SUPPLIER: A.R. ARREDAMENTI
COLLECTION: HARMONY
TYPE: FURNITURE
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GRAND ROYAL - Table-top mirror with integrated lighting _ A.R. Arredamenti
A.R. Arredamenti > Accessories
GRAND ROYAL - Imitation leather table lamp with crystals _ A.R. Arredamenti
A.R. Arredamenti > Table lamp
GRAND ROYAL - Rectangular bedside table with drawers _ A.R. Arredamenti
A.R. Arredamenti > Side table
GRAND ROYAL - Rectangular bedside table with drawers _ A.R. Arredamenti
A.R. Arredamenti > Side table
GRAND ROYAL - Rectangular Imitation leather writing desk with drawers _ A.R. Arredamenti
A.R. Arredamenti > Desk
GRAND ROYAL - Classic style upholstered fabric chair with armrests _ A.R. Arredamenti
A.R. Arredamenti > Chair
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Industrial Ivory
florim > Wallcovering
A cementitious material in its purest and most rigorous form The proposed decorative system defines balanced compositions of eye-catching organic shapes where the fragmentation of the material becomes an element of creative expression.
Matières Barrique
florim > Wall tile-stone-brick
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Matières Nuage
florim > Floor tile-stone
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Matrice Forma
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Sostanza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
IONIS - Walnut chair covered in cuoietto leather _ Porada
Porada > Chair
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The Ionis chair features a sleek frame crafted from solid Canaletta walnut, paired with a seat upholstered in luxurious Cuoietto leather, blending timeless elegance with modern comfort. A 3D file of the design is available for download, ideal for visualization and planning. Porada, the esteemed Italian manufacturer behind this piece, is renowned for its premium furniture that marries craftsmanship with contemporary design.*
BABY - Walnut coffee table / bedside table _ Porada
Porada > Coffee table
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Baby is a sleek and functional side table or nightstand, featuring a matt lacquered top and drawer paired with a sturdy metal base, offering a perfect blend of modern aesthetics and practicality. Designed by Porada—a renowned Italian furniture brand celebrated for its craftsmanship and timeless elegance—this walnut bedside table also comes with an available 3D file for easy visualization and integration into your design projects."*
SOLID - Open steel and wood bookcase _ Bullfrog
Bullfrog > Cabinet
**Product Description:** The **SOLID** collection is a versatile series of cabinets, boards, and shelves featuring a sleek, modern design that can be fully customized to suit your style. Designed to function as both a striking wall-mounted solitaire or an elegant room divider, this collection combines a fine steel frame with a wooden body, available in oiled or black-coated finishes. The front panels of doors and drawers are crafted from solid wood, with optional premium leather or fabric covers for added sophistication. Each piece is a unique creation, tailored to individual preferences. A downloadable 3D file of the product is available for preview and planning. For further details, contact **Bullfrog**, a leading German design studio known for its high-end, contemporary furniture and decor. *(Note: The supplier description has been condensed to one sentence while retaining key details.)*
ELLEPI - Brass robe hook _ INDA®
INDA® > Sanitary accessories
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The *Clothes Hanger Ellepi* is part of a distinctive accessory series defined by its signature detail—a subtle notch on the corner of the pipe, which interrupts the straight line to accentuate direction changes and highlight the fold. Finishes are a key feature, with options including chrome, matte white, and matte black, as well as a sophisticated brushed nickel version with a chromed notch for added contrast. A downloadable 3D file of the product is available for design integration. For more details, visit the manufacturer’s page: [ELLEPI | Robe Hook INDA®](https://www.inda.net). **Supplier Overview:** INDA® is a renowned Italian interior design brand with decades of expertise, offering high-quality residential and commercial solutions, from bathroom accessories to customizable lighting and furniture. *(Note: I condensed the supplier details into a single sentence while preserving key info—origin, specialty, and market focus. Let me know if you'd like further adjustments!)*
RIFLESSI 7200 - Lead Crystal pendant lamp _ Patrizia Volpato
