with contrasting dark brown piping.<br/><br/>Fauteuil Kangourou is limited to 100 pieces in this version and is only available directly from Vitra.

sila - 1109.12

vescom > Wallpaper

two-tone, non-directional fine linen structure with a subtle sheen

Berenice

luceplan > Wall lamp

Berenice can also be mounted on the wall, to bring light to exactly where it is needed.

Flag

illoft > Styling

Flag is a modular system for furnishing different spaces in the home with a precise, geometric design that can stretch across an entire wall. The idea behind this project was inspired by the characteristic flared shape of the backboards into which the modules are locked, accessories are attached, and the lighting is positioned for the tops of the individual panels to create an evocative interplay of contrasts between light and shadow. The shape combined with quality finishes makes this modular system absolutely unique. Designed by Arch. Giuseppe Viganò - Studio Viganò

Kyoto pouff

illoft > Pouf

Ottoman with quilted upholstery in various dimensions covered in fabrics of our collection. Steel feet.

Leo panca

illoft > Pouf

Stone Life Cotton

florim > Wall tile-stone-brick

<p>The Contemporary Design Stone Life collection encapsulates the essence of a simple lifestyle with an informal touch.</p> <p>There is a distinctively clean-cut and modern look to Florim’s new collection, whose <strong>warm, neutral colours</strong> are ideal for versatile, understated spaces free from superfluous features.</p> <p><br>The colours and textures encourage interplay between different elements inspired by nature and can play a part in countless interior design styles.</p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>

Vetro 04 Tortora

florim > Floor tile-stone

Each tile is unique and extremely precious Vetro allows recognizable and attractive decorations to be created, expressing a timeless design. The Vetro collection is available in seven solid, warm, soft and enchanting colors, in two finishes - matt and lux - and in two sizes or in the metallic variation with varying reflections in a single size. VETRO can be applied as a floor and wall application on any surface in dry or damp areas using special sealants and adhesives.

Storie Villa

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Rilievi Terra

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Rilievi Cielo

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Araldica Base Blu

florim > Wall Paint

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Araldica Base Grigio

florim > Wall Paint

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

B&W_Marble WHITE

florim > Wall Paint

Nature's sheer strength comes to life, white and black find new forms of expression Inspired by the different morphologies formed by the visceral movement of the earth, the collection's large slabs embrace and explore the concept of light-absence of light by presenting a chromatic gradient based on white and black in a multi-faceted graphic proposal that joins the two monochromatic surfaces, White and Black. Soft, sinuous shapes contrast with those more rigid and geometric, coming to life from the different proportions with which the white and black combine on the surface.

Neutra 6.0 07 petrolio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Neutra 6.0 08 avio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Maeve Suspension

castrolighting > Ceiling lamp

Like the strong-willed, ambitious and warrior-queen Maeve of Ireland, whose passion led warriors to fight for her beliefs, the Maeve Suspension uses the same name and magnificence it offers. Conceived to incorporate traditional techniques and modern design influences, this lighting fixture has an enormous value due to its bespoke quality. The gold-plated brass structure is hammered by the hands of experienced lighting design artisans, delicate Crystals are also individually assembled by hand at the bottom of the lighting suspension. These characteristics make this luxurious suspension the perfect fit for any luxurious hospitality or residential project as it creates a prestigious ambience wherever it is placed. VIEW FULL FAMILY #vibranthome

Mastery Suspension Snooker

castrolighting > Ceiling lamp

The iconic Mastery Collection does justice to its name as the book Mastery by Robert Greene. Having the brass plates as a highlight, along with its modern and singular design, this suspension pampers the eyes while giving an opportunity to be creative. Mastery chandelier design evokes the lives of the different historical personalities examined in the book, such as Charles Darwin or Mozart, as well as contemporary leaders. The delicacy of the different pieces and the finishes used, led to the name of this design, reminding the traits and universal ingredients that made these characters masters. Mastery’s powerful yet smooth lines create an organic movement of lights and shadows that suggest elegance and glamour. This sumptuous suspension handcrafted in gold plated brass will stand out in the most luxurious and exclusive interior décors. This snooker version of the collection is a signature adaptation of the original design, with handmade skills by Castro Lighting's experienced and passionate craftsman. VIEW FULL FAMILY

