HOLLYWOOD HOS PM - Brass pull handle _ Fama International - 2d files - 3d files
SUPPLIER: FAMA INTERNATIONAL
COLLECTION: XAVIER LEBEE
TYPE: FINISHES
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ARBORIS PM1653 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1652 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1654 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1655 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1656 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1657 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
ARBORIS PM1658 - Bronze furniture handle _ Fama International
Fama International > Furniture accessories
AKTUELL-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
AKTUELL-PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
HARMONY-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
PRISMA-PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
HARMONY-PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
PRISKA-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
IRIS-PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
IRIS-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
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Fama International > Finishes accessories
CLEVER-PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
VITTORIA-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
CLEVER-DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
ARTWORK AS1102-P2 - Brass pull handle for sliding doors _ Fama International
Fama International > Finishes accessories
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Fama International > Finishes accessories
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Fama International > Finishes accessories
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Fama International > Finishes accessories
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Fama International > Finishes accessories
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Matières Gris
florim > Floor tile-stone
A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility <p>A perfect balance of elegance and craftsmanship finds room in a collection with vast stylistic versatility Matières is a perfect surface for modern and trendy environments, conserving all the class to adorn even the oldest and most memory-rich spaces.</p> </strong>The colour selection offers six modern shades which, combined with one another, suggest interesting decorative compositions. A wide range of large sizes extends the collection's range of applications both in traditional uses and in furnishing complements. A specific range for outdoor spaces provides two brand new sizes to allow decorative continuity between the indoor and outdoor spaces. A return to the small size with a rustic style and crafted edges returns the sense refinement and detail that is so characteristic of the ceramic tradition, modernising it in new uses such as, squares, public spaces and driveways.
Matrice Forma
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Struttura
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
Matrice Sostanza
florim > Wallcovering
An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.
NASTRI - Handmade glass pendant lamp _ VENINI
VENINI > Ceiling lamp
Nastri is a stunning suspension lamp crafted from modular ribbon glass, featuring hand-blown and meticulously handcrafted glass elements such as Polyhedra, Canes, Ribbons, Trilobo, Triedri, Balloton Spheres, and Plates, which come together to create a chandelier of extraordinary complexity and beauty. Regardless of its size, Nastri exudes a monumental presence, casting a majestic light that transforms any space. Available as a pendant light, wall light, or table lamp, it is offered in crystal and powered by 8 x max 8W LED E14 light sources. A 3D file of the product is available for download, allowing for detailed visualization and planning. VENINI, the esteemed Italian supplier behind Nastri, has been a symbol of excellence in glassmaking since its founding in 1921 in Murano, Italy, a region celebrated for its centuries-old glassmaking heritage. Renowned for its collaboration with leading designers and artists, VENINI combines traditional craftsmanship with innovative design to produce timeless, high-quality lighting and glassware that elevate both residential and commercial spaces.
CIRCUIT - Borosilicate glass pendant lamp _ Cattelan Italia
Cattelan Italia > Ceiling lamp
The **CIRCUIT** ceiling lamp is a modern lighting masterpiece featuring a frame crafted from titanium-embossed lacquered steel (GFM11) and satin nickel, paired with a small transparent borosilicate glass lampshade and a larger fumé borosilicate glass shade. Designed by STC Studio, this iconic chandelier integrates LED lighting, creating a striking illuminated constellation effect. Its graphic design elements and avant-garde production techniques reflect the meticulous attention to detail synonymous with high-quality craftsmanship. A 3D file of the product is available for download, allowing for detailed visualization and planning. **Cattelan Italia**, the renowned Italian supplier behind this product, has been a leader in contemporary interior design since 1979, offering premium furniture and accessories that blend innovation, Italian craftsmanship, and luxury for residential and commercial spaces worldwide.
BABYLON - Round coffee table _ Sicis
Sicis > Coffee table
Here’s the rephrased and expanded product description, along with a concise supplier overview and mention of the 3D file: *"This elegant side table features a polished ebony finish, adorned with decorative inserts crafted from liquid metal and intricate mosaic detailing, while the top is made of durable Vetrite for a refined yet functional surface. A 3D file of the design is available for download, allowing for seamless integration into virtual planning. Manufactured by Sicis, a renowned Italian luxury design house celebrated for its artisanal mosaics and high-end furniture, the piece embodies the brand’s signature blend of traditional craftsmanship and contemporary sophistication."* (Note: The supplier description has been condensed to one sentence while retaining key details about Sicis’ reputation and style.)
