Matrice Forma - 2d files - 3d files
PRODUCT DESCRIPTION
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
SUPPLIER: FLORIM
TYPE: FINISHES
LIST OF FILES:
Author's Book Matrice - CEDIT_libro-autore-MATRICE_2021.pdf
Warnings - decors - avvertenze-decori_matrice.pdf
Ceramic materials technical guide - Guida tecnica Florim 2022_EN.pdf
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wall tile-stone-brick
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florim > Wallcovering
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florim > Wallcovering
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
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florim > Synthetic Floor
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Buildtech/2.0 Sky
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 Burgundy
florim > Synthetic Floor
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Cortina Esagono Natural
refin-ceramic > Floor tile-stone
Natural LuxuryA careful search for the best slats from old mountain huts, selected to create an unusual combination, full of details. A textural surface where different woods create a balance of more homogeneous and more dynamic planks. A recovery action that transforms the mountain into a modern experience.
Arrow 425
moduleo > Floor plank
Elegance characterises the Chevron shape. Simple on its own, but when mirrored next to itself, it becomes a dynamic silhouette: the arrow. Powerful. Guiding the eye, pointing the way. A shape that is classic, but ever so contemporary.
Pearl Matt
mutina > Wall Paint
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
Siesta Key Woven Headboard
lexington > Bed frame
Sophisticated twin bed designs are becoming increasingly popular for guest bedrooms. Note how the natural texture of the braided banana leaf panels add to the visual interest. The shell white coloration of the Caribbean Sands finish offers an ideal background for bold color selections in bedding and upholstery fabrics. For proper set-up and support, add metal bed frame 001-733.
Matrice Forma
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
allura flex" 0.55 wood natural serene oak (150x20 cm)
forbo > Floor plank
Allura Flex" 0.55 is a unique loose lay solution in LVT, easy-to-install flooring for your office, housing or other commercial projects. Allura Flex floors can be installed fully loose laid up to 150m2. Allura Flex offers second generation Flex technology, exclusive to Forbo and consisting of only functional layers. The technology makes Allura Flex floors unprecedented in dimensional stability, strength, performance and quality.The 39 Wood floor designs of the Allura Flex" 0.55 collection offer a large, relevant choice in design. The planks sizes range from XL (150 x 28 cm) to a 75 x 15 cm size that is ideal for herringbone installations. The wood grains are designed to add a lifelike effect to the richness of the designs. A part of the embossing textures are fully in register with the design underneath.
Wallpaper Les Crafties - Mosaique / Blue
petitefriture > Wallpaper
Three stories, three narratives, three patterns: Gaufrettes: inspired by the suppleness of fabric, it is one of the Crafties' signature pieces. Mosaïque: a tribute to Maison Picassiette, a house entirely made of mosaic fragments. Croisillon: inspired by cane weaving. Patterns used by the Crafties are indicative of a fascination for printing techniques found in micropublishing, in particular: risographs. The technique involves the application of successive layers (just one colour per layer) that are added atop each other to reveal the final pattern. With the design comes additional inspiration: textiles. Materials that the duo can harness to create a narrative in space through the use of wallpapers, coverings, custom-made textile decorations, fabric frescoes. Read more
LA PASSION DE DIEGO - Panoramic landscape vinyl wallpaper _ Élitis
Élitis > Wallpaper
"La Passion de Diego" is an exquisite embossed vinyl wallpaper featuring a woven wicker effect, crafted from vinyl on a non-woven backing. Available in a standard size of 3m x 3m (118"x118") with three drops of 1m (39"), it also offers custom sizing upon request. This premium wallpaper is permanent fire-resistant, washable, and boasts excellent stain and knock resistance, making it both durable and versatile. The design celebrates natural fibers and artisanal craftsmanship, with intricate patterns that evoke a playful, lifelike quality, as if everyday objects come alive. A 3D file of the product is available for download, allowing for precise visualization and planning. Élitis, the supplier, is a globally recognized French brand founded in 1988, renowned for its innovative and luxurious wallcoverings, fabrics, and furniture, characterized by bold patterns, rich textures, and timeless elegance.
FIL NOIR - Chair _ Minotti
minotti > Chair
The Fil Noir chairs, named after the concept of thread, embody continuity and elegance through their design, where a sleek metal tube forms the chair's silhouette, providing both structure and aesthetic appeal. Crafted from matt black painted metal tubing, the chairs feature polished gold-finished rings at the corners, adding a touch of decorative contrast to their minimalist form. The backrest and seat, designed for comfort, are constructed with a metal frame encased in polyurethane foam, while the internal cushion, made of flexible thermoformed material, enhances support and softness. The Fil Noir little armchair mirrors the same sophisticated design, blending formal elegance with exceptional comfort, supported by slender legs in matt black metal with gold accents. A 3D file of the product is available for download, allowing for detailed visualization and planning. Minotti, the esteemed Italian luxury furniture brand behind this creation, has been a leader in high-end interior design since 1948, renowned for its impeccable craftsmanship, contemporary aesthetics, and global presence, with showrooms in cities like Milan, New York, and Shanghai.