Mondrian Suspension

castrolighting > Ceiling lamp

Piet Mondrian is recognized for the purity of his abstractions as he radically simplified the elements of his paintings to reflect what he saw as the spiritual order, creating an aesthetic language. Inspired by this painter’s unique artwork, Mondrian Suspension is composed by several pieces with geometrical squared shapes, just as the artist used to do in his work. This unique bespoke lighting piece combines two different finishes – brushed and hammered – applied by hand in the gold plated brass ornamented with the unique delicate Crystals. The light strives to convey balance through squared shapes that lead to a gentle light diffusion, granting to the surrounding space the all-time perfect inviting ambiance. VIEW FULL FAMILY SHOWROOM FEATURING MONDRIAN SUSPENSION  

Crystaline Suspension

castrolighting > Ceiling lamp

The Crystaline handmade suspension is transparent but graceful. This modern suspension lighting cherishes modesty, just as Modern design itself cultivates a sense of simplicity in every element, avoiding clutter or accessories involved. Having this concept in mind, the Crystaline lighting fixture was created. Round brass forms with very clean sophisticated lines are the base of this suspension lamp. Hanging crystals added to the bottom of the pieces, turn them into elite luxurious statement, and bring that desirable pure feeling. The Crystaline design has falling raindrops effect made with delicate crystals that shape the round “bell-flower”, slightly flattened structure.  With a delicate though divine look, Crystaline is the ideal decorative lighting statement that, because of the outstanding sparkle of the crystals, is so exceptional, mystical and timeless. It can be the perfect feature to any type of modern interior décor. VIEW FULL FAMILY

Galilei Suspension

castrolighting > Ceiling lamp

Following Galileo’s cognomen of the "father of observational astronomy” and the idea of the sun being the leading figure of the solar system as all planets move around the golden star, Galilei suspension has rotating rings spinning around the light in the center that shimmer through the delicate crystals. This bold statement piece is ideal for interior design projects that aim to leave a strong impression. The unique mix of details is a guarantee that eyes will stop to contemplate while crossing this piece. Galilei is the perfect fit for contemporary interior designs that combine strong pieces in a harmonious interiors décor. VIEW FULL FAMILY This product page features ambiences designed by Maryana Shepeleva

Varsovia Suspension

castrolighting > Ceiling lamp

Once described as Paris of the East, Warsaw was believed to be one of the most beautiful cities in the world. Inspired by the splendor and beautiful heritage of the Warsaw city, Varsóvia suspension possesses ravishing crystals that impose a mandatory and epic design. Despite its singular design, this piece is extremely versatile, being perfect for practically any luxury house that may include art deco, modern art, mid-century modern or contemporary art. This suspension is very rich and complete, being ideal for any space as it offers the right lighting solutions. VIEW FULL FAMILY

Rainforest Pendant

castrolighting > Ceiling lamp

The Rainforest Collection arose from the timeless lighting celebration of nature silhouettes, its elements, and movements. Immerse yourself into the magnificent atmosphere of the sparkling rainforest where the art of brass craftsmanship becomes luxury lighting design. The ultimate fusion between the artistic design, authenticity of traditional Portuguese metal-work techniques, and creative craftsmanship. The Rainforest elegant pendant is unparalleled in the refinement and grace it represents. The gold-plated brass coupled with clear crystal glass - applied by hand - brings a delicate charisma that resembles nature in full bloom. A broad-leaved masterpiece of modern lighting design along with falling raindrops and butterflies takes you to remote spaces and the open sky. A dreamy lighting fixture creates an exceptional ambiance to the classy interiors. A luxury custom-designed collection was made to be featured in the most sophisticated projects organically. The sizes and distribution of the elements can be naturally customizable. This handmade suspension lamp is perfect for spacious living rooms, dining rooms, or hallways with high ceilings, fitting in a vast variety of decors. The exquisite light dispersion of this gracious lamp will make it the central piece for all luxury houses and help achieve the desired timeless chic. This beautiful suspension lamp is the right choice for a mid-century modern, modern classic, or art deco interior style.

