Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
Antonio Citterio collaborated with Vitra to develop different versions of the ID Visitor chair, perfectly coordinated with the ID Chair Concept. Thanks to an understated design, they can be combined with almost any office chair and integrated in a wide variety of work environments.<br/><br/>ID Visitor Air has a particularly light and graceful appearance thanks to its slender plastic backrest. The perforated back allows for flexible movement and good air circulation, while offering targeted support. The seat padding is optionally available in a more sustainable PU-free version, and the cantilever base is stackable.<br/>
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
Grand Sofà (2017) is Antonio Citterio's interpretation of luxurious comfort and contemporary design. The designer's Italian flair for lightness and elegance is united with the trademark quality and precision of the Swiss company Vitra.
Tabouret Bois bears the unmistakable signature of Jean Prouvé, reflecting an aesthetic based on structural requirements. The sturdy stool is available in natural oak, dark oak or American walnut.
Designed by Jasper Morrison, the APC is reminiscent of classic wooden chairs while advancing the appearance and functionality of this typology. The graceful chair combines great stability with excellent comfort; its backrest is attached to the frame with resilient connectors that allow it to flex in response to the sitter's movements. The APC comes in a choice of two-tone colours and is suited for both indoor and outdoor use.
The Joyn 2 Platform serves as a basis for teamwork, and despite just four legs allows table lengths of up to 6.4 metres for 8 to 10 regular workspaces – with maximum legroom, easily accessible power and data options and diverse accessories for personalisation. The platforms emphasise the horizontal – only the accessories rise above the table surface.<br/> <br/>Joyn 2 Platform is modular in design and easy to reconfigure in diverse formats. The table tops are available in three versions: as one-piece tops, as tops with a gap in the middle for easy access to power and data connections, and as a version with a technical rail – in the latter two versions, accessories can be fitted individually and repositioned as required. End table tops measuring 80 cm in depth add an additional fully-fledged workstation at either end of the table. Joyn 2 Platform can be adjusted from 74 to 82 cm in height.<br/>
Ampi serves as a wireless charger and offers the necessary power connections to transform any table into a workstation quickly and easily – whether at home or in the office.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The contrasting materials of the moulded plywood veneer seat shell and slender black plastic frame constitute a characteristic feature of the Belleville Armchair. Its elegant armrests are an integral part of the curved structural frame and offer excellent comfort. The Belleville Armchair is also available with a plastic seat shell or with a cover in leather or fabric.
With carefully balanced proportions, great comfort and a conscious renunciation of decorative details, the Soft Modular Sofa (2016) by Jasper Morrison unites the characteristics of a modular lounge sofa in its purest form.
The Plastic Chairs by Charles and Ray Eames were the very first chairs to be developed out of plastic for industrial production. Their organically shaped seat shells can be combined with a variety of different bases. The DAX chair (Dining Height Armchair X-Base) has a visually understated four-legged tubular steel base, which comes in a powder-coated version that is also suited for outdoor applications.
The designer Alexander Girard drew wide acclaim with his interior concept for the legendary Miller House (1953-57), for which he personally selected each individual object. The centrepiece of the house was a so-called 'conversation pit', a sunken seating area in the living room, with built-in sofas covered in fabrics by Girard and decorated with embroidered pillows made specifically for this setting. <br/><br/>Girard's famous 'double heart' motif was used and varied by the designer throughout his lifetime. It is composed of two intersecting S's that form a continuous loop of mirrored hearts. Each S represents the first letter of the pet names used by Girard and his wife – Sandro and Susie – which prompted him to name the double heart symbol '<a href="/en-me/magazine/details/sansusi">Sansusi</a>'.<br/><br/>The embroidered pillow with the 'Double Heart 2' motif was created by Alexander Girard for the Miller family in 1975 – 20 years after the completion of the Miller House.<br/>
French designer and engineer Jean Prouvé created the round, wooden Guéridon table for the University of Paris in 1949. It comes in two different sizes and various types of high-quality wood.
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
Numerous works by the creative duo Front are devoted to the systematic observation of sleeping or hibernating animals. This fascination inspired their design of a group of slumbering creatures – Resting Animals – whose poses exude a serene tranquillity. The Resting Birds are ornamental ceramic figures in two different sizes. Their peaceful presence goes beyond the decorative to communicate a deep sense of contentment.
The DCW (Dining Chair Wood) bears witness to the ultimate success of Charles and Ray Eames' early experiments with moulding plywood into complex shapes. Made entirely of wood, the appearance of this iconic chair remains as contemporary today as when it was first conceived.
