Matrice Rilievo - 2d files - 3d files
PRODUCT DESCRIPTION
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
SUPPLIER: FLORIM
TYPE: FINISHES
LIST OF FILES:
Author's Book Matrice - CEDIT_libro-autore-MATRICE_2021.pdf
Warnings - decors - avvertenze-decori_matrice.pdf
Ceramic materials technical guide - Guida tecnica Florim 2022_EN.pdf
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wallcovering
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florim > Wallcovering
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Buildtech/2.0 Build Coal CE
florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Midnight
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Sky
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Burgundy
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
ARCS Arcs Mirror
hay > Styling
Designed by Belgian duo Muller Van Severen Arcs Mirror is formed by a unified chain of vertical arcs that encase the mirror to create an elegant scalloped edge. Made in stainless steel with a mirrored finish and powder coated steel in different colours its variety of sizes and shapes ranges from a small round mirror to a large rectangular one making it suitable for all rooms and uses.
naltar - 8083.10
vescom > Curtain
double weave with a vertical organic 3D rib structure in tonal shades
Noir mirror
turri > Styling
Mirror of Noir collection is available in rectangular or square shape, it has a structure in glossy lacquered wood with the application of leather cords and light gold metal details on the surface. Noir mirror is avail-able in different finishes as per our samples book.
Glouglou Pol 822
martinelliluce > Floor lamp
Half-spheres of lightA bubble of light floating on water or placed on the ground. A lightweight, diffused-light suspension in white opal methacrylate. Outdoor floating lamp or floor lamp, diffused light, rotational moulded white polyethylene material, LED light source, included rechargeable battery, remote control. Life: 6 hoursDegree of protection IP65
I Filati Funny Girl Granata
florim > Carpet
From the art of fabric, to enveloping spaces From lampas and jacquard, all the way to the simplest silk fabrics, from rich, baroque motifs to more optical, geometric patterns, all of these fabrics share an extremely natural look. The collection's nine surfaces are inspired by Rubelli's signature precious fabrics that, in turn, are born from the contemporary reworking of several decorative motifs coming from the noble Venetian heritage of weaving.<br />
Matrice Rilievo
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Storie Masseria
florim > Wall Paint
The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.
SWING - Wooden garden swing seat _ Paola Lenti
Paola Lenti > Outdoor furniture
The **Suspended Seat** by Paola Lenti is a beautifully crafted piece featuring a structure made of natural or wengé-dyed ash wood, finished with a matte transparent acrylic wax and treated to resist mold. For complete seating comfort, it includes a removable seat pad made of open-cell polyurethane covered with three-dimensional polyester fabric and a loose cushion filled with polyester fiber, encased in waterproof polyester. Both the seat pad and cushion upholstery are available in a variety of premium fabrics, including Luz, Rope T, Brio, Thea, or Wara. The seat is suspended using durable AISI 316 stainless steel cords, covered with a braid and equipped with clamps and hooks for secure ceiling or beam mounting. Additionally, the swing can be hung from a custom AISI 304 stainless steel structure, available in matte or gloss varnish, with base plates for secure installation. While the wood is suitable for exterior use, it should not be directly exposed to the elements; it is recommended to use the Winter Set cover for protection and to store the seat indoors during prolonged periods of non-use. A 3D file of the product is available for download, allowing for detailed visualization and planning. Paola Lenti, a globally acclaimed interior design brand founded in 1994, is celebrated for its innovative, high-quality furniture and textiles, blending contemporary aesthetics with exceptional craftsmanship.
