Console - main structure in plywood and veneered MDF, with frames and base in solid ash. Drawers fitted with BLUM guides. Handles and edges in burnished brass. Crafted in flamed ash/canaletto walnut.
Specifications
Material
Wood
Color
Neutral
Style
Modern
Indoor / Outdoor
Indoor
Durability
Residential
Collection
Dilan
Brand
A.R. Arredamenti
Category
Console
Frequently Asked Questions
What materials is the DILAN - Rectangular console table with drawers made from?
The DILAN - Rectangular console table with drawers is crafted from Wood. It is manufactured by A.R. Arredamenti.
Is the DILAN - Rectangular console table with drawers suitable for commercial projects?
Yes, the DILAN - Rectangular console table with drawers by A.R. Arredamenti is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
What collection does the DILAN - Rectangular console table with drawers belong to?
The DILAN - Rectangular console table with drawers is part of the Dilan collection by A.R. Arredamenti.
Can the DILAN - Rectangular console table with drawers be used outdoors?
The DILAN - Rectangular console table with drawers is designed for indoor use only.
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The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.
This elegant modern floor lamp features a brushed metal base with two soft fabric shades, providing ambient lighting perfect for living room settings. Its sleek design and neutral color palette make it a versatile addition to contemporary interiors.
Sideboard. Honeycomb core structure coated with white Print laminate, digitally printed with black squares at 3 cm spacing. Internal black laminate plating. Adjustable internal shelves in 10 mm thick tempered plate glass. On the back panel, the sideboard is equipped with cable entries.
The console for entrance model Gotham was conceived by the design studio Leonardi & Marinelli. It has a smoked glass structure completed with a black wooden drawer, provided with soft closure and frontal part in smoked mirror. The console Gotham is available also with integrated wireless battery charger and is perfect for modern and luxury settings.
The console Gulliver is completely made of glass, transparent or extra clear. Its simple and linear shape make it prefect for any kind of setting, specially where there is need to brighten and soften the environment. This designer console is offered in different sizes and is suited for different uses: it can be chosen as console table for entrances or hallway, or for the lounge or bedroom.
The console Gulliver 2 is provided with a glass structure in transparent or extra clear version. This console, of a clean and modern design, can also be fitted with drawers available in wood, matt lacquered or leather, in contrast with the lightness of the glass. It can be included in several settings, such as entrances and hallways, living rooms or bedrooms, in a refined and luxury environment.
The console Sestante by designer Emilio Nanna is part of a collection of furniture distinguished by a rigorous and essential design of vertical structural elements, symmetric and orthogonal. This console leaves maximum compositional freedom to the modular structure and is available in smoked, extra clear or digitally printed glass for a complete personalization. Thanks to the clear lines and versatile finishes it is suitable for any setting of modern and contemporary design.
The designer console Sestante Stone was designed by designer Emilio Nanni. It is a console characterized by the rigorous and essential design of vertical structural elements, symmetric and orthogonal. It is made of a base in glued glass and top in matt brushed marble, with bevelling at sight on the top. The bases are available in smoked or extra clear glass. The top in matt brushed marble, with visible bevelling, is available in Arabescato Orobico Gold, Tropikal Storm or Domus White.
A console featuring simple, contemporary design that can easily be paired with any of the pieces in the Minotti collection. Flexible and adapt-able, thanks to the wide variety of finish-es, the laser cut metal structure comes in Pewter color, with glossy lacquered tops in Mud, Granite, Pewter and Petroleum shades, or in oak with lacquered Moka finish.
The Lang console, like the other elements in the eponymous collection, rests on sophisticatedly minimalist metal blades painted Pewter color. The base is suitably reinforced to ensure the utmost stability without compromising the inherent lightness of the project. The console is available in two heights: “High” 72 cm and “Low” 50 cm, and comes with two push-pull drawers. The structure is finished in Granite color glossy lacquer, while the drawer fronts are available in polished ebony, Tobacco stained flamed oak and Moka oak.