Due to the slender organic shapes of its seat and back shells, the LCM (Lounge Chair Metal) by Charles and Ray Eames quickly acquired the nickname 'potato chip chair'.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The Shell Chairs by Charles and Ray Eames are among the most important designs in the history of furniture. Following their initial presentation at the 'Low Cost Furniture Design' competition organised by the Museum of Modern Art in 1948, the chairs were launched on the market in 1950 in an armchair version (A-shell) and as a simpler side chair (S-shell) – making them the first ever mass-produced chairs made of plastic. <br/><br/>With the debut of this revolutionary design, Charles and Ray Eames introduced a new furniture typology that has since spread around the globe: the multifunctional chair whose shell can be joined with a variety of different bases. Already in 1950, they presented a series of bases that enabled various sitting positions, including the low-slung LAR (Lounge Height Armchair Rod Base) with a geometric steel wire base, which quickly acquired the charming nickname 'Cat's Cradle' in reference to the children's string game. <br/><br/>The LAR seems to have been one of Charles and Ray's favourite designs: it can be spotted in numerous vintage photographs of the legendary Eames House in Pacific Palisades, both indoors and out. This also reveals how lightweight the chair is, and how easily it can be moved around.<br/><br/>Due to the organic shape of this classic armchair, the LAR is a striking solo piece, but it can also be paired with many types of sofas to create an appealing contrast. The LAR is offered as the Plastic Chair LAR with a polypropylene shell, or as the Fiberglass Chair LAR with a fibreglass shell that draws attention to the lively texture so valued by connoisseurs. The fascination of fibreglass lies in its irregular surface, whose clearly visible fibres make it appear almost like a natural material. The Fiberglass Chair LAR is not offered with full upholstery in order to show off the unique characteristics of this material to maximum effect. However, a comfortable seat cushion is optionally available.
The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
As one of the most famous objects of Japanese post-war design, the Elephant Stool was created by the prolific product designer Sori Yanagi. The stackable plastic stool can be used both indoors and outside.
The Suita Club Sofa was developed for use in offices, waiting areas and lobbies. The construction and workmanship are designed to withstand the demanding conditions of such public areas. The upholstery of the backrest ensures a high degree of comfort without the need for additional cushions.
The seat shells of the Eames Plastic Chairs can be combined with a variety of different bases. The base for the DAL chair (Dining Height Armchair La Fonda Base) was developed by Charles and Ray Eames in 1961 for the legendary New York restaurant La Fonda del Sol, whose interior was designed by their friend Alexander Girard. With its central pedestal consisting of four parallel shafts that split at the bottom to form a four-star base, it is one of the most elegant and unconventional bases ever designed by the Eameses.
The Zoo Timers (1965) by George Nelson – wall clocks in the form of colourfully hand-drawn characters from the animal kingdom – offer children a playful and enjoyable approach to telling the time.
The expansive, elegant ETR sofa table by Charles and Ray Eames comes with tops in a choice of black or white and a wire base with a chrome-plated or black powder-coated finish. On account of its elliptical shape, it quickly acquired the nickname 'surfboard table'.
The Allstar office chair by Konstantin Grcic imparts a relaxed home-like feel and sense of familiarity. Its rounded form exudes comfort and yields a calming influence on the fast-paced dynamic of today's offices. Allstar also satisfies all the necessary functions of a task chair, allowing it to be used wherever high functional performance is desired but a classic office chair would not be appropriate for aesthetic reasons – an especially ideal choice for modern workplace concepts.
The Heart Cone Chair takes its name from the expressive, heart-shaped silhouette of its seat shell. Designed by Verner Panton in the late 1950s, the chair combines a comfortably upholstered seat with an understated, elegant base made of satin stainless steel.
Joyn 2 Meet offers meeting tables ranging from 120 x 80 cm to 900 x 180 cm. The base can be configured in diverse shapes and sizes for sitting or standing-height tables – on either glides or castors. Furniture on castors promotes dynamic work methods in the office, while variants with glides enable electrification cables to be concealed in the table legs.
The Nuage vases produce an attractive interplay of light and shadow with their undulating shape and anodised aluminium finish in various colours. Flowers and grasses can be arranged in each cluster of eight individual tubes, and thanks to their precise outer contours, the vases can also be fitted together to create entire 'cloud formations'.
Charles Eames and Eero Saarinen created the Organic Chair in 1940 as part of their entry for 'Organic Design in Home Furnishings', a competition organised by the Museum of Modern Art in New York. The small reading chair offers superb comfort, thanks to its comfortably upholstered, biomorphically shaped seat shell, and is also available in a version with a higher backrest: Organic Highback.