HEDRA 39 W - LED metal wall light _ Deltalight
Deltalight > Wall lamp
The Hedra 39 W is a sophisticated LED wall lamp featuring both direct and indirect lighting, available in elegant color options such as white, gold-black, and black bronze-black. It boasts a unique faceted design that dynamically captures and reflects ambient light, creating a visually captivating effect. The lamp is part of the Hedra collection, distinguished by its atypical hinge that doubles as a storage space for technical components. Technical specifications include two LED modules (3.9W each) with a high CRI (>90) and options for 2700K or 3000K color temperatures, delivering 385 lumens per module. With an IP20 rating and energy class E, it combines functionality with striking aesthetics. A downloadable 3D file of the product is available for design and planning purposes. Deltalight, the supplier, is a globally recognized leader in high-end lighting solutions, founded in 1987 and headquartered in Belgium, renowned for its innovative designs and premium-quality materials.
GRID IN TRIMLESS - Recessed adjustable multiple spotlight _ Deltalight
Deltalight > Ceiling lamp
The Grid in Trimless is a versatile, multiple adjustable recessed spotlight available in white and black, featuring a 0-30° tilt adjustment, G53 compatibility, and a 12V - 2 x QR-LP111 configuration with a maximum of 100W and IP20 rating. As part of the Grid product family, a timeless classic in the collection, it has evolved from halogen and discharge solutions to advanced LED downlights with the innovative Snap In principle, allowing easy separation of the mounting frame from the LED module for hassle-free installation. With lumen outputs up to 4000lm, the Grid In HP downlights provide a powerful, energy-efficient alternative to traditional discharge lamps, thanks to high-purity aluminum reflectors, high-performance LED arrays, and intelligent cooling systems. For projects requiring less power, the Minigrid In offers the same quality with the added flexibility of a 6° beam angle, making it a perfect complement to the Grid family. A 3D file of the product is available for download, enabling seamless integration into design plans. Deltalight, a renowned Belgian-based lighting supplier founded in 1987, specializes in high-end, innovative lighting solutions for both residential and commercial spaces, offering a diverse range of products, including ceiling lights, wall lights, floor lamps, and outdoor lighting, known for their sleek, elegant designs and premium quality.
UHO ON - LED multiple adjustable spotlight _ Deltalight
Deltalight > Ceiling lamp
The Uho On ceiling lamp exudes simplicity at first glance, yet its true craftsmanship shines through in the intricate details—such as the refined proportions of its body, the delicate joints that add a touch of sophistication, and the gently curved hinge that seamlessly complements its design. Elegance truly lies in the details with Uho. Available in a range of colors including black, white, gold, Flemish gold, and Flemish bronze, this lamp features adjustable angles (0-45°/355°) and comes in two variants: one with 2700K LED lights (291lm) and another with 3000K LED lights (314lm), both offering a high CRI>90 for exceptional color rendering. With an IP20 rating and energy class F, it combines style and functionality. A downloadable 3D file of the product is available for further customization and planning. Deltalight, a renowned Belgian lighting supplier founded in 1987, specializes in premium, innovative lighting solutions for both residential and commercial spaces, offering a blend of modern design and high-quality craftsmanship.
GALLOPING HERD HORSES WHITE - Porcelain decorative object _ Lladró
Lladró > Accessories
The **Galloping Herd Horses** is a stunning white matte porcelain sculpture, elegantly mounted on a transparent methacrylate base and supported by a dark brown wooden stand, exuding a timeless and sophisticated aesthetic. This piece, crafted by renowned sculptor Alfredo Llorens, is part of Lladró's exquisite collection, though it is not a limited edition. For added convenience, a 3D file of the sculpture is available for download, allowing for a closer look at its intricate design. Lladró, a prestigious Spanish brand founded in 1953 by the Lladró brothers, is celebrated worldwide for its high-end porcelain creations, blending artistry, craftsmanship, and luxury to enhance interior spaces with elegance and refinement.
