Spillo 5i - Adjustable LED brass ceiling lamp _ ICONE
ICONE > Ceiling lamp
Spillo 5i – A Contemporary Built-in Ceiling Lamp with Adjustable Brass Rods Architectural Lighting with Customizable Design The Spillo 5i is a sophisticated built-in ceiling lamp, designed by Marco Pagnoncelli, featuring three or five adjustable brass rods with a slim 7×7 mm profile. This minimalist lighting fixture offers high-performance LED illumination combined with adjustable precision, making it an ideal choice for residential, hospitality, and commercial spaces. With its registered design, Spillo 5i represents a fusion of contemporary aesthetics and functionality, creating a customizable and dynamic lighting solution. Sleek & Minimalist Adjustable Design Spillo 5i is designed for flush ceiling installation, ensuring a seamless and modern look. The adjustable brass rods provide flexibility, allowing users to direct light precisely where needed, making it perfect for accent lighting, task illumination, or artistic installations. Its clean, minimal structure integrates effortlessly into a variety of architectural and interior design styles, from luxury hospitality projects to contemporary office spaces and high-end residences. Premium Materials & Elegant Finishes Made from high-quality drawn brass, Spillo 5i offers durability and a sophisticated aesthetic. It is available in four elegant finishes, allowing it to complement a wide range of interiors: White – A neutral and modern tone that blends seamlessly into ceilings. Black – A bold contrast for contemporary and industrial-style spaces. Chrome – A sleek, reflective finish that adds a touch of luxury. Brushed Gold – A warm and elegant choice for high-end interiors. High-Efficiency LED Lighting for Superior Performance Spillo 5i features high-luminous efficiency LED micro-strips, ensuring energy-efficient illumination with a warm 3000K color temperature. This provides a comfortable and inviting ambiance, ideal for creating a sophisticated lighting effect. This model requires a power supply unit and wall housing (not included), ensuring a clean, recessed appearance with no visible wiring or external components. Size & Power Options for Customization Spillo 5i is available in two configurations, both offering exceptional brightness and precision lighting: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) C (cm) D (cm) E (cm) F (cm) Recessed Hole (cm) LED Type Spillo 5i 45.72W 12V 3850 lm 3000K 40 50 60 80 100 23 28 x 28 12V CRI90 Spillo 5.120 45.72W 12V 3850 lm 3000K 40 50 60 80 100 25 3 12V CRI90 With five adjustable brass rods, Spillo 5i delivers an artistic and customizable lighting setup, allowing designers to create dynamic and visually striking installations. Applications – Where Spillo 5i Excels Residential Interiors Spillo 5i is perfect for modern living spaces, offering a stylish and functional ceiling lighting solution. Whether installed in living rooms, dining areas, hallways, or bedrooms, it provides adjustable, high-quality illumination while maintaining a clean, recessed appearance. Hospitality & Commercial Spaces For hotels, restaurants, and luxury boutiques, Spillo 5i creates sophisticated accent lighting that enhances architectural details, decorative elements, or retail displays. The adjustable rods make it an ideal solution for customized ambient lighting in hospitality environments and high-end retail spaces. Corporate Offices & Workspaces In modern offices and co-working spaces, Spillo 5i enhances task lighting and ambient brightness, ensuring a well-lit, productive environment without overwhelming the space. Its sleek recessed design is particularly suited for conference rooms, executive offices, and lounge areas. Art Galleries & Museums Spillo 5i’s adjustable directional lighting makes it an excellent choice for galleries and exhibition spaces, allowing precise illumination for artworks and installations. Its high CRI90 rating ensures true-to-life color rendering, making it ideal for art and design-focused spaces. Sustainability & Energy Efficiency With an energy rating of A++, A+, A, Spillo 5i ensures sustainable energy consumption while providing high-performance lighting. Its CRI90 rating guarantees accurate color representation, making it a smart and energy-efficient choice for modern lighting projects.
Matrice Rilievo
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Earthtech CARBON_FLAKES
florim > Wall tile-stone-brick
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
Earthtech PUMICE_GROUND
florim > Wallcovering
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
Superquadra
minotti > Cabinet
The storage units in the Superquadra family by Marcio Kogan / studio mk27 are of different sizes and are intended for a variety of uses, yet they all share the same minimal design, the same style - somewhere between classic rationalism and a contemporary vibe - and the same floating aesthetic, which endows them with an airy, suspended appearance. The sideboard is available in several sizes and heights, starting from the dining, living/TV and cabinet versions. In the first two variants, the body of the unit rests on a solid wood base. Sporting volumes of different sizes, it comes equipped with drawers, all with handles in a polished varnished Brandy-coloured finish. The bearing structure of the dining and living/TV storage units is in Dark Brown stained palisander Santos with matt polyester lacquered finish, or in Black lacquered open-pore ash, and sits on feet with a polished Brandy finish. In addition to Dark Brown stained palisander Santos with matt polyester lacquered finish or Black lacquered open-pore ash, the storage elements for the dining and living/TV units are also available with a glossy Moka, Cappuccino or Malachite lacquer. The cabinet, with its pure and geometric shapes, emphasizes the sophisticated combination of materials, creating a refined contrast between wood, varnished aluminium and glass. All these elements host the same materials and proportions inspired by the elegant rationalism, characterising the mood of the Brasilia range, and indeed the overall style of Marcio Kogan / studio mk27. The dining version, available in the size 273,5 cm and in two different heights, offers four drawers, with a cutlery holder in Black saddle-hide in the top one. One important detail is the foot in aluminium with polished Brandy-coloured finish, which juts out from the line of the base. The living/TV unit, available in a single 273,5 cm version, offers a storage space with two drawers and surface made of thin staves in Dark Brown stained Canaletto walnut that lighten the volume and create an original interplay of transparencies. The cabinet, available in one size, 105 cm, is characterised by a frame with doors in stratified glass, coupled with a copper-coloured metallic mesh inside. This combination offers glimpses of the reflections created by the back panels in bronzed glass and by the double light strip, positioned on the sides of the frame. Inside, it houses a set of drawers in Dark Brown stained palisander Santos, with matt polyester lacquered finish. Placing two cabinets together, one next to the other, creates an interesting twist on an effective storage solution.
OLIVER - Fabric sofa bed _ Milano Bedding
Milano Bedding > Sofa
OLIVER by Milano Bedding – Compact Sofa Bed with Timeless Style and Real-Bed Comfort Name: Oliver Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, matt black painted metal legs Sizes (cm): Width 172–200 | Depth 96 | Height 84 | Bed size 140×200 or 160×200 Weight: Approx. 105–120 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Effortless Elegance for Compact Interiors The Oliver sofa bed by Milano Bedding is a beautifully compact solution designed for stylish small spaces. It brings together timeless proportions, clean lines, and real-bed comfort—making it a favourite for boutique hotels, short-stay apartments, and residential guest rooms. With its classic rectangular shape, light seat cushion, and tailored silhouette, Oliver fits seamlessly into both modern and transitional interiors. Thanks to the Lampolet mechanism, it opens into a full 140×200 or 160×200 cm bed, complete with a 17 cm thick mattress, suitable for daily use. Cushions remain attached during transformation—no need to remove them. Construction, Comfort & Upholstery Crafted with a solid wood frame and fitted with a steel folding mechanism, Oliver is built to endure high-frequency use. The cushions are made with high-resilience polyurethane foam, ensuring lasting comfort in both seating and sleeping modes. Upholstery options include removable fabrics or premium leathers, available in a wide selection of colours and textures—from linen-look neutrals to bold velvets and easy-to-clean contract textiles. The piping along the arms and seat provides a crisp, defined look. Its slim matt black legs keep the design feeling airy and modern, making Oliver ideal for compact layouts without visual heaviness. Ideal for Hospitality, Offices & Residential Projects Oliver is a smart choice for: Hotel rooms, suites, and B&Bs Luxury student housing or co-living spaces Urban apartments and micro-homes Home offices, libraries, or guest bedrooms Serviced apartments or vacation rentals Thanks to its compact width and depth under 100 cm, it can be placed in tighter spaces while still offering a true double bed experience. Visual Language and Style Fit Oliver is minimal, neutral, and sophisticated. Its balanced form, with low arms and a neat backrest, allows it to blend into Scandinavian, contemporary, or Japandi interiors. Its versatile shape also works well in transitional spaces that mix modern and classic elements. Dress it up with decorative cushions in boucle, linen, or suede—or keep it monochrome and minimal for a restrained, elegant vibe. Features & Optional Add-Ons Bed sizes: 140×200 cm or 160×200 cm 17 cm thick mattress, in polyurethane or memory foam Quick-open Lampolet system – no need to remove cushions Optional removable cover for maintenance and hygiene Matching scatter cushions and bolsters available Explore Related Sofa Beds Looking for similar models with different styling? Consider: Ellington – Compact with narrow armrests and classic form Vivien – Soft curves and a feminine silhouette Clarke Quilted – Relaxed design with informal quilted upholstery Goodman – More generous depth with minimalist detailing All models come with 2D/3D files for easy integration into plans, renders, and specification documents.
