La Consolle Plai con top in marmo è la consolle di design dallo stile elegante e sofisticato, che si adatta in modo versatile a spazi ed esigenze abitative div...
La consolle Dora con top in ceramica è la consolle moderna dallo stile elegante e sofisticato, un ottimo complemento d’arredo pronto ad accogliervi al vostro ri...
Nanum è la lampada a sospensione dallo stile minimale che però sa creare un effetto estetico di forte impatto impossibile da non notare entrando in una stanza.
La lampada di design Dew è la lampada a sospensione dalle linee arrotondate che ricordano la natura: un interessante complemento che sa arredare ogni ambiente.
Decor è la lampada da scrivania dalle linee essenziali e definite, perfetta per arredare con stile semplice sia ambienti abitativi che luoghi lavorativi o di ho...
Vida è la lampada da scrivania moderna che si presenta con un look minimalista ed elegante, perfetta per valorizzare ambienti dallo stile contemporaneo.
Vida è la lampada da soffitto moderna che si presenta con un look minimalista ed elegante, perfetta per valorizzare ambienti dallo stile contemporaneo.
Cherry Mix è la lampada a sospensione di design che si presenta con uno stile leggero e raffinato, perfetta per valorizzare ambienti e contesti eleganti.
Decor è la lampada sospesa dalle linee essenziali e definite, perfetta per arredare con stile semplice sia ambienti abitativi che luoghi lavorativi o di hospita...
Decor è la lampada da terra dalle linee essenziali e definite, perfetta per arredare con stile semplice sia ambienti abitativi che luoghi lavorativi o di hospit...
Bendy è la libreria di design componibile realizzata da Moom perfetta per arredare con stile zone giorno e salotti in contesti residenziali e lavorativi.
Scopri Syra la madia elegante a tre ante realizzata dal designer Nello Palomba che, grazie alle importanti rotondità, esprime al meglio le lavorazioni di altiss...
Lyra Desk è lo scrittoio elegante dalle linee pulite ed essenziali perfetto per l’angolo home office, che può essere utilizzato anche come mobile toeletta
An industrial-strength piece of table-top engineering designed to act as a kinetic centrepiece and produce infinite arrangements. Able to hold tea lights and taper candles with equal elegance, the cast iron contraption takes cues from the heavyweight cantilever mechanisms of dockside cranes and the mechanical elegance of 1950s mobiles.
Features two drawers between the scalloped front corners with two shelves below. The top is Ribbon Stripe Mahogany veneer with black ebony inlay. Elegant tapered legs include metal ferrules in an antique brass finish.
The authenticity of a hammered metal base in an aged bronze finish is paired with a cast stone top that emulates honed limestone. The design of the base features a contemporary flared foot. The scale of this silhouettes makes it appropriate for use as a sofa table, a serving piece in the dining room or as a signature piece for the entry hall.
Contemporary designed architectural form with one tempered glass shelf and an inset Eglomise top, crafted from white oak solids and select hardwoods in a white sandblasted finish.
The 86-inch River Oaks console is a statement item for the entry hall, living room or dining room. It has a planked top design with decorative turned legs in the Caribbean Sands finish.
Contemporary asummetrical design in a deeply sandblasted quartered oak veneers in a misty white gray oak finish with silver leaf organic casting. Decorative architectural design with organic casting accent in a silver leaf finish and finished back.
Vintage modern designs in white oak veneers and select hardwoods in a rich brown wirebrushed and cerused finish. Sheeted antiqued brass insert and plinth base.
Like the rest of the collection, the modern organic White Oak veneers and wrapped pitted aluminum create a handsome pairing and let the materials do the talking. Verite features sawn planks of European White Oak in their natural state and will show all of the hallmarks of natural dried wood, including knots, color variation, and cracking. Although finished in a highly protective top coat, every Verite top will vary in appearance and coloration from piece to piece.
Contemporary designs crafted from quartered walnut veneers and select hardwoods in a dark walnut finish. Features include a metal base in a warm silver leaf finish, six doors, three adjustable shelves, ventilated back, and cord management.