BIRDS - Vinyl wallpaper _ Devon&Devon
Devon&Devon > Wallpaper
BIRDS - A captivating collection of decorative wallpapers featuring intricate floral and animal motifs with a whimsical, neo-baroque flair, available in four stunning colorways. This exclusive Devon&Devon wallpaper series, designed by Vito Nesta, Francesca Greco, and Nina Farré, offers 32 unique themes ranging from geometric patterns and dreamy landscapes to Art Deco-inspired 3D and optical effects, as well as eclectic designs influenced by 19th and 20th-century aesthetics. The collection is enhanced with Gold Leaf and Antique Gold finishes, adding a luminous, golden glow to any space. Crafted in Italy, these high-quality wallpapers are fireproof, durable, easy to apply and remove, and eco-friendly, utilizing water-based, non-flammable, odorless, and nickel-free inks. Devon&Devon also provides personalized consultation services to ensure flawless installation. Additionally, a downloadable 3D file of the product is available for design visualization. Devon&Devon, a prestigious Italian brand founded in Florence in 1989, is celebrated for its luxurious, timeless interior design products, blending classic elegance with modern sophistication.
DREAM - 7321 - Wall-mounted vanity unit with drawers _ GALASSIA
Galassia > Washbasin cabinet
The **Dream Wall-Hung Cabinet with Pull-Out Basket (Code 7321)** is a sleek and functional addition to modern bathrooms, featuring a contemporary design inspired by iconic sanitary ware shapes. Part of the **Dream Collection** by Galassia, this cabinet combines architectural soft lines with practicality, offering a minimalist yet elegant aesthetic. The cabinet includes a pull-out basket and a fixing kit for easy installation, making it ideal for optimizing space in compact bathrooms. The Dream Collection, designed by Antonio Pascale, emphasizes a "total-look" approach, offering a variety of wall-hung and standing sanitary ware, washbasins, and accessories. The collection is available in 8 finishes, including melamine resin-coated panels made from PEFC-certified materials, ensuring eco-friendliness, low formaldehyde emissions, and easy maintenance. Additionally, the cabinet can be paired with chemically oxidized "Corten" shelves for a unique, organic metallic finish. A 3D file of the product is available for download, allowing for seamless integration into design plans. **Galassia**, an Italian interior design supplier with a rich heritage in ceramic production, specializes in high-quality bathroom furnishings and sanitary ware, blending tradition with modern innovation to create functional and aesthetically pleasing solutions for residential and commercial spaces.
NOVA - Hydromassage freestanding round bathtub _ Jacuzzi®
Jacuzzi > Bathtub
Nova, a groundbreaking design icon by Jacuzzi®, redefines relaxation with its generous dimensions and inviting round shape, making it a standout feature in any bathroom. Available in both freestanding and corner versions, Nova seamlessly integrates into your space, embodying the contemporary home's shift towards soft, harmonious, and nature-inspired aesthetics. The Jacuzzi® hydromassage system, renowned for its ability to tone, stimulate, and rejuvenate, reaches new heights of versatility with customizable jet combinations, including the innovative Aquasystem offering four tailored wellness experiences: Silent, Breath, Renew, and Dream. The standard Nova model includes a sanitizing system, while the top version adds the luxury of a heater and an underwater spotlight. For those interested in customization, a 3D file of Nova is available for download, allowing for precise planning and visualization. Jacuzzi®, a pioneer in luxury wellness since 1915, continues to lead the industry with its high-quality, innovative hydrotherapy products, available globally through its extensive network. Explore their offerings at https://www.jacuzzi.com.
DS-343 - With 4-spoke base recliner swivel leather chair _ de Sede
de Sede > Chair
The DS-343 Sitting Revolution is a versatile dining and conference chair, designed to seamlessly transition from dining areas to office spaces while offering enhanced seating comfort. Building on the success of the DS-343 armchair, this model features a higher seat and a shorter, more refined backrest, while retaining the innovative extended seating surface that reaches pelvic height for exceptional ergonomic support. Crafted with premium NECK leather up to 5 mm thick, the chair showcases a striking aesthetic, particularly along its top edge, where the leather's thickness is elegantly highlighted. The combination of exclusive materials and sophisticated design gives the DS-343 Chair a prestigious and luxurious appeal, perfect for creating unforgettable dining or conference experiences. A 3D file of the product is also available for download, allowing for detailed visualization and planning. De Sede, a renowned Swiss luxury furniture manufacturer founded in 1965 and based in Klingnau, Switzerland, is celebrated for its high-end leather seating and timeless designs, blending modern sophistication with unparalleled craftsmanship.
