The CURTAIN table resembles a fleeting snapshot of a moment in time: static in contrast to an organically flowing movement. Seemingly gravity-defiant drapery, thin-walled, supple and soft, yet precision-crafted from solid high-end wood that simultaneously supports a large-sized solid wood table top – inspiring a breathtaking moment.
The ensemble of the 1.3 Collection comprises chair, stool and bar stool. The most outstanding feature of this delicate, light 1.3 STOOL and 1.3 BAR is the wafer-thin impression made by the fine contours of seat. It looks if it is floating on air. Chair, stool and bar stool also have the visual softness of “Pad” optic. Space-saving shape and stable construction give this ensemble big city flair – in small restaurants, snack bars, bars and bistros.
The ensemble of the 1.3 Collection comprises chair, stool and bar stool. The most outstanding feature of this delicate, light 1.3 STOOL and 1.3 BAR is the wafer-thin impression made by the fine contours of seat. It looks if it is floating on air. Chair, stool and bar stool also have the visual softness of “Pad” optic. Space-saving shape and stable construction give this ensemble big city flair – in small restaurants, snack bars, bars and bistros.
The ensemble of the 1.3 Collection comprises chair, stool and bar stool. The most outstanding feature of this delicate, light 1.3 STOOL and 1.3 BAR is the wafer-thin impression made by the fine contours of seat. It looks if it is floating on air. Chair, stool and bar stool also have the visual softness of “Pad” optic. Space-saving shape and stable construction give this ensemble big city flair – in small restaurants, snack bars, bars and bistros.
Chairs play a leading role in the ergonomics of everyday life. BLUE CHAIR combines comfort with simple elegance. Its clear lines make it the perfect company for every occasion, from the breakfast table to a candlelight dinner.
CENA BANK – the straight lined bench that makes you dream. The CENA BANK is available to match the successful CENA table family. As well as the table, the plate is bevelled, which gives the seat lightness. The four feet spread to the floor and provide high stability without compromising legroom.
The E8 BANK supplements the table of the same name. The dimensions of the E8 BANK are coordinated to make possible to slide it under the E8 table between its legs to save space. „The bench intentionally has no overhangs like the table, because I didn`t want the form of the bench to copy that of the table.“ explains designer Mathias Hahn. The seat is available either in wood or upholstered.
It is Friday evening and you can make yourself comfortable on the sofa, maybe enjoy a drink. The subtly formed wooden frame of FRIDAY has a back section of butt leather and the design is reminiscent of a pattern cut. Soft cushions lie gently in the frame. A sophisticated technical construction of springaction and seat cushion offers superb comfort designed to last a lifetime. FRIDAY can be produced in a great variety of woods, leathers and cushion fabrics.
It is Friday evening and you can make yourself comfortable on the sofa, maybe enjoy a drink. The subtly formed wooden frame of FRIDAY has a back section of butt leather and the design is reminiscent of a pattern cut. Soft cushions lie gently in the frame.
Put your feet up, sit back, and relax! Used alongside the FRIDAY 1 and 2, the footrest FRIDAY POUF offers even more comfort. FRIDAY POUF is the perfect addition to your sofa and armchair, and can be used either as a foot stool or an extra seat. The softy upholstered cushion with its soft cushion and a symmetrically wooden underframe invites you to put your feet up.
The positioning of the legs gives the chair MORPH a unique posture, as if it had a support and a free leg. The sculpturally formed sub-frame conveys the interplay between stability and dynamism. Due to its delicate appearance this straightforward chair exudes an air of lightness that requires only a small area. The solid wood frame carries a light molded veneered wood shell, optionally with padded seat, or a fully upholstered shell.
Its high comfort and stability distinguish the barstool MORPH BAR. The stool fits nicely as an object into modern surroundings, where its wood character and filigree design deliberately stand out. Ideal for coffee bars, restaurants or at home. MORPH BAR is available in two hights and with wooden seat, padded seat and fully upholstered.
The new member of the MORPH family is the dining chair MORPH DINING. MORPH DINING particularly stands out through its opulent appearance as well as an exceptionally high level of comfort. Sitting down and standing up are both especially easy thanks to the gentle curved shape of the armrests. This comfort is also due to the generous overall dimensions of the upholstered shell.
A new type of furniture – the sofa for dining. Although we have armchairs, sofas or seating areas, we hardly ever use them. We actually spend more time with our friends sitting together at the dinner table instead of on the sofa. MORPH DUO DINING brings the comfort of a lounge together with a dining table.