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
With its curving shapes and vivid colours, the Amoebe chair (1970) by Verner Panton embodies the exuberant spirit of the early 1970s. It is also available with an overhanging backrest under the name Amoebe Highback.
The high backrest of ID Soft L comes with padded upholstery for excellent comfort. Although the chair exudes elegant sophistication, its sleek lines and minimal design also lend it an understated character. ID Soft L can be harmoniously combined with other chairs and is a perfect addition to many different settings.
The Toolbox by Arik Levy is designed as a practical organisational utensil for storing accessories and small items. Thanks to its handy size, it can be easily stowed in a cabinet or on a shelf, and it takes up little room on a table. The Toolbox is available in a selection of different colours.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The floor version of the famous work lamp extends its range of application and its great functional quality, enhanced by the practical polycarbonate grip housing the on/off switch, to adjust lighting direction with great simplicity and precision.
East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>
The synthesis between purity, modernity and elegance Inspired by attractive marble surfaces, the porcelain stoneware collection brings back a style of immortal beauty that is expressed through eight texture interpretations matched with various thickness options and sizes, even large 80 x 80 and 80 x 240 sizes with 6 mm reduced thickness.
The CHARLOTTE cabinet, an architecturally-inspired piece, features an elegant system of grooved wood doors adorned with a bold decorative motif, crafted from luxurious walnut canaletto wood and available in two heights. This exquisite design can be further customized with premium inserts in marble and leather, adding a touch of sophistication. For those interested in digital exploration, a 3D file of the product is available for download. Giorgetti, the esteemed Italian luxury furniture brand behind CHARLOTTE, has been a global leader in high-end interior design since its founding in 1898 in Meda, Italy, renowned for its timeless elegance, exceptional craftsmanship, and innovative designs that seamlessly blend with both contemporary and traditional interiors.
The Magika lamp is a stunning fusion of art and illumination, where light transforms into a radiant, almost volcanic glow at the intersection of its tapered stem and transparent orb, highlighting the intricate veins of the onyx base. Handcrafted in the historic glass foundries of Murano, the lamp features organic forms of transparent, fumed, or pulegoso glass, infused with countless tiny air bubbles that evoke the delicate beauty of sea foam. Available in three distinct styles, each offering unique lighting effects, the Magika lamp comes in various heights and hues to suit diverse interiors. A 3D file of the product is also available for download, allowing for seamless integration into design projects. Kreoo, the Italian luxury design brand behind Magika, is renowned for its innovative craftsmanship and timeless elegance, offering premium marble, stone, and glass creations that elevate residential and commercial spaces worldwide.
The platform and poufs are available in a variety of shapes and sizes, featuring padding made from polypropylene microspheres and a fixed cover of three-dimensional polyester fabric. The upholstery includes a removable cover crafted from Aquatech braids, fringed at the upper border, and Aquatech fabric. Notably, the B28A pouf can be customized by combining the Aquatech fabric of the seat area with the shaped Aquatech braids used in the Marea rug. Suitable for both indoor and outdoor environments, this product is complemented by a Winter Set protection cover for added durability. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Paola Lenti, a globally recognized interior design brand founded in 1994, is celebrated for its innovative, high-quality furniture and textiles, blending contemporary aesthetics with exceptional craftsmanship.
The DS-144 side table, designed by Werner Aisslinger, is a sleek, round addition that harmonizes with the sculptural and eccentric lines of the lounge chair, offering a minimalist counterpoint with its subtly tapered edges on the circular wooden tabletop, echoing the visual language of the chair's underframes. A 3D file of the product is available for download, allowing for detailed visualization and planning. Crafted by de Sede, a renowned Swiss luxury furniture brand established in 1965 and headquartered in Klingnau, the company is celebrated for its high-end leather seating and timeless designs, blending modern sophistication with unparalleled craftsmanship for residential, commercial, and hospitality spaces worldwide.
The D-60 sofa, designed by Gordon Guillaumier, draws inspiration from the bold yet graceful lines of a boomerang, resulting in a modern, sleek piece that seamlessly blends into both contemporary and classic interiors. Its slim, airy silhouette is complemented by exquisite hand-crafted details, such as the decorative seams on its leather-clad armrests, while the stainless steel frame reflects de Sede's renowned commitment to quality. The gentle creasing of the leather softens the sofa's structured lines, adding a touch of casual elegance. A 3D file of the D-60 sofa is available for download, allowing for detailed visualization and planning. Crafted by de Sede, a Swiss luxury furniture brand established in 1965 and headquartered in Klingnau, the D-60 exemplifies the company’s dedication to premium materials, timeless design, and exceptional craftsmanship, making it a standout choice for high-end residential and commercial spaces.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
**AGRA** is a versatile armchair designed for both indoor and outdoor use, available in two versions: the **"Light"** edition featuring just the frame or the fully woven design in a variety of materials from the collection. The **indoor version** features a durable **25mm tubular steel frame** with an epoxy powder-coated gunmetal grey finish, woven with cellulose cord in an intricate full-background motif. Its seat chassis is constructed from **40x30mm steel tubing**, sprung with coated rubber elastic straps, and padded with high-resilience polyurethane foam layered with acrylic fiber for comfort. The removable upholstery—available in leather or fabric—is secured with zippers and Velcro for easy maintenance.
