Courage

mitab > Table

SOFA COURAGE Courage is a modular based system with seating elements and backrests that can be endlessly combined. The graphic simplicity comes from the design brief asking for an archetypal product based on the golden ratio.  The different elements have 2 sections of fabric, creating a “bottom line” which is intended to bond the different parts together, yet allowing for the upper part to be selected in different colours or fabrics creating a varied interior. Courage have a base frame of metal, different parts for different elements. There is no visible fittings or damage when Courage is built together. ADD ELECTRICS To support connected users on the move Courage can be specified with integrated electrical power outlets neatly fitted into the seat and easily accessible. PAIR WITH ORBIT The Orbit swivelling table perfectly compliments Courage’s form and function and has been designed to be natively mounted to Courage’s seat modules. VERSATILE MODULARITY Courage’s modular design comprising numerous elemental forms enables it to be configured in an almost infinite number of compositions. From small geometric islands to sprawling landmasses of comfort, Courage provides a much needed stopping place. COMMITTED Courage has been independently certified by Möbelfakta a widely respected certification scheme that assess and validate the sustainability credentials of furniture and products so consumers can make more informed choices. Modular sofa system with several seat, back and arm units. Base frame and connection fittings in powder coated metal frame in standard RAL (black). Seat with wood base and cold foam upholstered in standard fabrics or c.o.m. Backrests with optional one or two soft sides. Arm units with table top in ash natural. Multiple fabric configuration and electrical outlets available as add-on. (Electrical outlets is not possible with seats in H.36cm)

Revive Dark grey

auping > Box spring

The Auping Revive gives your sleep and your bedroom a real upgrade. The Auping Revive is a bed with the looks of a box spring and is available in two variants. This variant has a flat mesh base with an upholstered box spring mattress and a top mattress. The combination of the Revive mattress and the Auping mesh base ensure optimal ventilation, the open structure of the mesh base ensures optimal ventilation, allowing your mattress to breathe easier and last longer, and for you to step out of bed every day feeling refreshed. Are you a hotel manager and do you consider the Auping Revive for in your hotel? Please visit this page. The bed base of the Auping Revive consists of a mesh base with wheels under the front legs and a cover around the frame. The cover makes the bed look like a box spring, but without the heaviness, so it’s easy to move and has plenty of useful storage space underneath. The bed's wheels and light weight also make it easy to slide apart (not applicable for the 140 cm width), so that you can clean properly under the bed. Learn more about the Revive boxspring Our collection consists of 4 box springs. The Original, Criade and Kiruna can be designed completely to your whishes. Choose the colour, fabrics and accessories you like. There are 2,8 billion configurations available in our dream bed configurator. Looking for inspiration for your bedroom or do you want to learn more about one of our box springs? Take a look at our box spring pages.

Lawson "Dining"

minotti > Chair

With the fluid line of its shapes and the equilibrium of its soft volumes, the Lawson seating system explores different types of chairs, offering innovative solutions that push out the traditional style boundaries, ranging from small lounge armchairs to the larger easy chair, and even sofas.    The design features a look based on the juxtaposition of materials: on one side there is leather, which follows the curve of the enveloping backrest, in turn becoming an armrest and on the other side there is the fabric of the cushions, with its haute couture feel.   The many different layouts of the system, with its interesting range of alternating depths, mean it is perfect for creating both small, intimate spaces, as well as arrangements featuring several elements, all fit to occupy larger spaces with grace.  With its natural elegance, Lawson is ideal for residential interiors, but also reveals a strong vocation for the hospitality sector, thanks to its versatile modularity. Sofas and armchairs sit on metal feet with a chrome or polished Pewter finish, a jewel-detail that adds a touch of sophistication to the piece. The wide variety of elements in the Lawson family also includes an armchair with legs in Moka-coloured ash wood or covered in leather, a detail that also characterises the lounge armchair and dining chair. Each piece can be used in a wide range of potential combinations of materials and colours. And while the impression made by Lawson oozes with Seventies style if the arrangement includes pieces with black leather, structured fabric upholstering and feet with a chrome finish, instead, a more decorative spirit shines through if the option chosen features velvet and chenille.

Rilievi Nebbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Palosanto

marset > Wall lamp

Subtle without going as far as minimalism, the new Palosanto collection lamp is an extremely flexible, versatile solution for direct illumination outdoors. Available as a wall lamp and also as a bollard in three heights: 30, 60 and 90 cm. The 30- and 60-cm lamps include one spotlight, while the taller version can have one or two. In every version, the spotlight can be placed at the chosen height along the stem. This enables the position of the light to adapt to the growth of surrounding vegetation.As well as providing illumination, each spotlight also gives protection and reflection: a honeycomb grille captures peripheral light and prevents glare, while at the same time part of the light emitted is reflected and released through the back of the lamp, gently illuminating the body of the diffuser. This creates an interplay of lights to form a decorative halo, echoing the warmth of the interior light. In addition, the spotlight of this wall fixture can be rotated manually by up to 360 degrees, while the cable remains fully visible, an aesthetic detail that provides the freedom to decide direction of the light. The angle of opening of each spotlight is 32 degrees, and the colour temperature is 2700 K. For Christophe Mathieu, the design process consists first and foremost of observing and creating an object with wide-ranging possibilities that will be timeless in its use. That was his thinking behind this new collection, which can use its light to accentuate the outdoors, reveal architectural details, light a path or spotlight a tree. His new design is compact, flexible, and hard-wearing, even in tough climatic conditions. It is the epitome of simplicity, easy to install, and can be integrated into any landscaping project, whether residential or contract. Palosanto also offers a range of filters to soften the light, dim it towards the shadow, and adjust it to the surroundings. This leads to greater control over the lighting it can provide. What more could you ask for?

Rilievi Terra

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Raphael

minotti > Armchair

The characteristic light and sophisticated style trait of Italian-Danish duo GamFratesi inspires Raphael: a new way of designing the living space thanks to the use of single furnishing pieces with refined tailoring, capable of becoming protagonists of the space, and expressing the same comfort as traditional modular seating systems.  Three sofa variants, four types of armchairs, two dining little armchairs and two footstools, all conceived as adaptable to smaller domestic contexts, while still meeting the high demands of decorators and interior designers. Organic forms, with generous and cosy proportions, are enhanced by sophisticated upholstery that masterfully interprets its distinctive sinuous lines.  The Raphael sofas and armchairs stands on the floor on modern feet in die-cast Bronze or polished Pewter aluminium or Licorice-stained ash, the design of which adapts to the morphology of the seating shapes. The result is a furnishing piece with classic forms reinterpreted in a modern key. The armchairs are also available with a swivel four-spoke die-cast aluminium base in Bronze or polished Pewter.  Each individual element of the family has its own identity and silhouette. The sofas are available in three variants: linear, semi-curved and asymmetrical semi-curved, the latter animated by the series of sinuous lines given by the backrest, punctuated by a gentle change of heights. The armchairs are characterised by their comfortable seating, not only in the larger model, but also in the smaller version and in the dining version, which is available both fixed, with legs in Licorice-coloured ash, and with a swivel four-spoke die-cast aluminium base in Bronze or polished Pewter.  The details, shapes and overall aesthetics of Raphael make it a contemporary furnishing piece with a timeless character, designed to meet the different situations of everyday life: from moments dedicated to relaxation to those conceived for conviviality, from hospitality occasions to the more intimate ones of domestic life. 

Cromatica Verde

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Original Warm grey With Straight headboard and Warm grey table

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminium legs gives an elegant look. This variation in Warm grey with 1 motor eletric adjustable mesh base, Straight headboard and a matching Warm grey table completes your bedroom.  The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So chances are your favourite colour is among them. Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   The Original is available with all our mattresses, make your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.  

Patio

minotti > Sofa

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

1119 Brickell Dark

gerflor > Floor plank

The 12 traditional and vintage colours in Gerflor's Senso 20 Lock range will bring an authentic and rustic touch to any home interior. The bevelled straight edges give Gerflor's Senso Lock planks a rustic look to create the impression of softwood planks that have been painstakingly crafted by a skilled joiner. This simple yet sleek range fluctuates between natural wood designs with grey reflections of time-worn patina, chic and stylish light wood designs like "Dew Beige" that conjure up images of energising birch floorboards, and sleek and sophisticated imitation stone and ceramic tiles like "Tuscan" and "Travertin".The PVC planks and tiles in the Senso 20 Lock collection are fitted with an interlocking system that is revolutionary in terms of its simplicity and speed. Forget all about the headache of trying to fit the flooring by tilting planks in every direction. With Gerflor's Senso 20 Lock range, simply line up one plank against another and press to snap them together. There is no need for a saw when it comes to cutting. A utility knife will do the job! Not only is this range easy to fit, but it is also extremely easy to clean with just some soapy water.The perfectly waterproof Senso 20 Lock range can be fitted in every room of the home, such as dining rooms, kitchens and even bathrooms and toilets! The flooring is designed to withstand frequent foot traffic as the home's occupants go about their everyday lives. With its 0.20 mm wear layer and PU surface treatment, Gerflor Senso 20 Lock is not only moisture-resistant, but also compatible with underfloor heating systems. Featuring an abrasion group T rating, antistatic design and non-slip surface, Gerflor Senso 20 Lock is extremely hard-wearing and comes with aSenso 20 Lock planks and tiles are 100% recyclable as part of the brand's determination to protect the environment, which includes upcycling offcuts (click here to find out more).