The Carson media console has open compartments on each end with two adjustable tempered glass shelves. The center section features an open compartment at the top for a sound bar or components. Below are four soft-close storage drawers with Sand Drift overlays framed by borders in the contrasting Shadow finish. The canted plinth base gives the design a floating appearance.
The 72-inch Hamilton media console has a unique design featuring curio ends to display decorative accessories. A pair of sliding doors have textured veneer fronts and pendant hardware in polished nickel.There is an adjustable glass shelf on either end. The center compartment has one adjustable wooden shelf with a storage drawer beneath.
Floating wooden top with metal supports and contemporary designed decorative fretwork in a silver leaf finish on the ends. The three open areas for the sound bar or components are 17W + 36.75W + 17W inches and 4.75 high. The four doors open to an adjustable shelf behind each pair of doors. The ventilated or removable back panel will provide venting for devices. The metal plinth base is finished in a brushed silver.
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
<p>Color and design through Contemporary Design's characteristic fresh and functional approach.</p> Eight pastel shades, designed to create both lively and balanced compositions, harmonize with each other and with the context. It moves from the dusty 1950s-inspired hues of dove-gray, hazelnut, pink, faded yellow and sky blue to the more decisive shades of dusty gray and moss green, all perfect for creating spaces with both retro style and contemporary character.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.
This spectacular console table is a real eye-catcher thanks to its unusual graphic design. The partially handcrafted front in metal (covered with brass) creates sensational visual effects and brings modernity and luxury to your interior. Equipped with bottles and glasses, the narrow table becomes a home bar with a style of its own.
The design of this wall sconce delivers the sleek, clean and minimalistic elegance the Exos Collection is known for. The shade is cradled by a hand-forged steel bar, mounted on a steel, hand-forged and textured mounting plate.
Lyra Vanity è la toeletta elegante con specchio: il mobile perfetto per ricreare la postazione trucco tipica delle camere da letto di una volta, ma con uno stil...
Sideboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. On the back panel, the sideboard is equipped with cable entries.
The console for entrance model Gotham was conceived by the design studio Leonardi & Marinelli. It has a smoked glass structure completed with a black wooden drawer, provided with soft closure and frontal part in smoked mirror. The console Gotham is available also with integrated wireless battery charger and is perfect for modern and luxury settings.
The console Gulliver is completely made of glass, transparent or extra clear. Its simple and linear shape make it prefect for any kind of setting, specially where there is need to brighten and soften the environment. This designer console is offered in different sizes and is suited for different uses: it can be chosen as console table for entrances or hallway, or for the lounge or bedroom.
The console Gulliver 2 is provided with a glass structure in transparent or extra clear version. This console, of a clean and modern design, can also be fitted with drawers available in wood, matt lacquered or leather, in contrast with the lightness of the glass. It can be included in several settings, such as entrances and hallways, living rooms or bedrooms, in a refined and luxury environment.
The console Sestante by designer Emilio Nanna is part of a collection of furniture distinguished by a rigorous and essential design of vertical structural elements, symmetric and orthogonal. This console leaves maximum compositional freedom to the modular structure and is available in smoked, extra clear or digitally printed glass for a complete personalization. Thanks to the clear lines and versatile finishes it is suitable for any setting of modern and contemporary design.
The designer console Sestante Stone was designed by designer Emilio Nanni. It is a console characterized by the rigorous and essential design of vertical structural elements, symmetric and orthogonal. It is made of a base in glued glass and top in matt brushed marble, with bevelling at sight on the top. The bases are available in smoked or extra clear glass. The top in matt brushed marble, with visible bevelling, is available in Arabescato Orobico Gold, Tropikal Storm or Domus White.
A console featuring simple, contemporary design that can easily be paired with any of the pieces in the Minotti collection. Flexible and adapt-able, thanks to the wide variety of finish-es, the laser cut metal structure comes in Pewter color, with glossy lacquered tops in Mud, Granite, Pewter and Petroleum shades, or in oak with lacquered Moka finish.
The Lang console, like the other elements in the eponymous collection, rests on sophisticatedly minimalist metal blades painted Pewter color. The base is suitably reinforced to ensure the utmost stability without compromising the inherent lightness of the project. The console is available in two heights: “High” 72 cm and “Low” 50 cm, and comes with two push-pull drawers. The structure is finished in Granite color glossy lacquer, while the drawer fronts are available in polished ebony, Tobacco stained flamed oak and Moka oak.