For outdoor settings, the **AGRA** boasts a **stainless steel AISI 316 frame** (in satin or powder-coated finishes) and is woven with weather-resistant waxed rope. The seat features **DRYFEEL S open-cell foam** and waterproof, heat-sealed fabric, ensuring durability against the elements. Both versions include **black PVC feet** for stability.
A **3D file of the AGRA armchair** is available for download, allowing for seamless integration into design projects.
Crafted by **Living Divani**, a renowned Italian design brand since 1969, the AGRA reflects the company’s commitment to minimalist elegance and premium craftsmanship.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The DOT table combines a sleek rectangular melamine-faced top with a sturdy metal frame, offering a lightweight yet durable design ideal for modern kitchens. Its minimalist aesthetic ensures seamless integration into any space, effortlessly transitioning from intimate candlelit dinners to lively family gatherings. Blending elegant simplicity with a refined sense of style, DOT embodies versatility and timeless appeal. A downloadable 3D file of the table is available for preview or customization. Crafted by Calligaris—a renowned Italian design brand celebrated for its contemporary furniture—the table reflects the brand’s legacy of merging functionality with sophisticated aesthetics.*
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"The Surfer 001 is a sleek and versatile garden sunbed designed for both relaxation and style, featuring a fully adjustable backrest and a contemporary, fluid silhouette that blends elegance with functionality—perfect for lounging in private gardens or upscale beach resorts. For further details, refer to the manufacturer’s specifications on SURFER 001 by RODA. A 3D file of the product is also available for download. RODA, a globally recognized Italian brand, specializes in high-end outdoor furniture, combining innovative design, sustainable practices, and premium craftsmanship to create durable, weather-resistant pieces for modern living spaces."*
This keeps the supplier description brief while highlighting key points and adds the 3D file detail. Let me know if you'd like any refinements!
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The NETWORK 150 is a high-end teak stool with a footrest, designed by Rodolfo Dordoni for RODA, a renowned Italian brand celebrated for its innovative, sustainable outdoor furniture. As the defining collection of RODA’s design evolution, NETWORK blends modular versatility with the warmth of solid teak, seamlessly bridging indoor and outdoor living. This piece embodies timeless craftsmanship and modern functionality, with a 3D file available for download to explore its design in detail. For more information, visit the manufacturer’s website.*
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file:
*"Designed by Roberto Lazzeroni for Lema, the Felix armchair blends refined elegance with compact versatility, featuring soft, corner-free contours that exude understated sophistication. Its curved, shell-like backrest envelops the monolithic seat, inviting relaxation, while subtle stitching accentuates its graceful lines. Perfect for bedrooms yet adaptable to various settings, Felix harmonizes delicate charm with functional design. A 3D file of the product is available for download, allowing for seamless integration into virtual planning. Lema, a prestigious Italian design house since 1970, is renowned for its premium furniture crafted with meticulous attention to detail and timeless aesthetics."*
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Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file:
*The Picolit bed embodies meticulously balanced proportions, blending intimacy, warmth, and understated elegance. Its bold yet timeless design is anchored by a padded headboard with refined stitching details, enhancing the piece’s sleek sophistication. For added functionality, the bed is also available with a discreet under-bed storage compartment. A downloadable 3D file of the product is available for design planning. For further details, refer to the manufacturer’s specifications on PICOLIT by Lema.*
*Lema, a prestigious Italian design house since 1970, is renowned for its premium furniture and accessories, crafted with impeccable materials and artistry for residential and commercial spaces.*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"Featuring Nero and Bianco polished glass fronts with Oro polished XGlass accents, this wardrobe boasts a sleek Flapp handle seamlessly integrated into the glass door for a minimalist, uninterrupted surface. Rigorously tested for long-term functionality, it ensures effortless opening even after years of use. With its sculpted architectural silhouette and essential lines, the all-glass doors elevate it into a striking centerpiece for any room. A downloadable 3D file is available for previewing the design. For additional details, refer to the manufacturer’s specifications for the FLAPP 1164 wardrobe by Lago—a renowned Italian design brand celebrated for its innovative, contemporary furniture since 1976."*
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**Fusionart Sand** is a premium porcelain stoneware tile collection featuring a stunning wood effect, designed for both walls and floors. Part of the + ART line, this series masterfully blends craftsmanship, nature, and art, capturing the warmth of wood and the raw energy of concrete in a timeless, elegant design. The soft, material texture and subdued tones create a harmonious balance between past and future, offering a sophisticated yet organic aesthetic. With a focus on durability and low maintenance, these tiles are ideal for high-traffic spaces while maintaining a luxurious appeal. A downloadable 3D file of the product is available for visualization and planning.