ELLEPI - Brass robe hook _ INDA®
INDA® > Sanitary accessories
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The *Clothes Hanger Ellepi* is part of a distinctive accessory series defined by its signature detail—a subtle notch on the corner of the pipe, which interrupts the straight line to accentuate direction changes and highlight the fold. Finishes are a key feature, with options including chrome, matte white, and matte black, as well as a sophisticated brushed nickel version with a chromed notch for added contrast. A downloadable 3D file of the product is available for design integration. For more details, visit the manufacturer’s page: [ELLEPI | Robe Hook INDA®](https://www.inda.net). **Supplier Overview:** INDA® is a renowned Italian interior design brand with decades of expertise, offering high-quality residential and commercial solutions, from bathroom accessories to customizable lighting and furniture. *(Note: I condensed the supplier details into a single sentence while preserving key info—origin, specialty, and market focus. Let me know if you'd like further adjustments!)*
RIFLESSI 7200 - Lead Crystal pendant lamp _ Patrizia Volpato
Patrizia Volpato > Ceiling lamp
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This elegant light fixture features a dual light source (2 x G9 halogen energy-saving or 2 x G9 LED bulbs), blending a sleek, modern design with antique-inspired shades. The bright, high-quality crystal, encased in a polished metal band, creates a striking contrast, offering a perfect balance of design, beauty, and craftsmanship. Ideal for elevating any space, it adds a touch of sophistication and uniqueness. Available in polished chrome, tortora, and brushed burnished finishes. A 3D file of this product is available for download. Manufactured by Patrizia Volpato, a renowned Italian lighting brand celebrated for its premium, contemporary designs since 1997."*
PAULI - Wall-mounted wooden coat rack _ Sancal
Sancal > Accessories
Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Nachacht, a Berlin-based design studio, has crafted the PAULI coat hanger, a playful and interactive piece inspired by the modularity of Meccano toys. Featuring delicate marquetry, the hanger’s structure is made of natural oak, while the detachable hooks are crafted from colorful Polirey veneer, combining vibrant aesthetics with enhanced durability. Its adaptable shape allows for customizable configurations, adding a dynamic touch to any space. A 3D file of the product is available for download, offering further creative possibilities. Designed for Sancal—a renowned Spanish furniture brand celebrated for its innovative, high-quality designs since 1973—PAULI reflects their commitment to functional yet imaginative interiors."* (Note: I condensed the supplier details to one sentence while retaining key info about Sancal’s reputation and origin.)
GARDENIAS INDOOR - Small sofa _ BD Barcelona Design
BD Barcelona Design > Sofa
Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Crafted from cast aluminium with extruded aluminium laminates, this piece features a durable powder coating in Alesta Anodic Black or high-gloss yellow RAL 1005 (on request), while the seat and backrest are upholstered in premium fabrics or leathers from BD Barcelona Design—a pioneering Spanish brand celebrated for its avant-garde furniture since 1972. Designed by Jaime Hayon, one of Spain’s most influential creatives, the Gardenias collection reflects his signature blend of playful elegance and versatility, offering refined silhouettes, luxurious finishes like velvet, and a palette of sophisticated hues (Blue Royale, Red Ming, Green Versailles, and Black Edo). Ideal for both residential and contract use, the collection balances artistic flair with functionality, and a 3D file of the product is available for download to facilitate seamless integration into your projects."* (Note: I condensed the supplier details to one sentence while retaining key credibility points—founding year, design ethos, and global reputation—to keep the focus on the product.)