Patrizia Volpato > Ceiling lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant light fixture features a dual light source (2 x G9 halogen energy-saving or 2 x G9 LED bulbs), blending a sleek, modern design with antique-inspired shades. The bright, high-quality crystal, encased in a polished metal band, creates a striking contrast, offering a perfect balance of design, beauty, and craftsmanship. Ideal for elevating any space, it adds a touch of sophistication and uniqueness. Available in polished chrome, tortora, and brushed burnished finishes. A 3D file of this product is available for download. Manufactured by Patrizia Volpato, a renowned Italian lighting brand celebrated for its premium, contemporary designs since 1997."*
GARDENIAS INDOOR - Small sofa _ BD Barcelona Design
BD Barcelona Design > Sofa
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Crafted from cast aluminium with extruded aluminium laminates, this piece features a durable powder coating in Alesta Anodic Black or high-gloss yellow RAL 1005 (on request), while the seat and backrest are upholstered in premium fabrics or leathers from BD Barcelona Design—a pioneering Spanish brand celebrated for its avant-garde furniture since 1972. Designed by Jaime Hayon, one of Spain’s most influential creatives, the Gardenias collection reflects his signature blend of playful elegance and versatility, offering refined silhouettes, luxurious finishes like velvet, and a palette of sophisticated hues (Blue Royale, Red Ming, Green Versailles, and Black Edo). Ideal for both residential and contract use, the collection balances artistic flair with functionality, and a 3D file of the product is available for download to facilitate seamless integration into your projects."* (Note: I condensed the supplier details to one sentence while retaining key credibility points—founding year, design ethos, and global reputation—to keep the focus on the product.)
GARDENIAS INDOOR - Upholstered armchair with armrests _ BD Barcelona Design
BD Barcelona Design > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Crafted from cast aluminium with extruded aluminium laminates, this piece features a durable powder coating in Alesta Anodic Black or high-gloss yellow RAL 1005 (on request), while the seat and backrest are upholstered in premium fabrics or leathers from BD Barcelona Design—a pioneering Spanish brand celebrated for its avant-garde furniture since 1972. Designed by Jaime Hayon, one of Spain’s most internationally acclaimed designers, the Gardenias collection reflects his signature blend of playful elegance and refined artistry, first showcased in his iconic Showtime line. The indoor armchair and sofa exude Hayon’s distinctive style with sculptural forms, luxurious finishes, and exceptional comfort, upholstered in sumptuous velvet or BD’s curated materials. Sophisticated color options—Blue Royale, Red Ming, Green Versailles, and Black Edo—elevate the collection’s timeless appeal for both residential and contract use. A downloadable 3D file of the product is available for design planning."* (Note: The supplier description is condensed into a single sentence within the product overview for seamless integration.)
CANZONE - Upholstered armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CANZONE armchair by Erba Italia features a beautifully rounded, enveloping design that combines comfort with timeless elegance. Crafted with a solid wood frame and multilayer wood construction, it ensures durability, while the sprung seat with elastic belts and polyurethane foam (CFC-free) offers exceptional support. The seat is padded with virgin natural goose feather and polyurethane foam, while the back is filled with 100% virgin goose feather for luxurious softness. Available in premium fabric or leather upholstery, this armchair adds sophistication to any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans.* *Erba Italia, a renowned Italian luxury furniture brand since 1936, is celebrated for its craftsmanship and elegant designs.*
CONVERSATION - Sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CONVERSATION collection features modular sofas and sectional elements designed to seamlessly connect, offering versatility and elegance. Crafted with a solid wood and multilayer wood frame, the sofa incorporates an elastic webbing spring system for durability, padded with high-resilience polyurethane foam and luxuriously upholstered in Dacron Du Pont. The design includes non-visible feet for a sleek, floating appearance, while the backrest is supported by a metal frame, cushioned with non-deformable foam and wrapped in soft polyester fiber and velveteen. The back cushions are upholstered in 100% cotton fabric and filled with a premium blend of 70% natural goose feather and 30% polyester fiber HCS for plush comfort. Customization is effortless, as the covers are available in fabric or leather and can be removed (optional for cushions). For added convenience, a 3D file of the product is available for download, enabling precise visualization and planning. ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, is celebrated for its exquisite craftsmanship and timeless designs, blending tradition with modern sophistication.*