A small two-seater provides comfort in the smallest space. The sculpted shell shape of MORPH DUO LOUNGE and its soft, inviting appearance brings people closer together than before: It can be used as both a space-saving two-seater as well as in combination with the lounge chair MORPH LOUNGE seating ensembles to create islands within a room.
MORPH LOUNGE brings together an unusual combination of materials: The solid wood frame carries a comfortable upholstered shell. The positioning of the legs gives the chair a unique posture, as if it had a support and a free leg. The softly formed seat invites to take a seat. Due to its compact dimensions this straightforward chair exudes an air of lightness that requires only a small area. He feels at home in a wide diversity of spacial situations.
MORPH PLUS – the MORPH family has been extended to include a new chair. MORPH PLUS is characterised by a broader and deeper seat. The positioning of the legs gives the chair MORPH PLUS a unique posture, as if it had a support and a free leg. The sculpturally formed sub-frame conveys the interplay between stability and dynamism. The solid wood frame carries a light molded plywood shell, optionally with padded seat, or a fully upholstered shell.
The comfort of the lounger MORPH LOUNGE is even greater in the ensemble with MORPH POUF. With MORPH POUF you can relax and put your feet up or of course, just sit on it as a stool. Like the chair MORPH and bar stool MORPH BAR and the lounger MORPH LOUNGE the leg design gives the foot rest MORPH POUF a unique posture, as if it had a free leg and a standing leg. For cafés, restaurants and at home.
MORPH STOOL is modelled after the successful chair model MORPH. Thanks to the shape of the seat and its ideal incline, MORPH STOOL is more comfortable than one would expect.
First of all, NONOTO is a sculpture. It’s emblematic from all angles and engages the viewer emotionally. At the same time, NONOTO is a real chair. It cries out to be sat on with its perfectly balanced strength, weight and ultimate seating comfort. And finally, NONOTO is a state-of-the-art product concept. The chair boasts a flexible design, meaning it lends itself to creating a comprehensive range of products. NONOTO has an unplugged design that is brought to life using cutting-edge CNC milling technology.
NONOTO BAR – the modulated bar chair. The NONOTO chair family is complemented with a new barstool: NONOTO BAR. The unique junction between frame and backrest lends the stool a sculptural character. A ring serves as footrest while also providing additional stability and adding another finish: both the walnut and the graphite black stain design come with a matt black powder coated footrest. Natural oak version and all other stains feature a rosegold coated footrest.
First of all, NONOTO COMFORT is a sculpture. It’s emblematic from all angles and engages the viewer emotionally. At the same time, NONOTO COMFORT is a real chair. It cries out to be sat on with its perfectly balanced strength, weight and ultimate seating comfort. And finally, NONOTO is a state-of-the-art product concept. The chair boasts a flexible design, meaning it lends itself to creating a comprehensive range of products. NONOTO COMFORT has an unplugged design that is brought to life using cutting-edge CNC milling technology.
NONOTO LOUNGE – the sculptural backrest is distinctive. The NONOTO chair family is complemented by a compact lounger: NONOTO LOUNGE. Professional craftmanship is combined with the precision of CNC manufacturing. The curved backrest hugs the back and the wide seat provides maximum comfort. The sculptural detail of the backrest is particularly distinctive. The lounger is available with a wooden or upholstered seat.
OKITO – aesthetic material connection in minimalist form. The heart of this minimalist chair is the solid wood seat. With its CNC-milled form, the solid wood seat anchors the chair frame and backrest. The brackets are simply bolted to the underside and are not visible from above. The connection of the backrest is achieved without visible fixings, creating a strikingly simple silhouette – a key feature to the OKITO family.
OKITO BAR – aesthetic material connection of tubular steel and solid wood. OKITO BAR is available in two seating heights, height 65 cm and 80 cm.The heart of this minimalist chair is the solid wood seat. With its CNC-milled form, the solid wood seat anchors the frame and backrest. The brackets are simply bolted to the underside and are not visible from above.
OKITO PLY – the elegance of the essential. The ergonomics of the OKITO solid wood chair were transferred to the OKITO PLY shaped wood version. In addition to the optics convinced OKITO PLY by its light weight of only three kilograms. It allows it to be perfectly stacked, transported and is also extremely robust.. It thus offers all the advantages of an object chair.