Elven Pendant

castrolighting > Ceiling lamp

The mystical and charming collection arose from the enthusiasm and passion for the mythical world the Nordic Mythology. Elven Collection takes you on an exceptional and magical journey through the fantasy world. Elven Pendant resembles a beautifully balanced curve that twists like a shell, as its gold-plated brass tube is bent and hammered by the hands of experienced craftsmen. Designed to be a breathtaking and glitzy highlight to an interior design project, it combines modern simplicity with an elegant and luxurious twist. This golden pendant gives a stunning gleam to the interior space, as its warm light is spread in a gentle, delicate way. This piece is ideal for a bedroom, a living room, and hallways, framing a painting. In a commercial space, like a restaurant or bar, it can create a more romantic and inviting atmosphere. Explore new lighting design solutions and celebrate opportunities for filling a space in a spectacular way. VIEW FULL FAMILY

Cielo Pendant

castrolighting > Ceiling lamp

Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection that has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, sky elevates magic, stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is the dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, glass curves – the customization options are limitless. The Cielo Pendant lamp proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to complement the hotel lobby, large hallways, long staircases, or the spacious living room. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permit to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors. VIEW FULL FAMILY

Halo Pendant

castrolighting > Ceiling lamp

Halo’s are optical phenomenon’s that occur when tiny ice crystals refract and reflect the sun or moon’s light, creating splendid circles of light in the atmosphere. They are rare and prized events of delicate beauty that are simply astonishing. The Halo Pendant, made solely with gold-plated brass, is a display of modern inspiration that was designed for those who want a simple and elegant lighting fixture without giving up charm and refinement. An option that is simple yet sophisticated, being the perfect addition for contemporary or modern interior designs in both residential or commercial spaces. Likewise, it isn’t restrictive and will look amazing in any area of the house. VIEW FULL FAMILY

Terra Wall Light

castrolighting > Wall lamp

Cielo Wall Light

castrolighting > Wall lamp

Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection which has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, the sky elevates magic, and stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is a dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, and glass curves – the customization options are limitless. The Cielo Wall Light proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, and contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permitted to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors.

U18042

pfleiderer > Paneling

UPTOWN - LED stained glass floor lamp _ Foscarini

foscarini > Floor lamp

The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.

CHOUCHIN 1 - LED blown glass pendant lamp _ Foscarini

foscarini > Ceiling lamp

The **Chouchin 1** is a beautifully crafted lacquered blown glass pendant lamp, inspired by traditional Japanese lanterns but reimagined with a modern twist. Its design features a striking contrast between the glossy, warm-toned upper section and the luminous white lower portion, which diffuses light downward, creating a soft and inviting ambiance. The lamp is available in two versions: one with a 21W E27 LED retrofit (220/240V, 2700K, 2500 lm, CRI>80, dimmable with TRIAC technology) and another with a 24W COB LED (220/240V, 2700K, 2581 lm, CRI>90, dimmable via On-Off/Push/DALI). Both models are IP 20 rated and energy-efficient, making them ideal for both residential and commercial spaces. A 3D file of the Chouchin 1 is available for download, allowing for detailed visualization and planning. Crafted by **Foscarini**, a renowned Italian lighting design company founded in 1981 on the island of Murano, the Chouchin 1 exemplifies the brand's commitment to innovative, artistic, and high-quality lighting solutions. Foscarini collaborates with international designers to create avant-garde, sculptural pieces that blend functionality with modern aesthetics, making them standout additions to any interior space.

CIRCUS - Blown glass wall light _ Foscarini

foscarini > Wall lamp

The Circus wall light, crafted by Foscarini, is an elegant blend of blown glass and nickel-plated or coated metal, offering a soft, glare-free illumination that adds a timeless decorative touch to any space. Available in two sizes, the Circus big accommodates a 220/240V LED retrofit with a maximum of 4x60W E27 bulbs, while the Circus small supports a 220/240V LED retrofit with up to 4x40W E14 bulbs, both non-dimmable and rated IP 20 (bulbs not included). The design features a central metal button that adds a charming focal point, creating a balanced and artistic aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and planning. Foscarini, an Italian lighting design company founded in 1981 on the island of Murano, is renowned for its innovative, high-quality, and avant-garde lighting solutions, collaborating with international designers to create sculptural and contemporary pieces that elevate residential and commercial spaces worldwide.