Developed starting from a simple square volume, the Solid family of complements reveals great versatility through its clean and simple shapes. The Solid family hosts elements with different shapes and functions. With their square forms and cubist style, their bold personality adds a distinctive touch of flair to residential and Hospitality interiors. They range from the parallelepiped volume, which is tall enough to be set alongside a dining table as an additional seat, to coffee tables for holding or storing objects, and nightstand for the sleeping area. The rich ensemble is completed by the console table, which sits on metal blade-like legs with a Black-Nickel finish. Some Solid coffee tables are equipped with drawers, featuring an open Moka oak and a push & pull opening system. Coffee tables that offer useful storage solutions, featuring drawers with a perfect aesthetic that almost makes them imperceptible. The Solid coffee tables, in all sizes, are available both in the glossy lacquered version in the colours Corten, Muschio, Petrolio and Moka and in the open-pore ash finish in Moka colour. Some of them are useful storage elements thanks to drawers, with interior in Moka-coloured ash and push & pull opening, almost imperceptible by the eye thanks to their perfect aesthetics. In the version with dimensions cm 35x35 H45, Solid becomes an eclectic furnishing piece, ideal for a use in any interior location, characterising the space in which it is positioned with its clean and simple sculptural presence. This version also comes in saddle-hide, crafted with the same technique used in fine leather luggage-crafting, where every side is trimmed with precise stitching along the edges that enhance the preciousness of the furnishing element as a whole.
The Lelong coffee tables, inspired by the lightness of Scandinavian design, have thin tubular legs in Black Coffee finish with polished Pewter tips supporting lacquered, wood or marble tops. The Lelong family boasts an extensive range: a full series of different sizes and finishes with square, round and rectangular tops that make it particularly versatile and suitable for use as a coffee table, side table or console. The coffee table design also includes a version with two staggered shelves of different heights that intersect to create a sculptural piece of furniture with multiple possibilities of use. Its slender, light design offers an ideal contrast when set alongside the more generous volumes of the Horizonte seating system by Marcio Kogan / studio mk27 and the Goodman seating system by Rodolfo Dordoni: a balance of shapes and proportions that makes the living space even more dynamic and elegant. In the single-top version, the top is available in Cappuccino, Moka, Chestnut, Army Green, and Malachite polished lacquered finishes, in Canaletto walnut stained Dark Brown or in Liquorice open-pore lacquered ash; in the double-top version, the lower top comes in the same finishes as the single top version, while there are three alternatives for the higher top: Liquorice-coloured ash, Calacatta marble with smooth matt finish or in various lacquered finishes.
An inset silver travertine top is artfully suspended above an open compartment and two full extension drawers. Custom hardware finished in a lightly burnished silver coloration completes the look.
The Black Penn Shell with a contrast inlay of Young Penn Shell top and leather-wrapped rattan base makes a dramatic statement in any room. The classic Pan-Asian design makes it a signature piece for this collection.
The serving console offers a distinctive look, featuring twisted rattan fretwork on the end and back panels, finished in a rich umber coloration. The top surface features beveled tempered glass. The shelf below is crushed bamboo. Two drawers at the bottom offer ample storage behind woven raffia fronts.
Heavily distressed and Barnyard Oak veneers in random planks with a waxed carbon finish. The architectural console has concentric stepped moldings in the side panels.
The Cityscape console table features six-sided blocks of stainless steel in a three-dimensional intersecting pattern, highlighted by select portions accented in a warm brass finish. The result is a design with remarkable depth and brilliant shimmer, especially when viewed through the glass and into the decor.The vintage coloration is attributable to certain elements being electroformed in brass. Note stainless steel and brass will show slight imperfections and polishing marks. The 54 x 14 inch glass is flat polished with radius corners and is .75 inches thick.
Faux horn motif hand-painted by artists on individual resin tiles in a dark gray bone coloration. Faux horn tiles will vary in appearance and coloration from piece to piece.
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