MANDALA V is a coffee table with 20 mm top in thick Oak veneer and powder coated metal leg.Top: 20 mm thick Oak veneerLeg: Powder coated metal legFinish: Available in RAL coloursThe purity of form and geometry are highlighted by Mandala’s metal structure combined with a glass or marble top. Inspired by the Sanskrit concept Mandala, this timeless design will beautifully complement an array of interior schemes.
Frequently Asked Questions
What materials is the MANDALA V - Wood veneer coffee table made from?
The MANDALA V - Wood veneer coffee table is crafted from Metal. It is manufactured by PARLA.
Is the MANDALA V - Wood veneer coffee table suitable for commercial projects?
Yes, the MANDALA V - Wood veneer coffee table by PARLA is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
What collection does the MANDALA V - Wood veneer coffee table belong to?
The MANDALA V - Wood veneer coffee table is part of the Mandala collection by PARLA.
Can the MANDALA V - Wood veneer coffee table be used outdoors?
The MANDALA V - Wood veneer coffee table is designed for indoor use only.
The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p>
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<p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p>
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<p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>
The Combi bathtub is a compact, economical solution designed for small bathrooms, offering both aesthetic appeal and practical benefits. Its unique design features a reduced length side that maximizes usable space within the bathroom while significantly lowering water consumption. This innovative product comes in two versions—right-hand and left-hand—ensuring compatibility with various bathroom layouts.
Crafted from high-quality materials, including durable acrylic and reinforced fiberglass, Combi ensures durability and long-lasting performance. The bathtub's robust construction provides a stable and secure seating area, contributing to both comfort and safety during use. Its sleek modern design features clean lines and minimalistic styling, making it an ideal fit for contemporary bathroom aesthetics.
Designed with functionality in mind, the Combi bathtub is suitable for various applications including residential bathrooms where space is limited or when seeking a cost-effective solution. It can also be integrated into small guest baths or as part of a minimalist renovation project.
For optimal care and longevity, users are advised to follow these guidelines: clean the bathtub regularly with mild cleaning solutions; avoid harsh chemicals that may damage the surface; dry thoroughly after use to prevent water spots; and apply a protective sealant periodically to maintain its luster and extend its lifespan.
By choosing Combi, homeowners can enjoy an efficient, stylish, and practical solution for their bathroom needs.
Embrace a bohemian aesthetic with this cozy floor lamp, featuring a unique cone-shaped shade crafted from a blend of metal and rattan. Perfect for outdoor living spaces, this medium-sized fixture stands elegantly on slender legs, providing warm ambient light for relaxed gatherings.
Small, large, square, circular: the pouf enriches the furnishing style of the living area with games of shapes, colours and materials. The pouf can be combined with other accessories in your home, creating continuity in the furnishing style, or it can be contextualized in such a way as to compose chromatic and material contrasts with the design of sofas and armchairs. Modern poufs are colour spots that catch the eye and increasingly replace oversized seats. From models covered in fabric with patterns and textures with strong tones, to solid-colored products, the poufs are a space-saving solution that allows you to furnish a living area with small dimensions without sacrificing comfort.
The Around Coffee Table brings a new perspective to its typology through the characterful wooden veneer frame that runs along the edge of the table, echoing the ideas of Scandinavian design. With its round shape and multiple sizes, the Around Coffee Table can be used in a multitude of settings, on its own or in groups, in any living room, lounge setting, lobby area or hotel room.
The Dice coffee table is truly a design object. No compromise has been made in its design. Every detail is exactly as designers Studio Truly Truly intended. This creates a fascinating table that continues to surprise from every perspective.
Toveri marries curves and hard materials to create a table series with soft shapes and striking features. The link between the top and the base has been moved to the centre of the tables, so the table top appears to float. The symmetry of the two elements makes the base seem like a shadow of the top.
Natural shapes and materials bring tranquillity to your living space because they exude softness and quality. It's the first thing you notice about Iduna coffee tables. The tapered wooden legs support a marble or solid oak top - large or small, in a high or low version for the most beautiful pairings.
With Liliom, design studio Beck Design has crafted a series of organically shaped tables in varying shapes and heights. They're as beautiful as they are practical – you can nest them for a tidier look. The ceramic or solid wood top gives the piece a natural accent, while a lacquered finish creates a colourful look.
The CH008 coffee table was designed by Hans J. Wegner in 1954. The understated and elegant three-legged design has since become one of his most popular pieces.
Small table. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stain-resistant protective varnish, in clear matt polyester.