Matrice Forma - 2d files - 3d files
PRODUCT DESCRIPTION
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
SUPPLIER: FLORIM
TYPE: FINISHES
LIST OF FILES:
Author's Book Matrice - CEDIT_libro-autore-MATRICE_2021.pdf
Warnings - decors - avvertenze-decori_matrice.pdf
Ceramic materials technical guide - Guida tecnica Florim 2022_EN.pdf
OTHER SUPPLIERS
A wide range of product from near to 3,000 suppliers around the world.
Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
Airtech London_Black
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech Berlin_Red
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech Basel_Grey
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech New York_Light Grey
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech Stockholm_Greige
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech MIAMI WHITE
florim > Wall tile-stone-brick
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Antique Marble Pantheon Marble_06
florim > Wall tile-stone-brick
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Antique Marble Ghost Marble_01
florim > Wall tile-stone-brick
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Antique Marble Pure Marble_02
florim > Wall tile-stone-brick
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Antique Marble Imperial Marble_04
florim > Wall tile-stone-brick
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Araldica Cemento
florim > Wallcovering
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
Ardoise NOIR
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Ardoise Ecrù
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Ardoise Blanc
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Ardoise Plomb
florim > Wall tile-stone-brick
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Ardoise Gris
florim > Floor tile-stone
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Ardoise Ivoire
florim > Wall tile-stone-brick
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Artifact Worked_Charcoal
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Vintage_Taupe
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Used_Grey
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Worn_Sand
florim > Synthetic Floor
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact Aged_White
florim > Wallcovering
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Atmosphères Mystère
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Désir
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Aurore
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Lumière
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Charme
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Ombre
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Atmosphères Harmonie
florim > Wall tile-stone-brick
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
Biotech Soap Stone
florim > Wall tile-stone-brick
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Biotech Crema Stone
florim > Wall tile-stone-brick
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Biotech Lapis Greige
florim > Wall tile-stone-brick
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Biotech Serizzo Stone
florim > Wall tile-stone-brick
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Biotech Stonewood
florim > Wall tile-stone-brick
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p> <p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 Build Coal GG
florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Build Coal TU
florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Build Coal CE
florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Midnight
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Sky
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Burgundy
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Industrial Ivory
florim > Wallcovering
A cementitious material in its purest and most rigorous form The proposed decorative system defines balanced compositions of eye-catching organic shapes where the fragmentation of the material becomes an element of creative expression.
Matières Barrique
florim > Wall tile-stone-brick
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Matières Nuage
florim > Floor tile-stone
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Matrice Forma
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
GARDEN LAYERS TERRACOTTA - Outdoor polypropylene garden big mattress _ GAN
GAN > Bed frame
**GARDEN LAYERS**, the first outdoor collection under GAN’s Spaces series, is a stunning creation by renowned designer Patricia Urquiola, inspired by her travels to India and the delicate harmony of Mongol architecture. This collection, designed exclusively for outdoor living, features rugs, mats, roll pillows, and cushions that can be arranged in countless configurations, offering endless possibilities for creating inviting outdoor spaces. The influence of the Orient is evident in the collection’s relaxed, reclined aesthetic, fringed details, and geometric motifs, all crafted with high-tech, weather-resistant materials like DryFast yarns and foams for durability and quick drying. Available in three elegant color groups—terracotta, grey, and blue—GARDEN LAYERS combines inspired design with functionality, perfect for enhancing gardens, terraces, or any outdoor setting. A 3D file of the product is available for download, allowing you to visualize and plan your space with ease. **GAN**, a globally recognized interior design brand founded in 1941 and headquartered in Spain, is celebrated for its innovative, high-quality rugs and textiles, blending contemporary design with timeless craftsmanship.
LAMA - Rectangular wool rug _ GAN
GAN > Carpet
Crafted from 100% pure new wool with a cotton backsizing, this exquisite rug boasts a total weight of approximately 2.7 kg/m² (0.55 lbs/ft²) and a height of around 20 mm, meticulously handwoven on traditional looms for exceptional quality. Featuring a timeless, tiedye yarn design, this piece exudes understated elegance and durability, making it a forever addition to any space. For further details, consult the manufacturer, LAMA GAN. The 3D file of this product is also available for download, allowing you to visualize it in your space before purchase. GAN, a globally recognized interior design supplier founded in 1941 and headquartered in Spain, is celebrated for its innovative, high-quality rugs and textiles, blending contemporary designs with traditional craftsmanship to cater to diverse styles and spaces worldwide.