RHONDA LOUNGE - Upholstered swivel leather easy chair _ Cattelan Italia
Cattelan Italia > Chair
The RHONDA Lounge is a sophisticated swiveling armchair featuring a 4-spoke base available in aluminum or a fixed base in a variety of finishes, including titanium, bronze, graphite, pearl, or black embossed lacquered steel. Upholstered in fabric, micro nubuck, soft leather, or synthetic leather (as per the sample card), the non-removable cover complements the chair’s rounded, elegant design, making it a perfect addition to stylish and inviting dining spaces. The Rhonda family, which includes armchairs, stools, and cantilever models, is celebrated for its harmonious blend of natural elegance and practicality, with soft folds on the backrest contrasting beautifully with the sleek, stretched frame. For added convenience, a downloadable 3D file of the product is available for design planning. Cattelan Italia, the renowned Italian supplier behind this collection, has been a leader in contemporary furniture design since 1979, offering premium, innovative pieces that combine Italian craftsmanship with modern aesthetics, catering to both residential and commercial spaces worldwide.
STORE STO01 - Laundry room cabinet for washing machine _ Gruppo Geromin
Gruppo Geromin > Cabinet
The **STORE STO01** laundry composition by Gruppo Geromin features base and wall units in Matt White, columns in Matt Thyme, and a robust structure with a 6 cm thick Sablè Grey top, complemented by a Geacryl matt white top with a built-in basin. Designed for both small and large spaces, this functional furniture maximizes efficiency with fully-fitted modules, pull-out baskets, and trolleys for dynamic storage. The coordinated look includes dark-toned smoked glass shelves and under-cabinet LED lighting, adding a contemporary and glamorous touch. The versatile washbasin area offers practical sink solutions, while storage mirrors and tall units with open modules enhance organization and tidiness. The design emphasizes space-saving solutions, with thick edges for durability and side taps to optimize washbasin width. A 3D file of the product is available for download, allowing for detailed visualization and planning. Gruppo Geromin, a renowned Italian interior design supplier established in 1974, specializes in premium bathroom and laundry furniture, offering modern, customizable solutions that blend functionality with luxury aesthetics.
MONOLITH 2.0 - Upholstered leather storage bed _ Ditre Italia
Ditre Italia > Bed frame
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Monolith bed combines minimalist elegance with meticulous craftsmanship, featuring upholstery tailored with dressmaker’s precision and customizable seams on both the bed frame and headboard. Its striking design is accentuated by bold volumes and refined details, such as the thick seam along the frame, enhanced by a distinctive zip fastener for a touch of originality. A 3D file of the product is available for download, allowing for seamless integration into your design plans. Produced by Ditre Italia—a renowned Italian furniture brand since 1976, celebrated for its innovative designs and premium quality—the Monolith 2.0 embodies sophistication and functionality. Explore more at [Ditre Italia’s website](https://www.ditreitalia.com)."* (Note: I kept the supplier description to one sentence while retaining key details about their reputation and heritage.)
VENUS - Brass pendant lamp _ Sicis
Sicis > Ceiling lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Venus lamp features an elegant brass frame available in a champagne or brushed nickel finish, adorned with two decorative inserts crafted from backlit foam glass. Its design—combining a polished brass body with illuminated semi-spherical glass elements—casts a warm, ambient glow, perfect for enhancing any sophisticated space. With its timeless and versatile aesthetic, this chandelier effortlessly blends into both modern and classic interiors. A downloadable 3D file of the product is available for detailed visualization. For additional details, refer to the manufacturer’s specifications on VENUS by Sicis—an acclaimed Italian luxury design house renowned for its exquisite craftsmanship and high-end lighting collections.*
ODEON - Pyrex® table lamp _ Sicis
Sicis > Table lamp
**Odeon** is an elegant table lamp featuring a bronzed metal structure and striped Pyrex glass, blending futuristic inspiration with artisanal craftsmanship. Its design includes a lampshade wrapped in bronzed metal mesh on the outside and lined with soft ivory fabric on the inside, complemented by a sturdy metal base and an applied bronzed mirror for a refined finish. A 3D file of the lamp is available for download, allowing for detailed visualization. Crafted by **Sicis**, a renowned Italian luxury design brand celebrated for its exquisite mosaics and high-end decor, the Odeon lamp reflects the brand's commitment to innovative craftsmanship and timeless elegance. For more details, visit the manufacturer’s page on **ODEON | Table lamp Sicis**.