Spillo 1iET - Brass wall lamp / ceiling lamp _ ICONE
ICONE > Wall lamp
Spillo 1iET – A Versatile Built-in Wall & Ceiling Lamp with Spring-Mounted Base Minimalist Architectural Lighting with Adjustable Precision The Spillo 1iET is a refined built-in wall and ceiling lamp, designed by Marco Pagnoncelli. It features a round, spring-mounted base and an adjustable brass rod with a slim 7×7 mm profile, offering functional flexibility with sleek aesthetics. Designed to replace spotlights in false ceilings, Spillo 1iET fits into recessed holes of approximately 6 cm in diameter, making it a smart solution for modern lighting upgrades. Discreet, Adjustable & Spring-Mounted Design Spillo 1iET is engineered for seamless integration into walls or ceilings, providing a minimalist, recessed lighting solution. Its spring-mounted base allows for easy installation, making it an ideal replacement for traditional spotlights. The adjustable brass rod ensures precise lighting direction, making it perfect for accent lighting, focused illumination, or decorative wall lighting. The registered design reflects a commitment to functional elegance, making Spillo 1iET an excellent choice for architectural and contemporary lighting projects. Premium Materials & Elegant Finishes Spillo 1iET is crafted from high-quality drawn brass and is available in four refined finishes, ensuring it complements various interior styles: White – A crisp, modern finish that blends seamlessly into light-colored interiors. Black – A bold, striking choice for contemporary and industrial spaces. Chrome – A polished metallic option for sleek, high-end environments. Brushed Gold – A warm, luxurious finish perfect for sophisticated interiors. Efficient & High-Performance LED Lighting Spillo 1iET is powered by high-luminous efficiency LED micro-strips, providing warm white 3000K lighting that creates a comfortable and inviting atmosphere. This model requires a power supply unit (not included), ensuring a clean, recessed installation without visible wiring. It is also available for different hole diameters upon request, making it adaptable to custom installation needs. Size & Power Options for Customization Spillo 1iET is available in six sizes, offering various power and brightness levels to suit different project requirements: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) Recessed Hole (cm) LED Type Spillo 1iET.20 2.64W 12V 220 lm 3000K 20 0.2 6 12V CRI90 Spillo 1iET.30 3.96W 12V 330 lm 3000K 30 0.2 6 12V CRI90 Spillo 1iET.40 4.80W 12V 440 lm 3000K 40 0.2 6 12V CRI90 Spillo 1iET.50 6.60W 12V 550 lm 3000K 50 0.2 6 12V CRI90 Spillo 1iET.60 7.92W 12V 660 lm 3000K 60 0.2 6 12V CRI90 Spillo 1iET.80 10.56W 12V 880 lm 3000K 80 0.2 6 12V CRI90 These varied sizes allow for precision lighting solutions, whether for individual accents or larger, artistic compositions. Applications – Where Spillo 1iET Excels Residential Interiors Spillo 1iET is a modern, minimalist lighting solution for hallways, bedrooms, living spaces, and kitchens. Its adjustable brass rod makes it perfect for reading areas, task lighting, or creating a soft, ambient glow. Hospitality & Retail Spaces For hotels, restaurants, and retail boutiques, Spillo 1iET provides sophisticated, recessed accent lighting that enhances architectural features, artworks, and display areas. The spring-mounted installation allows for quick replacements of existing downlights, making it a convenient and aesthetic upgrade. Corporate Offices & Workspaces In modern offices and co-working spaces, Spillo 1iET serves as discreet task lighting, ideal for meeting rooms, private offices, or break areas. Its directional adjustment allows for targeted illumination, improving workplace functionality. Gallery & Museum Lighting With its high CRI90 rating, Spillo 1iET is an excellent choice for art galleries and museums, where accurate color rendering and controlled lighting direction are essential for exhibitions and displays. Sustainability & Energy Efficiency With an energy rating of A++, A+, A, Spillo 1iET provides energy-efficient and sustainable lighting without compromising on brightness or color accuracy. Its CRI90 rating ensures that colors appear vivid and true-to-life, making it ideal for high-end applications.
Miniatures Little Beaver
vitra > Styling
Cardboard furniture as an inexpensive and light alternative to traditional furniture already appears as early as the 1960s. Most designs aimed at lending the cardboard the necessary stability through insert and folding techniques. <br/><br/>Gehry chose a different method, which gave birth to sturdy cardboard furniture like carboard sculptures: »One day I look in my office at a pile of corrugated cardboard, the material I normally used to make architecture models, and I began to experiment with it, to stick it together and to cut it into shape with a hand saw and a penknife«. Following his »Easy Edges« from 1972, a series of extraordinarily sturdy cardboard furniture with a smooth surface, from the end of the 1970s onwards Gehry once again devoted his attention to the use of corrugated cardboard as a material for making furniture.<br/><br/>»Experimental Edges« was the name given to unusually expansive armchairs and easy chairs with a rough, ragged- looking surface. Strips of thick cardboard usually used as the filling for door leafs were sawn or cut vertically to the corrugation lines and fashioned into solid volumes of varying shapes. Using this method, single items or small series of furniture were created, which were both furniture sculptures and surprisingly comfortable chairs and sofas.
ReForm Shadowplay Umbra blue
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
Matrice Sostanza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
MINGUS - Sofa bed _ Milano Bedding
Milano Bedding > Sofa
MINGUS by Milano Bedding – Modern Sofa Bed with Soft Volume and Everyday Comfort Name: Mingus Material: Solid wood frame, multi-density polyurethane foam, steel Lampolet mechanism Finishing: Removable fabric or leather upholstery, matt black painted metal legs Sizes (cm): Width 180–220 | Depth 105 | Height 85 | Bed size 140×200 or 160×200 Weight: Approx. 115–130 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Soft Shape, Strong Performance The Mingus sofa bed by Milano Bedding is a refined yet relaxed piece, designed for interiors that value comfort, volume, and simplicity. With its plump cushions, rounded arms, and clean silhouette, Mingus offers a soft, contemporary style suitable for luxury residences, boutique hotels, and short-stay apartments. Hidden beneath its inviting form is a full-size bed, featuring a 17 cm thick mattress and Milano Bedding’s patented Lampolet mechanism—allowing the sofa to transform into a true bed for daily use, without removing cushions. Construction, Materials & Upholstery Mingus features a solid wood internal structure, ensuring long-lasting stability, while the seating system uses multi-density polyurethane foam to offer ergonomic softness and support. It’s available with removable fabric or leather covers, making it practical for hospitality and contract settings where ease of maintenance is a priority. Choose from Milano Bedding’s extensive textile range: from tactile natural weaves to high-resistance performance fabrics. The clean piping along the arms and cushions adds a tailored finish. The base rests on minimal matt black metal legs, keeping the visual weight grounded yet elegant. Designed for Hospitality, Residential & Contract Interiors Thanks to its blend of comfort and clean design, Mingus is suitable for: Hotel rooms, executive suites, or design apartments Compact homes or open-plan living rooms Home offices or guest spaces requiring stylish versatility Serviced apartments or co-living units Commercial lounges needing soft, inviting seating with sleeping function Its soft, curved form brings a sense of relaxation and calm to spaces without appearing bulky or overdesigned. Visual Style & Interior Harmony Mingus expresses contemporary comfort with gentle curves. The generous seat cushions and subtly rounded arms create an atmosphere of ease and warmth, while still looking sleek and structured. It pairs effortlessly with Japandi, Scandinavian, and minimal urban interiors, especially when upholstered in textured neutrals, warm greys, or muted colours. Add boucle pillows, a chunky knit throw, or contrast piping to enhance its presence in layered design schemes. Key Features & Configuration Options Opens into a bed size of 140×200 cm or 160×200 cm 17 cm thick mattress in polyurethane or memory foam Simple Lampolet opening – no need to remove cushions Removable cover option for easy maintenance Matching scatter cushions, bolsters, or headrests available Explore Related Models Looking for a similar function with a different aesthetic? Consider: Vivien – Slimmer profile with feminine curves Jarreau – Deep seating with bold sculptural presence Clarke Quilted – Informal, soft design with quilted covers Marsalis – Mid-century style with architectural clarity All Milano Bedding models come with 2D/3D files to support CAD integration and professional project documentation. Mingus by Milano Bedding is the perfect sofa bed for interior projects seeking a softer, friendlier silhouette with high-performance functionality—a go-to for designers who want comfort that’s both casual and elegant.