CANZONE - Upholstered armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CANZONE armchair by Erba Italia features a beautifully rounded, enveloping design that combines comfort with timeless elegance. Crafted with a solid wood frame and multilayer wood construction, it ensures durability, while the sprung seat with elastic belts and polyurethane foam (CFC-free) offers exceptional support. The seat is padded with virgin natural goose feather and polyurethane foam, while the back is filled with 100% virgin goose feather for luxurious softness. Available in premium fabric or leather upholstery, this armchair adds sophistication to any interior. A 3D file of the product is available for download, allowing for seamless integration into design plans.* *Erba Italia, a renowned Italian luxury furniture brand since 1936, is celebrated for its craftsmanship and elegant designs.*
EDIZIONE - Sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **EDIZIONE** features a sturdy metal frame with non-deformable polyurethane foam padding, wrapped in soft polyester fibre for comfort. The base boasts a durable metal construction with a sleek powder-coated finish, while the seat combines plush natural goose feather filling with a supportive polyurethane foam insert for lasting resilience. Customize your piece with a premium fabric or leather cover to suit your style. For added convenience, a 3D file of this design is available for download, ideal for visualization or planning. Crafted by **ERBA ITALIA**, a heritage Italian brand renowned for its luxury furniture since 1936, the EDIZIONE reflects their commitment to timeless elegance and exceptional craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
CONVERSATION - Sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The CONVERSATION collection features modular sofas and sectional elements designed to seamlessly connect, offering versatility and elegance. Crafted with a solid wood and multilayer wood frame, the sofa incorporates an elastic webbing spring system for durability, padded with high-resilience polyurethane foam and luxuriously upholstered in Dacron Du Pont. The design includes non-visible feet for a sleek, floating appearance, while the backrest is supported by a metal frame, cushioned with non-deformable foam and wrapped in soft polyester fiber and velveteen. The back cushions are upholstered in 100% cotton fabric and filled with a premium blend of 70% natural goose feather and 30% polyester fiber HCS for plush comfort. Customization is effortless, as the covers are available in fabric or leather and can be removed (optional for cushions). For added convenience, a 3D file of the product is available for download, enabling precise visualization and planning. ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, is celebrated for its exquisite craftsmanship and timeless designs, blending tradition with modern sophistication.*
SPAZIO - Recliner sectional sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
**SPAZIO Sofa** – A modern, essential-design sofa featuring a reclining back mechanism for adjustable comfort. Its sturdy metal frame is complemented by an elastic belt springing system, padded with high-resilience polyurethane foam and polyester fiber for lasting support. The seat is luxuriously cushioned with natural goose feather and layered with multi-density polyurethane foam, while the reclinable back and plush arms are crafted with injected foam and *piumafill* (70% natural goose feather, 30% polyester fiber). The satin-matt chrome steel feet add a sleek finish, and the sofa can be customized with either premium fabric or leather upholstery. A downloadable 3D file of the product is available for design planning. **Supplier:** ERBA ITALIA, a prestigious Italian furniture brand since 1936, is celebrated for its refined craftsmanship and timeless luxury designs. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
ICONA - Upholstered armchair with headrest _ ERBA ITALIA
ERBA ITALIA > Armchair
**ICONA** is a modern reinterpretation of the iconic *Red Baron* chair, featuring an elegantly hollowed-out backrest. Its striking design is highlighted by the sculpted metal back panel, adorned with an artistic arrangement of circles in varying sizes, making each piece truly unique. The seat is upholstered with high-density, non-deformable polyurethane foam that is C.F.C.-free, ensuring both comfort and sustainability. Available in premium fabric or leather, this chair blends sophistication with versatility. A downloadable 3D file of the product is also available for design planning. **Supplier:** *ERBA ITALIA* is a prestigious Italian design house, renowned since 1936 for its luxury furniture and refined craftsmanship. Explore their collections at [www.erbaitalia.it](http://www.erbaitalia.it).
VICEVERSA - 2 seater sofa _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and a mention of the 3D file availability: *"This elegant product combines timeless design with exceptional craftsmanship, offering a perfect blend of luxury and functionality for both residential and commercial spaces. Crafted from high-quality materials, it reflects sophisticated aesthetics suitable for contemporary, classic, or transitional interiors. A downloadable 3D file of the product is available for detailed visualization and planning. Supplied by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its premium designs and global presence."* Let me know if you'd like any further refinements!