KAYA 2 - Wall-mounted hallway unit _ Sudbrock Möbelhandwerk
Sudbrock Möbelhandwerk > Cabinet
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The KAYA 2 is a sleek wall-mounted entrance unit crafted from melamine and white lacquer, featuring an elegant milk oak cover shelf for a warm, modern touch—ideal for organizing entryways with style. A downloadable 3D file of the product is available for detailed visualization. Manufactured by Sudbrock Möbelhandwerk, a renowned German furniture specialist since 1922, the brand is synonymous with premium, customizable interior solutions blending innovation with timeless design.*
BAHIA - Standing powder coated aluminium towel rack _ Varaschin
Varaschin > Sanitary accessories
**Bahia Towel Holder** – Inspired by the "less is more" philosophy, this sleek and functional accessory is the perfect companion for poolside relaxation. Featuring clean, rigorous lines and a convenient space to hold towels, bags, or small items, it adds a touch of modern design to outdoor spaces without compromising practicality. Crafted from durable, powder-coated aluminum, it is weatherproof and UV-resistant for long-lasting use. The Bahia collection also includes a stackable sunbed with a powder-coated aluminum frame, a perforated synthetic fabric seat, and a matching coffee table—all designed to blend essentiality and elegance for outdoor living. A downloadable 3D file of the product is available for customization and planning. **Supplier Info:** Varaschin, a renowned Italian outdoor furniture brand since 1969, combines innovative design with high-quality craftsmanship. Explore more at [www.varaschin.it](http://www.varaschin.it).
ALEA - Aluminium candle holder _ Lambert
Lambert > Accessories
**Enhanced Product Description:** The ALEA decorative containers add a touch of elegance to any table or bathroom setting, featuring a delicately textured metal surface with a refined patina finish. Filled with premium candle wax, they create a warm, inviting glow—once the wax burns down, simply clean the container to reuse it with a tea light for continued ambiance or repurpose it as a stylish holder for small keepsakes. A 3D file of this product is also available for download, offering versatility for design and visualization purposes. **Supplier Description:** Lambert, a prestigious interior design brand established in 1967, is renowned for its timeless, high-quality home decor and furnishings, blending craftsmanship with elegant aesthetics. (Note: The supplier description has been condensed to one sentence while retaining key details about their reputation and expertise.)
DUO - Recliner deck chair with armrests _ JANUS et Cie
JANUS et Cie > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Duo is a sleek, stackable lounge chair featuring a lightweight aluminum frame with JanusCoat™ finish and JanusWood arms, paired with a durable polyvinyl mesh seat and back for breathable comfort. Designed for versatility, it stacks up to four chairs high and is available with surface-mount frames upon special request. A 3D file of the product is available for download to facilitate planning and visualization. Offered in elegant finishes like Graphite/Starlight and Talc/Talc, the Duo combines modern aesthetics with functional design. JANUS et Cie, the renowned Los Angeles-based luxury design house behind this piece, is celebrated for its high-end indoor and outdoor furnishings, blending innovation with timeless craftsmanship.* (Note: I condensed the supplier details into one sentence while retaining key brand attributes. Let me know if you'd like further adjustments!)
MINIATURE ROOM 2 - Nonwoven wallpaper _ Jannelli&Volpi
Jannelli&Volpi > Wallpaper
**Product Description:** The *Rooms* collection by Patricia Urquiola, produced by Jannelli&Volpi, explores the surreal beauty of everyday life through imaginative wall decor. Transforming ordinary scenes and objects into dreamlike backdrops, these wallpapers enhance living spaces without overwhelming them—acting as subtle, artistic companions to daily life. Perspective lines flow seamlessly across walls, creating an illusion of depth and expanding the room’s dimensions. Available in 15 exquisite finishes—including basic, metallic, linum, gauze, raffia, silk, and high-performance textiles—each design offers a whimsical yet understated reinterpretation of reality. A downloadable 3D file of the product is also available for visualization. **Supplier Description:** Jannelli&Volpi, a renowned Italian interior design brand since 1954, specializes in premium wallpapers, fabrics, and decorative solutions for residential and commercial spaces.
