The Madame small armchair is part of the La DoubleJ collection. The seat structure is available in two different colours (white and black), which transversely match the patterns of the frame.
Frequently Asked Questions
What materials is the Madame ecopelle made from?
The Madame ecopelle is crafted from Bamboo, Woven cane, Wood. It is manufactured by Kartell.
Is the Madame ecopelle suitable for commercial projects?
Yes, the Madame ecopelle by Kartell is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the Madame ecopelle be used outdoors?
The Madame ecopelle is designed for indoor use only.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
HIRAY takes metal, one of the most important materials
for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional. Using patented technology, the wood is worked with a mold designed
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
The Smart Wood collection is the outcome of Kartell's unremitting research into the possibility of giving three dimensional form to a material which so far has always been two dimensional.
Cara is the living room armchair which combines the rigour of classic lines and the comfort of the seat, characterised by the large, high cushion which offers maximum comfort. Cara is available in indoor and outdoor versions in a wide range of fabrics.
Cara is the living room armchair which combines the rigour of classic lines and the comfort of the seat, characterised by the large, high cushion which offers maximum comfort. Cara is available in indoor and outdoor versions in a wide range of fabrics.
A true symbol of Sixties design, famous also for being the only piece by Kartell made entirely of wood. Contemporary technology has made it possible to create the same product using PMMA, exploiting industrial production systems, recreating the curved and
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
The Uncle collection is completed by the Uncle Jim armchair, which echoes the shapes and curves of the Uncle Jack sofa and is suitable for the most diverse furnishing requirements.
Foliage collection is a family of soft chairs. The key players are a two-seater sofa and an armchair, that seem to have grown "naturally": the frame provides support for a comfortable seat reminiscent of the crown of a tree, with top-stitched leaves.
The comfort of an embrace: the K-WAITING upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
HIRAY takes metal, one of the most important materials for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
The CHARLA dining armchair boasts elegant, flowing lines and embraces you in an almost wrap-around seat. The chair has everything needed for the contract and consumer segments and is perfect for a quick rest in a hotel lobby or a TV dinner in the lounge at home. Charla combines elegance with sustainability thanks to legs made from recycled plastic. The frame comes in black, with upholstery in bouclé fabric or a special mélange fabric for the contract market
Q/Wood is the armchair from the Smart Wood collection, with enveloping lines that create soft armrests and offer maximum seating comfort. Using patented technology, the wood is worked with a mould designed to bring the curvature of the panel to the very edges, creating a seat with sinuous roundness.
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
These brand-new rotating armchairs on wheels are the latest addition to the armchair collection. Q/wood is characterized by a woodworking, combining timeless elegance with contemporary forms, and is available in three colour variants: light wood with a white seat and chrome structure, dark wood with a black seat and chrome structure or dark wood with a black seat and black structure
"Piuma" is one of the most revolutionary and daring products in the evolution of technologies and materials used by Kartell. This is the first time that a material containing carbon fibre has been injection moulded. The seat has a minimum thickness of a few millimetres (2 mm at most) resulting in an ultralight chair (just 2.2 kg). Piuma is very light and very thin, but also incredibly strong, flexible and suitable for outdoor use.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
The constant interplay of design and technological innovation has led to the creation of Smatrik, the latest interpretation of a chair, designed by Tokujin Yoshioka. It has an innovative frame that creates a three-dimensional effect, which makes it look incredibly light and elegant.
Papyrus is a remake of the archetypal antique rush chair, from a time when chair structures were decisive and strong. This chair combines a translucent support with a slender vertical pebbling, running along the entire outside of the rounded backrest, with its soft and snug lines.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back
The Maui chairs form a family with a rich variety of colours and shapes, both hard and soft, capable of satisfying specific needs, at home or in professional environments. Thanks to its design, the Maui chair is stackable and can be joined endlessly with other seats of the same type, row by row, thanks to a simple hook positioned on the back.
Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
Spoon Chair is a chair designed specifically for workspaces, conceived with advanced technological features and maximum flexibility, achieved with a thickness that can easily be customised, adapting to the weight of the user. The easy-to-use handle used to adjust the mechanism is built into the lower body, completely hidden inside the stem, so as not to disturb the curve of the line.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
Madame - World of Emilio Pucci Edition. The product is part of the fashion house's Cities of the World project, which was created to celebrate Emilio Pucci's stores throughout the world. The prints in the Madame - World of Emilio Pucci Edition project are abstract but remain faithful to the architecture of five different cities: Milan, New York, Paris, Rome and Shanghai.
The In Situ Modular Sofa is a grand, modular design with sculptural lines that can be tailored to your individual space and taste with its modular elements hidden through subtle detailing of its front profile, paired with deep comfort and a soft seat. Choose from any of the 30 predesigned configurations or create your own, using the 9 different seating modules and loose cushions. The look and feel of the In Situ Modular Sofa is more casual in its appearance, compared to some of our other sofas. Visit our Product Planner to explore the possible configurations: planner.muuto.com/in-situ *Please note that the In Situ Cushions are not part of any configuration or seating module and must be added separately to your order.
This modern wall sconce features a sleek, matte metal design, perfect for adding a touch of elegance to hallways. Its minimalist form and upward light direction create a refined ambiance, ideal for contemporary interiors.
Audrey is a versatile and contemporary chair which because of its simple, clean lines obtained through a special die-casting process is composed of only two parts and made without welding. It is multifunctional and adaptable to all uses - indoor, outdoor, the home, office and contract - with its wonderfully rich range of combinations both hard and soft. Audrey comes in either the chair or the armchair (with arms) version.
The Madame small armchair is part of the La DoubleJ collection. The seat structure is available in two different colours (white and black), which transversely match the patterns of the frame.
Inspired by Alexander Calder’s kinetic sculptures, Spanish designer Jaime Hayon transformed the idea of a mobile into a table - stabilised by a metal armature. A series of multi-tiered tables of varying shapes, sizes, colours and materials. Get this Palette desk in two different variants.
Gustave is a portable, self-powered luminaire, specially designed for tabletop lighting applications and other related uses as supplementary lighting. Gustaves compact size encloses a perfect mix of the most innovative optical and light technology and a disruptive engineering, developed in the service of a discretionary purpose of Flos for this project: to create the first portable luminaire on the market with circular design awareness, ecological and honestly conceived against obsolescence.Portable luminaire with autonomous battery, designed for residential applications. Powered by 'Button Type 18650 Li-Ion' batteries (2 units, included inside the product). USB-C charging cable (plug adapter not included). 0-100% sequential regulation by means of capacitive haptic push button.
Occony introduces The Living Workspace, our latest collaboration with designer Robert Bronwasser. The Living Workspace is a modern workspace concept, inspired by nature, with organic shapes and smart solutions that promote functionality, connection and well-being, even in the most business-like environments. The Living Workspace is a modular system that is customizable in size, direction, composition and color & finishes. It acts as an innovative replacement for conventional workplaces and promotes innovation, social interaction, and various forms of collaboration. As well, it offers the opportunity to create quiet, ergonomic workplaces for individual work. Our workplaces are acoustically optimized, electrically height-adjustable, and comply with the NPR 1813 and NEN 527 guidelines for sit-stand workplaces.
This wooden Slab Table is part of a series of robust pieces constructed in angular forms of inviting simplicity. Made in Lithuania using solid wood, this modern table is celebrating the natural beauty of Oak.
More Information Also available in a Black finish. The collection includes an Individual Desk, Dining Table, Dining Chair and Bar Stool.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Within our linoleum flooring range, Marmoleum Decibel provides the highest impact sound reduction of 18dB. This sustainable acoustic flooring consists of 2.5 mm Marmoleum laminated onto a 1 mm layer of polyolefin foam. Available in 27 colors selected from the Marmoleum Marbled and Solid collections.
Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.
Hoff created by designer duo Morten & Jonas is a collection of two modular stools and two modular armchairs. They can combine to make a sofa as well an entire living room area. They are characteristed the visual and tactile qualities of the surfaces. Morten & Jonas like to create objects that arouse emotions. Read more
The 67607 is a high-quality thermostatic concealed mixer designed for seamless integration into modern bathroom and kitchen fixtures. Constructed from durable stainless steel with a sleek, contemporary design, this product combines precision engineering with aesthetic appeal. The construction ensures longevity and reliability under various water conditions.