REPORT - Corner armchair with armrests _ ERBA ITALIA
ERBA ITALIA > Armchair
Here’s the refined product description with an expanded yet concise supplier detail and the addition of the 3D file availability: *"REPORT – A sleek little armchair designed for minimalist spaces, featuring a durable metal frame with a satin matt chrome finish, an elastic webbing spring system, and high-resilience polyurethane foam padding topped with polyester fiber for comfort. The chair offers customizable covers in fabric or leather, and a 3D file of the design is available for download. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless elegance and premium craftsmanship."* This keeps the supplier description brief while highlighting their legacy and expertise. Let me know if you'd like any further adjustments!
DAVID - Sectional fabric sofa with chaise longue _ ERBA ITALIA
ERBA ITALIA > Sofa
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"This sofa features modern, asymmetrical lines, blending originality with elegant refinement, making it a striking centerpiece for spacious lounges or open-plan areas. Its generous armrests and sleek metal legs complement the bold design, while the solid and multilayer wood frame ensures durability. The seat cushion combines polyurethane foam with a goose feather wrap for plush comfort, and the back cushions and backrest are fully filled with natural goose feather for a luxurious feel. Available in premium fabric or leather, this sofa balances style and sophistication. A downloadable 3D file of the model is also available for design planning. Crafted by ERBA ITALIA, a renowned Italian luxury furniture brand since 1936, known for its timeless craftsmanship and high-end materials."*
SLEEPY - Upholstered leather double bed _ Tonin Casa
Tonin Casa > Bed frame
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"SLEEPY by Tonin Casa is a strikingly modern bed with clean, sharp lines, elevated by luxurious leather upholstery that creates a serene and inviting atmosphere. Available in three sizes, its minimalist yet warm design makes it an ideal centerpiece for contemporary, refined bedrooms. For further customization, the 3D file of SLEEPY is available for download. Tonin Casa, a renowned Italian design brand since 1975, is celebrated for its innovative, high-quality furniture blending timeless elegance with modern functionality."* (Note: I condensed the supplier details to one impactful sentence while retaining key brand values. Let me know if you'd like any adjustments!)
GLEEZE - Porcelain stoneware wall tiles _ Ragno
Ragno > Wall tile-stone-brick
**GLEEZE** is a captivating collection of porcelain stoneware wall tiles from **Ragno**, a renowned Italian ceramic and porcelain tile manufacturer with a legacy of craftsmanship and innovation since 1949. Part of the **Storie** series, these tiles celebrate the beauty of imperfections, featuring subtle variations, hand-crafted textures, and artisanal details like rust drips, chipping, and relief imperfections for a uniquely natural aesthetic. Available in five elegant shades—Bianco, Beige, Turchese, Giada, and Grigio—the collection offers three modular sizes (10x10 cm, 5x15 cm, and 7.5x20 cm) with straight edges for versatile installations. The super-glossy concave and convex surfaces, combined with 3D structures, create dynamic visual and tactile appeal. A downloadable 3D file of the product is available for design planning. Explore more at [Ragno’s website](http://www.ragno.it).
EXTRA - Wardrobe with coplanar doors _ Composit
Composit > wardrobe
Here’s a refined and expanded product description, including a concise supplier overview and a note about the 3D file: *"The Extra Complanare wardrobe features a sleek, lacquered laminate finish with seamless coplanar doors, offering a modern and minimalist storage solution for contemporary interiors. A downloadable 3D file of the product is available for design planning. Crafted by Composit, a renowned Italian supplier of high-quality furniture, the brand combines sustainable materials with innovative, stylish designs for residential and commercial spaces."* This keeps the supplier description brief while highlighting key details and adding the 3D file mention. Let me know if you'd like further adjustments!