ABPS10C - Stainless steel toilet roll holder _ Fir Italia
Fir Italia > Sanitary accessories
**Wall-Mounted Paper Holder** This elegant bathroom accessory is crafted from premium **AISI 316L stainless steel** and **DuPont™ Corian®**, ensuring durability and a seamless match with corresponding tap collections. Designed with modular flexibility, the pieces can be freely combined for complete customization—use it as a simple towel rail, add a shelf unit, or opt for a two-hole shelf to hold a dispenser and glass. The collection offers a variety of sophisticated finishes, including **Stainless Steel, Glacier White Corian®, and Deep Nocturne Corian®**, blending high aesthetics with long-lasting performance. A **3D file of the product is available for download**, allowing for precise planning and integration into your space. **Supplier Overview:** *Fir Italia*, a renowned Italian design brand since 1954, specializes in high-end bathroom and kitchen fixtures, combining innovation with timeless elegance. Explore more at [www.fir-italia.it](http://www.fir-italia.it). For additional details, refer to model **ABPS10C | Toilet Roll Holder by Fir Italia**.
LOGIC - Toilet roll holder _ INDA®
INDA® > Sanitary accessories
**Revised Product Description:** The **LOGIC Series Paper Holder** by INDA® is a sleek and modern addition to contemporary bathrooms, combining innovative design with exceptional functionality. Featuring clean lines and essential volumes, this toilet roll holder embodies authenticity, simplicity, and sophistication—qualities that define INDA’s commitment to high-end interior solutions. Part of the elegant **LOGIC collection**, it is crafted from premium materials for lasting durability and refined aesthetics. A downloadable **3D file** of the product is available for designers and architects seeking seamless integration into their projects. For more details, visit INDA®’s official website at [www.inda.net](http://www.inda.net). *(Supplier Note: INDA® is a leading Italian interior design brand renowned for its stylish and functional bathroom accessories, lighting, and furniture, serving both residential and commercial markets worldwide.)*
CLIZIA MEDIUM - Opalflex® wall lamp / ceiling lamp _ Slamp
slamp > Wall lamp
**Clizia** is a sculptural wall or ceiling lamp crafted from **Opalflex®**, available in **Small (White, Orange), Medium (White, Orange), and Large (White, Orange)**. Inspired by nature, its design evokes the delicate interplay of light through clouds or tree canopies, creating dynamic reflections and soft illumination. The lamp features **MagneticSystem®** for seamless attachment to walls, ceilings, or its included metal base (for table/floor use). - **Small**: Fits **E14 bulbs (6W LED filament)** - **Medium/Large**: Accommodate **E27 bulbs (2 x 12W filament LEDs)** A perfect blend of artistry and functionality, Clizia enhances spaces with ambient, non-intrusive lighting. **3D files are available for download** to facilitate integration into design projects. **Supplier**: Slamp, a pioneering Italian lighting brand renowned for its innovative use of technopolymers and handcrafted, artistic designs since 1994. *Further details available from the manufacturer on the **Clizia Medium Slamp**.*
PASO DOBLE - Tanned leather covered office drawer unit _ i 4 Mariani
i 4 Mariani > drawer
**Paso Doble** is an elegant office chest of drawers featuring an executive desk top upholstered in premium leather. The design showcases slender easels on either side, creating a "formal insistence" through repetition—reducing a robust structure to its essential lines. Doubled metal brackets, shaped in a dynamic broken line, support a lightweight, floating surface, giving the illusion of an aerial cover over a solid architectural base. Every geometric detail and interplay of forms is meticulously controlled, like a ballet where each movement follows a precise, repeatable pattern. The drawers emphasize repetition with sleek, folded saddle leather handles. Crafted from saddle leather, black walnut wood, and metal, the Paso Doble embodies a harmonious dance of lightness and structure. A downloadable 3D file of this product is available for detailed visualization. **Supplier Description:** *i 4 Mariani*, a renowned Italian interior design brand since 1957, is celebrated for its high-end furniture and meticulous craftsmanship.
