The many accessories created for the home by George Nelson include a variety of table clocks. Representing a selection of these classic designs, the Desk Clocks offer a refreshing alternative to conventional clocks. Equipped with high-quality quartz movements, the charm of these decorative timepieces is equalled by their precision.
Developed by OEO Studio, Accents collection offers a wide range of paints: 20 colours are available in the variants Matt and Satin.Mutina paints have been specifically developed to be paired with the ceramic tiles of the company, both in terms of palette and finish.
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners.
Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying.
The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate.
The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
"Chroma is the quality by which we communicate color. It is how we define a color's purity, its intensity or saturation. In this way it provides a measure by which we can create a relationship between colors, allowing them to bring balance and harmony to a space." This semi-plain textured loop pile carpet tile features 27 sophisticated and trend led colors representing contemporary aesthetics. Each design is a mix of 3 colors, carefully composed to be softer and ‘chalky’ for a pleasing color balance. Beautiful on it's own, yet great to combine with other carpet tiles or Allura Flex vinyl tiles using the same adhesive. Tessera Chroma offers:● 750gsm pile weight for opulent texture and underfoot comfort● 100% Aquafil soloution dyed polyamide 6 yarn, for durability and color fastness● 61% recycled content by weight● Ska criteria for M12 soft floor coverings
The Beautiful Catrina is an exquisite limited-edition Mexican figurine crafted from high-gloss porcelain, featuring a striking black finish and adorned with three meticulously handmade flowers. Designed by renowned sculptor Raul Rubio, this piece is part of a limited series of only 500 units, making it a rare and collectible treasure. A downloadable 3D file of the product is also available for those interested in exploring its intricate design digitally. Lladró, the esteemed Spanish brand behind this masterpiece, has been synonymous with luxury porcelain artistry since its founding in 1953 by the Lladró brothers in Valencia, Spain, and is celebrated worldwide for its exceptional craftsmanship and timeless elegance.
The SPRITE is a charming glossy porcelain figurine depicting a whimsical little elf resting in a vibrant garden filled with flowers, elegantly mounted on a wooden base adorned with a gold plaque and the iconic Lladró logo. Crafted by sculptor José Puche, this piece showcases the brand's signature gloss porcelain finish and is not part of a limited series. For added convenience, a 3D file of the product is available for download, allowing enthusiasts to explore its intricate details digitally. Lladró, a prestigious Spanish brand founded in 1953 by the Lladró brothers, is celebrated worldwide for its exquisite porcelain sculptures and figurines, blending timeless artistry with modern elegance.
The Scientia Man is a striking matte white porcelain figurine depicting a naked man seated in a bucket, adorned with intricate drawings of formulas and ochre enamel accents, showcasing a blend of art and science. This unique piece, sculpted by Ernest Massuet, is part of Lladró's collection, a prestigious Spanish brand founded in 1953 by the Lladró brothers, renowned for its exquisite porcelain craftsmanship and globally celebrated designs. A 3D file of the product is also available for download, offering a digital perspective of this artistic creation.
The "Clouds" is a beautifully curved wall mirror crafted from smoked glass, designed to add a dynamic and emotional touch to contemporary interiors. With its strong aesthetic appeal, this mirror serves as a perfect light accent for spaces like entrances, living rooms, or bedrooms, enhancing the ambiance with its modern elegance. A 3D file of the product is available for download, allowing for a detailed preview and integration into design plans. Produced by Natuzzi Italia, a prestigious Italian brand founded in 1959, known globally for its luxurious, high-quality furniture and home accessories that blend timeless elegance with innovative design. Explore more at [Natuzzi Italia](https://www.natuzzi.it).
The **ASTRA goclean®** is a sleek, wall-hung WC featuring the innovative goclean® system, designed for both functionality and modern aesthetics. Part of the Astra sanitaryware collection, which includes back-to-wall and wall-hung WCs and bidets, this product boasts a monolithic design with softly chamfered edges, blending boldness with elegance. Available in various shades from the Flaminia color palette, the ASTRA seamlessly complements a wide range of Flaminia basins, making it a versatile choice for contemporary bathrooms. Additionally, a downloadable 3D file of the product is available for design planning and visualization.
**Ceramica Flaminia**, the esteemed Italian manufacturer behind the ASTRA collection, has been a leader in high-quality ceramic bathroom fixtures since its founding in 1955, offering premium, minimalist designs that cater to both residential and commercial spaces.