FINO - Wall-mounted steel coat rack _ Rosconi
Rosconi > Accessories
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: --- The **Fino coat rack** combines a sleek wall-mounted design with a practical coat rail, available in two elegant finishes: full stainless steel or powder-coated vertical tubes with T-feet. Known for its timeless appeal and durable construction, the Fino series features high-quality materials and a robust build, ensuring long-lasting performance. Customize your storage with versatile hook options—single, double, or triple hooks, along with hat and coat hooks—maximizing capacity without compromising style. For added convenience, a **3D file of the product is available for download**, allowing for seamless integration into design plans. **Supplier Overview**: Rosconi, a renowned German-based interior design supplier, specializes in premium furniture and decor for both commercial and residential spaces, blending functionality with contemporary aesthetics. For more details, visit the manufacturer’s page: [FINO | Wall-mounted coat rack – Rosconi](https://www.rosconi.com/). --- This version keeps the supplier description brief while highlighting key details about the product and its 3D file availability. Let me know if you'd like any further refinements!
VERSION 3 - High ash stool with footrest _ Askia
Askia > Stool
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **Product Description:** The **Version 3 Barstool** (High: 1.C07.AH.MNT / Low: 1.C08.AH.MNT) is a smart, casual seating solution that combines comfort with minimalist charm, perfect for everyday social settings. Its sleek frame features a slender seat and backrest, exuding elegance and a touch of playfulness. Designed for versatility, it seamlessly fits into both commercial and residential spaces, with a natural wood texture that adapts effortlessly to various themes and color palettes. The stool’s sturdy, CNC-cut feet are hand-polished for a refined finish, while the curved plywood backrest is veneer-covered for added sophistication. Available in oak or ash, its lightweight yet durable construction ensures easy mobility around counters, bars, or high tables. A downloadable 3D file of the product is also available for design planning. **Supplier Overview:** Askia is a trusted interior design supplier based in Romania, offering a curated selection of stylish, high-quality furniture and decor for modern spaces. (Note: The supplier description has been condensed to one sentence as requested, while the product description is expanded and refined.)
KODAMA - Pine coat stand _ Askia
Askia > Accessories
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *"Coming home and hanging up your coat can be a small but soothing ritual—Kodama, a minimalist coat rack, turns this everyday act into a warm welcome. Inspired by the free-flowing forms of the Kodama spirits from *Princess Mononoke*, its elegant design features three slender wooden legs joined at a central equilibrium point, blending functionality with poetic simplicity. Crafted from pine wood, this freestanding piece balances visual lightness with sturdy practicality. A 3D file of the design is available for download, offering flexibility for customization or digital integration. Designed by Oana Iacob and supplied by Askia, a trusted Romanian-based interiors brand known for its curated selection of functional and stylish furniture."* (Kept the supplier description to one sentence while highlighting their relevance.)
TIPRO - Stackable cork chair _ Askia
Askia > Chair
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: *The Tipro chair, designed by Dragos Motica, showcases the versatility of modern furniture with its modular and customizable design. Available in black, ash, oak, or walnut structures—or a combination of two—it offers multiple finish options: a cork seat, a cork seat with an upholstered back, or an upholstered seat with a cork back. Crafted entirely from wood, its components are easily disassembled without sacrificing durability, while the interchangeable seat and backrest modules allow for personalized styling. The chair’s elastic backrest ensures exceptional comfort, and its lightweight yet sturdy construction makes it both elegant and easy to transport. A 3D file of the product is available for download, enabling seamless integration into design projects. Tipro is supplied by Askia, a renowned Romanian-based interior design brand known for its high-quality furniture and decor.*
IPOT 2X_N - Aluminium plant pot _ iPot
iPot > Accessories
**Product Description:** The **iPot** is an innovative modular system that offers limitless design possibilities, adapting effortlessly to any space or function. Its flexible structure allows you to create partition walls, indoor or outdoor green islands, bookcases, display stands, and more, with the help of versatile accessories. Whether you need a compact unit for a single plant or an elaborate multi-tiered setup, the iPot can be customized to fit perfectly. Each **iPot Kit** includes a base structure and accessories, with options to personalize the structure’s color and the materials or finishes of the add-ons. For added convenience, a **3D file of the product is available for download**, enabling you to visualize and plan your ideal configuration. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in stylish and functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).
