Wall mounted mixer with adjustable spout L. 165 mm
Frequently Asked Questions
Is the CUT PLUS CUT05 suitable for commercial projects?
Yes, the CUT PLUS CUT05 by Ceadesign is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
What collection does the CUT PLUS CUT05 belong to?
The CUT PLUS CUT05 is part of the Cut Plus collection by Ceadesign.
Specifications
Material
Stainless Steel
Finishes
Satin, Polished, Black Diamond, Bronze, Copper, Light Gold
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
The Ray seating system, designed for longevity, offers a harmonious blend of functionality and aesthetics. This modular system features two depths, linear and corner elements, chaise longue, ottoman, and is distinguished by the meticulous blanket stitch detail along the cover, available in self-colored or contrasting hues. The internal frame consists of tubular steel and steel profiles, upholstered with Bayfit® flexible cold shaped polyurethane foam and polyester fiber cover. Seat cushions a...
La gamma Sorel propone apparecchi ad emissione asimmetrica IP65 di dimensioni estremamente ridotte declinati in otto finiture, per applicazioni segnapasso nelle quali la presenza dell’apparecchio di illuminazione risulti discreta ed integrata all’architettura. Grazie al grado di protezione IP65, è ideale anche per l’utilizzo in ambienti umidi.
Tilt™ is a comfortable, height-adjustable stool that tilts as you move, promoting posture changes while seated. Its rounded, tilting base allows leaning while sitting. Tilt’s simple form and intuitive functionality are a great fit in dynamic spaces where people interact.
Presenting the Square 2 USB-C in Gotland Grey 3-Pack — a symbol of understated elegance. Ideal for diverse interiors, this 3-way wall socket extender offers functionality without compromising on style. With three Type F Schuko sockets and dual USB Type C ports, it guarantees up to 30W of reliable charging. Its meticulo
Annette Abdrashitova is a product designer, graduate of Vilnius Academy of Arts, 2025. She specialises in conscious and behavioural design, focusing on meaningful problem-solving and sustainable production. She challenges norms to inspire more mindful living. Annette believes in maximising the poten
Craft your bar oasis with the 55" x 31.5" Four® Standing Bar Table. This chrome base, durable, functional, and flexible table is perfect for collaboration.
Elevate the bar experience with the 70.75" x 23.5" Four® Standing Bar Table. Available with a chrome base and white laminate top, this table is perfect for modern interiors.
Planar Wall Shelf is defined by a clean linear expression and is crafted from a single sheet of metal, cut and folded to form the shelf. The construction results in a reduced and balanced expression, appearing visually light with clear structural precision. Available in sizes S and M and offered in powder-coated metal or brushed stainless steel, the material presents either a calm, matte character or a more industrial, reflective quality. A wall-mounted shelf defined by simplicity and clarity of form.
Box con scorrevole in acciaio e tenda doccia in tessuto impermeabilizzato con anelli, miscelatore monocomando con deviatore, tetto con doccione e 2 mensole porta oggetti.
Predisposto per installazione su vasca HH 620.
NB: Non è possibile installare questo optional in un momento successivo all’acquisto della vasca.
Tale accessorio necessita di uno specifico tipo di foratura che va praticata al momento stesso della produzione della vasca, pertanto occorre specificare in fase d’ordine la presenza del box sopravasca.
Bec de bain : 45,3 l/min (12 gpm) – 60 psi
Inverseur de type bouton poussoir intégré au bec de bain
Douchette : max : 6,6 l/min (1.75 gpm) – 80 psi
Douchette en laiton ne conduisant pas la chaleur
Support de douchette inclinable
Crochet intégré au support de douchette
Boyau flexible 150 cm (59″) double agrafe, écrou tournant avec 2 clapets anti-retour
Commandez UN des bruts suivants pour compléter la finition :
ROU-110C-00-B
ROU-110W-00-B
Ensemble avec 2 accessoires
Max : 7,6 l/min (2 gpm) – 80 psi (par accessoire)
Douchette 3 jets
2 accessoires peuvent fonctionner simultanément
Le brut et la finition peuvent être commandés séparément
Finition seule : TRR-4209-45-xx
Brut de valve : RVA-9501-00-B ou RVA-9501-P0-B
Option NS : 1 accessoire fonctionne à la fois, max : 6,6 l/min (1.75 gpm) – 80 psi
Code NS : PRR-4209-45-xx-NS
Finition NS seule : TRR-4209-45-xx-NS