CALLE HENZEL, Ferrin Cepparello (Palazzo 08), 2015 / 2025 by HENZEL STUDIO
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| Brand | HENZEL STUDIO |
|---|---|
| Category | Carpet |
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| Brand | HENZEL STUDIO |
|---|---|
| Category | Carpet |
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CALLE HENZEL, Ferrin Cepparello (Palazzo 08), 2015 / 2025
HENZEL STUDIO > Carpet
CALLE HENZEL, Ferrin Cepparello (Palazzo 08), 2015 / 2025Edition of 30 + 1 APNumberedAccompanied by a Certificate of AuthenticityHand knotted rugWool, Silk, Mohair & LinenHigh / Low Cut Palazzo reconsiders historical rug typologies as material for intervention rather than objects of preservation. Calle Henzel subjects classical patterning to cutting, sanding, washing, pigment application, and exposure to external conditions, transforming the rug from decorative support into a sculptural field. Developed through experimentation with vintage carpets, the works were placed in northern outdoor environments where ice, frost, snow, and cycles of thaw acted directly on the fibers. Combined with paint, abrasion, and incision, these forces disrupted inherited visual systems and generated a vocabulary of fracture and deformation that informed a series of hand-knotted pieces. Some works incorporate Henzel’s Diamond Dust technique and Raw Ice Cut method within this broader inquiry. The hand-knotted rugs retain the disruptions observed in the altered prototypes, resisting standardization through shifts in pile height, carving depth, and pigment saturation. Produced in editions, each piece diverges through the contingencies of making, foregrounding process over replication. Palazzo positions the rug as a spatial object with conceptual agency, operating between historical residue and contemporary material practice.
CALLE HENZEL, Allan Hills A-76, 2023 / 2024
HENZEL STUDIO > Carpet
CALLE HENZEL, Allan Hills A-76, 2023 / 2024Edition of 50 + 1 APNumberedAccompanied by a Certificate of AuthenticityHand knotted rugWool, Mohair & SilkHigh / Low Cut In 'Le Météore de la Nuit', Calle Henzel unveils a series of monumental handmade rug designs, each meticulously crafted in his distinctive style. Central to Henzel's oeuvre is the concept of balance and the principles of physics, inviting viewers to reflect on the intricate interplay between science and art. Utilizing innovative free-form techniques with precisely cut wool, mohair, and silk at varying levels, each rug embodies Henzel's refined artistic language developed over three decades. His organic aesthetic is characterized by architectural lines and abstract forms shaped by the laws of gravity, standing as testaments to his unique ability to intertwine art, science, and philosophy in a profound manner. Henzel's creations serve dual purposes, suitable for both floor coverings and wall sculptures, all custom-made to clients' specific measurements. These pieces transcend traditional boundaries, merging art and science, and enhancing discerning contemporary interiors with a brilliant and thought-provoking aesthetic experience. Over the years, Henzel's work has been showcased in prestigious venues and museums worldwide, earning recognition for its innovative approach.
CALLE HENZEL, Calata Piliero 504D / 102, 2022
HENZEL STUDIO > Carpet
CALLE HENZEL, Calata Piliero 504D /102, 2022Edition of 99 + 1 APNumberedAccompanied by a Certificate of AuthenticityHand knotted rugWool, Nettle & SilkHigh / Low CutThe artistic and organic process of Calle Henzel has been the driving force in the development of Henzel Studio’s designs. He has over the years in an uncompromised fashion challenged the traditional conventions of subject matter, shape, finishings and special treatments as a result of painstaking research that includes vintage treatments, intricate surface compositions and even natural erosion – methodologies that further blur the distinction between art and design. Calle Henzel has collaborated with some of the most prominent names and foundations in contemporary art. His designs has been exhibited at prominent venues such as MOCA, Katonah Museum of Art, Boca Raton Museum of Art, Rossana Orlandi Gallery and The Goss-Michael Foundation.
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