The bar chair OKITO PLY BAR is available in seat height 80 cm. The focus therein lies on the reduced use of plywood and steel. This makes the barstool not only visually light, it is also. The backrest is attached to the chair without any visible screw connections and, thanks to the spring-loaded support, ensures high seating comfort. The molded wood elements are also ergonomically shaped and available in different materials. Despite its lightness, the OKITO PLY BAR is extremely stable and offers plenty of room for movement.
OKITO STOOL – the stool in three heights. OKITO STOOL is available in three seating heights: in dining table height 46 cm, as kitchen stool in height of 65 cm and as bar stool in height of 80 cm. The heart of the minimalist stool is the solid wood seat. With its CNC-milled recesses, the solid wood seat takes up the chair frame. All connections are screwed without being visible on the top. The small OKITO STOOL in h 46 is stackable and can be shipped flat packaged, which significantly reduces the packaging size.
PELLE looks elegant and spacious, its semi-circular back and arm rest reflect the design language of Scandinavian classics. The special thing about PELLE is its freely hanging seat. It is held by a round strut that runs below the backrest. The roundwood holds the seat made of sleek leather.The incorporated aluminum insert forms the seat. In design terms, the merging back and arm rest is its standout feature. PELLE is suitable as a solitaire at the desk and in a group around the table.
PJUR BANK – bench functionality in its purest form. The strong corner placed legs gives the bench a strong appearance. The clear design means it can adapt to any of its many uses on the table or besides the bed. The floating seating top allows the maximum possible leg room.
RAIL Bench – the bench fits the table RAIL. The frame with its solid wood legs running diagonally outwards is stable. The semicircular cross-section of the legs provides a soft contour. RAIL Bench is available with wooden seat and close upholstery.
SIT – a nicely proportioned chair with all the qualifications to become a multi-talent. The simple, self confident style of the chair makes it perfect for both home and commercial use. Harmonising as it does with both modern and classical architecture. SIT is stackable up to five chairs.
SIT BAR – a simple barstool. With its minimalist design, the SIT range of chairs is suitable for both domestic and commercial settings. With SIT BAR, the chair family is being extended to include a barstool that comes in two different seat heights: 65 and 80 cm. The stool is available in oak, stained oak and American walnut and features either a wooden or upholstered seat. The feet rest comfortably on the slightly sloped footrest. SIT bar: minimalist look, comfortable and sturdy feel.
With ZENSO, the designer duo Formstelle has developed a family of chairs of sculptural character. Actually, the family of chairs should have been called „Enso“. The round circles follow the motif of the Ensõ, a symbol in Japanese calligraphy: Although the Ensõ is actually a symbol and not a letter, it is one of the most common drawings in Japanese calligraphy. It symbolizes enlightenment and elegance, the universe and the void, but also symbolises Japanese aesthetics in itself. As an “expression of the moment”.
The character of the bar stool ZENSO BAR is reflected in its sculpturally expressive wooden frame, in combination with a light shell that rests upon it, floating and aesthetically pure. The high level of stability of the bar stool requires a cross construction of solid wood. The shells consisting of moulded wood appear light and inviting. ZENSO BAR is available either with a wooden seat and back shell, with an upholstered seat and back shell or with an upholstered seat and wooden back shell. ZENSO BAR is available in seat heights of either 65 or 80 cms, each with a footrest.
The ZENSO HIGH lounger adds a high-back chair to the ZENSO chair family. The basic formal motif of the Enso circle from Japanese calligraphy has been continued here. The shape of the back reflects this in an exaggerated, circular free form.
ZENSO LOUNGE stands apart through its level of comfort which it provides despite its compact size. It is inviting and expressive. The sturdy solid wood frame appears light thanks to its cross construction. The tapered contour of the upholstery shapes its character. ZENSO LOUNGE always has an upholstered seat and back. The seat upholstery is always fully upholstered; the back shell has an attached cushion. You can sit back, relax and feel embraced.
ZENSO POUF – the consequent addition to the lounge chair ZENSO HIGH. The small pouf turns the ZENSO HIGH high-back chair into a comfortable reading chair. The footstool formally takes up the motif of the Enso circle from Japanese calligraphy, which characterises the ZENSO chair family.
The BONDT family of tables has the seemingly thin table top balanced on two trestles in an exciting contrast with broad planks. BONDT is available rectangular, round and square. The program is complemented by the side tables BONDT S, M and L.
