Ege CircleBack is a unique carpet recycling program where we offer to take back your used carpets in Europe for recycling. We divide the used carpets into 3 fractions. The yarn and glue/coating are used again in our own products and the last fraction is used to produce recycled plastic. Read more details about Ege CircleBack here. The program covers the qualities Highline 1100 and Highline 910 with the woven textile backing (WT).
This wallcovering was especially developed for the contract market. The luxurious and extremely durable vinyl meets the most stringent technical requirements, such as fire resistance, shock resistance and washability.
This panoramic takes its name from the banyan tree, which is commonly found along the Silk Road. It lets you wander through a dreamy fantasy landscape, amid the hidden valleys and summits of the Himalayas. The fact that it has a look of pure silk truly makes the panoramic come to life.
Interweaving lighter and darker threads creates horizontal stripes that give the illusion of depth. You can instantly recognise the typical irregularities of the natural linen thread.
Walls of woven grass. It’s almost as if you’re spending a night in a lodge out on the savanna. The structure has been realistically recreated, which lets you subtly bring a truly exotic feeling into your home. You’re sure to find a suitable tint for any interior from among the seventeen colour variations.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.
Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.
Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.
Forbo Flooring Systems is a specialist in acoustic vinyl floor coverings. With over 30 years’ experience, we have the industry knowledge needed to deliver best-in-class acoustic floors for bus and coach applications.
The Zoe rug, crafted with meticulous attention to detail and sartorial expertise, offers endless possibilities in color combinations and shapes, allowing for fully customizable designs. Made from either Rope yarn, available in solid or two-tone colors, or Aquatech yarn in solid hues, the rug comes in three distinct versions: spiral-like modules (approximately 30 x 30 cm) sewn into non-orthogonal geometric patterns, orthogonal spiral modules with complementary designs in the same material, or a single spiral design with a maximum diameter of 500 cm. Additionally, the rug can feature a contrasting border, with two color options for Rope cord or Aquatech cord, and custom configurations are available upon request. A 3D file of the Zoe rug is also available for download, enabling customers to visualize the product in their space. Paola Lenti, the esteemed Italian design house behind this product, is globally recognized for its innovative and high-quality furniture and textiles, blending contemporary aesthetics with artisanal craftsmanship since its founding in 1994.
The Adrian occasional tables feature sleek, smooth-edged tops that appear to float effortlessly on a slim metal frame, offering a modern and minimalist aesthetic. Available in various dimensions and finishes, these two-tier coffee tables come in twelve lacquer color options—both matte and glossy—along with wood and marble finishes. The metal frame can be customized in black, black with a brass tip, or full brass, with additional options including bronzed brass or matte black varnish. The shaped tops are offered in matte or glossy lacquer, marble MR1 or MR2 (excluding models 35R and 45), or a combination of marble tops with lacquered bases. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Meridiani, a renowned Italian design house founded in 1996 by Laura Ferraro Crosti and Andrea Parisio, the brand is celebrated for its contemporary, timeless furniture and home accessories, crafted with premium materials and exquisite attention to detail.
DeFrame redefines the boundaries of design and interior decoration, transforming metal surfaces into captivating artistic works that transcend their traditional role as wall coverings. These textured panels, designed to be wall-hung, serve as a canvas for creativity, allowing graphic designers, interior specialists, and architects to craft unique compositions. Through engravings, inlays, controlled erosion, oxidations, and enamels, DeFrame panels evolve into abstract paintings, illustrations, or tapestries, showcasing the intense beauty of materials like natural black iron with brushed brass inserts. The intricate craftsmanship and graphic design elevate each piece into a true work of art, blending functionality with artistic expression. A 3D file of the product is available for download, enabling designers to visualize and integrate it seamlessly into their projects. DE CASTELLI, the Italian supplier behind DeFrame, is renowned for its handcrafted metal furnishings and architectural elements, combining traditional craftsmanship with contemporary aesthetics since its establishment in 2003.
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*These sleek, see-through glass storage compartments enhance the versatility of these dressers, which can be wall-mounted or freestanding, adapting effortlessly to your storage needs. Featuring elegant, fully glass-clad volumes, they are customizable in a wide range of colors and finishes, seamlessly integrating with modular wardrobes and floating beds for a cohesive aesthetic. A 3D file of the product is available for download, allowing for precise planning and visualization. Manufactured by Lago, a renowned Italian design brand celebrated for its innovative, modular furniture since 1976, this piece (model: 36E8 GLASS - 2137 Lago) exemplifies modern functionality and timeless style. Explore more at www.lago.it.*
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
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**Knoll presents the KN Collection**, designed by Piero Lissoni—a sophisticated seating line blending impeccable style with versatile functionality, perfect for fostering relaxation, social interaction, or private rejuvenation. The **KN02 swivel lounge chair** features compact yet expansive proportions, paired with an integrated manual reclining mechanism discreetly nestled in the armrest, allowing seamless posture adjustments from upright to relaxed angles. Upholstered in premium fabrics or leathers and supported by a polished aluminum or charcoal base, the chair ensures exceptional comfort for extended use. Enhance the experience with the optional **KN03 footrest** and a plush down-filled seat cushion with lumbar support. For designers and enthusiasts, a **3D file of the product is available for download**, enabling seamless integration into virtual projects.