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability:
*"This elegant chair features a sturdy wooden structure with a padded seat and back for added comfort, available with legs in oakwood Beluga and a choice of finishes—Bronze (100M), satin brass (104M), dark brass (105M), or titanium (101M). Upholstery options include premium fabric or leather, catering to diverse aesthetic and functional preferences. For detailed specifications on comfort and design, refer to the manufacturer’s notes for the COMFORT | Chair with armrests Reflex. A downloadable 3D file of the product is also available for visualization and planning purposes. Reflex, the renowned Italian luxury furniture brand behind this piece, has been crafting high-end contemporary designs since the 1940s, combining innovative craftsmanship with timeless elegance."*
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The BuzziCane sofa blends a soft, inviting lounge design with an unexpected yet elegant frame, featuring a woven cane back, a sturdy wood base, and sumptuous upholstery for a vintage-inspired touch in modern workspaces. Its elevated structure provides firm support, while the plush seat and back cushions ensure exceptional comfort, making it perfect for relaxation. Designed by renowned Dutch creatives Wiebe Boonstra and Marc van Nederpelt, the BuzziCane embodies their signature playful aesthetic, offering a warm and welcoming vibe. Versatile in application, it suits hotel suites, private offices, and residential spaces, available in one-, two-, or three-seater configurations. A downloadable 3D file is also available for seamless integration into your design plans. Crafted by BuzziSpace—a leading Belgian innovator in sustainable, acoustic-driven interior solutions—this sofa reflects their commitment to merging functionality with contemporary style.*
The Enfold Sideboard combines industrial materiality with residential references for a new perspective on modern storage. Made from a lacquered steel that gently enfolds its top and bottom in solid oak, the Enfold Sideboard fuses cold and warm materials for a unique expression, paired with the vibrantly modern expression of its ridged steel doors. The flexible design is available in four sizes, which all have adjustable shelves and discreet cable outlets. This offers the opportunity to find just the right fit for your space, function and needs — be it a media console, in the hallway or a tall sideboard for storage.
Being both versatile and functional, the Stacked Storage System can be arranged and rearranged for the exact aesthetic and functional needs of any space. Seen here is a selection of predesigned bookshelf configurations that bring modern storage to any home, workplace or hospitality setting. All modules with backboard can be mounted directly onto the wall.
The Reflect Sideboard is a storage unit with a considerable length that works in both a living room and larger office spaces. With a curved surface in a sturdy frame, the Reflect Sideboard is a modern take on the classic mid-century modern Scandinavian style.
With its simple and refined expression, the Compile Shelving System features clean lines in a solid construction. The lower wall on the back of each shelf gives the Compile Shelving System an understated sense of detailing along with added functionality. Create your own personal Compile Shelving System from its simple components or choose one of the eight pre-arranged solutions.
Winner of the Golden Compass in 1994, the Mobil chest of drawers is presented in a matt version in white, black, green, plum and light blue. The new edition is made of recycled industrial materials, and has the same robust construction and functionality as the original. The basic element of the system is the drawer, alternated with shelves and tops, connected by an aluminium structure. In this new finish, the structure is coloured and the wheels are coloured too, now black instead of grey. This versatile product shouldn’t be restricted to use in the office as it fits perfectly into every room in the home, from the bedroom to the living room and the bathroom too.
The FK63 Bookcase System, designed by Preben Fabricius and Jørgen Kastholm, embodies Carl Hansen & Søn’s commitment to craftsmanship excellence and timeless design. Devised for maximum flexibility, the different modules can be combined in a multitude of ways to suit every space and need. Visit our customizer to design your own.
The Simplon cabinet, designed by Jasper Morrison, is a sideboard equipped with drawers and hinged doors. The legs are in anodized aluminium, whereas the cabinet is made of poplar plywood lined with aluminium.
From the mind of Isao Hosoe and Lorenzo De Bartolomeis the sideboard Shoji Madia is born, a storage unit on castors or fixed base in different heights and lengths, with square and elegant lines. The structure of the storage unit is in smoked glass, and is provided with sliding door/s available in several mirror finishes. The top back panel door or doors can also be in ceramic available in a range of polished or matt finishes. The drawer units in walnut Canaletto, Siberian Ash or Eucalipto, or matt RAL lacquered are optional.
The bookcase Hemingway with its refined and strong shapes was created by architect Massimo Castagna. It is a bookcase with frame in solid wood, made of uprights and beams, wall or ceiling fixing. The uprights are made lighter by frontal and lateral fissures and are characterised by inserts in polished metal. The horizontal beams physically and visually define the shape and rhythm of this bookcase. The structure supports the shelves and storage units available in different functions and dimensions. The bookcase Hemingway can accommodate horizontal storage units with flap opening and vertical units with hinge door, made of glass and wood. It also has a wooden desk top. The glass shelves and their peculiar side slots, are fixed to the uprights through interlocking pins, each shelf is provided with fall arrest security system. Vertical uprights and horizontal beams in solid wood complete the structure and are available in Siberian Ash or Eucalipto, with inserts and supports in polished chrome or gold. The shelves are in extra clear or smoked glass and the feet are height adjustable. Standard heights are 260 and 300cm, also available in custom size, and Tonelli Design proposes shelves in standard size 60 and 100cm. Storage units with flap opening and hinge door with structure in smoked glass and wooden door. Wooden desk top in 100cm, can be fitted out with cable entry. TV module with open storage unit in wood, size 160cm, to accommodate TVs up to 65 inches.
The bookcase Quiller is made of extra clear bevelled glass and is composed of six shelves closed on the sides. It was designed by designer Uto Balmoral and is perfect to be placed against the wall or free standing in living areas or work spaces. This bookcase is synonymous with lightness and linearity, thanks to the straight shapes and the transparency of the glass, that creates light effects that give brightness to the environment and thus the illusions of greater breadth. It is meant for modern environments and is an excellent match for minimalistic furniture complements.
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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