Chimera Empatia Nero

florim > Wall tile-stone-brick

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

CLARKE - Fabric sofa bed _ Milano Bedding

Milano Bedding > Sofa

CLARKE by Milano Bedding – Relaxed, Tailored Sofa Bed with Everyday Comfort Name: Clarke Material: Solid wood frame, multi-density polyurethane foam, steel Lampolet mechanism Finishing: Removable fabric upholstery with piping detail, matt black painted metal legs Sizes (cm): Width 180–210 | Depth 105 | Height 83 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Relaxed Elegance with Real-Bed Functionality The Clarke sofa bed by Milano Bedding is the ultimate expression of casual sophistication. With its soft, lived-in upholstery, generous cushions, and clean silhouette, it brings a laid-back elegance to interiors that value both comfort and design. What makes Clarke unique is its combination of a tailored, crumpled fabric look with a hidden 17 cm thick mattress, making it suitable for daily sleeping. The built-in Lampolet mechanism transforms the sofa into a full-size bed—no need to remove cushions—making it a favourite for hotels, short-stay apartments, and residential guest rooms. Build Quality, Comfort & Upholstery Clarke is constructed from a solid wood frame and supported by a robust steel folding mechanism, ensuring durability even in high-traffic hospitality settings. Its cushions are made from polyurethane foam in differentiated densities, offering excellent seating comfort and sleeping support. The upholstery is fully removable and available in Milano Bedding’s curated fabric range, including relaxed cottons, soft linens, boucle textures, and contract-grade easy-clean options. The signature piping detail gives it a subtly defined structure, enhancing its tailored softness. Clarke’s base rests on slim matt black metal legs, creating an airy, contemporary stance despite its generous volume. A Perfect Fit for Hospitality, Residential & Contract Spaces Clarke is ideal for: Boutique hotel rooms and luxury serviced apartments Vacation rentals and Airbnb spaces with dual-use requirements Home offices, studios, or compact lounges Reception rooms or executive lounges needing overnight functionality Design-led residential interiors where casual comfort is key Its removable cover ensures practicality for hospitality environments, where regular cleaning is essential. Visual Appeal & Interior Compatibility Clarke’s soft form, relaxed cushion finish, and piped seams make it a beautiful match for Scandinavian, Japandi, and boho-contemporary interiors. The slight crumpled effect adds warmth and character, giving it a lived-in charm that contrasts well with clean-lined architecture or textured materials. Style it with layered throws, tonal scatter cushions, or a chunky wool rug to enhance the informal elegance it brings to any setting. Product Features & Options Bed sizes: 140×200 cm or 160×200 cm Mattress height: 17 cm, available in polyurethane or memory foam Easy open-and-close system with no cushion removal Fully removable cover for easy cleaning and updates Optional add-ons: headrests, bolsters, scatter cushions Explore Other Versions and Alternatives Prefer a variation on Clarke’s concept? Try: Clarke Quilted – Same shape, but with structured quilting for a tidier look Clarke Cross – A wider version with an even more generous seating area Vivien – Slim, feminine curves and compact footprint Mingus – Rounder, more casual form with soft proportions All Milano Bedding models are supplied with 2D and 3D files, supporting your specifications, moodboards, and architectural plans.

Cromatica Opale

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

LAB MEETING ZXLB - Height-adjustable fabric office chair with armrests with 5-Spoke base _ Inno

R

Inno > Chair

Lab Meeting L ZXLB – A Sleek and Functional Meeting Chair for Modern Workspaces Ergonomic Comfort Meets Contemporary Aesthetics The Lab Meeting L ZXLB is a modern, high-quality meeting chair designed to bring comfort, elegance, and flexibility to professional environments. As part of a versatile office seating collection, it blends contemporary design with ergonomic functionality, making it an excellent choice for conference rooms, co-working spaces, hospitality lounges, and private offices. With a refined yet approachable look, it elevates workplace interiors without compromising on comfort. Minimalist Design with a Professional Appeal The clean lines and balanced proportions of the Lab Meeting L ZXLB make it a seamless fit for both corporate and creative spaces. Its modern silhouette exudes sophistication, while the quilted seat upholstery adds an extra layer of elegance. The chair’s design strikes the perfect balance between professional formality and relaxed comfort, making it suitable for both formal meetings and informal collaborative sessions. With a fully upholstered seat and backrest, the chair provides excellent cushioning and support, ensuring that users stay comfortable even during extended meetings. The high-quality stitching and soft contours contribute to its inviting aesthetic, making meeting spaces feel warm and approachable rather than overly rigid or sterile. Durable Materials and Custom Finishes The chair is available in a range of high-quality fabric and leather upholstery options, allowing for complete customisation based on aesthetic preferences and functional needs. From subtle neutral tones to bold accent colours, the upholstery choices make it adaptable to different workplace environments and branding schemes. The frame and base come in various metal finishes, including matte black, metallic grey, silver aluminium, and white variants, providing flexibility in design coordination. Whether integrating into a monochrome minimalist office or a vibrant creative workspace, the chair’s customisation options ensure a perfect fit. Ergonomic Features for Comfort and Productivity The Lab Meeting L ZXLB is designed with ergonomic principles in mind, ensuring maximum comfort and support throughout the workday. The soft, padded seat is contoured to promote good posture, reducing strain on the back and shoulders. The gently curved backrest provides adequate lumbar support, making long hours of sitting more comfortable. A height-adjustable mechanism allows users to modify the seating position to match different table heights, making it adaptable to various workspace configurations. The swivel function ensures easy mobility, while the five-star base with smooth-rolling castors provides effortless movement across different floor types. This combination of features makes it an ideal chair for dynamic work environments, where users need flexibility and ease of movement. Versatile Applications Across Different Work Environments The Lab Meeting L ZXLB is a multi-purpose chair suitable for a wide range of professional settings, including: Corporate Offices and Conference Rooms For executive boardrooms, team meeting areas, and private offices, this chair adds a touch of sophistication while maintaining a comfortable and functional seating experience. Its polished design ensures that meeting spaces feel both professional and inviting. Co-Working Spaces and Startups In fast-paced, open-plan work environments, flexibility is key. The chair’s mobile base and ergonomic design make it a practical choice for co-working spaces, where users may need to switch between workstations, collaboration zones, and lounge areas. Hospitality and Public Spaces Beyond traditional office settings, this chair works well in hotel business lounges, client meeting rooms, and reception areas. Its sleek yet comfortable design allows guests to relax while maintaining an upright posture, making it perfect for areas that require both style and functionality. Educational and Training Facilities In universities, training centres, and seminar rooms, this chair’s adjustable height and swivel base ensure adaptability for different table setups, fostering a collaborative learning environment. A Part of a Thoughtfully Designed Seating Collection The Lab Meeting L ZXLB is part of a larger family of seating solutions, designed for cohesive office layouts. Various configurations, including models with different bases and armrest options, allow for a unified yet varied seating arrangement throughout a workspace. For designers looking to create aesthetic consistency across multiple areas, combining different variations of the Lab series ensures a harmonious look while addressing different functional needs. Sustainability and Longevity Beyond aesthetics and comfort, the Lab Meeting L ZXLB is built with durability and sustainability in mind. The materials used in its construction are chosen for their longevity, ensuring that the chair maintains its quality and performance over time. The metal frame and base are sturdy and wear-resistant, while the upholstery fabrics are designed to withstand daily use. Investing in high-quality office seating means fewer replacements and reduced waste, contributing to a more sustainable workplace.

Criade Blush

auping > Box spring

With its slender lines and refined details, the Criade is a sleek box spring with a distinctive design. The steel frame carries the design and the horizontal line connects the two box springs. This variant has a Blush frame and is upholstered in Reflect / Sand beige, and has an Inizio mattress  is a real eye-catcher in your bedroom. The refined legs give the Criade's design an airy feel while the steel frame provides a solid base. Head and footboard are placed directly on the frame, leaving the floor free. The use of the different materials creates the design characteristic of Auping. The Criade is a richly padded box spring: the box contains a mesh base and pocket springs. The Auping mesh base is eighty percent open and therefore the box spring ventilates very well. The pocket springs in both the box spring and the mattress ensure that you can turn easily at night and have good support during your sleep. View the Criade box spring   This Criade box spring includes an Inizio mattress. Want to make a different choice? The Criade box spring is available with all our mattresses and toppers, change your choice in the configurator. Our collection consists of 4 box springs that you can put together exactly as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

Original Dusty red With risers in Sand beige

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminium legs gives an elegant look. This variation in Dusty red with 1 Motor eletric adjustable mesh base and Sand beige base legs completes your bedroom.  The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So chances are your favourite colour is among them. Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   The Original is available with all our mattresses, make your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.  