SPAZIO - Recliner sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
**SPAZIO Sofa** – A modern, essential-design sofa featuring a reclining back mechanism for adjustable comfort. Its sturdy metal frame is complemented by an elastic belt springing system, padded with high-resilience polyurethane foam and polyester fiber for lasting support. The seat is luxuriously cushioned with natural goose feather and layered with multi-density polyurethane foam, while the reclinable back and plush arms are crafted with injected foam and *piumafill* (70% natural goose feather, 30% polyester fiber). The satin-matt chrome steel feet add a sleek finish, and the sofa can be customized with either premium fabric or leather upholstery. A downloadable 3D file of the product is available for design planning. **Supplier:** ERBA ITALIA, a prestigious Italian furniture brand since 1936, is celebrated for its refined craftsmanship and timeless luxury designs. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
ICONA - Upholstered armchair with headrest _ ERBA ITALIA
ERBA ITALIA > Armchair
**ICONA** is a modern reinterpretation of the iconic *Red Baron* chair, featuring an elegantly hollowed-out backrest. Its striking design is highlighted by the sculpted metal back panel, adorned with an artistic arrangement of circles in varying sizes, making each piece truly unique. The seat is upholstered with high-density, non-deformable polyurethane foam that is C.F.C.-free, ensuring both comfort and sustainability. Available in premium fabric or leather, this chair blends sophistication with versatility. A downloadable 3D file of the product is also available for design planning. **Supplier:** *ERBA ITALIA* is a prestigious Italian design house, renowned since 1936 for its luxury furniture and refined craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
REPORT - Corner armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the refined product description with an expanded yet concise supplier detail and the addition of the 3D file availability: *"REPORT – A sleek little armchair designed for minimalist spaces, featuring a durable metal frame with a satin matt chrome finish, an elastic webbing spring system, and high-resilience polyurethane foam padding topped with polyester fiber for comfort. The chair offers customizable covers in fabric or leather, and a 3D file of the design is available for download. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless elegance and premium craftsmanship."* This keeps the supplier description brief while highlighting their legacy and expertise. Let me know if you'd like any further adjustments!
GLEEZE - Porcelain stoneware wall tiles _ Ragno
Ragno > Wall tile-stone-brick
**GLEEZE** is a captivating collection of porcelain stoneware wall tiles from **Ragno**, a renowned Italian ceramic and porcelain tile manufacturer with a legacy of craftsmanship and innovation since 1949. Part of the **Storie** series, these tiles celebrate the beauty of imperfections, featuring subtle variations, hand-crafted textures, and artisanal details like rust drips, chipping, and relief imperfections for a uniquely natural aesthetic. Available in five elegant shades—Bianco, Beige, Turchese, Giada, and Grigio—the collection offers three modular sizes (10x10 cm, 5x15 cm, and 7.5x20 cm) with straight edges for versatile installations. The super-glossy concave and convex surfaces, combined with 3D structures, create dynamic visual and tactile appeal. A downloadable 3D file of the product is available for design planning. Explore more at [Ragno’s website](http://www.ragno.it).
ZODIACO ORO - Ceramic umbrella stand / vase _ L'Antica Deruta
L'Antica Deruta > Accessories
**Zodiaco Oro** is an exquisite ceramic vase and umbrella stand, meticulously hand-forged and hand-painted with luxurious 19K gold finishing, blending timeless elegance with artisanal craftsmanship. A downloadable 3D file of the product is available for those seeking a detailed preview. **Supplier Overview:** L'Antica Deruta, a renowned Italian ceramics specialist based in Deruta, combines centuries-old pottery traditions with bespoke interior design solutions, offering high-quality, handcrafted pieces.