The BONDT family of tables has the seemingly thin table top balanced on two trestles in an exciting contrast with broad planks. BONDT is available rectangular, round and square. The program is complemented by the side tables BONDT S, M and L.
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A wide range of product from furniture to finishes to meet the desire of all designers.
In his designs, Alvar Aalto combines the functional ideas of the Bauhaus with the Scandinavian crafts tradition and a strong sense of unity with Nature. This led to an exchange of ideas with Marcel Breuer and later influenced the work of both men. <br/><br/>Aalto designed Armchair No. 41 for the Sanatorium of the City of Paimio in Finland, a building for which he also created the plans and interior design. The armchair is of a simple, highly effective construction, because the rolled-up ends of the seat and back also function as springs – affording the sitter a degree of comfort hitherto unknown in wooden furniture. The armchair was also exceptionally well suited for series production, as it involves very few components and thus little assembly work.
Kendo impresses with its elegant and almost graphic appearance. Distinctively shaped side table of slim rectangular profiles in 2 finishes combined with different wood finishes are the basis of this versatile series. The plate is available in dark oak stained and dark gray stained and a base of steel in black or dark bronze laminated.
The CURTAIN table resembles a fleeting snapshot of a moment in time: static in contrast to an organically flowing movement. Seemingly gravity-defiant drapery, thin-walled, supple and soft, yet precision-crafted from solid high-end wood that simultaneously supports a large-sized solid wood table top – inspiring a breathtaking moment.
The leaves of the banana plant depict the tropics. This print stands out figuratively in its naturalness and literally in the luxurious finish in metallic lustre.
Configurable asymmetrical horizontal and vertical partitions make a grand statement without compromising function. The Pan-Asian styling consists of two main sections. The upper section consists of six stationary shelves and two removable shelves and posts. The lower section has three stationary shelves and grommets for electrical cords. A TV compartment can be created measuring 57.25 inches wide and 37.87 inches high.
From the art of fabric, to enveloping spaces From lampas and jacquard, all the way to the simplest silk fabrics, from rich, baroque motifs to more optical, geometric patterns, all of these fabrics share an extremely natural look. The collection's nine surfaces are inspired by Rubelli's signature precious fabrics that, in turn, are born from the contemporary reworking of several decorative motifs coming from the noble Venetian heritage of weaving.<br />
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
The REN collection by Poltrona Frau has expanded with the addition of a bookcase, magazine rack, and table mirror, each embodying the iconic "ren" symbol that defines the series. Crafted with solid Canaletto walnut and adorned with brass accents, these accessories exude intimate elegance through their light, architectural designs inspired by oriental aesthetics. The magazine rack features Cuoio Saddle Extra leather suspended by brushed steel bars, while the bookcase showcases birch plywood shelves upholstered in leather and supported by slightly inclined uprights, available in both low and tall versions with optional brass-finished steel bookends. The table mirror, with its leather-upholstered frame and brass detailing, completes the collection. A 3D file of the product is available for download, allowing for a closer look at its intricate design. Poltrona Frau, an Italian luxury furniture brand founded in 1912, is renowned for its timeless craftsmanship, premium materials, and global presence, offering a range of high-end furniture and accessories that blend modern sophistication with artisanal tradition.
The 505 UP is a modern sectional wooden bookcase featuring built-in lighting, designed to meet the evolving needs of contemporary living spaces. This versatile piece combines functionality and style, offering innovative features such as a corner bar, bronzed mirror trays, and Ecoskin-covered shelves, blending aesthetic elegance with cutting-edge design. The 505 UP SYSTEM redefines traditional bookcase functions with its modular Display cabinet, allowing for customizable horizontal and vertical shelving configurations to suit diverse preferences. Crafted by Molteni & C., a prestigious Italian design company founded in 1934 and celebrated for its timeless, high-quality furniture and versatile solutions, the 505 UP is a testament to their commitment to innovation and craftsmanship. A downloadable 3D file of the product is available for further exploration and planning.