Criade Night blue

R

auping > Box spring

With its slender lines and refined details, the Criade is a sleek box spring with a distinctive design. The steel frame carries the design and the horizontal line connects the two box springs. This variant in Night blue with topper and Square headboard in Grid / Denim is a real eye-catcher in your bedroom. The refined legs give the Criade's design an airy feel while the steel frame provides a solid base. Head and footboard are placed directly on the frame, leaving the floor free. The use of the different materials creates the design characteristic of Auping. The Criade is a richly padded box spring: the box contains a mesh base and pocket springs. The Auping mesh base is eighty percent open and therefore the box spring ventilates very well. The pocket springs in both the box spring and the mattress ensure that you can turn easily at night and have good support during your sleep. View the Criade box spring   This Criade box spring includes Comfort mattress and Comfort topper. Want to make a different choice? The Criade box spring is available with all our mattresses and toppers, change your choice in the configurator. Our collection consists of 4 box springs that you can put together exactly as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

Cromatica Bianco

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Oltremare Panchetta

sabaitalia > Armchair

The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.

Fris

marset > Ceiling lamp

Drawing thin beams of light in a space with each one of them pointing in any direction. This is why we have created Fris, a multi-purpose lighting system, available in a wall/ceiling or pendant version, which allows you to combine several units in different sizes and positions, each one aiming its own beam of light.Its design consists of a glass tube that encases the light. What makes it unique is that the glass not only protects the light, but also provides a mechanical function, suspending the whole system and allowing the lamp to rotate and the light to be steered in a certain direction. As a result, the glass is both material and function. Through the transparent glass we see the lamp’s interior, which consists of two profiles: one includes the light source and the other acts as a parabola, projecting a crisp, intense light. This system makes it possible to compose light structures and to join a set of lamps by means of different assembly and hanging accessories. In the pendant version, each Fris unit is supported by a strap, so that several can be placed horizontally, in line, one on top of the other, or perpendicularly, creating intersections of light. They can also function separately as an individual lamp. The other version can be fixed to the ceiling or wall. The pendant version is available in three lengths of 80, 155 cm and 215 cm and the version for ceiling or wall comes in another three lenghts 80, 155, and 215 cm. There is also a more technical version where the light is distributed in cells with independent lenses, achieving a UGR of under 19. Fris offers a very versatile and functional design for precise lighting of any type of project. An ingenious system that boldly tackles a previously unresolved issue: to have a set of lamps where each one directs the light individually.

Sendai

minotti > Sofa

Named after the city of trees, Sendai, this line of furnishing pieces consists of a small sofa, an armchair, a lounge armchair and dining and lounge little armchairs. Like slender trunks, the elegant, polished legs, in Canaletto walnut solid wood stained Light Brown, or Licorice lacquered ash, rest on the ground, lifting the enveloping upholstered body and creating a soft rhythm of vertical lines. The possibility of having the armchair, the dining little armchair and the lounge armchair also in the 360° swivel version with return (base in polished Bronze-coloured varnished metal, with sheathed spokes in solid ash with an open-pore Licorice-coloured lacquer, or in solid Canaletto walnut with Light Brown stain) makes the Sendai seats particularly comfortable for both residential and hospitality environments. The compact and well-proportioned silhouette of both the seats and the small sofa, opens up to a new way of using the dining space: as a living room within the living room, a hybrid situation, such as when dinner is served on a large table, while guests meet and socialise round a lounge table. A new, more intimate way of opening up new visual and proportional horizons of the living space, both in homes and in hospitality venues. In 2023, the elegant and airy Sendai family of seats expands, with a new enveloping sofa, a comfortable swivel armchair with armrests and a footstool. The design of the armchair, with its upholstered frame resting on a 360° swivel base with return mechanism, also stems from the desire to have a larger seat whose comfort is ensured by a higher backrest and the presence of comfortable armrests, perfect for ensuring a satisfying sensation of relaxation, especially when used in combination with the footrest.

Horizonte

minotti > Sofa

A floating island with square lines that marks the horizon of the living space.  The new system by Marcio Kogan / studio mk27 takes shape from a suspended base, a solid thin line covered in leather, fabric or both, on which generous volumetric padded elements rest.  Perfectly consistent with Marcio Kogan's design philosophy, the Horizonte modular seating system is the result of a clear architectural vision: a rigorous shape, raised seven centimetres off the ground thanks to a recessed plinth in matt black varnished metal, which gives the sofa a special feeling of suspension. A platform on which the upholstered elements are located  - seats, backrests and armrests - all conceived as large cushions with bold proportions and a strong personality.  It is not only the dimensions that characterise these modules, but also their unprecedented softness, capable of maintaining a precise formal aesthetic, despite their welcoming sinkable effect. Comfort is in fact guaranteed by an innovative technology that uses pocketed springs inserted in variable-density polyurethanes that allow the memory of the shapes to be maintained and the seat to return to its original form, modelling itself to the shape of the user. The base on which the upholstered volumes rest is made from a clever combination of materials: entirely in leather or fabric or in an original mix of both to create an even more refined and prestigious look. In the fabric version, the two strips are coupled with a zip, hidden by a creased seam, presented as an aesthetic motif that allows for the practical and quick removal of the covering. On the other hand, in the base entirely covered in leather, the covering is lapped: refined and inspired by the world of haute couture,this production technique means that the strips of leather are sewn together by folding back the edges.  The seemingly simple appearance of Horizonte gives rise to a sophisticated style code that can be used in a wide range of configurations. By combining modules, sloping elements and others with built-in coffee table, an overall narrative that could continue forever without interruption is created. For some elements, the base under the upholstered elements juts out from the seat cushion to accommodate a shelf, available in different sizes and configurations. Like a full stop in punctuation, the module is inserted between the seats, enriched by a top attached to the base of the sofa: this does not interrupt the fluidity of the shape, adding a multifunctional top in Dark Brown stained Canaletto walnut, Liquorice lacquered ash, Calacatta and Grigio Orobico marble, or smoothed matt Nero Marquina and brushed Belvedere granite. In addition to the top, interspersed between the cushions, the Horizonte family also includes coffee tables and a side table. The latter has been designed in perfect aesthetic continuity with the Horizonte seating system, from which it takes both the detail of the matt black varnished metal base and the thickness of the top: a horizontal groove engraved on the solid wood bullnose edge recalls the same concept of geometry used in the base. The coffee and side tables also reflect the same style, with floor support in polished Bronze varnished metal and tops in Dark Brown stained Canaletto walnut or Liquorice coloured ash. The different sizes and heights of the coffee and side tables allow for a play of superimpositions that invigorates the horizontality of the entire family.  

PRINCE - Sofa bed _ Milano Bedding

Milano Bedding > Sofa

PRINCE by Milano Bedding – Slim and Sophisticated Sofa Bed with Timeless Proportions Name: Prince Material: Solid wood frame, multi-density polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, chromed or painted metal feet Sizes (cm): Width 180–210 | Depth 98 | Height 85 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Elegant Lines, Hidden Comfort The Prince sofa bed by Milano Bedding is a refined, discreetly elegant piece designed to integrate seamlessly into a wide range of interiors—from urban residences to hotel suites. With its slim armrests, tailored silhouette, and timeless geometry, Prince delivers clean design and daily-use functionality in equal measure. Inside, a 17 cm thick mattress transforms the sofa into a true double bed (140×200 or 160×200 cm), thanks to Milano Bedding’s easy-to-use Lampolet opening system. No need to remove any cushions—just open and sleep. Construction, Upholstery & Finishes Crafted with a solid wood internal frame and a robust steel folding mechanism, Prince is built for long-term durability, even in contract and hospitality settings. The cushions are filled with multi-density polyurethane foam, offering structured comfort while maintaining crisp visual lines. Upholstery is available in both fixed and removable versions, with a wide variety of fabric and leather options—from elegant neutrals and natural textures to statement velvets and stain-resistant technical materials. Choose chromed metal legs for a polished hotel look or opt for matt black feet for a more architectural, modern finish. Perfect for Compact and Elegant Interiors The Prince sofa bed fits effortlessly into: Hotel rooms and hospitality suites with limited space Short-stay rentals and luxury serviced apartments Guest rooms or home offices in need of a real bed Waiting areas, executive lounges, or model apartments Its slim footprint and visually lightweight design make it especially useful in interiors where space and elegance must go hand in hand. Visual Style & Interior Compatibility With its straight arms, refined piping, and balanced proportions, Prince works well in contemporary classic, Scandinavian, or transitional interiors. It can lean either modern or timeless depending on the upholstery chosen. In light-toned linen, it feels breezy and casual; in velvet or dark wool, it becomes tailored and formal. Prince is a versatile backdrop for both quiet and expressive styling. Key Features & Customisation Opens into a 140×200 cm or 160×200 cm bed Includes a 17 cm thick mattress in polyurethane or memory foam Easy-to-use Lampolet mechanism with cushions attached Fixed or removable upholstery for professional cleaning Leg options: chromed or painted metal feet Optional: headrests, bolsters, and scatter cushions Explore Other Slim-Line Sofa Beds If Prince matches your needs but you'd like to compare other designs: Ellington – Classic, compact form with minimal arms Charles – Sleek and architectural with a modern edge Goodman – Slightly deeper seat, more relaxed structure Andersen – Timeless silhouette with a traditional touch All Milano Bedding sofa beds are available with 2D/3D files, helping streamline your specification, planning, and presentation workflow. Prince by Milano Bedding is the perfect choice when your project calls for elegant proportions, full functionality, and a visually lightweight design—ideal for both refined contract settings and stylish home interiors.