LINA TT - Wall-mounted stainless steel coat rack _ Rosconi
Rosconi > Accessories
Here’s your refined and expanded product description, including a concise supplier overview and mention of the 3D file: *The LINA TT wall-mounted coat rack combines minimalist elegance with smart functionality, offering a space-saving solution for modern interiors. Its telescopic rods extend on both sides, accommodating up to ten jackets or coats—perfect for unexpected guests. When not in use, the design stays sleek by allowing clothing to hang parallel to the wall, showcasing its premium polished stainless steel tube. Two integrated hooks provide extra storage for bags or scarves, while the optional HAPPY stainless steel hanger complements the system seamlessly. A 3D file of the product is available for download, enabling easy integration into design plans. Crafted by Rosconi, a renowned German supplier of high-quality interior solutions, the LINA TT reflects their commitment to contemporary design and functionality.*
KODAMA - Pine coat stand _ Askia
Askia > Accessories
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Coming home and hanging up your coat can be a small but soothing ritual—Kodama, a minimalist coat rack, turns this everyday act into a warm welcome. Inspired by the free-flowing forms of the Kodama spirits from *Princess Mononoke*, its elegant design features three slender wooden legs joined at a central equilibrium point, blending functionality with poetic simplicity. Crafted from pine wood, this freestanding piece balances visual lightness with sturdy practicality. A 3D file of the design is available for download, offering flexibility for customization or digital integration. Designed by Oana Iacob and supplied by Askia, a trusted Romanian-based interiors brand known for its curated selection of functional and stylish furniture."* (Kept the supplier description to one sentence while highlighting their relevance.)
MARCO - Low cork stool _ Askia
Askia > Stool
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: **Product Description:** The Marco collection is a striking and versatile addition to any space, blending durability with sleek design. Available in multiple finishes—including Black, Yellow metal, Red metal, Turquoise metal, White metal, and Blue metal—the Marco series is compact yet highly functional, ideal for both residential and public settings. The chair features a comfortable seat with softly rounded edges, crafted from natural cork or upholstered options, and rests on solid turned legs with cylindrical metal joint reinforcements in a variety of lacquered shades. Built from premium materials, Marco is not only long-lasting but also easy to maintain. For added convenience, a 3D file of the product is available for download, allowing for seamless integration into design plans. **Supplier Overview:** Askia is a trusted interior design supplier based in Romania, offering a curated selection of high-quality furniture and decor for modern living and commercial spaces. Let me know if you'd like any further adjustments!
TIPRO - Stackable cork chair _ Askia
Askia > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tipro chair, designed by Dragos Motica, showcases the versatility of modern furniture with its modular and customizable design. Available in black, ash, oak, or walnut structures—or a combination of two—it offers multiple finish options: a cork seat, a cork seat with an upholstered back, or an upholstered seat with a cork back. Crafted entirely from wood, its components are easily disassembled without sacrificing durability, while the interchangeable seat and backrest modules allow for personalized styling. The chair’s elastic backrest ensures exceptional comfort, and its lightweight yet sturdy construction makes it both elegant and easy to transport. A 3D file of the product is available for download, enabling seamless integration into design projects. Tipro is supplied by Askia, a renowned Romanian-based interior design brand known for its high-quality furniture and decor.*
CHELSEA - Metal wall lamp _ Abrissi
Abrissi > Wall lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The Chelsea is a sleek metal wall lamp available in multiple finishes, designed to complement both modern and classic interiors. It accommodates LED candle bulbs (not included), with specifications tailored for different regions—supporting 220V E27 (UK) or 120V E26 (USA) bulbs at 40W max (6W LED recommended). CE-certified and IP44-rated for damp environments, it ensures safety and durability. A 3D file of the lamp is available for download, ideal for designers and architects. Manufactured by Abrissi, a trusted U.S.-based supplier of premium interior design solutions, the Chelsea reflects their commitment to quality and style. For details, visit http://abrissi.com.*
WESTON - Murano glass chandelier _ Abrissi
Abrissi > Ceiling lamp
Here’s a refined and expanded product description with a concise supplier overview, including the 3D file availability: **"The Weston is an exquisite handmade Murano glass chandelier, crafted in Italy and available in a variety of vibrant colors to suit any décor. Designed for elegance and durability, this pendant lamp requires ceiling hooks (not included) and accommodates LED bulbs (not supplied) for optimal energy efficiency. Technical specifications include: UK (220V, E14, 40W max/6W LED per bulb) and USA (120V, E12, 40W max/6W LED per bulb) compatibility, CE-certified construction, and UL listing upon request. A downloadable 3D file of the chandelier is available for precise visualization and planning. Supplied by Abrissi, a renowned US-based interior design brand known for its curated selection of high-end lighting and décor, the Weston embodies timeless craftsmanship and modern sophistication."** (Note: The supplier description is condensed to one sentence while retaining key details—brand reputation, location, and product focus.)