COSMO 1505 Armchair: A Modern Seating Solution
Et al. > Armchair
COSMO 1505 Armchair: A Modern Seating Solution The COSMO 1505 armchair, designed by Philippe Tabet for Et al., combines sleek modern design with functional versatility. Its clean lines and understated elegance make it an excellent choice for residential, hospitality, and office spaces. Dimensions and Design The updated dimensions of the COSMO 1505 are: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm This armchair features a compact footprint while still providing exceptional comfort. The absence of armrests enhances its minimalist aesthetic and makes it easy to incorporate into diverse interiors. The slightly curved backrest and plush seat ensure optimal support and relaxation. Materials and Finishes The COSMO 1505 offers a wide range of customisation options to suit any interior design scheme: Frame Material: Durable steel tubing that ensures stability while maintaining a lightweight look. Upholstery Options: Available in premium fabrics such as wool, velvet, and leather, alongside a variety of synthetic and natural blends. Each upholstery option comes in a broad spectrum of colours, from neutral tones like grey and beige to bold hues like teal and mustard. Frame Finishes: Choose from a palette of classic and contemporary finishes, including matt black, white, and metallic shades, as well as brighter colour options to make a statement. Accessories For added functionality and comfort, the COSMO 1505 can be accessorised with: A lumbar cushion for additional support. Integrated USB and Schuko sockets, making it suitable for modern office or hospitality settings. A reading lamp for cosy corners and personal reading spaces. Applications and Versatility The COSMO 1505’s adaptability makes it ideal for a variety of spaces: Residential: A stylish and comfortable choice for living rooms, bedrooms, or reading corners. Hospitality: Perfect for hotel rooms, lounges, or lobby areas, offering a sleek yet welcoming vibe. Office Spaces: Enhances reception areas or breakout zones, blending aesthetics with practical features. Public and Commercial Areas: Its robust construction and elegant design make it a reliable and attractive choice for waiting areas, retail spaces, and more. Complementary Options To create a cohesive seating arrangement, pair the COSMO 1505 armchair with other pieces from the COSMO collection, such as the COSMO 1502 sofa or COSMO 1500 armchair with armrests. These options share the same design language and ensure a seamless look throughout your space. Key Features Compact yet spacious dimensions, perfect for various settings. Customisable upholstery and frame finishes to suit different styles. Accessory options for added functionality. Designed for comfort with a plush seat and ergonomic backrest. Durable steel frame for long-lasting use. 2D and 3D files are available for designers to incorporate into their projects. The COSMO 1505 armchair is a perfect balance of simplicity, elegance, and functionality. Whether you're looking to furnish a residential space or a commercial environment, this armchair delivers timeless style and adaptability. You said: last time you were more complete ChatGPT said: ChatGPT Thank you for pointing that out! Let me refine and expand the description to make it as complete and detailed as possible. COSMO 1505 Armchair: A Contemporary Icon of Design and Comfort The COSMO 1505 armchair, designed by Philippe Tabet for Et al., is a masterpiece of modern minimalism and versatility. Its sleek and understated design is perfectly suited for residential living rooms, hotel lounges, office receptions, and hospitality spaces. Combining elegant curves with robust functionality, this armchair is as practical as it is visually appealing. Dimensions and Design Details The COSMO 1505 has carefully considered dimensions to offer a balance of comfort and adaptability: Width: 111 cm Depth: 88 cm Height: 80 cm Seat Height: 44 cm These dimensions make it compact enough for smaller spaces yet spacious enough to provide exceptional seating comfort. The armchair’s distinctive feature is its armless design, which enhances its minimalist aesthetic while allowing for a freer range of motion. The gently curved backrest and plush seat ensure maximum comfort, while the raised tubular metal frame adds a touch of lightness to its overall profile. Materials and Finishes The COSMO 1505 is crafted with meticulous attention to quality and detail. It is available with several customisation options to suit any interior style: Frame Material: Made from high-strength tubular steel, the base is both durable and lightweight, ensuring longevity and ease of placement. Upholstery: Choose from a wide selection of high-quality fabrics, including: Velvet: For a luxurious, soft texture that exudes sophistication. Wool Blends: Durable and warm, perfect for creating cosy spaces. Synthetic Fabrics: High-performance, easy to clean, and ideal for high-traffic areas. Premium Leather: Adds timeless elegance and a touch of luxury. Colours: A rich palette is available, from understated neutrals such as beige, grey, and taupe to bold, vibrant hues like teal, mustard, and terracotta. Frame Finishes: The tubular metal frame can be customised in a variety of finishes, including matte black, white, metallic bronze, and even bright pops of colour like coral red and curry yellow, making the COSMO 1505 adaptable to modern or playful interior styles. Functional Accessories The COSMO 1505 is designed not just for aesthetics but also for enhanced functionality. Optional accessories include: Lumbar Cushion: For extra support and comfort, particularly in lounges and waiting areas. Integrated USB Socket: A modern convenience, perfect for offices, hospitality, or waiting rooms where charging devices is a priority. Reading Lamp: A sleek, built-in light for focused tasks or to add ambient lighting to the space. Schuko Socket: An additional power source, ideal for hospitality or office applications. Style and Versatility The COSMO 1505’s sleek silhouette and refined proportions make it a versatile addition to a variety of interiors. Its clean lines and minimalist design make it a perfect fit for contemporary, Scandinavian, and Japandi interiors, while its subtle industrial flair allows it to integrate seamlessly into urban loft-style spaces. The curved metal base not only enhances its modern aesthetic but also adds a sense of visual lightness to the armchair, making it ideal for both large and compact rooms. Applications and Ideal Settings The COSMO 1505’s versatility and durability make it suitable for a wide range of uses: Residential Spaces: Perfect for living rooms, bedrooms, or reading nooks, offering a stylish yet comfortable seating option. Hospitality Projects: A sophisticated choice for hotel lounges, lobbies, and guest rooms, creating a welcoming atmosphere for guests. Commercial and Public Spaces: Durable enough for high-traffic areas such as offices, galleries, and retail stores. Office Settings: Ideal for reception areas, breakout spaces, and private offices, blending comfort and functionality. Complementary Products The COSMO collection by Philippe Tabet offers a range of matching furniture pieces to create a cohesive design scheme. Pair the COSMO 1505 armchair with: COSMO 1502 Sofa: A three-seater option that shares the same sleek design language. COSMO 1500 Armchair with Armrests: For spaces that require varied seating options while maintaining a cohesive look. COSMO 1520 Modular Seating System: Ideal for creating larger, flexible configurations in public or commercial spaces. Key Features and Benefits Elegant Aesthetic: Minimalist design with modern and industrial influences. Customisation Options: Wide range of upholstery fabrics, colours, and frame finishes to suit any interior style. Functional Enhancements: Optional USB sockets, reading lamps, and power outlets add practicality. Compact and Comfortable: Dimensions ensure it fits seamlessly into both large and small spaces. 2D and 3D Files Available: Designers can easily download the files for seamless integration into their projects. Why Choose the COSMO 1505? The COSMO 1505 is more than just an armchair—it’s a statement of modern design. Its sleek lines, customisation options, and practical features make it a top choice for architects and designers seeking a balance of style and functionality. Whether it’s enhancing the comfort of a hotel lobby, adding a touch of luxury to a living room, or elevating the look of an office reception area, the COSMO 1505 delivers unparalleled quality and versatility.
Earthtech OUTBACK_GROUND
florim > Wallcovering
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
ARKAD - Modular fabric pouf _ Zilio A&C
Zilio A&C > Pouf
Arkad S by Zilio A&C – A Playful and Modular Pouffe for Contemporary Spaces A Soft Interpretation of Architectural Forms Designed by Note Design Studio for Zilio A&C, the Arkad S pouffe draws inspiration from the classic portico, transforming architectural geometry into a playful yet elegant seating solution. With its soft, rounded form and compact dimensions, Arkad S works as a standalone graphic accent or as part of a modular seating system when combined with other pieces from the Arkad collection. Versatility for Residential & Commercial Interiors The Arkad collection is designed to bring flexibility and personality to modern interiors, making it an excellent choice for: Hotel Lobbies & Lounge Areas – A stylish, informal seating option that enhances social and relaxation zones. Co-Working & Office Spaces – Adds a soft and inviting element to collaborative work environments. Retail & Exhibition Spaces – Functions as a display piece or interactive seating in creative settings. Residential Interiors – Works as an accent stool, ottoman, or occasional seating in living rooms and bedrooms. Thanks to its sculptural yet minimal design, Arkad S seamlessly integrates into Scandinavian, contemporary, Japandi, and eclectic interiors. Compact, Comfortable & Fully Upholstered With a fully upholstered body, Arkad S offers both aesthetic appeal and seating comfort. Its soft, rounded edges create a welcoming look, while its compact size makes it easy to move and rearrange. The available fabric finishes allow for customization to suit different interior styles—ranging from neutral, understated tones for modern minimalism to bold, vibrant hues for playful contract settings. Dimensions & Modularity Arkad S is compact yet impactful, making it ideal for small and large spaces alike: Width: 550 mm Depth: 550 mm Height: 450 mm Designed as part of the Arkad series, it can be used alone or combined with other Arkad pieces, such as longer seating units and corner elements, to create unique configurations. Why Choose the Arkad S Pouffe? ✔ Architectural inspiration – A modern take on the classical portico. ✔ Flexible use – Perfect as a standalone accent piece or part of a modular seating system. ✔ Fully upholstered – Provides both comfort and aesthetic appeal. ✔ Compact yet functional – Ideal for residential, hospitality, and commercial spaces. ✔ Customizable fabric options – Suitable for a wide range of interior design schemes. A Modular Statement Piece for Dynamic Interiors Whether used individually or combined into a larger composition, Arkad S is a versatile, stylish, and engaging seating solution that enhances modern interiors with playfulness and sophistication. 📥 2D & 3D files available for download for easy specification in interior projects. 🔗 Discover more at Zilio A&C.