IONIS - Walnut chair covered in cuoietto leather _ Porada
Porada > Chair
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The Ionis chair features a sleek frame crafted from solid Canaletta walnut, paired with a seat upholstered in luxurious Cuoietto leather, blending timeless elegance with modern comfort. A 3D file of the design is available for download, ideal for visualization and planning. Porada, the esteemed Italian manufacturer behind this piece, is renowned for its premium furniture that marries craftsmanship with contemporary design.*
BABY - Walnut coffee table / bedside table _ Porada
Porada > Coffee table
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"The Baby is a sleek and functional side table or nightstand, featuring a matt lacquered top and drawer paired with a sturdy metal base, offering a perfect blend of modern aesthetics and practicality. Designed by Porada—a renowned Italian furniture brand celebrated for its craftsmanship and timeless elegance—this walnut bedside table also comes with an available 3D file for easy visualization and integration into your design projects."*
SOLID - Open steel and wood bookcase _ Bullfrog
Bullfrog > Cabinet
**Product Description:** The **SOLID** collection is a versatile series of cabinets, boards, and shelves featuring a sleek, modern design that can be fully customized to suit your style. Designed to function as both a striking wall-mounted solitaire or an elegant room divider, this collection combines a fine steel frame with a wooden body, available in oiled or black-coated finishes. The front panels of doors and drawers are crafted from solid wood, with optional premium leather or fabric covers for added sophistication. Each piece is a unique creation, tailored to individual preferences. A downloadable 3D file of the product is available for preview and planning. For further details, contact **Bullfrog**, a leading German design studio known for its high-end, contemporary furniture and decor. *(Note: The supplier description has been condensed to one sentence while retaining key details.)*
ELLEPI - Brass robe hook _ INDA®
INDA® > Sanitary accessories
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The *Clothes Hanger Ellepi* is part of a distinctive accessory series defined by its signature detail—a subtle notch on the corner of the pipe, which interrupts the straight line to accentuate direction changes and highlight the fold. Finishes are a key feature, with options including chrome, matte white, and matte black, as well as a sophisticated brushed nickel version with a chromed notch for added contrast. A downloadable 3D file of the product is available for design integration. For more details, visit the manufacturer’s page: [ELLEPI | Robe Hook INDA®](https://www.inda.net). **Supplier Overview:** INDA® is a renowned Italian interior design brand with decades of expertise, offering high-quality residential and commercial solutions, from bathroom accessories to customizable lighting and furniture. *(Note: I condensed the supplier details into a single sentence while preserving key info—origin, specialty, and market focus. Let me know if you'd like further adjustments!)*
GARDENIAS INDOOR - Small sofa _ BD Barcelona Design
BD Barcelona Design > Sofa
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Crafted from cast aluminium with extruded aluminium laminates, this piece features a durable powder coating in Alesta Anodic Black or high-gloss yellow RAL 1005 (on request), while the seat and backrest are upholstered in premium fabrics or leathers from BD Barcelona Design—a pioneering Spanish brand celebrated for its avant-garde furniture since 1972. Designed by Jaime Hayon, one of Spain’s most influential creatives, the Gardenias collection reflects his signature blend of playful elegance and versatility, offering refined silhouettes, luxurious finishes like velvet, and a palette of sophisticated hues (Blue Royale, Red Ming, Green Versailles, and Black Edo). Ideal for both residential and contract use, the collection balances artistic flair with functionality, and a 3D file of the product is available for download to facilitate seamless integration into your projects."* (Note: I condensed the supplier details to one sentence while retaining key credibility points—founding year, design ethos, and global reputation—to keep the focus on the product.)