SPEED F - TV wall system _ Dall'Agnese
Dall'Agnese > Cabinet
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **SPEED COMB. "F"**—a striking example of the Speed collection’s exceptional versatility, featuring open compartments, 3 cm thick shelves, and varied front widths that artfully balance full and empty spaces, seamlessly integrating the TV compartment into the wall system. Part of Dall’Agnese’s innovative Speed range, this modular design offers unmatched flexibility in height and width, allowing endless configurations to suit any style. The collection is available in a curated selection of matt and glossy finishes, complemented by dark oak and black American walnut veneers. A downloadable 3D file of the product is available for precise planning and visualization. *Dall’Agnese, a renowned Italian design house since 1948, crafts premium furniture blending contemporary aesthetics with functional elegance.*
PATCHWORK COLORS 05 - Porcelain stoneware wall/floor tiles with encaustic effect _ CERAMICA SANT'AGOSTINO
CERAMICA SANT'AGOSTINO > Wall tile-stone-brick
**Product Description:** Color elevates this ornament into a visual symphony, blending dynamic movement and material richness through intricate patterns of light, floral motifs, geometric frets, and elegant borders—capturing the essence of contemporary Art Deco. A downloadable 3D file of the product is available for detailed visualization. For more details, explore the **PATCHWORK COLORS 05** collection by **CERAMICA SANT'AGOSTINO**, a renowned Italian design leader since 1964, celebrated for its premium ceramic and porcelain stoneware.
ULTRA MARMI - ARABESCATO STATUARIO - Wall/floor tiles with marble effect _ ARIOSTEA
ARIOSTEA > Wall tile-stone-brick
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file: *"Available in polished (L) or prepolished (P) finishes, this product features a 'book match' design—a technique where panels are arranged side by side to create a mirrored pattern, a hallmark of high-quality marble extraction prized in the industry. For additional details, refer to ULTRA MARMI - ARABESCATO STATUARIO by ARIOSTEA. A 3D file of the product is also available for download. ARIOSTEA, a renowned Italian supplier since 1961, specializes in innovative ceramic and porcelain solutions for interior design, combining cutting-edge technology with timeless aesthetics."*
AOSTA GREEN MARBLE - Porcelain stoneware wall/floor tiles with marble effect _ FMG
FMG > Wall tile-stone-brick
Here’s the rephrased and expanded product description, including the supplier details and mention of the 3D file: *"The allure of precious marbles and rare natural surfaces comes to life in these exquisite creations, where each piece embodies idealized beauty through meticulous craftsmanship and innovative design. Maxfine slabs showcase unparalleled expertise, distinguished by their deep hues, luminous whites, elegant patterns, and flawlessly balanced veining—a testament to the fusion of artistic vision, technical precision, and premium raw materials. A 3D file of this product is available for download, allowing for seamless integration into design projects. Further details can be sourced from FMG (Iris Ceramica Group), a globally renowned supplier of high-end ceramic and porcelain solutions, headquartered in Italy with a strong international presence."*
TRAMBISERRA GREY - Porcelain stoneware wall/floor tiles with marble effect _ FMG
FMG > Wall tile-stone-brick
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The allure of precious marbles and rare natural surfaces is masterfully captured in these exquisite creations, where each slab embodies idealized beauty through meticulous craftsmanship. Maxfine’s designs showcase unparalleled depth of color, radiant whites, elegant veining, and harmonious patterns—a testament to their innovative blend of artistic vision, technical expertise, and premium raw materials. A 3D file of this product is available for download, enabling seamless integration into your design projects. Supplied by FMG (Iris Ceramica Group), a globally renowned Italian leader in high-end ceramic and porcelain surfaces, known for its cutting-edge solutions in interior and exterior design."* (Note: The supplier description is condensed into one impactful sentence while retaining key details about FMG’s expertise and reputation.)