KEYN - Stackable chair with armrests _ Herman Miller

Herman Miller > Chair

The Keyn chair is a versatile and ergonomic seating solution designed to adapt to various environments and user needs, offering a range of customizable options such as bases, shell finishes, arm selections, and upholstery materials. Available with either a four-leg or five-star base, the chair provides flexibility for stacking, swiveling, or mobility, making it ideal for meeting spaces, collaborative work areas, or desk use. Its innovative one-piece seat-and-back shell mechanism allows for smooth sliding and up to 10 degrees of recline, promoting natural movement and comfort, which enhances focus and productivity. The chair’s perforated shell design not only adds a lightweight, textural aesthetic but also ensures back aeration, while its global availability ensures consistency across multiple locations. A 3D file of the Keyn chair is available for download, allowing for detailed visualization and integration into design plans. Manufactured by Herman Miller, a globally recognized leader in interior design since 1905, the Keyn chair reflects the company’s commitment to innovative, functional, and timeless furniture solutions that cater to both residential and commercial spaces worldwide.

A-MODULO - Metal planter _ DE CASTELLI

DE CASTELLI > Accessories

The A-Modulo planter boxes exemplify the art of simplicity through meticulously crafted designs that seamlessly integrate with natural surroundings, enhancing gardens, parks, and terraces with their modular, easy-to-arrange structure. These outdoor planters, featuring an inner Enkadrain coating, are available in a variety of premium materials such as Corten, stainless steel, and aluminum, offering both durability and aesthetic versatility. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by DE CASTELLI, a renowned Italian design house established in 2003, the company is celebrated for its handcrafted metal furnishings and architectural elements that blend traditional craftsmanship with modern innovation, catering to residential, hospitality, and commercial spaces worldwide.

KOINÈ - Aluminium floor lamp _ LUCEPLAN

luceplan > Floor lamp

Here’s the rephrased and expanded product description, including a concise supplier mention and a note about the 3D file: --- **Koinè Floor/Suspension Lamp by Mandalaki** Expanding the iconic Koinè collection, Mandalaki introduces a versatile lighting solution that blends the elegance of a suspension lamp with the practicality of a floor lamp. Designed with the same minimalist ethos and innovative technology as the original series, this model features a sleek carbon fiber stem, a cylindrical steel counterweight, and an integrated dimmer pedal for adjustable illumination. The lamp’s unique design suspends the shade from the ceiling via a thin cable while anchoring it to the floor, creating a floating effect. Equipped with a glare-free glass lens, it delivers uniform, precise lighting, adaptable to any space thanks to customizable height and angle adjustments. Finished in matte black (55 cm diameter), it suits contemporary interiors seamlessly. A downloadable 3D file is available for design planning. *Supplied by Luceplan, a Milan-based leader in high-end lighting since 1978, renowned for merging cutting-edge technology with sustainable design.* --- This version keeps the product details engaging and concise while adding the requested supplier note and 3D file mention. Let me know if you'd like further refinements!

LOOP LOUNGE - High-back aluminium garden armchair with armrests _ Solpuri

Solpuri > Armchair

VANITY - Wooden console table with drawers _ carpanelli

carpanelli > Console

Forest By Lori Weitzner Bianco Carrara Marble Decorative Tile

artistictile > Floor tile-stone

The first in our collaboration with award-winning textile designer Lori Weitzner, Forest expresses Lori's affinity for texture, etching a distinctly organic tree bark-like pattern into marble via three individual techniques. The pattern's surface treatment interacts with the natural movement in the stone beneath to make Each piece a unique composition. Stocked as a 12 x 24 field tile.

UPTOWN - LED stained glass floor lamp _ Foscarini

foscarini > Floor lamp

The Uptown floor lamp is a striking piece of lighting design, crafted from painted glass, stainless steel, and PMMA, blending modern aesthetics with functional elegance. It features an integrated LED light source (17.7W, 2700K, 2498 lm, CRI>80) with a built-in dimmer, offering both energy efficiency (DA) and a warm, inviting glow. When illuminated, the lamp transforms into a captivating sculpture, with light projected upwards through its three sheet-glass shapes, creating a dramatic visual impact that enhances any space. A 3D file of the Uptown lamp is available for download, allowing for detailed visualization and planning. Designed by Foscarini, a renowned Italian lighting company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that merge contemporary design with avant-garde craftsmanship.

Ascoli Floor Matt Black

astro > Floor lamp

Kuro 450 Textured Black

astro > Floor lamp

The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.

Martello 240 Plaster

astro > Floor lamp

Kabuki indoor

kartell > Floor lamp

The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.

Cellu Floor Lamp EU Grey

normann-copenhagen > Floor lamp

Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel. 

Ambrosia

marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.          

Funiculí

marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Matin Floor Lamp

hay > Floor lamp

The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.

ROMA - Metal floor lamp _ Turri

turri > Floor lamp

The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.