**CERAMICA SANT'AGOSTINO**, a renowned Italian tile manufacturer since 1964, is celebrated for its innovative designs and high-quality ceramic and porcelain stoneware solutions.
For more details, visit [www.ceramicasantagostino.it](http://www.ceramicasantagostino.it).
**Product Description:**
Active Surfaces® combine striking aesthetics with advanced functionality, providing protection for safety and well-being in living and communal spaces. Utilizing the photocatalytic properties of titanium dioxide enhanced with silver, these ceramic tiles transform into eco-active materials with antibacterial, antiviral, anti-pollution, anti-odor, and self-cleaning properties. The **Urban Wall Coverings** collection blends metropolitan-inspired concrete aesthetics with decorative design, making it ideal for private and residential interiors. A downloadable 3D file of the product is available for visualization and planning purposes.
**Supplier Description:**
Fiandre Architectural Surfaces, a leading Italian manufacturer, specializes in high-quality porcelain stoneware for interior and architectural applications, offering innovative solutions like the Active Surfaces® technology.
*(Note: The supplier description has been condensed into a single sentence while retaining key details.)*
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*This versatile line of compositional modules is designed to adapt seamlessly to both compact and expansive spaces, offering a wide array of formats and finishes to suit diverse design needs. Each module is meticulously handcrafted, with particular care given to achieving flawlessly smooth edges and corners. Available in seven distinct shapes—from rectangular and square to hexagonal—the material arrives ready for installation. For further details, refer to FORMA DE CASTELLI, and explore the product in greater depth with its downloadable 3D file. DE CASTELLI, the renowned Italian design house behind this collection, is celebrated for its artisanal metal furnishings and architectural elements that merge tradition with modern innovation.*
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*"Mare d’inverno is a sustainable, certified wallpaper collection that brings the beauty of nature to life through enchanting seasonal landscapes, vibrant flora, and evocative colors. Designed for versatility, it adorns interiors, outdoor spaces, and wet areas while offering optional sound-absorbing properties. The graphics are available on a variety of material substrates to suit different environments and can be fully customized in color beyond the suggested palette. A downloadable 3D file of the design is also available for preview and planning. Crafted by WallPepper®/Group—a renowned Italian leader in bespoke wallcoverings—the collection reflects their commitment to eco-conscious production, using certified, sustainable materials to blend premium quality with minimal environmental impact. Each piece is proudly ‘Made in Italy,’ offering tailored decorative solutions for residential, commercial, and hospitality spaces."*
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**Aesthetica Onice Azzurro** is a luxurious porcelain stoneware tile collection inspired by the rare and exquisite sky-blue onyx marble from Iran, known for its captivating blend of light blue, aquamarine, and deep blue hues, accentuated by elegant white and gold veins that evoke the beauty of tropical seas. Ideal for high-end interiors such as spas, yachts, and cruise ships, this premium collection features a sleek 6.5 mm thickness and comes in three stunning finishes: a glossy lapped surface (available in 120x260 cm, 120x120 cm, and 60x120 cm), a sophisticated matte lapped finish (120x260 cm and 60x120 cm) with a velvety touch for walls, and a natural textured finish (120x120 cm and 60x120 cm) with striking veining contrasts. Blending timeless marble elegance with contemporary color innovation, Aesthetica redefines classic design with bold, unexpected combinations. For added convenience, a 3D file of the product is available for download, allowing for seamless visualization and planning.
**Supplier Description:**
LaFaenza, a renowned Italian design brand, specializes in high-end ceramic and porcelain tiles, offering premium solutions for luxury interiors worldwide. Explore their collections at [www.lafaenzaceramica.com](http://www.lafaenzaceramica.com).
Opal Wox is the perfect solution for interiors. The combination of polypropylene shells with wooden legs can change the atmosphere of places. It is UV protected. It has antistatic properties. In Soft series products, the shell comes with a fix cushion as standard. Soft versions are ideal for home and contract use with their elegant cushion colors.
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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