Matrice Aura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Takumi side chair
infinitidesign > Chair
Two kanji characters, “taku” meaning “skillful” and “mi” meaning “to see”, give rise to the ancient Japanese name Takumi, meaning one who has “talent in the field of craftsmanship and technology”. And it is from this encounter between the industrial world and the creativity of craftsmanship that ‘Takumi’ was born, a collection of upholstered chairs where the circular design combined with the minimalism that hark back to bygone eras. The development of this new line, designed by Studio Dessì, is based on the perfect balance between aesthetics and comfort; the steel tubes of the structure seem to interconnect in a way similar to Escher’s optical illusions as they accommodate soft upholstered elements that can be disassembled and restyled. Available with or without armrests, Takumi is an armchair designed for use in the HoReCa industry, but can also be used in more intimate settings. The wide range of fabrics and the steel frame, which can be painted in different colours, work well together to create refined or pop versions depending on taste or the interior.
Earthtech FOG_GROUND
florim > Wallcovering
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
Cielo Wall Light
castrolighting > Wall lamp
Reveal the power of nature's majesty by inviting it inside your home with the Cielo Collection which has been inspired by nature's magnificence and its wonders - the fusion of pure elements. The Cielo Collection visualizes the concept of natural forces and their mysterious power. The fusion of pure elements – fire, ocean waves, sky, and stones – is the greatest source of inspiration. Fire creates delicacy, wave shapes stones, the sky elevates magic, and stone brings textures. Therefore, nature shapes lighting design. The Cielo Collection is a dynamic way of conceiving the world and the joy of discovery and wonder. The luxury oasis is waiting, imagine the calcite forms decorations that hang from the ceiling – stalactites with multi-coloured lighting that splits through rocks to glow in the dark. This time, Castro Lighting carries its manufacturing traditions transforming them into contemporary interior aesthetics – a minimal yet artistic expression of the modern lighting design within natural wonders. Brass finishes, textures, and glass curves – the customization options are limitless. The Cielo Wall Light proudly bears the name which in Italian is related to sky or heaven. This handmade lighting fixture is made of gold-plated brass, the strong lines create an organic movement of subtle brass tubes complementing the luxury chandelier with clear glass. If you look closely enough, the extended tubes remind dangling stalactite and stalagmite shapes. Hammered by the hands of experienced craftsmen, it is capable of transforming the living space into grand adventurous scenery. This finest lighting design is a beautiful addition to enhance modern living rooms, contemporary hallways, and luxurious hotel corridors. The Cielo handcrafted gold pendant is the perfect choice for the interiors with modern classic style, and contemporary vibes, as well as the art-deco touch. Feel the powerful energy of this pendant which brass elements complement the refinement of the interior and permitted to reveal a new meaning of beauty. Simplicity, smooth texture, and clean glass lines help define this contemporary lighting design as the signature collection fitting to the most exquisite decors.
Melt Burst Chandelier Gold LED
tomdixon > Ceiling lamp
Melt is a beautifully distorted pendant in a modern Gold finish and matching ceiling rose. Featuring our intergrated LED module, this ceiling light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb. More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. The LED module offers three key benefits - longer life expectancy, energy efficiency and improved performance including dimmability and light control. Our integrated LED module is fully serviceable and replacement components and individual drivers are available if needed. Melt also comes as a chandelier, table, floor and surface light. Available in a contemporary Chrome Dimensions & Specifications Information SKU MEC03GO-CEUM4 Warranty 3 years Family Melt Cable Finish Black Braided Product Label New Depth 136.5 cm Width 153 cm Height 164 cm Box Depth 0 Box Width 0 Box Height 0 Delivery & Returns If you are unhappy with your purchase, under Distant Selling Regulations you can return the items to us within 14 days of receipt of your goods for a full refund (excluding postal charges). Items should be unused, returned in their original packaging and in a fully resalable condition. If the item is damaged please send an email to [email protected] stating your order reference number and including photographs as evidence of the damage. The Melt Family Obsessed with the idea of creating an imperfect, organic and naturalistic lighting object, Melt was created in collaboration with FRONT – a Swedish design collective. Melt is evocative of molten glass, the interior of a melting glacier, or images of deep space. Melt is available in a series of Pendants, Chandeliers, Surface, Floor and Table lights. Gallery We also recommend product https://www.tomdixon.net/eu/melt-burst-chandelier-gold-led.html 8882 Melt Burst Chandelier Gold LED https://cdn.tomdixon.net/media/catalog/product/m/e/mec03go-cusm4_melt_burst-chandelier_gold_led_fronton_on_noshadow.jpg 18432 18432 EUR InStock /Shop/Lighting/Ceiling Lights/Chandeliers /Shop/Families/Melt /Shop/Our Products <div class="product attribute overview"> <div class="value"> <p>Melt is a beautifully distorted pendant in a modern Gold finish and matching ceiling rose. Featuring our intergrated LED module, this ceiling light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb.</p> </div> </div> <div class="product-addto-links" data-role="add-to-links"> </div> 0 0 https://cdn.tomdixon.net/media/catalog/product/m/e/mec03go-cusm4_melt_burst-chandelier_gold_led_fronton_off_noshadow.jpg add-to-cart 3 years Melt N/A N/A N/A N/A Black Braided 136.5 153 164 0 0 0
KINOKO - Fabric small sofa _ Zilio A&C
Zilio A&C > Sofa
Zilio A&C Kinoko Sofa – A Smart, Versatile Seating Solution for Contract & Residential Spaces Introduction to the Kinoko Sofa The Kinoko Sofa, designed by Mentsen in 2020, is an elegant two-seater that expands on the Kinoko armchair collection, first launched by Zilio A&C in 2019. Inspired by Japanese minimalism with a touch of architectural boldness, this sofa combines a strong structural frame with soft, inviting upholstery, making it a perfect fit for hospitality, commercial, and residential interiors. With its contrasting visual elements—a robust ash wood base and plush upholstered seat—the Kinoko Sofa delivers both style and functionality, bringing warmth and sophistication to lounges, hotel lobbies, private offices, and living rooms. Design & Key Features A fusion of bold structure and soft curves, balancing architectural strength with organic comfort. Wide armrests that double as functional surfaces for books, drinks, or small decorative items. Crafted with a solid ash base, offering both durability and aesthetic warmth. Initially available in ash wood, with a steel frame version to be introduced later. Designed for both contract and residential use, ensuring versatility across various environments. Dimensions & Specifications Width: 1670 mm Depth: 805 mm Height: 740 mm Seat Material: Upholstered with high-quality textile, non-removable cover Base Material: Solid ash wood (natural or stained) Material & Finish Options The Kinoko Sofa is designed with premium materials that enhance both its aesthetic appeal and long-term durability: Base Finishes: Natural Ash – A light, organic wood finish for a Scandinavian-inspired look. Stained Ash – A darker, richer tone for a more classic or moody aesthetic. Upholstery: Plush, high-quality textile upholstery, adding a layer of softness and warmth. Non-removable cover for a streamlined, tailored look. Where to Use the Kinoko Sofa? The Kinoko Sofa’s refined yet cozy design makes it suitable for a wide range of settings, including: Hospitality & Lounge Areas – Ideal for hotel lobbies, airport lounges, and executive waiting areas. Commercial Spaces & Offices – Provides a comfortable yet structured seating option for private offices, coworking spaces, and breakout areas. Residential Interiors – A compact yet stylish sofa for modern apartments and homes. Retail & Boutique Showrooms – Adds a touch of sophistication while maintaining a welcoming ambiance. Alternative Options For designers looking for similarly structured yet soft seating, consider: Andreu World Dado Sofa – A modular alternative with a contemporary look. Muuto Outline Sofa – A sleek, Scandinavian-style option with a minimal frame. HAY Arbour Sofa – A refined, eco-friendly choice with deep seating.