This thermostatic concealed mixer features advanced temperature control technology that maintains consistent hot and cold water temperatures, enhancing user comfort and convenience. It seamlessly integrates with stop valves or diverter units equipped with stop mechanisms for precise flow adjustment. Compatible with concealed parts art 27890, it provides a cohesive look in bathroom and kitchen installations.
Suitable for use in collections such as Mini-X Pro and XT, the 67607 offers designers flexibility in creating sophisticated and refined designs that meet contemporary aesthetic standards. Its modular design allows for easy installation and maintenance, ensuring optimal functionality and durability over time.
For care, it is recommended to clean the mixer regularly with mild soap and water to maintain its pristine appearance. Avoid using abrasive materials or harsh chemicals as they may damage the finish. Regularly inspecting connections and seals can prevent leaks and ensure continued performance. Proper handling during installation will also prolong the product's lifespan.
In summary, the 67607 is a versatile thermostatic concealed mixer that combines style with functionality, making it an ideal choice for modern bathroom and kitchen installations. Its compatibility with specific collections ensures seamless integration into existing design schemes while its robust construction guarantees long-term reliability.
Marmo Metallo Matte Kalesinterflex Porcelain Slab 160x320. Made of porcelain. Size 160 x 320 cm, 6 mm thick. Matte surface. Certified: EPD, GREENGUARD, TSE.
Marbles Matte Asteroid Kalesinterflex Porcelain Slab 100x300. Made of porcelain. Size 100 x 300 cm, 3 mm thick. Matte surface. Certified: EPD, GREENGUARD, TS EN, TSE.
Loft Chair exemplifies honest, simple design thanks to an expression inspired by industrial design. The design features contrasting materials with its frame in powder coated steel that is offset by the soft plywood on seat and back, molded to embrace the user's body.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Workshop Chair brings a playful approach to the wooden chair. The design creates a new perspective on archetypical Scandinavian design through its thin back shell and slightly curved seat that gives the chair its distinct look.
The Fiber Chair brings a new perspective to the iconic shell chair through its innovative composite of 100% recycled plastic and wood fibers. The wood fibers blend into the surface for a matte finish, adding a soft, inviting touch. The Fiber Chair is designed with friendly, embracing curves that provide extensive comfort to its user while taking up little space in the room.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
Designer Christian Werner has stripped the dining chair back to the basics. The result is Gyon, a design built entirely on basic shapes. Werner has created a stunningly elegant chair that doesn't compromise on comfort.
Tamarinde is a slender dining chair with invitingly open arms and an adjustable back, so you can easily relax after dessert. With Tamarinde, a good conversation can go on for hours after an amazing meal.
A chair that combines several expressions in a single vocabulary, tracing the lines of the most traditional carved African stools and merging them with the American design of the golden years, echoing the concept of curved multilayer plywood.
Ero|S| is a swivel armchair with an organic egg shape, a refined combination of finishes and an adept use of colour. Ero|S| is ideal for the home, in dining or living rooms, but it also fits nicely into offices as a representative chair in the meeting room or in waiting areas. Two versions are available: the chair can rest on a glossy aluminium rotating base with central support or on a lightweight four-legged chrome structure.
Comback is a chair featuring a backrest consisting of seven "teeth" which spread out towards the lumbar region where they meet a reinforced hexagonal rim with slim shafts radiating down to join the seat. A goodly size, this single mould chair embodies functionality and well-freighted ergonomics with sentiment and memories. The Comback comes in several modernised versions – the “swivel” model with four spokes and a central swivel shaft and the “sled” with two slim tubular sides.
Off Chair consists of a seat made from rigid PU foam with full upholstery. Inside the upholstery and PU foam, the chair has a steel reinforcement structure. The base comes with either four static legs or five wheels with swivel and a tilt inclination of 10°, and is made of polished or black powder-coated aluminum. An optional cushion made of veneer and PU foam is available. Choose between leather upholstery or a wide range of different textile upholstery options.