IPOT 6X6_N - Bookcase _ iPot
iPot > Cabinet
**iPot** is an innovative modular system that offers limitless design possibilities, allowing you to create anything from a partition wall to a lush indoor or outdoor green island, a stylish bookcase, or an eye-catching display stand. Its adaptable structure and wide range of accessories provide exceptional compositional and functional flexibility, making it perfect for any space—whether you need a compact single-pot holder or a large, intricate configuration. Each **iPot Kit** includes a structure and accessories, with customizable options for structure color and accessory materials and finishes. Additionally, a **3D file of the product is available for download**, enabling you to visualize and plan your design effortlessly. **Supplier Description:** iPot is a renowned Italian interior design brand specializing in modern, functional decor solutions for homes and offices, with a global presence. Explore their collection at [ipotdesign.it](https://ipotdesign.it).
Products From the Same Collection
A wide range of product from furniture to finishes to meet the desire of all designers.
CROCODILE BC14 - Brass door handle on rose _ Fama International
Fama International > Finishes accessories
CROCODILE BC DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
CROCODILE BC14 SU PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
CROCODILE BCS PM - Brass furniture handle _ Fama International
Fama International > Furniture accessories
CROCODILE D XL BCXL75 - Brass furniture handle _ Fama International
Fama International > Furniture accessories
CROCODILE BCSQM - Brass furniture handle _ Fama International
Fama International > Furniture accessories
CROCODILE D BCXL - Brass furniture handle _ Fama International
Fama International > Furniture accessories
CROCODILE D PM BC13 - Brass furniture handle _ Fama International
Fama International > Furniture accessories
CROCODILE BC10 - Brass furniture knob _ Fama International
Fama International > Furniture accessories
CROCODILE BC11 - Brass furniture knob _ Fama International
Fama International > Furniture accessories
CROCODILE BC12 - Brass furniture knob _ Fama International
Fama International > Furniture accessories
FLOWER FL14 - Brass door handle on rose _ Fama International
Fama International > Finishes accessories
FLOWER FL14 SU PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
FLOWER FL DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
FLOWER D XL FLXL75 - Brass pull handle _ Fama International
Fama International > Finishes accessories
GALUCHAT GA14 SU PLACCA - Brass door handle on back plate _ Fama International
Fama International > Finishes accessories
FLOWER DPM FL13 - Brass furniture handle _ Fama International
Fama International > Furniture accessories
GALUCHAT GA14 - Brass door handle on rose _ Fama International
Fama International > Finishes accessories
GALUCHAT GA DK - DK brass window handle on rose _ Fama International
Fama International > Finishes accessories
GALUCHAT D XL GAXL75 - Brass pull handle _ Fama International
Fama International > Finishes accessories
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
H382 CCD - Brass window handle on rose _ Valli
Valli > Finishes accessories
The H382 CCD is a sophisticated brass window handle from the Duemilaventi collection, designed by the internationally acclaimed Joe Cheng, blending art and elegance with its clean, linear, and slightly rounded profile inspired by oriental aesthetics. Available in exclusive finishes like Orantop, Bronzopaco, and Tortora, this handle features a distinctive circular detail on the front, offering a unique touch of customization. The collection also includes door handles and privacy locks, making it a versatile choice for modern interiors. A 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, offering innovative and durable designs that cater to both residential and commercial spaces, with a global presence and a reputation for excellence.
H384 CR - Brass door handle on rose _ Valli
Valli > Finishes accessories
The H384 CR is a sleek brass handle, also available in a fireproof variant, designed by CetraRuddy for the Fusital H 384 CR Duemilaventuno collection. This handle features a dynamic design with bevelled yet sharp edges, inclined flat surfaces, and a strong focus on ergonomics, offering a modern aesthetic from multiple perspectives. It comes in Cromosat, Bronzoscuro, and Neropaco finishes, with the option of BioCote® antimicrobial treatment in Dark Bronze and Neropaco. The collection includes both door and window handles, making it a versatile choice for various applications. A 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a renowned Italian supplier founded in 1934, specializes in high-quality architectural hardware, offering innovative designs that blend functionality with aesthetic appeal for residential and commercial spaces worldwide.