The Pico dining table features elegantly tapered legs crafted from cast aluminum, offering a sense of fluid dynamism and visual lightness, complemented by a versatile top available in various materials such as marble, Canaletto walnut veneer, or ash veneer, each with a range of finishes. The table is highly customizable, with options for metal structures in satin, chrome, black chrome, or burnished finishes, and tops in polished or matt Calacatta Gold, White Carrara, Black Marquina, Emperador marble, or wood veneers in natural or stained finishes like walnut, cherry, teak, coffee, wenge, ebony, or brown. Designed for both aesthetic appeal and practicality, the Pico dining table and coffee tables come in multiple sizes, ensuring a perfect fit for any space. A 3D file of the product is available for download, allowing for detailed visualization and planning.
Flexform, an esteemed Italian interior design supplier founded in 1959 and headquartered in Meda, Italy, is renowned for its high-end, contemporary furniture that seamlessly blends elegance, comfort, and functionality, catering to both residential and commercial spaces worldwide.
This double-sided bookcase features a sleek, modern design with a structure made from laser-cut L-shaped lacquered steel sheets in a black matte finish, complemented by a top available in Alpi® veneer (offered in five colors) or a lacquered finish. The 3D file of this product is available for download, allowing for detailed visualization and planning. Roche Bobois, the supplier, is a prestigious French furniture and home decor brand established in 1960, renowned for its luxurious, contemporary designs and collaborations with top designers, making it a favorite among modern homeowners and interior designers worldwide.
The Cassetta MCO5 is a beautifully crafted jewel box with an ash wood frame, available in four elegant finishes: natural, walnut stain, natural with a red top, and natural with a green top. Designed for both practicality and aesthetic appeal, this box draws inspiration from everyday shapes, making it instantly recognizable and versatile enough to be left on a table like a book, blending seamlessly into any space. Its design reflects simplicity and honesty, deriving its beauty from its surroundings, much like the ethos of Mattiazzi, the renowned Italian furniture manufacturer behind it. Founded in 1979 and headquartered in Udine, Italy, Mattiazzi is celebrated for its innovative, high-quality wooden furniture that combines modern, minimalist designs with exceptional craftsmanship. For those interested in customization or further exploration, a downloadable 3D file of the Cassetta MCO5 is available, allowing for a closer look at its intricate details and design.
The LUDOVIC bed by Cattelan Italia is a luxurious upholstered bed available in a variety of premium finishes, including synthetic leather, fabric, micro nubuck, or soft leather, with customizable options such as a soft leather headboard. It features elegant bronze (GFM18) or graphite (GFM69) embossed lacquered steel feet, adding a touch of sophistication and lightness to its design. The bed is complemented by a high padded headboard with a bergère-inspired look, making it a standout piece for modern bedrooms. Slats are included for added comfort, and a 3D file of the product is available for download, allowing for seamless integration into design plans. Cattelan Italia, a renowned Italian furniture brand established in 1979, is celebrated for its innovative, high-quality designs that blend Italian craftsmanship with contemporary aesthetics, offering premium and luxury furniture for residential and commercial spaces worldwide.
The **Crossing** modular shelving system is a versatile and highly functional solution for both floor-based and wall-mounted storage, featuring matte lacquered Gesso finishes, sliding doors with satin-tinted glass, and varnished Gesso detailing. This innovative system allows for complete adjustability along three-dimensional axes, supporting up to 400 kg, and includes a variety of modules such as hanging cabinets with flap, leaf, or sliding doors, as well as drawers in multiple sizes. Available in two versions—**Fusion** (with lacquered or faced wood particleboard) and **Listellare** (veneered or laminated poplar blockboard)—the system is enhanced by a special LED lighting system within the compartments. Finishes range from matte lacquer and glossy colors to natural wood and veneer/facing options. The construction utilizes high-stability materials, including three crossed layers of solid poplar wood sandwiched between MDF layers, ensuring durability and lightness. Additional features include tempered glass panels, eco-leather accents, and optional mirror or partition inserts. A 3D file of the product is available for download, allowing for precise planning and customization.
Supplied by **MisuraEmme**, a renowned Italian interior design brand established in 1939, the Crossing system reflects the company’s commitment to luxury, innovation, and meticulous craftsmanship, offering premium furniture solutions for both residential and commercial spaces.