IPOT 6X6_N - Bookcase _ iPot
iPot > Cabinet
**iPot** is an innovative modular system that offers limitless design possibilities, allowing you to create anything from a partition wall to a lush indoor or outdoor green island, a stylish bookcase, or an eye-catching display stand. Its adaptable structure and wide range of accessories provide exceptional compositional and functional flexibility, making it perfect for any space—whether you need a compact single-pot holder or a large, intricate configuration. Each **iPot Kit** includes a structure and accessories, with customizable options for structure color and accessory materials and finishes. Additionally, a **3D file of the product is available for download**, enabling you to visualize and plan your design effortlessly. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in modern, functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Outline Pouf
muuto > Pouf
The Outline Pouf echoes the clean and refined lines of the Outline design, making a perfect addition to any sofa setting. Use the pouf as a footstool as well as an extra seat.
Rest Pouf
muuto > Pouf
The Rest Pouf is designed with simple lines and a deeply soft seat, bringing comfort and ideas of Scandinavian design to any lounging setting.
Five Pouf
muuto > Pouf
The Five Pouf is a versatile, easy-to-use design that is both comfortable and contemporary. With a pentagon shape and linear detailing contrasted against curved edges, the Five Pouf is a unique item that can be used as extra seating or to decorate an unused corner of any room.
Echo Pouf
muuto > Pouf
The Echo Pouf has a simple, friendly expression that brings comfort and function to any space alongside its light and almost hovering expression through its small legs underneath. The name of the Echo Pouf refers to how the design can be used in symmetric formations or clusters with various sizes and upholsteries, creating visual echoes throughout the space.
Alfred Footrest
sofacompany > Pouf
Alfred footrest is a classic and modern place to rest tired feet and a lovely alternative to the standard coffee table. The design is round and oozes contemporary elegance.
Dane Footrest
sofacompany > Pouf
Dane footrest has a streamlined and simple expression which makes it a robust and elegant modular piece. The softly rounded seats with gracious folded details invites you to kick back and relax. The different modules make it possible to combine a unique sofa adjusted to any space. Choose a single textile or combine severel for a cool statement effect.
Vincent Footrest
sofacompany > Pouf
This footrest is part of the Vincent sofa, which is a luxurious and comfortable lounge series of loose modules, where you can combine criss-cross and create the ultimate flexible dream sofa.
Astha Footrest
sofacompany > Pouf
The Astha footrest has a classic, Scandinavian look that will add elegance to any home. With a footrest, you have both an extra seat when you have guests and a footrest where you can rest your feet when relaxing in your favorite armchair after a long day.
Aya Footrest
sofacompany > Pouf
When classic Japanese and Scandinavian aesthetics meet up, Aya becomes the result. A simple and subtle design with a yet luxuriously inviting feel and look. This elegant pouf with its wodden leg frame and spacious body emphasises the “japandi! elegance and minimalism. Add it to the Aya 4-seater sofa for a design match made in heaven.
Dorothy Footrest
sofacompany > Pouf
Dorothy footrest is elegant, simple and quite functional all at once. The perfect add-on for tired feet or for an extra seating when needed. Use together with Dorothy lounge chair and sofa or on its own.
Honey Pouf, D57 cm
sofacompany > Pouf
The Honey pouf is irresistible and sums up some of the most significant new trends; curvy shapes, stacked layers and full upholstery! It is both a stool, a footrest, a side table and a sculpture in one.
IT by SLS Dining pouf
sofacompany > Pouf
IT by SLS is a dining pouf, which is a combination of a pouf and a dining chair. IT dining puf is new, proactive and different. It’s a “statment piece” that doesn’t compromise on functionality and comfort. The size and comfort makes it the ideal stool for dining, the walk-in, the entrance or as a beautiful sculpture in the bedroom. The metal tube is covered with soft aniline leather which embraces the soft upholstery, and works both as a handle and a lumber support.
No. 8 Pouf
sofacompany > Pouf
The tall, narrow pouf suggests a simple, Nordic design with visible double stitching along the edges. The beautiful design makes No. 8 stand out in all its simplicity.