*Knoll, a globally renowned design leader since 1938, is celebrated for its timeless modern furniture and innovative interior solutions.*
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This version keeps the supplier description brief while highlighting key details about the product and its digital accessibility. Let me know if you'd like any further refinements!
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**Domino TV** is a sleek metal wall-mounted column designed for seamless cable management, featuring eight discreet holes on the back to organize wires neatly. The pole allows cables to run from the floor through the base plate, while wires from the wall can be routed through dedicated holes in the post or the flat-screen mounting board (compatible with plasma or LCD TVs). For safety, the TV stand’s rotation is limited to 30° left and right to prevent wire strain, though the lock can be removed by unscrewing the base plate screw at the customer’s discretion. A downloadable 3D file of the product is available for precise planning. Crafted by **Porada**—a renowned Italian design brand celebrated for its premium, modern furniture since 1968—the Domino TV stand reflects the brand’s commitment to elegant, functional solutions. For more details, visit Porada’s DOMINO series.
(Note: I kept the supplier description to one sentence while preserving key brand highlights.)
Here’s the refined and expanded product description, including a concise supplier overview and a mention of the 3D file availability:
*"TRIBÙ is a luxurious vinyl resin wallpaper from the JV 171 IKAT collection by Jannelli&Volpi, blending Italian design with inspiration drawn from the intricate inlay techniques of Indonesian and Malaysian cultures. This collection features bold planes and textured patterns in a vibrant, globally inspired color palette, perfect for adding exotic elegance to any space. A downloadable 3D file of the product is available for visualization. Jannelli&Volpi, a renowned Italian interior design brand since 1954, is celebrated for its high-quality wallpapers, fabrics, and decorative solutions for residential and commercial projects."*
(Note: If the 3D file is hosted on a specific platform, you could add: *"The 3D file can be downloaded from [platform/link]."*)
**Puzzle** is a captivating collection of glazed porcelain stoneware tiles that blend solid block colors with vibrant multi-colored graphic patterns, designed to transform entire spaces rather than individual surfaces. This innovative approach creates a dynamic dialogue between architectural elements throughout a home, weaving a cohesive visual narrative through the collection’s rich color variations. The versatility of Puzzle allows for limitless design possibilities—whether framing areas with bold graphics, combining walls and floors, or crafting rhythmic, expressive layouts—each arrangement guarantees a fresh and unique aesthetic. The tiles, measuring 25 x 25 cm with a substantial 14 mm thickness, exude a premium feel, while the collection features five color families, each offering six graphic patterns, three plain tiles, and two symmetrical edge designs for endless creative configurations. Puzzle encourages complete design freedom, enabling striking contrasts like graphic floors paired with solid walls, gradient transitions from floor to wall, or geometric compositions that dissolve into organic randomness. A downloadable 3D file of the product is available for designers to visualize and plan installations.
**Supplier Description:** *Mutina, an Italian pioneer in ceramic innovation, collaborates with leading designers to create artistic, high-end tile collections that redefine contemporary interiors.*
For further details, visit the manufacturer’s page on **Puzzle by Mutina**.
**Azulej**, the striking tile collection designed by Patricia Urquiola for **Mutina—a visionary Italian brand renowned for blending ceramic innovation with artistic expression—**reinterprets the timeless charm of handcrafted majolica through a modern lens, crafted from durable hydraulic cement. This contemporary take on tradition features a 20x20 cm format and embraces a bold, patchwork-inspired design, where abstract patterns and subtly muted colors merge in a deliberately irregular, organic arrangement. The colors seep naturally into the material, with softly blurred edges that mimic artisanal techniques, resulting in a uniquely textured aesthetic. Offering unparalleled versatility, the collection balances decorative richness with minimalist appeal, making it ideal for both vibrant and understated spaces.
The collection includes three base hues (white, light gray, and dark gray) in 20x20 cm tiles, with **27 distinct patterns** designed to be mixed as a set—sold exclusively as a curated ensemble rather than individual pieces—allowing for endless, fluid compositions. Additionally, **nine standalone patterns per color** are available for independent use, enabling creative combinations with solid field tiles to craft intricate "carpets," accent walls, or striking floors. For designers, **a downloadable 3D file** of the product is available for seamless project visualization.
Discover more from the manufacturer: **AZULEJ BIANCO RENDA – Mutina**.