GARDENIAS INDOOR - Upholstered armchair with armrests _ BD Barcelona Design
BD Barcelona Design > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Crafted from cast aluminium with extruded aluminium laminates, this piece features a durable powder coating in Alesta Anodic Black or high-gloss yellow RAL 1005 (on request), while the seat and backrest are upholstered in premium fabrics or leathers from BD Barcelona Design—a pioneering Spanish brand celebrated for its avant-garde furniture since 1972. Designed by Jaime Hayon, one of Spain’s most internationally acclaimed designers, the Gardenias collection reflects his signature blend of playful elegance and refined artistry, first showcased in his iconic Showtime line. The indoor armchair and sofa exude Hayon’s distinctive style with sculptural forms, luxurious finishes, and exceptional comfort, upholstered in sumptuous velvet or BD’s curated materials. Sophisticated color options—Blue Royale, Red Ming, Green Versailles, and Black Edo—elevate the collection’s timeless appeal for both residential and contract use. A downloadable 3D file of the product is available for design planning."* (Note: The supplier description is condensed into a single sentence within the product overview for seamless integration.)
CANZONE - Upholstered armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CANZONE armchair by Erba Italia features a beautifully rounded, enveloping design that combines comfort with timeless elegance. Crafted with a solid wood frame and multilayer wood construction, it ensures durability, while the sprung seat with elastic belts and polyurethane foam (CFC-free) offers exceptional support. The seat is padded with virgin natural goose feather and polyurethane foam, while the back is filled with 100% virgin goose feather for luxurious softness. Available in premium fabric or leather upholstery, this armchair adds sophistication to any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans.* *Erba Italia, a renowned Italian luxury furniture brand since 1936, is celebrated for its craftsmanship and elegant designs.*
CONVERSATION - Sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CONVERSATION collection features modular sofas and sectional elements designed to seamlessly connect, offering versatility and elegance. Crafted with a solid wood and multilayer wood frame, the sofa incorporates an elastic webbing spring system for durability, padded with high-resilience polyurethane foam and luxuriously upholstered in Dacron Du Pont. The design includes non-visible feet for a sleek, floating appearance, while the backrest is supported by a metal frame, cushioned with non-deformable foam and wrapped in soft polyester fiber and velveteen. The back cushions are upholstered in 100% cotton fabric and filled with a premium blend of 70% natural goose feather and 30% polyester fiber HCS for plush comfort. Customization is effortless, as the covers are available in fabric or leather and can be removed (optional for cushions). For added convenience, a 3D file of the product is available for download, enabling precise visualization and planning. ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, is celebrated for its exquisite craftsmanship and timeless designs, blending tradition with modern sophistication.*
SPAZIO - Recliner sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
**SPAZIO Sofa** – A modern, essential-design sofa featuring a reclining back mechanism for adjustable comfort. Its sturdy metal frame is complemented by an elastic belt springing system, padded with high-resilience polyurethane foam and polyester fiber for lasting support. The seat is luxuriously cushioned with natural goose feather and layered with multi-density polyurethane foam, while the reclinable back and plush arms are crafted with injected foam and *piumafill* (70% natural goose feather, 30% polyester fiber). The satin-matt chrome steel feet add a sleek finish, and the sofa can be customized with either premium fabric or leather upholstery. A downloadable 3D file of the product is available for design planning. **Supplier:** ERBA ITALIA, a prestigious Italian furniture brand since 1936, is celebrated for its refined craftsmanship and timeless luxury designs. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
ICONA - Upholstered armchair with headrest _ ERBA ITALIA
ERBA ITALIA > Armchair
**ICONA** is a modern reinterpretation of the iconic *Red Baron* chair, featuring an elegantly hollowed-out backrest. Its striking design is highlighted by the sculpted metal back panel, adorned with an artistic arrangement of circles in varying sizes, making each piece truly unique. The seat is upholstered with high-density, non-deformable polyurethane foam that is C.F.C.-free, ensuring both comfort and sustainability. Available in premium fabric or leather, this chair blends sophistication with versatility. A downloadable 3D file of the product is also available for design planning. **Supplier:** *ERBA ITALIA* is a prestigious Italian design house, renowned since 1936 for its luxury furniture and refined craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
VICEVERSA - Upholstered fabric day bed _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **VICEVERSA Chaise Longue** – Inspired by Art Deco sofas reimagined with a contemporary touch, the Viceversa chaise longue combines elegance and modern comfort. Its sturdy metal frame features a spring system with elastic webbing, while the cushioning consists of high-resilience polyurethane foam and soft polyester fiber for lasting support. The sleek satin chrome steel feet add a refined finish, and the piece can be customized with premium fabric or leather upholstery to suit any interior. A downloadable 3D file of the product is available for design planning. Crafted by **ERBA ITALIA**, a renowned Italian luxury furniture brand since 1936, the chaise reflects their legacy of timeless design and exceptional craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
REPORT - Corner armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the refined product description with an expanded yet concise supplier detail and the addition of the 3D file availability: *"REPORT – A sleek little armchair designed for minimalist spaces, featuring a durable metal frame with a satin matt chrome finish, an elastic webbing spring system, and high-resilience polyurethane foam padding topped with polyester fiber for comfort. The chair offers customizable covers in fabric or leather, and a 3D file of the design is available for download. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless elegance and premium craftsmanship."* This keeps the supplier description brief while highlighting their legacy and expertise. Let me know if you'd like any further adjustments!
