Quadra is expression of practicality and contemporary look. The night area becomes the best place where you can show the way you are. The inlaid headboard enriches the bed with elegance and invites you to create creative games with the background and pillows: the perfect frame for dreaming. With its chic design, Quadra is the perfect choice for a classic or modern bedroom. The headboard is cleverly inlaid and inclined to offer more comfort.Solid wood distinguishes Quadra night collection, which has a modern and simple character, available in all the options from Eclettica new sample set. The range of products by Devina Nais becomes modern, realizing contemporary furnishings with a captivating design, for accurate and refined tastes.
Frequently Asked Questions
What materials is the QUADRA - Solid wood double bed made from?
The QUADRA - Solid wood double bed is crafted from Mixed. It is manufactured by Devina Nais.
Is the QUADRA - Solid wood double bed suitable for commercial projects?
Yes, the QUADRA - Solid wood double bed by Devina Nais is specifically designed for commercial and contract use. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
What collection does the QUADRA - Solid wood double bed belong to?
The QUADRA - Solid wood double bed is part of the Quadra collection by Devina Nais.
Small armchair with low backrest. Legs in black painted steel. Plywood seat upholstered with self-extinguishing polyurethane foam. Steel backrest with self-extinguishing polyurethane foam upholstery. Removable fabric or leather cover. The version with leather 95 covered seat cushion and backrest in fabric cat. 30 is also available.
Mahogany solids and white oak veneers in an anthracite ceruse finish featuring light gray liming, stunning brass hardware plated in nickel. Features include 2 full-extension soft-closing storage drawers, and a full extension drop-front keyboard drawer in the center.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
Discover the Vintage Green Ornate Mirror by abcVintage. Hand-selected from the Rajasthan countryside, this beautiful mirror has been lovingly restored to showcase its exquisite carved embellishments. A stunning piece, perfect for eclectic and antique-furnished spaces. Handcrafted in India in reclaimed wood. Part of the abcVintage Collection, featuring rare pieces sourced from around the globe.
ApplicationSPOTTYPEINDOORDESCRIPTIONStandard provided with integrated LED. Led module and optics need to be selected below.Driver needs to be installed separately. To select the correct driver, see accessories.[tabs][tab-info]PRODUCT INFORMATION
Product Group:
Fleure Twin on round base
Max watt:
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Voltage:
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Driver included:
No
IP:
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Dimmable on product:
No
Dimmable on wall:
Yes
Dali:
Yes
Light source:
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[/tab-info][tab-technical]Datasheets
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Catalogo | Collezioni | BOLD58 | Archiviazione BOLD58_Frame Ricercata ed elegante. La madia e l’armadiatura FRAME sono sistemi di contenimento curati, caratterizzati da un design sofisticato e geometrico.L’archiviazione diventa un elemento architettonico capace di definire lo spazio con precisione compositiva. Il telaio esterno crea una cornice rigorosa che organizza moduli aperti e chiusi, permettendo configurazioni flessibili e perfettamente calibrate. L’inserimento del distanziale in metallo, introduce un segno materico distintivo e scandisce la composizione con ritmo misurato. Le ante ampliano le possibilità progettuali, accentuando i contrasti tra texture e volumi. FRAME diventa così un sistema ideale per ambienti direzionali evoluti, dove ordine, struttura e qualità materica definiscono l’identità dello spazio. Caratteristiche Scheda Tecnica Ambienti Gallery Catalogo Collezione BOLD58 Vani a giorno per le madie FRAME in finitura melaminica o laccata.Ante battente in essenza, laccate, in vetro trasparente o Laminam®.Top e fianchi FRAME con una combinazione originale che enfatizza l’orientamento vena a contrasto tra gli elementi.Il distanziale rientrato in finitura Titanio o Bronzo crea un dettaglio inedito e ricercato. I dettagli di BOLD58_Frame Ciò che contraddistingue il contenimento FRAME sono le composizioni non convenzionali di top e fianchi, caratterizzati da contrasti di orientamento vena nelle finiture in essenza ed un distanziale rientrato che sottolinea la geom
The Yang Bed is a young, contemporary divan bed that evokes the unique play of proportions that distinguishes the eponymous seating system. The inherent design strengths and aesthetic features of the Yang seating system are embedded in the bed’s DNA. The headboard features generous, soft padding and reflects the distinguishing motif of the “Offset” elements, and projects out on both sides to form a single, unified profile designed to also accommodate the Close bedside tables. The headrest is an elegant and functional accessory that can be added to the headboard for optimum reading support and comfort. The base of the bed includes the modern cm 17 -high base with pocket springs that, along with the “Comfort H25” mattress, promises an extremely restful night’s sleep. The bed rests on simple, but elegant Pewter color metal blades.
The Lawrence Bed puts a contemporary spin on the classic upholstered bed, bringing back balanced proportions and adding the kind of constructive details that speak volumes about the company’s ability to deliver design and masterful craftsmanship. It is available with a one-piece padded headboard or with a padded headboard divided into two separate elements that come in two different heights and three widths, opening the door to creative freedom in designing symmetrical and asymmetrical configurations and making bold choices in upholstery combinations. The Lawrence Bed headboard upholstery is completely removable and features elegant stitching in a modern, graphic pattern of squares. The base of the bed is a box spring that, thanks to the vast number of pocketed springs, ensures optimal sleep quality.
The Curtis bed owes its original identity to the precious quilting. The exclusive pattern, a circle crossed by a vertical line, has been designed by Minotti Studio to characterize the walls of the settings of the 2018 collection. The workmanship conveys an effect of great softness to the fabrics and the leathers used for the upholstery. The pattern, simplified and reduced to the sole vertical line, is also the protagonist of the finishing of the sommier raised from the ground. Curtis is characterized by a tall and thin headboard, with an exposed zipper along the sides, and is available in one length only, with a choice of five widths. Interpreted with a crepuscular light, in a rarefied atmosphere, it suggests the encounter between the past of the Déco tradition, thanks to the rich quilting, and the present of interior decoration, with its sophisticated graphics. The Lawrence plaid, made of 100% cashmere wool, it comes in three coordinated color pairings: Écru and Ivory, Silver and Titanium; both with a suede border in mud color and Platinum.
With its minimal design and dynamic shape, the Roger Bed picks up the same concept as the Roger seating system, both in its airy look, and in the couture-style aesthetic of the headboard, quilted with sophisticated horizontal seams and trimmed with piping along the perimeter. Its versatility means it can be covered with all the fabrics and leather in the exclusive Minotti collection, making it the perfect addition to many different styles of night areas. The slender, suspended platform base is of sartorial design, covered in fabric or leather and decorated with sophisticated details and lapped seams: the leather bands of the structural base are sewn together using ribbons and crafted with the same technique used in the finest leather luggage-crafting. The bed, also proposed in the version with leather bedstead and fabric headboard, offers absolute comfort, thanks also to the diagonal slant of the headboard, reminiscent of the Roger seating system, which facilitates the correct reading posture. Raised 13 cm off the ground, it sits on bearing blades in extruded aluminium with a polished Black Coffee-coloured varnished finish, set back from the perimeter of the bed. Roger Bed is available in a choice of five widths and two heights for the heabdoard.
Molteni&C broadens its range of beds with a sophisticated and elegant proposal by Rodolfo Dordoni. The cooperation with the Milanese designer has led to Aldgate a bed conceived as an island devoted to rest and relaxation.
The Ovidio bed by Vincent Van Duysen is designed to be the centrepiece of the bedroom an extraordinary combination of sober elegance and utmost comfort where no detail is left to chance and the leading role is played by the headboard.