Tesori Anelli grigio

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>

Tesori Anelli bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>

LARRY - 3 seater sofa bed _ Milano Bedding

Milano Bedding > Sofa

LARRY by Milano Bedding – Clean Lines, Wide Armrests, and Real-Bed Comfort Name: Larry Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, painted metal legs Sizes (cm): Width 190–225 | Depth 100 | Height 84 | Bed size 140×200 or 160×200 Weight: Approx. 115–130 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Robust Elegance with Hidden Functionality The Larry sofa bed by Milano Bedding brings together modern simplicity, broad proportions, and exceptional comfort. Its signature features—generous armrests, linear structure, and deep seat—make it ideal for urban residences, design hotels, and serviced apartments. Inside, Larry hides a high-quality 17 cm thick mattress that unfolds easily using the brand’s patented Lampolet mechanism. The bed opens in one motion, without removing seat or back cushions, offering a true sleeping solution suitable for everyday use. Materials, Upholstery & Build Quality Constructed with a solid wood frame and a durable steel opening system, Larry is built for longevity in both private and contract settings. The seat and back cushions are made of polyurethane foam in differentiated densities, ensuring balanced support and comfort. The sofa is available with removable or fixed upholstery, in Milano Bedding’s wide range of fabrics and leathers. From neutral wools and natural linens to bold velvets and contract-grade textiles, the material palette allows Larry to blend into any interior design vision. Slim painted metal legs support the structure while adding a sleek, modern edge. Suitable for Hospitality, Residential & Contract Projects Larry’s clean form and smart proportions make it a perfect match for: Hotel rooms, suites, and short-stay apartments Luxury rentals, co-living spaces, or student housing Home offices, family lounges, or guest bedrooms Reception lounges or creative studio waiting areas Its wide armrests and structured shape make it ideal for larger rooms that need a grounding, comfortable anchor piece that’s also highly functional. Visual Style & Interior Harmony Larry’s aesthetic is firmly rooted in contemporary minimalism with a touch of architectural solidity. The strong geometry, broad armrests, and deep seat work well in Scandinavian, Japandi, or urban loft-style interiors. Whether upholstered in monochrome fabrics for a minimalist look or in rich hues for a bolder presence, Larry adapts easily. It can serve as the focal point of a lounge or blend harmoniously into a layered residential palette. Key Features & Optional Elements Converts to a 140×200 cm or 160×200 cm bed 17 cm thick mattress in polyurethane or memory foam Quick-open Lampolet mechanism – no need to remove cushions Available with removable covers for contract use Optional headrests, scatter cushions, and bolsters on request Alternatives with Similar Functionality Looking for variations in size or styling? Explore: Goodman – More compact geometry with minimalist arms Marsalis – Mid-century style with elegant structure Charles – Slim profile for smaller spaces Jarreau – Deep seat and sculptural shape for bold interiors All Milano Bedding products include 2D and 3D files to simplify space planning and client presentations. Larry by Milano Bedding is the ideal solution when you need a generously proportioned, modern sofa bed that combines comfort, visual impact, and daily performance—perfect for both refined residential and demanding hospitality environments.

RICHARD - sofa bed _ Milano Bedding

Milano Bedding > Sofa

RICHARD by Milano Bedding – Sofa Bed with Classic Structure and Everyday Comfort Name: Richard Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, optional piping detail, metal feet Sizes (cm): Width 180–215 | Depth 98 | Height 88 | Bed size 140×200 or 160×200 Weight: Approx. 115–130 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Traditional Design, Reliable Performance The Richard sofa bed by Milano Bedding is a classic, understated piece that blends comfort, structure, and practicality. With its solid silhouette, defined armrests, and elegant piping, Richard suits timeless interiors, hospitality lounges, and guest rooms where durability and versatility are key. Inside, it hides a full-size 17 cm thick mattress and the Milano Bedding Lampolet mechanism, offering a daily-use bed that opens effortlessly—no need to remove the cushions. Build, Upholstery & Functional Details Richard is constructed with a solid wood internal frame and a reinforced steel folding system, ensuring long-term use in both residential and contract environments. The seat and back cushions are made from polyurethane foam in differentiated densities, providing structured support for both sitting and sleeping. The upholstery is available in a wide range of removable or fixed fabrics and leathers, including Milano Bedding’s collection of velvets, linens, wools, bouclé, and stain-resistant materials suitable for hotels and high-traffic environments. Optional contrast piping adds a refined detail to the overall form. Legs come in a slim, cylindrical metal design, available in matt black, chrome, or custom finishes. Ideal for Hotels, Apartments, and Guest Rooms Richard is an excellent choice for: Hotel rooms, executive suites, or extended-stay rentals Home libraries, TV rooms, or guest bedrooms Serviced apartments or co-living interiors Commercial lounges, consultation rooms, or reception areas Its timeless structure and mattress comfort make it ideal for spaces where aesthetics must meet function—particularly where daily conversion to a bed is required. Styling Versatility & Interior Compatibility Richard’s silhouette is classic yet neutral, allowing it to work in a variety of interiors—from transitional and contemporary classic to minimalist schemes. Upholstered in a warm neutral fabric, it blends quietly into a sophisticated palette. In a bold colour or tactile textile, it can easily become a central design feature. Its refined lines and subtle piping make it a natural fit for designers who prefer quiet elegance over trend-driven forms. Key Features & Options Mattress sizes: 140×200 cm or 160×200 cm 17 cm thick mattress available in polyurethane or memory foam Opens with ease using the Lampolet mechanism Cushions remain attached during conversion Choice of fixed or removable covers Optional details: contrast piping, scatter cushions, headrests, bolsters Explore Related Sofa Beds If you like Richard but want alternative proportions or styling, consider: Andersen – Similar form with a slightly softer line Ellington – Compact, classic, and ideal for tight spaces Goodman – More contemporary with geometric balance Vivien – Softer, feminine silhouette with slim arms All Milano Bedding models include 2D/3D files for seamless integration into drawings, specifications, and presentations. Richard by Milano Bedding is a sofa bed for designers who value classic proportions, everyday comfort, and the ability to seamlessly blend into refined interiors—a reliable, elegant choice for both home and hospitality.

1034 Cordoba Black & White

gerflor > Floor plank

This collection features planks and tiles with a dozen imitation designs, including wood parquet flooring ("Puzzle"), concrete and cement tiles ("Provence Blue"). Senso Premium Easy is an open invitation to give your floor covering a personalised touch by mixing and matching the different designs to your heart's content! All the models in this collection can be combined together, meaning that you can separate different spaces within the home or even create original designs. Give your floor a makeover and turn it into your very own pride and joy.With Gerflor's Senso Premium Easy collection, there is no need to glue planks and tiles to the floor or clip them together. These loose-lay planks and tiles rely on their own weight when it comes to fitting and staying in place! They can even be repositioned if you make a mistake This removable floor covering is so quick and easy to fit that you can actually do it yourself. A compatible primer must first be applied to the substrate, such as Bostik Universal Primer. Gerflor Senso Premium Easy is quick and easy to clean with a broom or vacuum cleaner. To remove the most stubborn stains, wipe with a well-wrung damp mop and some neutral detergent. Unlike a real parquet floor, you will not need any wax or oil to keep your floor covering sparkling and looking brand new!The planks and tiles in the Senso Premium Easy collection offer considerable stability, a non-slip surface and superior resistance to wear, impacts, scratches and residual indentation. Senso Premium Easy is ideal for large shops, retail premises, restaurants, offices and obviously every room in your home. This product is also perfectly resistant to water and moisture, so look no further when looking to renovate your home's wet areas (bathrooms, kitchens, etc.).planks and tiles are 100% recyclable as part of the brand's determination to protect the environment, which includes upcycling offcuts (click here to find out more).178 x 1219 mm, 228 x 1492 mm and 457 x 914 mm;

Oltremare

sabaitalia > Sofa

The seating collection “Oltremare” designed by Antonio Marras and produced in collaboration with Saba, stems from a far-away past and place, full of history, recollection, memories overflowing with suggestions and visions. And this is how Antonio Marras presented an object so dear to him that he defines a sacred-idol, that narrates of his land, of his sea, but mostly, of his story. We named it Oltremare, because all things have a soul and every soul has a name. Oltremare encloses within its inlets the classic and the modern. The curve is a line that can be tamed: it forms a wave, a fold, it creates a place but it also offers an escape route. In our utopian world we investigated the relationship between the curved line and the act of seating, asymmetric shapes that become backrests and sink into extremely comfortable seats pushing past the rectangular schemes so dear to the sober lines of designing sofas. The asymmetric curves that enclose it are the inspirations for the Oltremare armchair that completes the collection alongside a padded bench. A comfortable nest suspended on a slim varnished metal base, whose essential lines render, by contract, the armchair’s silhouette even more interesting. Oltremare is a seating system that, even though winks at the past, it communicates a strong contemporary soul and is suitable by nature to various interpretations. Fully removable covers.