Spillo 1i - Recessed LED brass wall lamp with swing arm _ ICONE
ICONE > Wall lamp
Spillo 1i – Sleek Built-in Flush Wall & Ceiling Lamp with Adjustable Brass Rod Minimalist Architectural Lighting with Precision & Flexibility The Spillo 1i is an elegant built-in flush wall or ceiling lamp, designed by Marco Pagnoncelli. Featuring a single adjustable drawn brass rod with a slim 7×7 mm section, this fixture offers sleek aesthetics and functional versatility. With its high-efficiency LED lighting and minimalist design, Spillo 1i is an excellent choice for modern residential, hospitality, and commercial spaces. Sleek Design with Adjustable Functionality Spillo 1i is designed for seamless wall or ceiling integration, creating a discreet and refined look. The adjustable brass rod allows users to direct the light precisely, making it ideal for accent lighting, task lighting, or directional illumination. Its flush installation keeps the design uncluttered and modern, making it perfect for architectural lighting solutions. With its registered design, Spillo 1i is a statement in minimalism, offering both subtlety and impact in lighting design. Premium Materials & Elegant Finishes Crafted from high-quality drawn brass, Spillo 1i is built for durability and refined aesthetics. The fixture is available in four sophisticated finishes, allowing designers to coordinate with various interior styles: White – A fresh and neutral tone, perfect for contemporary spaces. Black – A bold and striking option that adds modern contrast. Chrome – A polished finish that brings elegance and reflection. Brushed Gold – A luxurious finish that adds warmth and a premium touch. High-Performance LED Illumination Spillo 1i is powered by a high-luminous efficiency LED micro-strip, ensuring bright and energy-efficient lighting with a warm white 3000K color temperature. This fixture requires a power supply unit and wall housing (not included), ensuring a clean, built-in look with no visible wiring. Size & Power Options for Customization Spillo 1i is available in seven different sizes, each offering a different level of brightness to suit various project needs: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) C (cm) D (cm) Recessed Hole (cm) LED Type Spillo 1i.12 1.32W 12V 110 lm 3000K 11.5 3 12.6 3.3 8.2 x 13.2 12V CRI90 Spillo 1i.22 2.64W 12V 220 lm 3000K 21.5 3 22.6 3.3 8.2 x 23.2 12V CRI90 Spillo 1i.32 3.96W 12V 330 lm 3000K 31.5 3 32.6 3.3 8.2 x 33.2 12V CRI90 Spillo 1i.42 4.80W 12V 440 lm 3000K 41.5 3 42.6 3.3 8.2 x 43.2 12V CRI90 Spillo 1i.52 6.60W 12V 550 lm 3000K 51.5 3 52.6 3.3 8.2 x 53.2 12V CRI90 Spillo 1i.62 7.92W 12V 660 lm 3000K 61.5 3 62.6 3.3 8.2 x 63.2 12V CRI90 Spillo 1i.82 10.56W 12V 880 lm 3000K 81.5 3 82.6 3.3 8.2 x 83.2 12V CRI90 These varied sizes allow for precision lighting design, making Spillo 1i adaptable to both small and large-scale projects. Where to Use Spillo 1i – Perfect for Various Interior Applications Residential Interiors Spillo 1i provides elegant and functional lighting for modern homes. It works perfectly in hallways, bedrooms, living rooms, and kitchens, where subtle, directional lighting enhances the ambiance. Its adjustable brass rod is great for reading nooks, workspaces, or highlighting artworks. Hospitality & Retail Spaces Hotels, restaurants, and boutique stores can benefit from Spillo 1i’s minimalist aesthetic and precise lighting capabilities. Whether used to illuminate corridors, highlight displays, or create intimate seating areas, this fixture elevates the ambiance while ensuring a seamless, recessed finish. Office & Workspaces Modern offices and co-working spaces can use Spillo 1i to improve lighting efficiency and aesthetics. It serves as an excellent task lighting solution for workstations, providing soft yet effective illumination without causing glare. Art Galleries & Museums The directional, adjustable nature of Spillo 1i makes it ideal for galleries and museums, where artworks or exhibits need focused yet subtle illumination. Its high CRI90 rating ensures that colors remain accurate and vibrant under its light. Energy Efficiency & Performance With an energy rating of A++, A+, A, Spillo 1i provides sustainable and low-energy lighting without sacrificing performance. The CRI90 rating ensures natural and precise color rendering, making it an ideal choice for detailed visual applications.
ReForm Shadowplay Umbra slate
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
AX - Stackable ash stool _ Zilio A&C
Zilio A&C > Stool
# **AX Stool by Zilio A&C – A Minimalist Yet Expressive Stackable Seating Solution** ## **A Sculptural Tribute to Woodworking** The **AX Stool**, designed by **Alessandro Stabile** for **Zilio A&C**, captures a poetic moment in woodworking—the instant a log is split by an axe. This strikingly sculptural and minimalist stool is a **temporal crystallization of a gesture**, embodying a raw yet refined aesthetic. The unique **split design**, more than just a visual statement, also serves as a practical grip, allowing for **easy movement and stacking**. ## **A Versatile Stool for Contract and Residential Use** With its **clean geometry and strong graphic presence**, the AX Stool seamlessly fits into a variety of settings, from **domestic interiors to commercial and hospitality projects**. Whether placed in a **modern dining space, a contemporary café, a lively bar, or a creative office**, AX introduces a sense of spontaneity and flexibility. Its stackable nature makes it an excellent **on-the-go seating solution for exhibition spaces, bookstores, libraries, and event areas**, allowing for easy reconfiguration as needed. ## **Material and Finishes: Natural Warmth with a Pop of Colour** Crafted from **ash plywood**, the AX Stool balances durability with lightweight functionality. Its **organic materiality** adds warmth to interiors, while its **five available shades** cater to diverse aesthetics: - **Natural Ash** – A timeless, neutral option that highlights the beauty of wood grain. - **Black** – A sophisticated, modern finish for sleek contemporary interiors. - **Blue, Green, and Red** – Bold, playful choices that introduce a dynamic, pop-art touch. The variety of colour options makes AX adaptable to **Scandinavian, Japandi, minimalist, and contemporary spaces**, while the striking form ensures a statement presence. ## **Stackable, Lightweight, and Highly Functional** One of AX’s standout features is its **easy stackability**, a crucial element for contract environments where efficient storage and adaptability are key. This makes it an ideal choice for: - **Restaurants & Bars** – A stylish, informal seating solution that’s easy to rearrange. - **Exhibition & Cultural Spaces** – Perfect for **talks, discussions, and pop-up installations**. - **Libraries & Bookstores** – A functional seating option for **readers and visitors**. - **Home Interiors** – As an **occasional seat, a bedside table, or a minimalist decorative element**. ## **Designed for the Contemporary User** Alessandro Stabile’s design philosophy ensures that **AX is not just a stool, but a design statement**—a refined and **playful object** that fits both modern living spaces and professional environments. **Made in Italy**, it showcases a **balance of craftsmanship and industrial design**, resulting in a piece that is both expressive and practical. ### **Why Choose the AX Stool?** ✔ **Unique sculptural form** inspired by the act of wood splitting. ✔ **Stackable and lightweight** for maximum flexibility. ✔ **Versatile** – perfect for **hospitality, working spaces, and residential use**. ✔ **Crafted from ash plywood** – durable, sustainable, and tactile. ✔ **Available in five colours** – from timeless neutrals to bold statement shades. For interior designers and architects looking for **a functional yet artful seating solution**, the **AX Stool** is a perfect choice. Its ability to blend **graphic purity with flexibility** makes it a must-have for **modern contract and residential spaces**. 📥 **2D & 3D files available for download** for easy specification in interior projects. 🔗 **Discover more at [Zilio A&C](https://www.zilioaldo.it/it/collezione/ax)**.