ROMA - Wooden chest of drawers _ Turri
turri > drawer
**Product Description:** The **Roma chest of drawers** is a sophisticated addition to any bedroom, blending refined elegance with innovative design. Its softly rounded lines and leather-wrapped sides exude luxury, while the stylish leather strap handles add a distinctive touch. Available in both four-drawer and shelf configurations, the Roma chest of drawers offers versatility to suit different storage needs. A variety of exquisite finishes are available, as shown on the sample card, allowing customization to match any high-end interior. Turri’s mastery of lacquered surfaces shines in this piece, complemented by premium fabrics, embroidered leathers, and geometric prints that adorn its doors, making it a timeless statement of Italian craftsmanship. A downloadable **3D file** of the product is available for designers and architects. **Supplier Description:** Turri, an iconic Italian luxury furniture brand since 1925, is renowned for its exceptional craftsmanship, blending modern aesthetics with traditional techniques to create timeless, high-end interiors.
SOUL - Low wooden and marble coffee table _ Turri
turri > Coffee table
Here’s the rephrased and expanded product description, including a brief supplier mention and a note about the 3D file: *The Soul coffee table combines elegant design with versatility, featuring a tabletop available in rich walnut wood or with a refined marble section, paired with sleek Matt Light Platinum metal legs and accents. Part of the expanded Soul collection by Studio Viganò, this piece continues the brand’s vision of harmonious contemporary living, introduced in 2021, now extended to living, dining, and bedroom spaces. The collection emphasizes comfort and functionality, offering cohesive designs like tables, seating, storage, and bedroom furnishings. A 3D file of the product is available for download to facilitate seamless integration into your projects. Crafted by Turri, a renowned Italian luxury furniture brand since 1925, the table reflects their legacy of blending artisanal craftsmanship with modern sophistication.*
Q-STONE GREY - Indoor/outdoor porcelain stoneware wall/floor tiles _ emilgroup
emilgroup > Wall tile-stone-brick
Vanilla Onyx Slab 3/4"
artistictile > Floor tile-stone
Vanilla Onyx brings a translucent, dreamy aspect ot any project. Its exotic beauty evokes soft moonlight, making Onyx a desired element in jewelry for centuries. Dramatic yet serene, Vanilla Onyx is exquisite in any setting.
Resista eisblau 198
Fabromont > Synthetic Floor
Resista® Eisblau 198 – Crisp Ice Blue for Technical and Clean Interiors Eisblau 198 brings a chilled, clear-blue tone perfect for clinical settings, labs, or tech company offices. It offers a sense of precision and hygiene, ideal for spaces where clarity and cleanliness are visually communicated. Pairs well with glass partitions, white surfaces, and stainless steel.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Piet Boon Paint & Plaster Lime Paint
pietboon > Wallcovering
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
CONCRETE wallpaper by NLXL
pietboon > Wallcovering
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
Queen Cobra Wallcovering
moooi > Wallcovering
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Rendezvous Tokyo Blue Wallcovering
moooi > Wallcovering
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Bearded Leopard Wallcovering
moooi > Wallcovering
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
Mimic Moth Wallcovering
moooi > Wallcovering
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
Pogo Goat Wallcovering
moooi > Wallcovering
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
SKINÌ TEX
skema > Wallcovering
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Riverbank
arte-international > Wallcovering
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
Alentejo Cork
arte-international > Wallcovering
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
Canyon
arte-international > Wallcovering
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
Glowing Patina
arte-international > Wallcovering
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