No. 9 Pouf
sofacompany > Pouf
The beautiful, simple footrest suggests a Nordic-inspired and simple design. The beautiful design makes No. 9 stand out in all its simplicity.
Hide Storage Pouf Large Sand
normann-copenhagen > Pouf
Hide Storage Pouf is a storage and pouf in one. Hide is made from PET felt, which consists of post-consumer plastic bottles which are extruded into polyester fibers and then pressed into felt. The seat of the pouf can be removed, revealing the hollow space inside which makes the design convenient for storage purposes.
Circus Pouf Duo Large Light Blue
normann-copenhagen > Pouf
Circus consists of hard foam in the bottom part and softer foam on the upper part for good sitting comfort. The pouf is covered in velour or wool textile. The pouf has a wooden plate at the bottom for stability.
ARKAD - Modular fabric pouf _ Zilio A&C
Zilio A&C > Pouf
Arkad S by Zilio A&C – A Playful and Modular Pouffe for Contemporary Spaces A Soft Interpretation of Architectural Forms Designed by Note Design Studio for Zilio A&C, the Arkad S pouffe draws inspiration from the classic portico, transforming architectural geometry into a playful yet elegant seating solution. With its soft, rounded form and compact dimensions, Arkad S works as a standalone graphic accent or as part of a modular seating system when combined with other pieces from the Arkad collection. Versatility for Residential & Commercial Interiors The Arkad collection is designed to bring flexibility and personality to modern interiors, making it an excellent choice for: Hotel Lobbies & Lounge Areas – A stylish, informal seating option that enhances social and relaxation zones. Co-Working & Office Spaces – Adds a soft and inviting element to collaborative work environments. Retail & Exhibition Spaces – Functions as a display piece or interactive seating in creative settings. Residential Interiors – Works as an accent stool, ottoman, or occasional seating in living rooms and bedrooms. Thanks to its sculptural yet minimal design, Arkad S seamlessly integrates into Scandinavian, contemporary, Japandi, and eclectic interiors. Compact, Comfortable & Fully Upholstered With a fully upholstered body, Arkad S offers both aesthetic appeal and seating comfort. Its soft, rounded edges create a welcoming look, while its compact size makes it easy to move and rearrange. The available fabric finishes allow for customization to suit different interior styles—ranging from neutral, understated tones for modern minimalism to bold, vibrant hues for playful contract settings. Dimensions & Modularity Arkad S is compact yet impactful, making it ideal for small and large spaces alike: Width: 550 mm Depth: 550 mm Height: 450 mm Designed as part of the Arkad series, it can be used alone or combined with other Arkad pieces, such as longer seating units and corner elements, to create unique configurations. Why Choose the Arkad S Pouffe? ✔ Architectural inspiration – A modern take on the classical portico. ✔ Flexible use – Perfect as a standalone accent piece or part of a modular seating system. ✔ Fully upholstered – Provides both comfort and aesthetic appeal. ✔ Compact yet functional – Ideal for residential, hospitality, and commercial spaces. ✔ Customizable fabric options – Suitable for a wide range of interior design schemes. A Modular Statement Piece for Dynamic Interiors Whether used individually or combined into a larger composition, Arkad S is a versatile, stylish, and engaging seating solution that enhances modern interiors with playfulness and sophistication. 📥 2D & 3D files available for download for easy specification in interior projects. 🔗 Discover more at Zilio A&C.