**Déchirer by Patricia Urquiola for Mutina** is an evolving collection of large-format, unglazed porcelain stoneware tiles, where the striking 3D texture takes center stage—layered patterns resembling fragments of memory create captivating plays of light and shadow, evoking raw, tactile sensations. The tiles feature subtle, irregular detailing and delicate filigree motifs, blending contrast and soft transitions through a mix of plain and decorated designs, sharp edges, and patchwork arrangements. Crafted using Mutina’s advanced *Continua* technology, the collection excels in both technical performance and avant-garde aesthetics, available in hexagonal and orthogonal formats (120x120 cm) across five muted tones—Bianco, Nero, Grigio, Ecrù, and Piombo—and two textures (Decor and Neutral). The line also includes *Déchirer Esagona 60x60* and *Déchirer Glass*, a sustainable mosaic made from 80% recycled material via a zero-impact production process. A downloadable 3D file of the product is available for design integration.
**Supplier Insight:** Mutina redefines ceramics through artistic innovation, collaborating with visionary designers like Patricia Urquiola to create tiles that transcend functionality, merging minimalism with bold textural experimentation.
For further details, explore *Déchirer Neutral Ecru* and more at [Mutina’s official site](www.mutina.it).
**Product Description:**
The Adrian is an anthracite-colored metal table lamp with a raw, industrial design that contrasts beautifully with bright, Nordic-inspired interiors. Featuring a rough-textured surface and exposed screws, it exudes a bold, utilitarian aesthetic while the shade directs cozy downward light and diffuses additional illumination through the side screws for a unique lighting experience. The lamp has an IP20 rating, is Class 2 double-insulated, and includes a non-replaceable 150 cm textile cable (white/black) with an inline switch. It accommodates an E27 bulb (max. 25W, not included) and is non-dimmable. A 3D file of the product is available for download, making it easier to visualize in your space.
**Supplier Description:**
Nordlux, a Danish lighting brand founded in 1977, is known for its high-quality, sustainable indoor and outdoor lighting solutions that blend functionality with modern design.
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*"Via della Spiga" is an elegant wallpaper collection designed by Marco Fontana for Tecnografica, featuring four striking variants: Black and White (81162-1), Colour (81162-2), Grey (81162-3), and Trip (81162-4). As part of Tecnografica’s crown jewel series, this design embodies the perfect fusion of artistic vision, craftsmanship, and cutting-edge technology, offering fully customizable sizing to suit any interior project. A downloadable 3D file of the product is available for preview and planning purposes. Tecnografica, a premium Italian interior design supplier since 1992, is renowned for its high-end custom surfaces and innovative decorative solutions. For more details, visit [Tecnografica’s website](https://www.tecnografica.net/).*
**Product Description:**
The *Visioni Collection* redefines the boundaries between reality and imagination, turning walls into captivating portals to surreal, nature-inspired worlds. Combining artistry with cutting-edge technology, this collection features vibrant colors and intricate detailing, bringing dynamic, customizable designs to life. The dimensions of each graphic are fully adaptable to fit any project’s requirements. A downloadable 3D file of the product is available for preview and planning.
**Supplier Description:**
PEYOTE Tecnografica, a premium Italian interior design supplier since 1992, specializes in high-end custom decorative surfaces, offering digital wallcoverings, panels, and bespoke solutions for residential and commercial spaces. Explore their portfolio at [www.tecnografica.net](https://www.tecnografica.net/).
**CEMENTINA WPN 130** is a meticulously crafted geometric wallpaper, custom-produced to fit your wall dimensions with millimeter precision—like a tailor-made suit. Available in a variety of high-quality materials, each design can be adapted to suit different textures and finishes, with expert guidance from **Spaghetti Wall**, a renowned Italian interior design supplier known for its innovative and stylish decor solutions. The 3D file of this product is also available for download, allowing for seamless integration into your design plans.
**Material Options:**
- **SABLÉ:** A textured vinyl with vibrant color rendering and elasticity for flawless application (washable option available).
- **SKIN:** A soft-textured vinyl ideal for tone-on-tone relief printing, offering flexibility and durability (washable option available).
- **NATURAL:** Eco-friendly 100% FSC-certified cellulose fiber with excellent print quality, suitable for healthcare and educational spaces.
- **ORO GLOSSY:** A luxurious non-woven polyester with metallic foil for an iridescent, wear-resistant finish.
- **GLASS SYSTEM:** Fiberglass options (Pop White, Cool Gold, Glam Black) perfect for wet environments, available in washable or waterproof finishes.
- **WHITE SOUND:** Sound-absorbing fiberglass for easy installation on imperfect surfaces.
- **WOOD TOUCH:** Warm, wood-like finishes (Northwood, Woodnut) for quick and effortless application.
Transform any space into a bold, immersive environment with **CEMENTINA WPN 130**, drawing inspiration from exotic jungles, pop culture, and traditional motifs. For more details, visit **[Spaghetti Wall](https://spaghettiwall.it/it)**.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
UPHOLSTERY
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cyprus - 7038.15
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