H377 P SL - Brass door handle on rose _ Valli
Valli > Finishes accessories
The H377 SL is an elegant brass handle featuring a dark bronze finish with a sophisticated brown leather insert, part of the Fusital H 377 P SL Duemilaventi collection designed by renowned Hong Kong architect Steve Leung. This collection, which includes both door and window handles, builds upon the minimalist yet traditional lines of the H 377 SL Duemilasedici series, adding a touch of refinement with its leather-covered lever. A 3D file of the product is available for download, allowing for seamless integration into design plans. Supplied by Valli & Valli, a prestigious Italian company established in 1934, the H377 SL reflects the brand’s legacy of crafting high-quality architectural hardware that blends innovation, durability, and timeless design for residential and commercial spaces worldwide.
K374 - Brass door knob _ Valli
Valli > Finishes accessories
The K374 is a versatile brass knob that can be used as either a revolving or fixed handle, designed without a spring mechanism, and available in a range of finishes including Chrome, Cromosat, Bronzosat, and Orsatop. This product is part of the Fusital collection by Valli & Valli, a renowned Italian interior design supplier established in 1934, celebrated for its innovative and high-quality architectural hardware. The K374 embodies the brand's revolutionary approach to handles, transforming them from mere functional accessories into sculptural, design-centric elements. A 3D file of the product is available for download, offering designers and architects the flexibility to integrate it seamlessly into their projects. Valli & Valli, with its global presence and commitment to craftsmanship, continues to set industry standards with its blend of aesthetic appeal and functionality.
H315 G - Metal door handle on rose _ Valli
Valli > Finishes accessories
The H315 is a stylish brass and porcelain door handle designed by Pierluigi Cerri, blending rustic charm with modern elegance, and available in both Chrome and Orolucido finishes. A 3D file of the product is also available for download, allowing for seamless integration into design projects. Manufactured by Valli & Valli, a renowned Italian company established in 1934, the product reflects the brand's legacy of crafting high-quality architectural hardware that combines innovative design, durability, and functionality for residential and commercial spaces worldwide.
K465 - Stainless steel door knob _ Valli
Valli > Finishes accessories
The K465 is a sleek, satin-finished AISI 304 stainless steel door knob, combining durability with a refined aesthetic, ideal for enhancing both residential and commercial spaces. A 3D file of the product is available for download, allowing for seamless integration into design plans. Manufactured by Valli & Valli, a renowned Italian company established in 1934, the brand is celebrated for its innovative, high-quality architectural hardware, offering a diverse range of stylish and functional solutions tailored to modern, minimalist, and traditional design preferences.
K1061 CENERENTOLA - Brass door knob _ Valli
Valli > Finishes accessories
The K1061 is a beautifully designed brass knob available in Orsatin, Bronzop, and Light Black finishes, featuring soft yet essential lines and a sinuous profile that embodies the elegance of the Valli & Valli handle collections. Part of the H 1061 Cinderella collection, this knob represents a harmonious blend of Mediterranean tradition and contemporary design, crafted by the renowned designers Luciana Di Virgilio and Gianni Veneziano of Veneziano+Team. The collection also includes door handles, window handles, knobs, and pull handles, with the added benefit of BioCote® antimicrobial treatment available on Orsatop and Bronzop finishes. For added convenience, a 3D file of the product is available for download, allowing for seamless integration into design projects. Valli & Valli, a prestigious Italian supplier founded in 1934, is celebrated for its high-quality architectural hardware and accessories, offering a diverse range of products that combine innovative design with exceptional functionality.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery > vescom
auckland - 7071.28
Upholstery > vescom
harding - 7070.07
Upholstery > vescom
harding - 7070.08
Upholstery > vescom
furka plus - 7064.14
Upholstery > vescom
acton - 7062.20
Upholstery > vescom
leone plus - 7054.02
Upholstery > vescom
noss - 7058.13
Upholstery > vescom
lani - 7060.49
Upholstery > vescom
wolin - 7050.32
Upholstery > vescom
wolin - 7050.35
Upholstery > vescom
hestan - 7035.11
Upholstery > vescom
hestan - 7035.22
Upholstery > vescom
cyprus - 7038.15
Upholstery > vescom
lindau - 7028.01
Upholstery > vescom
lindau - 7028.09
Upholstery > vescom
dalma - 7024.13
Upholstery > vescom
dalma - 7024.14
Upholstery > vescom