GLEEZE - Porcelain stoneware wall tiles _ Ragno
Ragno > Wall tile-stone-brick
**GLEEZE** is a captivating collection of porcelain stoneware wall tiles from **Ragno**, a renowned Italian ceramic and porcelain tile manufacturer with a legacy of craftsmanship and innovation since 1949. Part of the **Storie** series, these tiles celebrate the beauty of imperfections, featuring subtle variations, hand-crafted textures, and artisanal details like rust drips, chipping, and relief imperfections for a uniquely natural aesthetic. Available in five elegant shades—Bianco, Beige, Turchese, Giada, and Grigio—the collection offers three modular sizes (10x10 cm, 5x15 cm, and 7.5x20 cm) with straight edges for versatile installations. The super-glossy concave and convex surfaces, combined with 3D structures, create dynamic visual and tactile appeal. A downloadable 3D file of the product is available for design planning. Explore more at [Ragno’s website](http://www.ragno.it).
ZODIACO ORO - Ceramic umbrella stand / vase _ L'Antica Deruta
L'Antica Deruta > Accessories
**Zodiaco Oro** is an exquisite ceramic vase and umbrella stand, meticulously hand-forged and hand-painted with luxurious 19K gold finishing, blending timeless elegance with artisanal craftsmanship. A downloadable 3D file of the product is available for those seeking a detailed preview. **Supplier Overview:** L'Antica Deruta, a renowned Italian ceramics specialist based in Deruta, combines centuries-old pottery traditions with bespoke interior design solutions, offering high-quality, handcrafted pieces.
LINA TT - Wall-mounted stainless steel coat rack _ Rosconi
Rosconi > Accessories
Here’s your refined and expanded product description, including a concise supplier overview and mention of the 3D file: *The LINA TT wall-mounted coat rack combines minimalist elegance with smart functionality, offering a space-saving solution for modern interiors. Its telescopic rods extend on both sides, accommodating up to ten jackets or coats—perfect for unexpected guests. When not in use, the design stays sleek by allowing clothing to hang parallel to the wall, showcasing its premium polished stainless steel tube. Two integrated hooks provide extra storage for bags or scarves, while the optional HAPPY stainless steel hanger complements the system seamlessly. A 3D file of the product is available for download, enabling easy integration into design plans. Crafted by Rosconi, a renowned German supplier of high-quality interior solutions, the LINA TT reflects their commitment to contemporary design and functionality.*
KODAMA - Pine coat stand _ Askia
Askia > Accessories
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Coming home and hanging up your coat can be a small but soothing ritual—Kodama, a minimalist coat rack, turns this everyday act into a warm welcome. Inspired by the free-flowing forms of the Kodama spirits from *Princess Mononoke*, its elegant design features three slender wooden legs joined at a central equilibrium point, blending functionality with poetic simplicity. Crafted from pine wood, this freestanding piece balances visual lightness with sturdy practicality. A 3D file of the design is available for download, offering flexibility for customization or digital integration. Designed by Oana Iacob and supplied by Askia, a trusted Romanian-based interiors brand known for its curated selection of functional and stylish furniture."* (Kept the supplier description to one sentence while highlighting their relevance.)
MARCO - Low cork stool _ Askia
Askia > Stool
Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: **Product Description:** The Marco collection is a striking and versatile addition to any space, blending durability with sleek design. Available in multiple finishes—including Black, Yellow metal, Red metal, Turquoise metal, White metal, and Blue metal—the Marco series is compact yet highly functional, ideal for both residential and public settings. The chair features a comfortable seat with softly rounded edges, crafted from natural cork or upholstered options, and rests on solid turned legs with cylindrical metal joint reinforcements in a variety of lacquered shades. Built from premium materials, Marco is not only long-lasting but also easy to maintain. For added convenience, a 3D file of the product is available for download, allowing for seamless integration into design plans. **Supplier Overview:** Askia is a trusted interior design supplier based in Romania, offering a curated selection of high-quality furniture and decor for modern living and commercial spaces. Let me know if you'd like any further adjustments!