ReForm Shadowplay Obscura silver
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
PARKER SMALL - Sofa bed _ Milano Bedding
Milano Bedding > Sofa
PARKER by Milano Bedding – Contemporary Sofa Bed with Dynamic Comfort and Soft Design Name: Parker Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Removable fabric or leather upholstery, cylindrical metal feet Sizes (cm): Width 190–220 | Depth 105 | Height 85 | Bed size 140×200 or 160×200 Weight: Approx. 115–130 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Soft Shapes, Generous Comfort, Hidden Function The Parker sofa bed by Milano Bedding features a soft, modern shape with gently rounded lines and plush cushioning—ideal for interiors that combine comfort and clean design. With its low backrest, wide seat, and subtly curved armrests, Parker brings a relaxed, luxurious presence to hotels, rental apartments, and residential lounges. Hidden inside is a true double bed, available in 140×200 or 160×200 cm, with a 17 cm thick mattress and Milano Bedding’s Lampolet mechanism, allowing smooth transformation from sofa to bed without removing cushions. Build, Upholstery & Comfort Details Parker is crafted with a solid wood structure and fitted with a high-resistance steel opening system, built to handle regular daily use. The seat and back cushions are made with multi-density polyurethane foam, ensuring comfort for both lounging and sleeping. It’s available in Milano Bedding’s broad selection of removable fabrics and leathers, including textured neutrals, bold velvets, contract-grade materials, and natural fibre blends. The relaxed cushions are neatly shaped with subtle piping, giving Parker a well-balanced, tailored yet cosy appearance. Cylindrical metal legs, available in matt black, keep the silhouette clean and contemporary. Ideal for Hospitality, Contract & Stylish Living Parker fits beautifully into: Boutique hotel rooms, urban rentals, or serviced suites Guest rooms, home cinemas, or multi-functional family spaces Student housing or short-stay apartments Creative offices, wellness lounges, or reading corners Its approachable softness makes it a guest-friendly piece that doesn't sacrifice style or performance. Design Style & Interior Pairing Parker brings a soft, sculptural quality that pairs well with Japandi, contemporary Scandinavian, and relaxed luxury interiors. Its rounded lines create a sense of approachability and ease—perfect for projects where comfort is central to the design story. Style it with natural-toned linens, boucle cushions, or coloured piping for visual play. Its flexibility in finish allows it to blend seamlessly into muted, earthy palettes or take centre stage in bolder schemes. Key Features & Optional Accessories Converts into a 140×200 cm or 160×200 cm bed Mattress: 17 cm thick, available in polyurethane or memory foam Opens in seconds via Lampolet mechanism, no cushion removal needed Removable covers for contract-grade practicality Optional extras: scatter cushions, bolsters, headrests Looking for Similar Sofa Beds? If you like the Parker’s inviting curves, you might also consider: Jarreau – Deeper seat and sculptural body for visual impact Vivien – Feminine silhouette with elegant arms Clarke Quilted – Soft structure with relaxed style Mingus – Rounded design with informal charm All Milano Bedding models come with 2D and 3D files, ideal for technical drawings, renders, and specification sheets. Parker by Milano Bedding is the sofa bed for designers seeking soft modernity, maximum comfort, and everyday performance—a subtle showpiece for stylish, functional interiors.
JOLI - Upholstered fabric chair with armrests _ Zilio A&C
Zilio A&C > Chair
Joli Chair by Zilio A&C – A Soft, Inviting Dining Chair for Hospitality & Residential Spaces A Dining Chair Designed with Visual Elegance in Mind Designed by Note Design Studio for Zilio A&C, the Joli Chair is a refined yet playful seating solution that prioritizes comfort, silhouette, and versatility. With a focus on how a chair is perceived from behind—often the first view when placed around a table—Joli features a soft, voluminous backrest that creates an inviting and welcoming expression from every angle. Its combination of solid beech wood construction and plush upholstery makes Joli a perfect choice for dining settings, hospitality projects, and elegant residential spaces. Versatility for Hospitality & Residential Interiors Joli seamlessly adapts to a variety of interiors, from modern restaurants and boutique cafés to stylish hotel dining areas and home dining rooms. The chair’s curved backrest and upholstered seat ensure both comfort and visual softness, making it an ideal choice for: Restaurants & Cafés – A stylish, comfortable seating option for extended dining experiences. Hotels & Hospitality Spaces – Perfect for breakfast lounges, private dining rooms, and guest areas. Residential Dining Rooms – Brings warmth and elegance to Scandinavian, contemporary, and Japandi interiors. Workspaces & Meeting Areas – Adds a soft, approachable touch to modern office settings. Materiality: A Balance of Craftsmanship & Comfort The Joli Chair is built with a solid beech wood frame, ensuring durability and longevity, while the fully upholstered seat and backrest provide exceptional comfort. The voluminous backrest not only enhances the seating experience but also contributes to Joli’s charming and friendly personality. The available upholstery options allow for customization to fit different aesthetics, from neutral and natural tones for a minimalist look to vibrant fabrics for a playful, contemporary feel. Why Choose the Joli Chair? ✔ Designed for visual impact – A dining chair that looks good from every angle. ✔ Perfect balance of structure and softness – Solid beech frame with plush upholstery. ✔ Versatile for hospitality & residential spaces – Ideal for restaurants, hotels, and dining rooms. ✔ Welcoming aesthetic – A gentle, voluminous form that enhances comfort and style. ✔ Crafted for durability – Built with high-quality materials for long-term use. An Elegant Addition to Hospitality & Dining Spaces Joli is more than just a chair—it’s a seating experience designed to enhance the atmosphere of any dining setting. Whether used in a stylish restaurant, an upscale hotel, or a contemporary home, Joli’s balance of craftsmanship, comfort, and aesthetic appeal makes it a standout choice for designers and architects. Joli Chair 3D file available for download for easy specification in projects. 🔗 Discover more at Zilio A&C.
Ambrosia
marset > Floor lamp
Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.
Courage
mitab > Table
SOFA COURAGE Courage is a modular based system with seating elements and backrests that can be endlessly combined. The graphic simplicity comes from the design brief asking for an archetypal product based on the golden ratio. The different elements have 2 sections of fabric, creating a “bottom line” which is intended to bond the different parts together, yet allowing for the upper part to be selected in different colours or fabrics creating a varied interior. Courage have a base frame of metal, different parts for different elements. There is no visible fittings or damage when Courage is built together. ADD ELECTRICS To support connected users on the move Courage can be specified with integrated electrical power outlets neatly fitted into the seat and easily accessible. PAIR WITH ORBIT The Orbit swivelling table perfectly compliments Courage’s form and function and has been designed to be natively mounted to Courage’s seat modules. VERSATILE MODULARITY Courage’s modular design comprising numerous elemental forms enables it to be configured in an almost infinite number of compositions. From small geometric islands to sprawling landmasses of comfort, Courage provides a much needed stopping place. COMMITTED Courage has been independently certified by Möbelfakta a widely respected certification scheme that assess and validate the sustainability credentials of furniture and products so consumers can make more informed choices. Modular sofa system with several seat, back and arm units. Base frame and connection fittings in powder coated metal frame in standard RAL (black). Seat with wood base and cold foam upholstered in standard fabrics or c.o.m. Backrests with optional one or two soft sides. Arm units with table top in ash natural. Multiple fabric configuration and electrical outlets available as add-on. (Electrical outlets is not possible with seats in H.36cm)
Matrice Essenza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
ReForm Shadowplay Obscura sage
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Umbra ink
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Umbra taupe
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Obscura sand
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
Susan Chair
castrolighting > Armchair
The Susan collection celebrates beauty in the delicacy expressed in a spellbinding furniture design. The fineness of construction implemented in its structure – Susan Chair introduces the unique concept of bringing a soft sophistication to its appearance, evoking relaxed elegance and grace given by its charismatic brass lines with many subtle curves and thin metal frame. This elegant chair features polished brass legs that provide a completely exclusive and deluxe look, lending delicate flair to any modern ambiance in an art deco setting. All the eye-popping Susan Chair details are individually applied by hand. The chair’s most interesting part and most prominent elements that make it distinctive are gently curved armrests with a pinch of delicate and warm feminine charm, being beyond more than just beautiful. The ultra-stylish beige leather back and super comfortable lounging seat adorned with twisted gold-plated brass gives this handmade furniture piece the ultimate feeling of contemporary cozy chic. The classy design combines perfectly with many interior styles and fits beautifully in the grand residences, luxury villas, penthouses, and mansions. It brings warmth and tenderness to the most demanding living spaces, being a perfect elegant addition to the stylish living room, kitchen, bedroom, or dining room furniture set. This luxury handcrafted furniture piece is incorporated to stun interior design and fashion enthusiasts with its one-of-a-kind refinement and delicateness. Its iconic style grants timeless allure to the most exquisite interiors, making the residential space a serene retreat. The new lifestyle signature design is created by tailoring sophistication into brass. Pair this luxurious soft chair with Charlotte Ring Dining Table to create a cosmopolitan ambiance. VIEW FULL FAMILY
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
ReForm Shadowplay Umbra blush
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Obscura ink
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Obscura taupe
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
TOMMY - Modular sofa bed _ Milano Bedding
Milano Bedding > Sofa
Tommy Sofa Bed – Milano Bedding The Tommy sofa bed is sleek, contemporary and designed for seamless versatility. With its refined profile and practical features, it’s an ideal addition to urban living, guest rooms, home offices, and boutique hospitality interiors. Materials & Construction Frame & Structure: Powder‑coated steel frame for durability and subtle structural elegance. Base: Birch plywood slatted base provides ergonomic support and ensures proper airflow during sleep. Mattress: Medium‑density polyurethane foam mattress, 11 cm thick, designed for a balance of softness and support, perfect for overnight guests. Upholstery: Fully removable fabric covers, available in a variety of textures and colors—including linens, performance weaves, and velvets. Optional leather and faux‑leather finishes available. All fabrics are machine‑washable or dry‑cleanable for easy maintenance. Dimensions Overall (sofa): 220 cm width × 95 cm depth × 82 cm height Bed configuration: 200 cm length × 160 cm width × 11 cm thickness Seat height: 46 cm Style & Aesthetic Tommy embraces clean lines and architectural proportions. Its linear silhouette is softened by subtle curves at the armrests and seat cushions. The design features a visible metal base that highlights its contemporary structure. Upholstery in muted tones lends it a minimalist aura, while bolder fabric options—such as jewel-toned velvet or contrasting raw linens—create striking focal points. The overall look blends modern Scandinavian flair with refined European design. Functionality & Comfort The pull-out mechanism enables a smooth transformation from sofa to bed in a single motion. The birch slatted base supports healthy spinal alignment, while the foam mattress ensures comfortable rest. When folded, the sofa maintains a tidy, streamlined form without protruding elements, making it perfect for compact spaces. Removable cushions and washable fabrics ensure low-maintenance longevity. Ideal Applications Living rooms & dens: Offers elegant seating and a discreet reply to overnight guest needs. Home offices & studios: Acts as a functional workspace by day and sleeper solution by night. Boutique hospitality: Suits executive suites, small-scale hotels and design-conscious rentals, offering style and practicality. Vacation rentals: Adds sleeping capacity that integrates effortlessly with curated interiors. Customization & Maintenance Available in a rich selection of fabrics and monochrome or two-tone combinations. Upholstery is removable and cleanable, ensuring durability and ease of upkeep. Accessorize with matching or contrasting cushions, and choose between steel finishes—matte black, brushed nickel, or polished silver—for visual coordination. The steel frame and birch wood construction are made to withstand everyday use. The Tommy sofa bed brings together modern lines, robust build quality and ingenious dual-function design. It’s an elegant and practical solution for spaces that value both aesthetics and utility. Let me know if you’d like fabric swatches, accessory options, or technical drawings.