Chimera Colore Bianco

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

AQUASOUL LOUNGE - Built-in hydromassage bathtub with chromotherapy _ Jacuzzi®

Jacuzzi > Bathtub

AQUASOUL LOUNGE by Jacuzzi® – A Luxurious Built-in Hydromassage Bathtub with Chromotherapy Timeless Elegance Meets Modern Wellness The AQUASOUL LOUNGE by Jacuzzi® is an exceptional built-in hydromassage bathtub, designed to bring luxury, relaxation, and contemporary elegance to the bathroom. Designed by Carlo Urbinati, this bathtub is inspired by classic soaking tubs, yet perfectly integrates modern technology and refined aesthetics. Whether installed built-in or floor-mounted, the Lounge model is a statement piece that enhances the well-being experience while seamlessly fitting into diverse architectural spaces. Minimalist & Sophisticated Design The Aquasoul Lounge embodies minimalist elegance, with a sleek and luminous design that reflects a harmonious balance between past and present. The clean lines and understated beauty make it suitable for both modern and classic interiors, elevating the overall ambiance of the bathroom. This versatile bathtub is designed to adapt to various bathroom layouts, making it a perfect choice for luxury residences, spa-inspired hotel bathrooms, and high-end wellness retreats. Premium Comfort & Innovative Features Jacuzzi® ensures that the Aquasoul Lounge is more than just a beautiful bathtub—it's a personal wellness retreat. This model is enriched with exclusive comfort features, transforming every bath into a multi-sensory relaxation experience. Key Features & Benefits: ✔ Hydromassage System – Enjoy a powerful yet soothing hydrotherapy experience, designed to relax muscles, relieve stress, and promote overall well-being. ✔ Chromotherapy Lighting – Integrated LED spotlights and perimeter lighting create a tranquil color therapy experience, enhancing relaxation through soft, ambient light. ✔ Technogel® Headrest – A revolutionary ergonomic headrest, providing superior neck and head support for a deeply relaxing soak. ✔ User-Friendly Remote Control – A precious and intuitive remote, allowing effortless adjustment of water jets, lighting, and massage settings. ✔ Built-in Disinfection System – Ensures hygiene and water purity, reducing maintenance effort while keeping the bathtub in pristine condition. Dimensions & Installation Options Designed for maximum versatility, the Aquasoul Lounge is available in a standard size, suitable for spacious bathroom layouts. Model Dimensions (cm) Installation Type Features Aquasoul Lounge 180 x 80 x 57 cm Built-in / Floor-mounted Hydromassage, Chromotherapy, Disinfection, Remote Control The built-in installation seamlessly integrates into custom-designed bathrooms, while the floor-mounted version provides a freestanding look with a more architectural presence. Where Aquasoul Lounge Excels – Ideal Applications Luxury Residential Bathrooms Perfect for high-end homes, this Jacuzzi® bathtub turns a master bathroom into a private spa. The sleek, minimal design complements modern and classic aesthetics, making it a statement piece in premium interiors. Five-Star Hotel & Resort Suites For hospitality projects, Aquasoul Lounge adds a touch of exclusivity and indulgence to hotel bathrooms, spa suites, and wellness retreats. The chromotherapy lighting and hydromassage jets enhance the guest experience, offering ultimate relaxation and rejuvenation. Wellness Centers & Spas Ideal for high-end wellness and spa facilities, this Jacuzzi® model is designed for professional-grade relaxation and therapy, ensuring comfort, hygiene, and long-lasting performance. Boutique & Luxury Apartments For designer apartments and penthouses, Aquasoul Lounge provides a private, indulgent retreat, making it a highly desirable feature in premium real estate. Sustainability & Energy Efficiency Jacuzzi® prioritizes water efficiency and energy conservation, ensuring that the Aquasoul Lounge is both luxurious and eco-friendly: ✔ Energy-efficient hydromassage system reduces power consumption. ✔ LED chromotherapy lights provide high-impact ambiance with low energy use. ✔ Integrated disinfection system maintains cleanliness with minimal water waste.

Criade Pine green

auping > Box spring

With its slender lines and refined details, the Criade is a sleek box spring with a distinctive design. The steel frame carries the design and the horizontal line connects the two box springs. This variant in Pine green with topper and Square headboard in Peach / Eucalyptus is a real eye-catcher in your bedroom. The refined legs give the Criade's design an airy feel while the steel frame provides a solid base. Head and footboard are placed directly on the frame, leaving the floor free. The use of the different materials creates the design characteristic of Auping. The Criade is a richly padded box spring: the box contains a mesh base and pocket springs. The Auping mesh base is eighty percent open and therefore the box spring ventilates very well. The pocket springs in both the box spring and the mattress ensure that you can turn easily at night and have good support during your sleep. View the Criade box spring   This Criade box spring includes Comfort mattress and Comfort topper. Want to make a different choice? The Criade box spring is available with all our mattresses and toppers, change your choice in the configurator. Our collection consists of 4 box springs that you can put together exactly as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

AQUASOUL LOUNGE - Hydromassage corner bathtub with chromotherapy _ Jacuzzi®

Jacuzzi > Bathtub

AQUASOUL LOUNGE by Jacuzzi® – A Luxurious Built-in Hydromassage Bathtub with Chromotherapy Timeless Elegance Meets Modern Wellness The AQUASOUL LOUNGE by Jacuzzi® is an exceptional built-in hydromassage bathtub, designed to bring luxury, relaxation, and contemporary elegance to the bathroom. Designed by Carlo Urbinati, this bathtub is inspired by classic soaking tubs, yet perfectly integrates modern technology and refined aesthetics. Whether installed built-in or floor-mounted, the Lounge model is a statement piece that enhances the well-being experience while seamlessly fitting into diverse architectural spaces. Minimalist & Sophisticated Design The Aquasoul Lounge embodies minimalist elegance, with a sleek and luminous design that reflects a harmonious balance between past and present. The clean lines and understated beauty make it suitable for both modern and classic interiors, elevating the overall ambiance of the bathroom. This versatile bathtub is designed to adapt to various bathroom layouts, making it a perfect choice for luxury residences, spa-inspired hotel bathrooms, and high-end wellness retreats. Premium Comfort & Innovative Features Jacuzzi® ensures that the Aquasoul Lounge is more than just a beautiful bathtub—it's a personal wellness retreat. This model is enriched with exclusive comfort features, transforming every bath into a multi-sensory relaxation experience. Key Features & Benefits: ✔ Hydromassage System – Enjoy a powerful yet soothing hydrotherapy experience, designed to relax muscles, relieve stress, and promote overall well-being. ✔ Chromotherapy Lighting – Integrated LED spotlights and perimeter lighting create a tranquil color therapy experience, enhancing relaxation through soft, ambient light. ✔ Technogel® Headrest – A revolutionary ergonomic headrest, providing superior neck and head support for a deeply relaxing soak. ✔ User-Friendly Remote Control – A precious and intuitive remote, allowing effortless adjustment of water jets, lighting, and massage settings. ✔ Built-in Disinfection System – Ensures hygiene and water purity, reducing maintenance effort while keeping the bathtub in pristine condition. Dimensions & Installation Options Designed for maximum versatility, the Aquasoul Lounge is available in a standard size, suitable for spacious bathroom layouts. Model Dimensions (cm) Installation Type Features Aquasoul Lounge 180 x 80 x 57 cm Built-in / Floor-mounted Hydromassage, Chromotherapy, Disinfection, Remote Control The built-in installation seamlessly integrates into custom-designed bathrooms, while the floor-mounted version provides a freestanding look with a more architectural presence. Where Aquasoul Lounge Excels – Ideal Applications Luxury Residential Bathrooms Perfect for high-end homes, this Jacuzzi® bathtub turns a master bathroom into a private spa. The sleek, minimal design complements modern and classic aesthetics, making it a statement piece in premium interiors. Five-Star Hotel & Resort Suites For hospitality projects, Aquasoul Lounge adds a touch of exclusivity and indulgence to hotel bathrooms, spa suites, and wellness retreats. The chromotherapy lighting and hydromassage jets enhance the guest experience, offering ultimate relaxation and rejuvenation. Wellness Centers & Spas Ideal for high-end wellness and spa facilities, this Jacuzzi® model is designed for professional-grade relaxation and therapy, ensuring comfort, hygiene, and long-lasting performance. Boutique & Luxury Apartments For designer apartments and penthouses, Aquasoul Lounge provides a private, indulgent retreat, making it a highly desirable feature in premium real estate. Sustainability & Energy Efficiency Jacuzzi® prioritizes water efficiency and energy conservation, ensuring that the Aquasoul Lounge is both luxurious and eco-friendly: ✔ Energy-efficient hydromassage system reduces power consumption. ✔ LED chromotherapy lights provide high-impact ambiance with low energy use. ✔ Integrated disinfection system maintains cleanliness with minimal water waste.