BAMBOO - Demilune glass console table _ Reflex
Reflex > Console
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant console features a base crafted from Murano glass black filigreed tubes, elegantly mounted on a plinth of smoked mirror glass. It is available with either a half-circle top in 12mm thick extra-clear glass featuring a 45° bevel or a rectangular top in the same glass without beveling. A 3D file of the product is available for download, allowing for detailed visualization. For additional specifications, refer to the manufacturer’s details under BAMBOO | Console table Reflex. Reflex, a renowned Italian luxury furniture brand since the 1940s, is celebrated for its contemporary designs and premium craftsmanship."* (Note: I kept the supplier description to one sentence while highlighting key details about Reflex’s reputation and heritage.)
LIMESTONE - Indoor/outdoor wall/floor tiles with stone effect _ Revigrés
Revigrés > Wall tile-stone-brick
HERON - Round wooden coffee table _ HESSENTIA | Cornelio Cappellini
HESSENTIA | Cornelio Cappellini > Coffee table
GOTICA - Classic style bronze door handle _ GIARA ART DESIGN-BRONZE
GIARA ART DESIGN-BRONZE > Finishes accessories
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
Piet Boon Paint & Plaster Lime Paint
pietboon > Wallcovering
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
CONCRETE wallpaper by NLXL
pietboon > Wallcovering
Concrete with its sober, subdued character is frequently used in Studio Piet Boon designs. The Polished Concrete collection allows people to provide any space with an industrial yet warm appeal in an easy and affordable way.
Queen Cobra Wallcovering
moooi > Wallcovering
The Queen Cobra Wallcovering is made from hand-woven sisal fibres inspired by the Queen Cobras rhythmic curves and grassy habitat. The design comprises round overlapping shapes in a pattern with a hypnotic feel to it.
Rendezvous Tokyo Blue Wallcovering
moooi > Wallcovering
Printed on a soft and velvety finish fabric with denim textures this lively wallcovering depicts a lush forest brimming with life and movement. Upon closer inspection Indigo Macaques dressed in traditional kimonos can be discovered between the abundance of exotic flowers.
Bearded Leopard Wallcovering
moooi > Wallcovering
Foil based wallcovering lined with cork and a flock finish based on the fur of the Bearded Leopard pale yellow to deep gold and a dark constellation of rosebuds adorning it.
Mimic Moth Wallcovering
moooi > Wallcovering
The Mimic Moth Wallcovering is a 3D wall covering with a soft suede look inspired by the Mimic Moths shape and habitat. The wall coverings design comprises embossed Mimic Moths surrounded by their favourite flowers.
Pogo Goat Wallcovering
moooi > Wallcovering
The Pogo Goat Wallcovering is a 3D wall covering with a soft chenille fabric inspired by the Goats yearly migration. The intricate pattern has us guessing how ambitious the choreography of the dancing Pogo Goats really was.
SKINÌ TEX
skema > Wallcovering
Skinì TEX the partition with an absorbing function is a reinterpretation of the ancient concept of the partition that allows space to be divided and remodeled in a novel and innovative way, also pandering to acoustic comfort needs. With Skinì TEX there is no need for walls, to be covered or on which to attach sound-absorbing panels, but just it, a screen that can be conveniently transported and reconfigured with a few gestures. With Skinì TEX it is therefore possible to create a new space in which acoustic quality is also enhanced: two goals achieved with a single product. Skinì TEX comes in a wide variety of colors thanks to the soft fabrics used to cover the Skins, thermoformed in polyester and coupled with FIDIVI - ONE fabrics. Technical fabrics, produced by recycling PET bottles and which can be safely recycled in turn. A fabric that stands out for its ability to absorb sound, but also has other qualities: it has excellent resistance to abrasion and rubbing, is designed for use in public environments so it has high resistance to fire and also to exposure to light.
Riverbank
arte-international > Wallcovering
Inspired by classic tapestries, this woven jacquard wallcovering depicts a lush riverbank with a Japanese crane peeking out of the vegetation. This unique species symbolises good luck and longevity in Japan. The drawing is intentionally pixelated in a nod to the country's mid-century optimism.
Alentejo Cork
arte-international > Wallcovering
The cork in this design is very refined, with lots of detail and a glossy lacquer topcoat for a touch of glamour. The wallcovering takes its name from Alentejo, a region in Portugal renowned for its cork forests.
Canyon
arte-international > Wallcovering
This plain wallcovering is an abstract representation of a canyon – a narrow, deep valley cut by a river through rock. The various colours and glossy layers, combined with the rough outline, evoke the different types of rocks in a canyon.
Glowing Patina
arte-international > Wallcovering
This elegant wallcovering has a warm, opulent sheen of gold and silver, combined with a weathered look. It exudes a sense of history, making it the perfect choice for anyone looking to add vintage charm and sophistication to their interior.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