Developed starting from a simple square volume, the Solid family of complements reveals great versatility through its clean and simple shapes. The Solid family hosts elements with different shapes and functions. With their square forms and cubist style, their bold personality adds a distinctive touch of flair to residential and Hospitality interiors. They range from the parallelepiped volume, which is tall enough to be set alongside a dining table as an additional seat, to coffee tables for holding or storing objects, and nightstand for the sleeping area. The rich ensemble is completed by the console table, which sits on metal blade-like legs with a Black-Nickel finish. Some Solid coffee tables are equipped with drawers, featuring an open Moka oak and a push & pull opening system. Coffee tables that offer useful storage solutions, featuring drawers with a perfect aesthetic that almost makes them imperceptible. The Solid coffee tables, in all sizes, are available both in the glossy lacquered version in the colours Corten, Muschio, Petrolio and Moka and in the open-pore ash finish in Moka colour. Some of them are useful storage elements thanks to drawers, with interior in Moka-coloured ash and push & pull opening, almost imperceptible by the eye thanks to their perfect aesthetics. In the version with dimensions cm 35x35 H45, Solid becomes an eclectic furnishing piece, ideal for a use in any interior location, characterising the space in which it is positioned with its clean and simple sculptural presence. This version also comes in saddle-hide, crafted with the same technique used in fine leather luggage-crafting, where every side is trimmed with precise stitching along the edges that enhance the preciousness of the furnishing element as a whole.
The Lelong coffee tables, inspired by the lightness of Scandinavian design, have thin tubular legs in Black Coffee finish with polished Pewter tips supporting lacquered, wood or marble tops. The Lelong family boasts an extensive range: a full series of different sizes and finishes with square, round and rectangular tops that make it particularly versatile and suitable for use as a coffee table, side table or console. The coffee table design also includes a version with two staggered shelves of different heights that intersect to create a sculptural piece of furniture with multiple possibilities of use. Its slender, light design offers an ideal contrast when set alongside the more generous volumes of the Horizonte seating system by Marcio Kogan / studio mk27 and the Goodman seating system by Rodolfo Dordoni: a balance of shapes and proportions that makes the living space even more dynamic and elegant. In the single-top version, the top is available in Cappuccino, Moka, Chestnut, Army Green, and Malachite polished lacquered finishes, in Canaletto walnut stained Dark Brown or in Liquorice open-pore lacquered ash; in the double-top version, the lower top comes in the same finishes as the single top version, while there are three alternatives for the higher top: Liquorice-coloured ash, Calacatta marble with smooth matt finish or in various lacquered finishes.
An inset silver travertine top is artfully suspended above an open compartment and two full extension drawers. Custom hardware finished in a lightly burnished silver coloration completes the look.
The Black Penn Shell with a contrast inlay of Young Penn Shell top and leather-wrapped rattan base makes a dramatic statement in any room. The classic Pan-Asian design makes it a signature piece for this collection.
The serving console offers a distinctive look, featuring twisted rattan fretwork on the end and back panels, finished in a rich umber coloration. The top surface features beveled tempered glass. The shelf below is crushed bamboo. Two drawers at the bottom offer ample storage behind woven raffia fronts.
Heavily distressed and Barnyard Oak veneers in random planks with a waxed carbon finish. The architectural console has concentric stepped moldings in the side panels.
The Cityscape console table features six-sided blocks of stainless steel in a three-dimensional intersecting pattern, highlighted by select portions accented in a warm brass finish. The result is a design with remarkable depth and brilliant shimmer, especially when viewed through the glass and into the decor.The vintage coloration is attributable to certain elements being electroformed in brass. Note stainless steel and brass will show slight imperfections and polishing marks. The 54 x 14 inch glass is flat polished with radius corners and is .75 inches thick.
Faux horn motif hand-painted by artists on individual resin tiles in a dark gray bone coloration. Faux horn tiles will vary in appearance and coloration from piece to piece.
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