Archeologie Archeologie Grigio

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p> <p> </p> <p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p> <p> </p> <p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>

Kiruna Sand beige

auping > Box spring

The Kiruna box spring is the most luxurious box spring. This is distinguished by the luxurious appearance and the use of natural materials. As soon as you lie down, you experience it yourself. This 2-person Kiruna box spring Sand Beige with Unik mattress and Unik headboard upholstered in Remix / Grey gives your bedroom a luxurious look. For the Kiruna box spring you can choose from 95 different fabrics. They each differ in colour and structure. In our stores you can see, feel and give you advice on which one fits best on the box spring of your choice. The luxurious Kiruna box spring has a refined design with attention to every detail and very high-quality finish. There are two headboards for the Kiruna: the slender and stylish Sami and the classic Unik. Or combine with one of the headboards of our Original box spring. To subtly add colour to the Kiruna box spring and to your bedroom, you can choose 1 of the ten Auping colours for the legs.   Kiruna box spring lookbook The unique Kiruna mattresses have no less than 7 zones so that your body is perfectly supported and you lie comfortably. The Sami mattress has a sleek finish, while the Unik mattress has an extra rich look due to graceful handles, a piping all around and refined side stitching. Our collection consists of 4 box springs that you can put together completely according to your wishes. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or do you want to know more about our box springs? Take a look at the online lookbooks.

Kiruna Pine green

auping > Box spring

The Kiruna box spring is the most luxurious box spring. This is distinguished by the rich appearance and the use of natural materials. As soon as you lie down, you experience it for yourself.  This 1-person Kiruna box spring Pine green with Sami headboard and Sami mattress in re-wool 868 Soft green gives a luxurious look to your bedroom. The luxurious Kiruna box spring has a refined design with attention to every detail and very high-quality finish. There are two headboards for the Kiruna: the slender and stylish Sami and the classic Unik. Or combine with one of the headboards of our Original box spring. To subtly add colour to the Kiruna box spring and your bedroom, you can choose 1 of the ten Auping colours for the legs. Discover the Kiruna box spring The unique Kiruna mattresses have no less than 7 zones so that your body is perfectly supported and you lie comfortably. The Sami mattress has a sleek finish, while the Unik mattress has an extra rich look due to graceful handles, a piping all around and refined side stitching. Our collection consists of 5 beds and 4 box springs that you can put together completely according to your wishes. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or do you want to know more about our Box springs? Then take a look at the online lookbooks.

SHORTER - 3 seater sofa bed with removable cover _ Milano Bedding

Milano Bedding > Sofa

SHORTER by Milano Bedding – Ultra-Compact Sofa Bed for Tight Spaces and Smart Interiors Name: Shorter Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, metal legs Sizes (cm): Width 165–185 | Depth 91 | Height 83 | Bed size 140×200 or 160×200 Weight: Approx. 100–115 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Slim Profile, Full Functionality The Shorter sofa bed by Milano Bedding is designed specifically for compact interiors, offering a space-saving solution without compromising on comfort or style. With its reduced depth, narrow armrests, and clean silhouette, it’s the perfect fit for micro-apartments, student housing, hotel rooms, and guest-ready offices. Despite its minimal footprint, Shorter transforms into a real double bed (140×200 or 160×200 cm) with a 17 cm thick mattress using Milano Bedding’s Lampolet mechanism—no cushion removal required. Structure, Upholstery & Comfort The frame is built from solid wood and paired with a reinforced steel folding mechanism, providing excellent durability for daily use. The polyurethane foam cushions offer balanced seating and restful sleeping support. Upholstery options include both fixed and removable coverings in a variety of contract-grade fabrics and Italian leathers. From neutral tones and natural textures to velvets and high-performance textiles, designers can tailor Shorter to suit any scheme. Slim metal legs in a dark finish elevate the piece, keeping it visually light. Ideal for Small Spaces and Contract Use Shorter is made for interiors where space is limited and functionality is essential. It’s a great solution for: Hotel rooms, apart-hotel suites, or compact rentals Student housing, co-living, or micro-living studios Guest bedrooms or home offices Serviced apartments with limited layout flexibility Reception lounges, wellness rooms, or consulting spaces At just 91 cm deep, it fits through tight hallways and into narrow rooms—making it perfect for retrofit and renovation projects. Style Notes & Interior Compatibility Visually, Shorter is clean, compact, and versatile. Its slim profile and linear shape make it compatible with Scandinavian, Japandi, minimalist, and urban compact design languages. It performs best in interiors where every centimetre counts, but a real, comfortable bed is still a must. Whether styled with muted earth tones or high-contrast graphic cushions, Shorter easily adapts to the mood of the room while remaining discreet and elegant. Key Features & Custom Options Bed sizes: 140×200 cm or 160×200 cm Mattress height: 17 cm, in polyurethane or memory foam Opens easily using Milano Bedding’s Lampolet mechanism No cushion removal required during conversion Available with removable covers for contract and hospitality use Optional scatter cushions, bolsters, and headrests Explore Alternative Compact Sofa Beds Need similar functionality with a different look or size? Consider: Dennis – Minimalist style with slightly more depth Ellington – Classic compact design with narrow arms Charles – Ultra-clean profile with tailored lines Oliver – Soft edges and timeless look in a small footprint All Milano Bedding models are available with 2D/3D files to assist in layout design, BIM workflows, and visual presentations. Shorter by Milano Bedding is the ideal sofa bed for tight interiors, combining Italian craftsmanship, modern simplicity, and everyday comfort in a design that’s built to make the most of every square metre.

Chimera Colore Grigio

florim > Wall Paint

 In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning.  <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro  It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense. 

Original bed Cool grey With Straight headboard and table Cool grey

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminum legs gives an elegant look. This variation in Cool grey with a Straight headboard and matching Cool grey table completes your bedroom. The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So there is a good chance that your favorite color is among them. Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   This Original bed includes the Inizio mattress. Do you want to make another choice? The Original is available with all our mattresses, change your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.  

Konoha

marset > Wall lamp

For designers George Yabu and Glenn Pushelberg, design is about telling stories. This is certainly true in their new Konoha model, a twin-function wall lamp that tells us what types of lighting we need around us and offers all the right possibilities to make them happen. Out of curiosity and analysis, the designers have taken a number of variables into account, especially those linked to our emotions; light is arguably the most intimate element in an environment, so its design must be thoughtful, functional and purposeful.The Yabu Pushelberg design studio, which is world-renowned for its many hospitality projects, believes that hotel room lighting is often redundant. Every room needs direct and ambient light, which is why they have chosen to include both functions in a single design. The result is a simple, discreet wall lamp with a shade over a directed spotlight that turns through 360°. The shade, like a hat, covers the spotlight, allowing the light to be directed upwards, bounce off the inside and project a beam of soft light, creating warm ambient lighting. If instead the spotlight is focused downwards, it projects a beam of direct light, turning the fixture into a reading lamp. The Konoha design is available in a range of colours, with neutral and organic shades that fit seamlessly into any space. It can be used as a reading lamp in waiting rooms, bedrooms or hotels. Or it can be a point of light in walkways, a wall lamp in restaurants or a way to bring ambient lighting to hotel entrances. Konoha invites users to interact with its light and use it throughout the day, harnessing its two, or even more, functions.  