ReForm Shadowplay Umbra moss
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
ReForm Shadowplay Umbra beige
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
Milana
marset > Ceiling lamp
Moving the point of light, that’s the idea behind the new design by Jaume Ramírez. Milana involves a system of modular suspension lamps that combine with one another and can be moved both vertically and horizontally.Paradoxically, this new design starts by deconstructing the archetype of a lamp; by synthesizing it as much as possible, only a cylindrical body remains, suspended with a built-in LED. To this cylinder we can add different conical shades in oyster white and black in several sizes. But most ingenious of all is that each of these lamps can have a simple counterweight such that when they are hung between two points, they can be moved. An almost imperceptible lens covers the LED and distributes the light. If only the cylindrical lamp is used, the downward-directed light is impeccable, and when a shade is added, the light escapes, illuminating the lamp itself. This new lighting system gives the user control of the light, offering a new conceptual proposal. Furthermore, the Milana collection is now also available with a pressed glass accessory, in a smoked finish. A feature that adds volume and nuance to your lighting. This version is 24 V-ready, a technical detail that allows several lamp units to be connected to a single light source. With the pressed glass version of Milana, light sets can be created to illuminate large spaces. Covering and baring lamps, moving them up, down and sideways. Mixing cylindrical shapes or combining them with decorative lamps. Milana lets you create countless compositions, a symphony of light. A cluster accessory is also available for the Milana collection, allowing you to connect several pendant lamps at once to a single point of light. This offers the freedom to build with light, to illuminate large spaces and to create compositions.
Horizonte
minotti > Sofa
A floating island with square lines that marks the horizon of the living space. The new system by Marcio Kogan / studio mk27 takes shape from a suspended base, a solid thin line covered in leather, fabric or both, on which generous volumetric padded elements rest. Perfectly consistent with Marcio Kogan's design philosophy, the Horizonte modular seating system is the result of a clear architectural vision: a rigorous shape, raised seven centimetres off the ground thanks to a recessed plinth in matt black varnished metal, which gives the sofa a special feeling of suspension. A platform on which the upholstered elements are located - seats, backrests and armrests - all conceived as large cushions with bold proportions and a strong personality. It is not only the dimensions that characterise these modules, but also their unprecedented softness, capable of maintaining a precise formal aesthetic, despite their welcoming sinkable effect. Comfort is in fact guaranteed by an innovative technology that uses pocketed springs inserted in variable-density polyurethanes that allow the memory of the shapes to be maintained and the seat to return to its original form, modelling itself to the shape of the user. The base on which the upholstered volumes rest is made from a clever combination of materials: entirely in leather or fabric or in an original mix of both to create an even more refined and prestigious look. In the fabric version, the two strips are coupled with a zip, hidden by a creased seam, presented as an aesthetic motif that allows for the practical and quick removal of the covering. On the other hand, in the base entirely covered in leather, the covering is lapped: refined and inspired by the world of haute couture,this production technique means that the strips of leather are sewn together by folding back the edges. The seemingly simple appearance of Horizonte gives rise to a sophisticated style code that can be used in a wide range of configurations. By combining modules, sloping elements and others with built-in coffee table, an overall narrative that could continue forever without interruption is created. For some elements, the base under the upholstered elements juts out from the seat cushion to accommodate a shelf, available in different sizes and configurations. Like a full stop in punctuation, the module is inserted between the seats, enriched by a top attached to the base of the sofa: this does not interrupt the fluidity of the shape, adding a multifunctional top in Dark Brown stained Canaletto walnut, Liquorice lacquered ash, Calacatta and Grigio Orobico marble, or smoothed matt Nero Marquina and brushed Belvedere granite. In addition to the top, interspersed between the cushions, the Horizonte family also includes coffee tables and a side table. The latter has been designed in perfect aesthetic continuity with the Horizonte seating system, from which it takes both the detail of the matt black varnished metal base and the thickness of the top: a horizontal groove engraved on the solid wood bullnose edge recalls the same concept of geometry used in the base. The coffee and side tables also reflect the same style, with floor support in polished Bronze varnished metal and tops in Dark Brown stained Canaletto walnut or Liquorice coloured ash. The different sizes and heights of the coffee and side tables allow for a play of superimpositions that invigorates the horizontality of the entire family.
ReForm Shadowplay Obscura storm
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.
PRINCE - Sofa bed _ Milano Bedding
Milano Bedding > Sofa
PRINCE by Milano Bedding – Slim and Sophisticated Sofa Bed with Timeless Proportions Name: Prince Material: Solid wood frame, multi-density polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, chromed or painted metal feet Sizes (cm): Width 180–210 | Depth 98 | Height 85 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Elegant Lines, Hidden Comfort The Prince sofa bed by Milano Bedding is a refined, discreetly elegant piece designed to integrate seamlessly into a wide range of interiors—from urban residences to hotel suites. With its slim armrests, tailored silhouette, and timeless geometry, Prince delivers clean design and daily-use functionality in equal measure. Inside, a 17 cm thick mattress transforms the sofa into a true double bed (140×200 or 160×200 cm), thanks to Milano Bedding’s easy-to-use Lampolet opening system. No need to remove any cushions—just open and sleep. Construction, Upholstery & Finishes Crafted with a solid wood internal frame and a robust steel folding mechanism, Prince is built for long-term durability, even in contract and hospitality settings. The cushions are filled with multi-density polyurethane foam, offering structured comfort while maintaining crisp visual lines. Upholstery is available in both fixed and removable versions, with a wide variety of fabric and leather options—from elegant neutrals and natural textures to statement velvets and stain-resistant technical materials. Choose chromed metal legs for a polished hotel look or opt for matt black feet for a more architectural, modern finish. Perfect for Compact and Elegant Interiors The Prince sofa bed fits effortlessly into: Hotel rooms and hospitality suites with limited space Short-stay rentals and luxury serviced apartments Guest rooms or home offices in need of a real bed Waiting areas, executive lounges, or model apartments Its slim footprint and visually lightweight design make it especially useful in interiors where space and elegance must go hand in hand. Visual Style & Interior Compatibility With its straight arms, refined piping, and balanced proportions, Prince works well in contemporary classic, Scandinavian, or transitional interiors. It can lean either modern or timeless depending on the upholstery chosen. In light-toned linen, it feels breezy and casual; in velvet or dark wool, it becomes tailored and formal. Prince is a versatile backdrop for both quiet and expressive styling. Key Features & Customisation Opens into a 140×200 cm or 160×200 cm bed Includes a 17 cm thick mattress in polyurethane or memory foam Easy-to-use Lampolet mechanism with cushions attached Fixed or removable upholstery for professional cleaning Leg options: chromed or painted metal feet Optional: headrests, bolsters, and scatter cushions Explore Other Slim-Line Sofa Beds If Prince matches your needs but you'd like to compare other designs: Ellington – Classic, compact form with minimal arms Charles – Sleek and architectural with a modern edge Goodman – Slightly deeper seat, more relaxed structure Andersen – Timeless silhouette with a traditional touch All Milano Bedding sofa beds are available with 2D/3D files, helping streamline your specification, planning, and presentation workflow. Prince by Milano Bedding is the perfect choice when your project calls for elegant proportions, full functionality, and a visually lightweight design—ideal for both refined contract settings and stylish home interiors.