TIPRO - Stackable cork chair _ Askia
Askia > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tipro chair, designed by Dragos Motica, showcases the versatility of modern furniture with its modular and customizable design. Available in black, ash, oak, or walnut structures—or a combination of two—it offers multiple finish options: a cork seat, a cork seat with an upholstered back, or an upholstered seat with a cork back. Crafted entirely from wood, its components are easily disassembled without sacrificing durability, while the interchangeable seat and backrest modules allow for personalized styling. The chair’s elastic backrest ensures exceptional comfort, and its lightweight yet sturdy construction makes it both elegant and easy to transport. A 3D file of the product is available for download, enabling seamless integration into design projects. Tipro is supplied by Askia, a renowned Romanian-based interior design brand known for its high-quality furniture and decor.*
CHELSEA - Metal wall lamp _ Abrissi
Abrissi > Wall lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *The Chelsea is a sleek metal wall lamp available in multiple finishes, designed to complement both modern and classic interiors. It accommodates LED candle bulbs (not included), with specifications tailored for different regions—supporting 220V E27 (UK) or 120V E26 (USA) bulbs at 40W max (6W LED recommended). CE-certified and IP44-rated for damp environments, it ensures safety and durability. A 3D file of the lamp is available for download, ideal for designers and architects. Manufactured by Abrissi, a trusted U.S.-based supplier of premium interior design solutions, the Chelsea reflects their commitment to quality and style. For details, visit http://abrissi.com.*
WESTON - Murano glass chandelier _ Abrissi
Abrissi > Ceiling lamp
Here’s a refined and expanded product description with a concise supplier overview, including the 3D file availability: **"The Weston is an exquisite handmade Murano glass chandelier, crafted in Italy and available in a variety of vibrant colors to suit any décor. Designed for elegance and durability, this pendant lamp requires ceiling hooks (not included) and accommodates LED bulbs (not supplied) for optimal energy efficiency. Technical specifications include: UK (220V, E14, 40W max/6W LED per bulb) and USA (120V, E12, 40W max/6W LED per bulb) compatibility, CE-certified construction, and UL listing upon request. A downloadable 3D file of the chandelier is available for precise visualization and planning. Supplied by Abrissi, a renowned US-based interior design brand known for its curated selection of high-end lighting and décor, the Weston embodies timeless craftsmanship and modern sophistication."** (Note: The supplier description is condensed to one sentence while retaining key details—brand reputation, location, and product focus.)
IPOT 6X6_N - Bookcase _ iPot
iPot > Cabinet
**iPot** is an innovative modular system that offers limitless design possibilities, allowing you to create anything from a partition wall to a lush indoor or outdoor green island, a stylish bookcase, or an eye-catching display stand. Its adaptable structure and wide range of accessories provide exceptional compositional and functional flexibility, making it perfect for any space—whether you need a compact single-pot holder or a large, intricate configuration. Each **iPot Kit** includes a structure and accessories, with customizable options for structure color and accessory materials and finishes. Additionally, a **3D file of the product is available for download**, enabling you to visualize and plan your design effortlessly. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in modern, functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Piet Boon Paint & Plaster Lime Paint
pietboon > Wallcovering
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
CONCRETE wallpaper by NLXL
pietboon > Wallcovering
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
Queen Cobra Wallcovering
moooi > Wallcovering
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Rendezvous Tokyo Blue Wallcovering
moooi > Wallcovering
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Bearded Leopard Wallcovering
moooi > Wallcovering
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
Mimic Moth Wallcovering
moooi > Wallcovering
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
Pogo Goat Wallcovering
moooi > Wallcovering
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
SKINÌ TEX
skema > Wallcovering
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Riverbank
arte-international > Wallcovering
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
Alentejo Cork
arte-international > Wallcovering
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
Canyon
arte-international > Wallcovering
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
Glowing Patina
arte-international > Wallcovering
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