SPARK - Acoustic recycled plastic pendant lamp _ IMPACT ACOUSTIC®

IMPACT ACOUSTIC > Ceiling lamp

Spark Acoustic Lighting – A Perfect Blend of Light and Sound Absorption Elegant and Functional Acoustic Lighting for Modern Interiors The Spark acoustic pendant light is a sophisticated lighting solution that merges aesthetic appeal with functional acoustic properties. Designed to complement contemporary interiors, it brings a warm yet modern touch while improving the acoustics of a space. With a classic silhouette, subtle playful character, and high-quality sustainable materials, Spark is an excellent choice for residential, hospitality, office, and commercial environments. Timeless Design with a Contemporary Twist At first glance, Spark presents itself as a traditional pendant lamp, but upon closer inspection, it reveals soft, sculptural details that add depth and personality. The clean lines and well-balanced proportions make it suitable for a wide range of interiors, from minimalist and Scandinavian-inspired spaces to bold, modern contract environments. The design of Spark is all about creating harmony between light and sound, making it perfect for open-plan offices, hotel lobbies, restaurants, and co-working spaces. By reducing ambient noise and improving speech clarity, it enhances comfort while maintaining a stylish and cohesive look. Available Sizes for Versatile Applications To suit different project requirements, Spark comes in five sizes, allowing for a dynamic mix-and-match installation. Designers can create a clustered arrangement for a statement feature or opt for a single pendant in smaller spaces to maintain an airy and uncluttered aesthetic. The variety of sizes ensures that Spark can be used in both expansive high-ceiling spaces and intimate residential settings. Premium Acoustic Material with a Sustainable Edge Sustainability is at the heart of Spark’s design. Made from ARCHISONIC® Felt, a high-performance acoustic absorber crafted from recycled PET bottles, it delivers both sound absorption and environmental responsibility. Each square meter of this felt contains approximately 88 upcycled plastic bottles, reinforcing the brand’s commitment to reducing waste. This eco-conscious material is not only effective in dampening excess noise but also adds a soft, tactile quality to the lighting fixture. Unlike conventional pendant lights that focus solely on illumination, Spark is designed to enhance the overall sensory experience in a space. A Palette of 36 Colours for Customisation Interior designers and architects can fully customise Spark to align with their projects, thanks to a diverse selection of 36 colours. Whether blending seamlessly with neutral tones for a calming ambiance or making a bold statement with vibrant hues, Spark allows for creative flexibility. This extensive range of colours makes it adaptable for corporate offices, contemporary restaurants, luxury hotel lounges, and even residential settings. Perfect for a Wide Range of Applications Hospitality and Restaurants In restaurants, cafés, and hotels, Spark enhances the ambiance by reducing reverberation and creating a more intimate dining or lounging experience. Its soft, diffused lighting adds warmth, while its acoustic properties help in controlling background noise, allowing guests to enjoy conversations without distractions. Workspaces and Offices Open-plan offices often struggle with noise control, making Spark an ideal choice for work environments. Whether installed over meeting tables, workstations, or lounge areas, it helps improve focus and productivity by minimising sound disturbances. The combination of good lighting and acoustic comfort makes it a valuable addition to modern workspaces. Residential Interiors For homeowners seeking a stylish yet functional lighting solution, Spark fits effortlessly into dining areas, home offices, and living rooms. Its ability to create a calm and acoustically balanced environment enhances daily life while adding an artistic touch to interiors. Public and Commercial Spaces Museums, libraries, and commercial buildings can greatly benefit from Spark’s dual-function design, where aesthetics and sound management are equally important. The adaptability in size, colour, and hanging configurations makes it a practical and stylish choice for public interiors. A Collaboration Between Light and Sound Innovation Spark is the result of a collaboration between leading acoustic experts and lighting designers, ensuring that both sound absorption and illumination are of the highest quality. The built-in LED light source provides efficient and long-lasting illumination, making it energy-efficient and low-maintenance. Additionally, it is UL certified, ensuring compliance with strict safety and quality standards. Designed for professionals who value performance, sustainability, and design, Spark is a lighting solution that stands out in both form and function. Seamless Integration with Other Acoustic Solutions For designers looking to curate a cohesive interior, Spark pairs well with other acoustic lighting fixtures. Combining it with elements like acoustic ceiling panels, wall treatments, or partition screens creates a holistic approach to sound management in busy interiors. The ability to coordinate with other acoustic solutions makes it a versatile and smart choice for large-scale projects. Conclusion – A Thoughtful Approach to Lighting and Acoustics The Spark acoustic pendant light is more than just a lighting fixture—it’s a design statement that enhances both visual appeal and acoustic comfort. With a timeless shape, customisable colour options, sustainable materials, and high-performance acoustic properties, it is a must-have for modern interiors. Whether installed in a boutique hotel, a bustling co-working space, a contemporary home, or a stylish restaurant, Spark ensures that spaces are both beautifully lit and acoustically balanced. Its commitment to sustainability, flexibility in design, and superior functionality make it an excellent choice for forward-thinking interior designers who value both form and function.

Rilievi Sabbia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

LAB - Rectangular table _ Inno

Inno > Table

Lab Table 720mm – Versatile and Stylish Solution for Modern Interiors Introduction The Lab Table 720mm is a versatile piece of furniture designed to seamlessly blend into various interior settings, serving both meeting and dining purposes. Part of Inno's acclaimed Lab product family, this table exemplifies a harmonious balance between casual style and functional design, making it an ideal choice for contemporary spaces.​ Design and Aesthetics The Lab Table 720mm boasts a minimalist design characterized by clean lines and a sleek silhouette. Its understated elegance allows it to integrate effortlessly into diverse interior styles, from modern office environments to cozy dining areas. The table's design promotes a sense of openness and collaboration, enhancing the overall ambiance of any space.​ Materials and Finishes Inno offers a wide array of materials and finishes for the Lab Table 720mm, enabling customization to suit specific aesthetic preferences and functional requirements. Tabletop materials include natural woods such as birch, ash, maple, walnut, and oak, each providing a distinct texture and color. For a more contemporary look, laminate and nanolaminate options in black, white, and grey are available. These materials are not only visually appealing but also durable and easy to maintain, ensuring longevity in various settings.​ The table's base can be customized with different metal finishes, including crystal aluminum, silver aluminum, metallic grey, effect white, matte white, matte black, and effect black. This variety allows designers to create a cohesive look that aligns with the overall interior theme.​ Dimensions and Configurations The Lab Table 720mm is available in multiple sizes to accommodate different spatial requirements and seating capacities. Standard dimensions include:​ Width x Length: 800 x 800 mm​ 800 x 1200 mm​ 800 x 1800 mm​ 800 x 2400 mm​ 800 x 3600 mm​ 800 x 4800 mm​ 900 x 900 mm​ 900 x 1800 mm​ 900 x 2400 mm​ 900 x 3600 mm​ 900 x 4800 mm​ 1100 x 1100 mm​ afc-agence.fr +1 inputinterior.com +1 1100 x 1800 mm​ 1100 x 2400 mm​ 1100 x 3600 mm​ 1100 x 4800 mm​ 1200 x 1200 mm​ 1200 x 1800 mm​ 1200 x 2400 mm​ 1200 x 3600 mm​ 1200 x 4800 mm​ 1400 x 1400 mm​ 1400 x 1800 mm​ 1400 x 2400 mm​ 1400 x 3600 mm​ 1400 x 4800 mm​ Diameter: 1000 mm​ 1100 mm​ inputinterior.com 1200 mm​ 1300 mm​ 1400 mm​ 1500 mm​ These options allow for customization based on the specific needs of the space, whether it's a compact meeting area or a spacious dining room. Additionally, the modular design enables the table to be extended endlessly, offering flexibility for future expansions or reconfigurations. ​ architonic.com Cable Management Understanding the importance of a clutter-free environment, the Lab Table 720mm is available with a range of cable management options. These features ensure that electronic devices can be connected seamlessly, maintaining a clean and organized appearance. This thoughtful design enhances the overall aesthetic and functionality of the space, contributing to increased productivity and focus. ​ Versatility and Applications The Lab Table 720mm's design and functionality make it suitable for a wide range of applications:​ Corporate Offices: Ideal for conference rooms, meeting areas, and collaborative workspaces, promoting a dynamic and engaging work environment.​ Educational Institutions: Suitable for seminar rooms, libraries, and study areas, offering a durable and functional workspace for students and faculty.​ Hospitality Settings: Enhances the ambiance of hotel lobbies, business centers, and dining areas, combining style with practicality.​ Residential Spaces: Serves as a stylish dining table or a large workstation in home offices, adapting to various interior design themes.​ Integration with Lab Product Family The Lab Table 720mm is part of Inno's Lab product family, which includes a range of chairs, tables, and sofas designed to bring comfort and coziness into everyday working environments. This cohesive collection allows for harmonious interior design, enabling designers and architects to create unified spaces that promote productivity and well-being. The Lab product family has been granted the internationally recognized GOOD DESIGN™ 2015 Award, underscoring its excellence in design and functionality.

West

minotti > Sofa

A faceting effect livens up and interrupts the cubism that sets the morphology of the West system apart from the clichés of modern design. Characterised by its suitability for use in a wide range of different contemporary and traditional arrangements, West also features glints of pure creativity, such as the chaise-longue, available in pentagonal or hexagonal form and the elements that stand out for their striking backrests in saddle hide, ergonomically shaped to rise and support the rear cushion.   True elements of surprise, they break up the compositional layout, creating a stylistic point of interest, and interrupting the continuous effect of the fabric covering, visually lightening the volume at the rear. A solution designed to optimise both look and form, created with the know-how about design and the savoir-faire associated with fine tailoring that have always distinguished the Minotti brand.  Every element of the system is made with exquisite goose down padding to ensure maximum comfort, features cushions finished with a piping that defines their profile and a distinctive aluminium strip, slightly rounded at the edges which skims the floor, in a brand new polished Brandy colour finish.  West leaves plenty of room for interesting compositional possibilities: it enters a harmonious dialogue in terms of both colour and shape with the Amber coffee tables, is complemented by the Side coffee tables, with their frame in saddle hide that evokes that of the backrest and enhanced by the Clive consoles, which play around with surfaces, even setting one over another.    The combination of the two looks of West, one with backrest in saddle hide and the other more conventional version with padded backrest and armrest - creates original arrangements and unusual textural and colour pairings, with saddle hide taking centre stage in a range of new, exclusive colours.