Here’s your refined product description with an expanded yet concise supplier overview and mention of the 3D file availability:
*"A standout in LAGO’s iconic collection, this sideboard reimagines the brand’s revolutionary 36e8 aesthetic with a dynamic interplay of smoked glass compartments—featuring sleek 45° joins—and bold, closed storage units. Blending modular versatility with contemporary elegance, the design offers endless configurations, enhanced by glass or metal supports for clean, adaptable styling. The 36e8 Glass modules seamlessly integrate with painted or Wildwood finishes, functioning as freestanding pieces that elevate spaces with lightness and reflective depth. A 3D file of the product is available for download, enabling precise visualization. Crafted by LAGO, a pioneering Italian design brand since 1976 renowned for its innovative, modular furniture, this sideboard embodies the brand’s commitment to timeless sophistication and functional artistry. Explore more at www.lago.it."*
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Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The Karuselli Ottoman, designed by Yrjö Kukkapuro, serves as the perfect companion to the iconic Karuselli Lounge Chair, embodying the designer’s pursuit of ultimate comfort through a harmonious blend of ergonomics, functionality, and organic form. Featuring a plush leather-upholstered top with PU foam padding, it rests atop a sleek white fiberglass pedestal base, complemented by a steel brace, smooth swivel mechanism, and protective felt glides. Celebrating its 50th anniversary in 2014, this modern classic was born from Kukkapuro’s meticulous four-year experimentation, using his own body as a model to achieve its distinctive, human-centric shape. A 3D file of the product is available for download, offering designers and enthusiasts a closer look at its innovative construction. Artek, the Finnish design powerhouse founded in 1935 by Alvar and Aino Aalto, reintroduced this legendary piece, staying true to its legacy of merging timeless aesthetics with cutting-edge craftsmanship.*
**Product Description:**
*Plan*, a sleek Corian® basin, features a minimalist design with slim, refined edges and seamless construction for a joint-free appearance. Available in multiple configurations, it includes a practical organizer with dedicated compartments to keep essentials neatly arranged. The two-basin version incorporates a central Corian® tray, which can be upgraded with an integrated dispenser for added functionality. Part of the *Unico Collection*, this basin is part of a fully customizable Corian® system that extends to vanity units and other bathroom furnishings, showcasing expert craftsmanship and seamless material integration. A downloadable 3D file of the product is available for design planning. For more details, visit the manufacturer’s page on *PLAN by Rexa*.
**Supplier Description:**
*Rexa*, an Italian design leader since 2009, specializes in innovative, sustainable bathroom solutions, blending functionality with modern and timeless aesthetics.
The **Musa armchairs** are available in two elegant designs: the **lower and deeper SM65P version** and the **higher, less deep SM65T version**, both crafted with a solid wood frame and offered in brushed light or black oak, as well as grey or brown oak finishes. This versatile collection also includes a **classic chair, a petite armchair, and a tall stool**, making it ideal for modern kitchens or stylish dining spaces. For added convenience, the **3D file of the product is available for download**, allowing for seamless integration into design projects.
**Maxalto**, the esteemed Italian supplier behind these pieces, is celebrated for its high-end, contemporary furniture and meticulous craftsmanship since its founding in 1975.
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*"Elementa is a sleek, wall-mounted stainless steel soap dish from Rubinetterie Ritmonio, available in multiple sizes to suit diverse design needs. Part of a versatile collection, it embodies eclecticism and dynamic composition, allowing users to craft fully customized spaces. The Elementa line—offered in 19 finishes, including polished stainless steel and acrylic stone—features modular components that can be mixed and matched for tailored functionality, from soap dispensers to toothbrush holders, seamlessly integrating with Ritmonio’s faucet designs. A 3D file of the product is available for download to aid in visualization and planning. Ritmonio, a renowned Italian brand since 1947, specializes in premium bathroom and kitchen fixtures, blending innovative design with meticulous craftsmanship."*
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**Product Description:**
The *Emea Bench* is crafted from solid oak, embodying the timeless elegance and durability of natural wood. Part of the *Emea Collection*, this bench highlights ALKI’s mastery of craftsmanship, precision assembly, and technical expertise in woodworking. Designed with a minimalist yet striking aesthetic, its components appear seamlessly carved from a single block, showcasing the beauty of solid wood in its purest form. Ideal for both residential and commercial spaces, the bench blends functionality with understated sophistication. A downloadable 3D file of the product is available for further visualization and planning. For additional details, visit the manufacturer’s page: [EMEA | Bench ALKI](https://www.alki.fr).
**Supplier Overview:**
ALKI, a renowned French interior design brand founded in 1982, specializes in high-quality furniture and decor, combining modern minimalism with natural materials.