ELEMENTS 2 - Indoor/outdoor porcelain stoneware wall/floor tiles _ gruppo bardelli
gruppo bardelli > Wall tile-stone-brick
Elements2 by Ceramica Bardelli: The Serenity of Nature Indoors The Elements2 collection by Ceramica Bardelli embodies the beauty of the natural world, focusing on the soothing essence of water through its Waterfall design. This collection seamlessly integrates nature into interior design, transforming spaces with its immersive visuals and premium craftsmanship. Waterfall Design and Features The Waterfall tile in the Elements2 series reflects the calming flow of crystalline water, creating an atmosphere of serenity and freshness. Each tile is sized at 60x120 cm (24"x48"), with a matte finish that enhances its subtle elegance. The large format allows for expansive and cohesive designs, whether on floors or walls, making it perfect for contemporary interiors. Made from durable porcelain stoneware, the tiles offer exceptional performance. With an abrasion coefficient (PEI) of 2, they are ideal for moderate-traffic interior spaces. The tiles also meet R10 anti-slip and DCOF safety standards, ensuring both functionality and aesthetic appeal. Innovative Craftsmanship Elements2 showcases the latest in ceramic technology. Produced using third firing digital printing, the Waterfall tiles achieve high-definition visuals with intricate textures and patterns. The option to combine A+B patterns further enhances design flexibility, allowing for continuous, immersive compositions that mirror the natural flow of water. Immersive Interiors The Waterfall design invites the outdoors into interior spaces, offering a visual and sensory experience that redefines traditional design boundaries. Whether used to envelop a wall with the dynamic motion of water or as flooring to create a tranquil base, these tiles turn interiors into transformative environments. Walking on the serene reflections of water creates a unique connection to nature, radically enhancing the ambience of any space. Applications and Versatility Designed for interior flooring and cladding, Elements2 is a versatile choice for residential, commercial, and hospitality projects. Its balance of durability and artistic finesse makes it suitable for diverse settings, from serene spa environments to modern living spaces. About Ceramica Bardelli As part of the esteemed Gruppo Bardelli, Ceramica Bardelli is synonymous with Italian ceramic excellence. With a legacy rooted in craftsmanship and innovation, the Group combines artistic vision with technical expertise across its brands. Its production facilities in Cerrione and Oderzo uphold the highest standards of quality and design. To support designers and architects, 3D files of the Elements2 collection are available for download, facilitating seamless project integration. With Waterfall, Ceramica Bardelli continues to redefine interior design by bringing the timeless beauty of nature indoors, creating environments that captivate and inspire.
ETTA - Sectional wooden coat rack _ Zilio A&C
Zilio A&C > Cabinet
Etta Screen by Zilio A&C – A Multifunctional Space Divider with Customizable Elements A Playful, Modular Approach to Storage & Space Division Designed by Dossofiorito for Zilio A&C, the Etta Screen is a multifunctional furniture piece that serves as a display unit, storage system, and space divider. More than just a screen, Etta encourages interaction and personalization, allowing users to configure its four removable elements in various ways. This highly adaptable design makes it perfect for modern homes, hospitality spaces, co-working offices, and retail interiors, offering both practical functionality and a sculptural presence. Modular & Customizable Elements The Etta Screen consists of a platform base that holds four interchangeable elements: A Small Round Shelf – Ideal for displaying decorative objects, books, or small essentials. Two Distinctive Uprights – Specially designed to support houseplants or other hanging objects. An Upholstered Backrest – Introduces a soft element, making Etta a visual and acoustic divider. These mobile components allow for creative freedom, enabling the user to arrange them in multiple ways to suit different needs—whether as a storage unit, a room divider, or a plant display system. Perfect for Hospitality, Retail & Residential Interiors Thanks to its versatility and aesthetic appeal, Etta works beautifully in various interior settings: Hotel Lobbies & Lounge Areas – Acts as a semi-private screen while providing display and storage space. Co-Working Spaces & Offices – Functions as a flexible divider for open-plan layouts. Retail & Showrooms – A dynamic way to display curated products, books, or plants. Living Rooms & Bedrooms – Serves as a sculptural storage unit or plant stand. Cafés & Restaurants – Adds a green, decorative touch while subtly dividing spaces. Materiality & Dimensions Crafted with high-quality materials, the Etta Screen is both functional and aesthetically refined: Wooden Base & Uprights – Provides a warm, organic feel while ensuring stability. Metal Shelf – A minimalist and sturdy surface for displaying objects. Upholstered Backrest – Adds a soft, tactile contrast while helping with sound absorption in open spaces. Dimensions Width: 1200 mm Depth: 410 mm Height: 1750 mm Why Choose the Etta Screen? ✔ Aesthetic & functional – Combines storage, display, and space division in one piece. ✔ Customizable design – Modular elements allow for endless configurations. ✔ Perfect for hospitality, retail & residential – A unique accent piece for diverse interiors. ✔ Blends natural & modern materials – Offers a warm yet contemporary look. ✔ Encourages biophilic design – Ideal for displaying plants and greenery. A Unique Blend of Form & Function With its playful modularity, sculptural presence, and multipurpose use, the Etta Screen by Zilio A&C is more than just a divider—it’s a dynamic design statement. Whether used for zoning spaces, displaying objects, or creating a lush green corner, Etta enhances any environment with creativity and flexibility. 📥 2D & 3D files available for download for easy specification. 🔗 Discover more at Zilio A&C.
Miniatures .02
vitra > Styling
Belgian designer and interior architect Maarten Van Severen was an idiosyncratic figure on the international design scene. His work was noted for its intense engagement with a few basic furniture types, such as the chair, table, chaise longue, shelving and cabinet, for which he developed fundamental solutions. <br/><br/>Like Jean Prouvé, Van Severen regarded his experiments in the workshop and his close physical contact with the materials to be a vital element of the design process. This was the reason why, up until the mid 90s, when he started working with industrial partners, he produced all his designs in the workshop that he had set up in 1987. <br/><br/>This included the CNº II chair (later .02), introduced in 1992. This chair, with its simplicity of form, has a seat and backrest crafted from a continuous piece of material – a sheet of aluminium or thin plywood – set on an aluminium base. The CNº II formed the basis for his subsequent collaboration with Vitra to develop the .03 chair, which was introduced to the market in 1998 and marked his international emergence as a designer.
Miniatures Ball Chair
vitra > Styling
With its simple, striking shape and its bright colors Eero Aarnio's Ball Chair is a typical symbol of the optimistic, consumer-oriented popular culture of the 1960s. Equally apparent is an unconcealed enthusiasm for the technical which also typifies the era: its exposed plastic which allowed even complex shapes to be produced in series relatively easily, at the time something completely new, and its dynamic shape, reminiscent of a space capsule. <br/><br/>The idea of this kind of mobile capsule allowing people to sit where they want within the house also anticipates the kind of living concepts discussed in the 1970s for a young, liberal society. On the outside, this gleaming, polished sphere seems cold and futuristic, but its inside reveals a space where users can feel cozy and protected. From the inside outside noise is considerably muffled, allowing users to relax in any number of positions, for example, to sit cross-legged. Mounted on a round metal base just above ground level, the sphere can be completely rotated on its own axis, so that users can vary their view from the »cave«. Ball Chair thus represents a special category of household objects. It is something between a piece of furniture and a piece of architecture and at the same time embodies both the mobile and the established, the fixed.
ReForm Shadowplay Obscura olive
ege > Carpet
Our attention is caught by the light but shadows have more to say. Since classical times, artists have understood their value. They’re mysterious, feed the imagination and add drama. Shadows are complex and tell stories about objects out of view. They can reveal the invisible. In this Shadowplay collection, the multi-level loop construction creates a sculptural texture influenced by the distorted shade and light. Two co-ordinating patterns, Umbra and Obscura, can be used alone or together to compose layered shadows which dance across the floor. Tone on tone neutrals are complimented by haloes of colour which trace abstract shape and fade quietly away The collection is a great visual toolbox where you can achieve very different looks depending on the sizes and shapes you choose. Shadowplay comes in a wide palette of contemporary colours from subtle tone-on-tone shades to more rich tones carefully coordinated for perfect combinations. It allows different spatial options that help define areas such as meeting points and quiet or communal zones, as well as catering to social distancing requirements and wayfinding.