Original Pine green With Straight headboard in Pine green

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminium legs gives an elegant look. This variation in Pine green and Straight headboard in Pine green completes your bedroom. The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So chances are your favourite colour is among them. Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   The Original is available with all our mattresses, change your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

DAVE - 2 seater sofa bed _ Milano Bedding

Milano Bedding > Sofa

DAVE by Milano Bedding – Slim Arm Sofa Bed with Contemporary Elegance and Real-Bed Comfort Name: Dave Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, matt black or bronze metal legs Sizes (cm): Width 180–210 | Depth 100 | Height 80 | Bed size 140×200 or 160×200 Weight: Approx. 105–120 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Slim Profile, Full Comfort The Dave sofa bed by Milano Bedding is a stylish, space-efficient solution designed with slim arms, clean geometry, and an understated elegance. Ideal for hotels, serviced apartments, and urban residences, Dave combines a sharp silhouette with real-bed performance. Despite its narrow footprint, Dave conceals a 17 cm thick mattress and a quick-opening Lampolet mechanism, transforming the sofa into a proper bed with minimal effort—no need to remove cushions. Structure, Materials & Upholstery Options Built on a solid wood frame with a reinforced steel folding system, Dave ensures durability in high-traffic or contract use. The seat and back cushions are made of polyurethane foam in differentiated densities, offering supportive seating and quality rest. Available in fixed or removable upholstery, Dave can be specified in Milano Bedding’s wide selection of fabrics or leathers. Choose from neutral linens, velvets, or performance textiles to suit your project’s look and functional needs. The matt metal legs, in black or bronze, enhance the piece’s modern, architectural feel. Designed for Hospitality, Office, and Residential Interiors Thanks to its slim arms and reduced overall width, Dave is ideal for: Hotel rooms or serviced studios needing compact yet luxurious furniture Short-term rentals and holiday apartments Guest rooms, multi-use spaces, or home offices Residential interiors where a full bed is needed without occupying excess space Waiting areas or executive lounges with occasional sleeping needs Dave’s dimensions allow for excellent use of space, especially in rooms where traditional sofa beds would feel bulky. Visual Character & Style Pairings With its linear form, minimal detailing, and architectural legs, Dave fits beautifully into Scandinavian, Japandi, contemporary, and even transitional interiors. Its versatility makes it easy to style: pair with a wool throw and ceramic side table for Nordic charm or use leather upholstery and brass lighting for a more refined, urban look. It’s understated enough to blend in, yet structured enough to elevate the room. Key Features & Customisation Mattress sizes: 140×200 cm or 160×200 cm 17 cm thick mattress in polyurethane or memory foam Quick-open Lampolet mechanism, no cushion removal required Optional removable cover for hygiene and easy care Available with headrests, scatter cushions, or decorative bolsters Explore Other Models If Dave’s slim arms and modern form appeal to you, you may also consider: Ellington – Classic structure with a compact silhouette Oliver – Timeless, simple design with tailored edges Goodman – A more generous look with minimalist detailing Marsalis – A sharper, mid-century inspired version All Milano Bedding models include 2D and 3D files to simplify integration into technical drawings, visualisations, and moodboards.

Patio

minotti > Styling

Having explored the use of woods, such as iroko and teak, with Patio, designed by Italian-Danish studio GamFratesi, Minotti proposes an unexpected mix of different materials: aluminium, wood, stone, cord. The outdoor seating system, with its highly versatile modularity, is conceived as a dynamic mosaic, composed of tesserae in simple geometric shapes, which can be pieced together as desired, and reconfigured to suit the available space and the mood to be created. The design of the sofa base structure enables the back elements to be arranged in various set positions all along the perimeter, to design conversation, relaxation, and vis-à-vis areas, spacing out the seats with coffee tables, and complementing them with ottomans and benches. A solution capable of meeting the requirements of both small metropolitan terraces, and extensive outdoor spaces, thanks to the two depths: 83 and 98 cm. The variety of potential compositions becomes even more interesting when the selected materials are masterfully combined: the extruded aluminium base with matt finish in the shades of Ecru and Dark Brown is accompanied by steel backrests, covered in woven polypropylene cord in the same shades, according to a Scandinavian-type geometric design. Some of the seating elements feature a handy tray in Dark Brown stained solid mahogany or in natural teak, with grooves for draining water, attached to the structure. Patio offers an interesting range of furnishing accessories, from coffee tables with top in brushed fine-grain Basaltina stone, benches, and square and rectangular ottomans with extruded aluminium base, in a creative mix of materic textures and sophisticated, natural colours. The system offers a rich variety of sofas in different measurements and configurations, in addition to central and end units, armchairs, loveseat, sunbeds and double daybeds. All the elements share the same feet and the same joints at the back in die-cast aluminium, varnished with a refined polished, anti-touch Bronze finish.

Kiruna Cool grey

auping > Box spring

The Kiruna box spring is the most luxurious box spring. This is distinguished by the rich appearance and the use of natural materials. As soon as you lie down, you experience it for yourself. This 2-person Kiruna box spring Cool grey with Unik mattress, upholstered in Clara / Cool grey gives a luxurious look. For the Kiruna box spring you can choose from 95 different fabrics. They each differ in colour and structure. In our stores you can see, feel and give you advice on which one fits best on the box spring of your choice. There are five fabric groups.    The luxurious Kiruna box spring has a refined design with attention to every detail and very high-quality finish. There are two headboards for the Kiruna: the slender and stylish Sami and the classic Unik. Or combine with one of the headboards of our Original box spring. To subtly add colour to the Kiruna box spring and your bedroom, you can choose 1 of the ten Auping colours for the legs.  Discover the Kiruna box spring The unique Kiruna mattresses have no less than 7 zones so that your body is perfectly supported and you lie comfortably. The Sami mattress has a sleek finish, while the Unik mattress has an extra rich look due to graceful handles, a piping all around and refined side stitching. Our collection consists of 5 beds and 4 box springs that you can put together completely according to your wishes. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or do you want to know more about our Box springs? Then take a look at the online lookbooks.

HUG - Fabric chair with armrests _ Zilio A&C

Zilio A&C > Chair

Zilio A&C Hug Armchair – A Fusion of Tradition and Contemporary Comfort Introduction to the Hug Armchair Designed by Chung-yen Chang and Tian Jin in 2019, the Hug Armchair by Zilio A&C is an inviting, upholstered dining chair that embodies both heritage and modernity. Its name, Hug, represents Humane, Universal, and Genuine—but also reflects the embracing form of its design, which wraps the user in comfort and warmth. Drawing inspiration from two classic archetypes—the Chinese Ming-style circle chair and the Thonet Vienna N.811 armchair—the Hug Armchair seamlessly blends Eastern and Western influences, making it a refined yet versatile piece for both residential and contract spaces. Design & Key Features Distinctive enveloping form: The armrests and front legs are shaped as a continuous, flowing line, creating a soft yet architectural aesthetic. Inspired by historical design: A fusion of Chinese and European design traditions, reimagined for contemporary interiors. Crafted from solid ash, ensuring durability while maintaining a light and elegant profile. Upholstered seat for enhanced comfort, with a non-removable textile cover. Ideal for both commercial and residential interiors, offering a perfect balance between style and functionality. Dimensions & Specifications Width: 580 mm Depth: 500 mm Height: 780 mm Seat Material: Upholstered textile, non-removable cover Frame Material: Solid ash wood, available in natural or stained finishes Material & Finish Options The Hug Armchair is made from high-quality ash wood, known for its strength and refined grain, available in: Frame Finishes: Natural Ash – A light, airy wood tone that complements Scandinavian, Japandi, and contemporary interiors. Stained Ash – A darker option for a more dramatic, classic look. Upholstery: Premium textile upholstery, offering softness and warmth to enhance the seating experience. Non-removable cover ensures a tailored, clean-lined aesthetic. Where to Use the Hug Armchair? The Hug Armchair is a versatile piece, suited for a wide range of interiors: Hospitality & Dining Spaces – A stylish and ergonomic seating choice for restaurants, boutique cafés, and hotel dining areas. Luxury Hotel Lobbies & Lounges – Adds elegance and comfort to sophisticated hospitality settings. Workspaces & Boardrooms – Works beautifully in modern meeting rooms and office lounge areas. Residential Interiors – Perfect for dining rooms, reading nooks, and home offices looking for a touch of refined craftsmanship. Alternative Options For designers seeking similar armchairs with an elegant yet classic design, consider: Andreu World Carola Armchair – A sculptural wooden armchair with a contemporary twist. Gubi Beetle Dining Armchair – A curvaceous, fully upholstered chair with a modern aesthetic. TON Merano Armchair – A sleek wood and upholstered chair with a lightweight frame.