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**Arca Mini** is a sleek and versatile chair featuring wooden legs and a sturdy steel internal frame, upholstered with durable, hard-injection-molded polyurethane foam and available in a variety of fabric or leather finishes (see color chart). Inspired by Studio Orlandini’s innovative vision, the Arca collection redefines seating for lounges and waiting areas, offering three adaptable declinations—lounge, small, and mini—that can be paired with multiple base styles to suit diverse environments, from quick-service waiting rooms to relaxed meeting spaces or conference settings. The collection’s signature two-tone upholstery and customizable bases allow for endless design possibilities, ensuring both aesthetic harmony and functional flexibility. A downloadable 3D file of the product is available for design planning.
**True Design**, the Italian manufacturer behind Arca Mini, is a renowned name in contemporary furniture, crafting high-quality, modern pieces for residential and commercial interiors since 2002. For further details, explore **ARCA MINI by True Design**.
**Preziosi and Riace** are exquisite indoor glass wall and floor tiles, available in a variety of stunning color options. These unique tiles feature metallic finishes that create captivating glows and reflections, adding an emotional and luxurious touch to any space. The carefully crafted glass thickness enhances the brilliance of gold, silver, and copper accents, making them perfect for elegant glass floors, wall claddings, slabs, basins, and heaters. Part of the **PREZIOSI, HI-TECH, APOLLO, and RIACE** collections, these tiles deliver a sophisticated and timeless aesthetic for any design project. A 3D file of the product is also available for download, allowing for seamless integration into your planning process. For more details, refer to **RIACE RI 110 Vetrocolor**.
**Vetrocolor**, a renowned Italian supplier specializing in high-quality glass mosaic and glass tiles, offers a diverse range of elegant and durable solutions for interior design projects worldwide. Explore their collections at [https://vetrocolor.it/](https://vetrocolor.it/).
Here’s your rephrased and expanded product description, including a concise supplier overview and a note about the 3D file:
*"The Selfy side tables embody refined elegance through a harmonious blend of premium materials, featuring a metal base available in two sophisticated finishes—painted dark bronze anodized or gold satin—paired with an upper top crafted from luxurious options like Calacatta marble, Emperador marble, Portoro marble, Sahara noir marble, or painted Ash veneer. A downloadable 3D file of the product is available for detailed visualization. Supplied by CTS SALOTTI, a renowned Italian furniture manufacturer with over 30 years of expertise in high-end residential and commercial design, the tables reflect their commitment to quality and timeless aesthetics."*
(Note: I condensed the supplier details to one sentence while retaining key credibility points—origin, experience, and specialty.)
Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file:
*The Tulip is a sleek, minimalist metallic console with a 10 mm thickness, featuring a discreet, no-visible-fixing design for a seamless aesthetic. It is finished with a durable epoxy powder coating in a rich anthracite (manganese) tone and is available in multiple sizes to suit diverse spaces. A downloadable 3D file of the product is available for visualization and planning. For further details, contact the manufacturer, Adriani e Rossi edizioni—a renowned Italian interior design supplier celebrated for its fusion of traditional craftsmanship and contemporary elegance.*
Relief is a polypropylene monocoque chair collection, characterized by soft and comfortable lines. The shell has two high reliefs in different finishes, that recall virtual cushions on the seat and on the backrest, emphasizing the minimal but not trivial form. From this technical detail derives the name Relief. The chair has a polypropylene shell, which is assembled on different bases.Three versions are available: plastic, with upholstered seat or fully upholstered. The ergonomics of the shell make Relief perfect as a work, meeting or conference chair.
Formal neatness, several basis available and great lightness: this is Sicla, a chair made of a lightweight and comfortable monocoque. A rib inserted on the back of the chair provides extreme stability to the backrest. The seat can be entirely upholstered or only provided with a seat panel. The colours of the polypropylene shell create a subtle play of light and shadow with the rib and armrests, showing all its stability in its lightness.
Recommended Products
A wide range of product from furniture to finishes to meet the desire of all designers.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
UPHOLSTERY
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auckland - 7071.18
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harding - 7070.07
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harding - 7070.08
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furka plus - 7064.14
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acton - 7062.20
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leone plus - 7054.02
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noss - 7058.13
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lani - 7060.49
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wolin - 7050.32
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wolin - 7050.35
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hestan - 7035.11
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hestan - 7035.22
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cyprus - 7038.15
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lindau - 7028.01
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lindau - 7028.09
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dalma - 7024.13
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dalma - 7024.14
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