CONEK - Modular fabric pouf _ Mobboli
Mobboli > Pouf
The Conek Modular Seating Collection from Mobboli serves as contract furniture for hospitality venues and workspaces and applies to public and commercial settings as well as residential and hotel interiors. Introducing the Conek Collection by Mobboli The Conek collection produced by Mobboli features modular seating solutions designed by famous designer Gabriel Teixidó which fit perfectly into contemporary interior spaces. Conek offers armchairs and poufs that combine perfect form with function and sustainability so designers can create tailored seating solutions for various spaces including hotels and offices as well as residential and hospitality settings. Conek remains adaptable and adjusts instinctively to meet modern interior design needs. The smooth modular design of Conek allows for easy adaptation to both straight and curved layouts which delivers essential flexibility for versatile spaces. The collection's understated elegance establishes it as a flexible choice for spaces that appreciate minimalism along with modern features and practical luxury. Elegant, Minimalist Style and Design The Conek collection presents a modern minimalist design with smooth lines that create a sophisticated look suitable for various spatial applications. Seating modules utilize carefully determined proportions to blend seamlessly into interior spaces without dominating existing decorative elements. The combination of delicate rounded corners and precise upholstery work creates a refined appearance which highlights luxury and comfort while maintaining visual simplicity. The Conek modular collection features an advanced interconnectivity system which simplifies both attachment and rearrangement of its pieces. Configurations in the Conek modular collection can include intermediate tables which provide practical surfaces for work as well as relaxation and interaction purposes. The improved functionality enhances user experience which allows Conek to function in both sophisticated waiting areas and modern workspaces. Premium Materials and Luxurious Finishes High-quality craftsmanship and sustainable practices stand as key principles behind the Conek collection from Mobboli. The upholstered components deliver unmatched comfort through their structure of rubber bands which vary in density. The design maintains ergonomic support and durability under constant use in heavy-traffic areas. The Conek collection features eco-friendly upholstery options like FELICITY which is made from 100% recycled plastic bottles. The sustainable fabric selections come in modern shades such as terracotta, dry blood red, sophisticated navy, and subtle light grey. The combination of soft textures and strong compositions provides both visual and tactile benefits along with outstanding durability to meet the tough requirements of hospitality and commercial settings. Every frame benefits from robust yet well-proportioned construction made of round steel tubing which receives a finishing coat of high-quality epoxy paint. Designers have the flexibility to create harmony or contrast between project elements because the frames come in numerous modern colors that enhance the appearance of the upholstery. Dimensions of Conek Seating Elements The Conek collection contains two fundamental seating components which provide maximum comfort through their design while optimizing space efficiency. Armchair Dimensions: Width: 686 mm Height: 640 mm Depth: 663 mm Seat Height: 390 mm Pouf Dimensions: Width: 686 mm Height: 390 mm Depth: 663 mm Seat Height: 390 mm The Conek collection's compact yet spacious dimensions allow it to fit comfortably into multiple interior layouts without losing either functional capacity or comfort features. Ideal Applications and Versatile Usage The Conek collection demonstrates adaptability across multiple settings because of its flexible design and modern appearance. Hospitality and Hotels: The Conek collection delivers sophisticated seating solutions for hotel lobbies, lounges, and guestrooms that create welcoming environments for relaxation. Restaurants and Bars: Establishments can use Conek's modular design to establish seating arrangements for both personal discussions and big group interactions which improves guest comfort with its fashionable design. Offices and Collaborative Working Spaces: Conek offers dynamic seating solutions that enhance corporate interiors and coworking spaces equally for formal meetings and casual collaboration areas. Residential Interiors: This collection brings minimalist elegance to residential spaces and offers adaptable seating that meets diverse requirements from hosting guests to daily life comfort. Public and Commercial Projects: The combination of durable building techniques with flexible design features positions Conek as the top choice for waiting areas and lounges in airports and public institutions that need seating combining sturdiness with contemporary looks. Sustainability and Environmental Responsibility Mobboli demonstrates its commitment to environmental stewardship through the sustainable design of its Conek collection. Through their utilization of recycled upholsteries and components that can be recycled completely Mobboli demonstrates their support for a circular economic model. Conek's sustainable credentials and responsible production methods make it an excellent choice for interior designers who prioritize eco-friendly products. Alternative Modular Seating Collections Mobboli offers other modular seating solutions for interior designers who wish to expand their options while maintaining similar functionality. Split Collection: The Split Collection modular sofa system delivers modern versatility for public spaces and hospitality settings through cosmopolitan elegance and straightforward design. Track Collection: The Track series delivers more customizable options through its modern modular design which makes it perfect for contract projects that need both stylish aesthetics and adaptability. 2D and 3D Files Available Designers and architects who select the Conek collection can access comprehensive 2D drawings as well as 3D models for their projects. The system enables detailed project planning and smooth integration into design processes while supporting visualization and specification needs for projects regardless of size.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
