BILIA MINI by Fontana Arte

UOVO LARGE

Fontana Arte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

Fontana Arte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

Fontana Arte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

Fontana Arte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

Fontana Arte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

Fontana Arte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

Fontana Arte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

Fontana Arte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

Fontana Arte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

Fontana Arte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

Fontana Arte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

Fontana Arte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

Fontana Arte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

Fontana Arte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

Fontana Arte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

Fontana Arte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

Fontana Arte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

Fontana Arte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

Fontana Arte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

Fontana Arte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

BILIA MINI

Fontana Arte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

CLUB

Serien > Floor lamp

This family of timelessly classical floor lamps has been improved to satisfy sophisticated demands. Slender aluminum profiles invisibly hold the seamless halves of the shade without any unsightly shadow lines. Its friendly atmospheric upper and lower lights can be regulated separately via push buttons on the side. Any superfluous cable is wound up in the base.The ideal place for this iconographic floor lamp is next to a comfortable armchair. Private spaces waiting areas and hotels offer many possible uses for the multifunctional CLUB.

WHITE WOOD

Skema > Floor plank

One Well Known Sequence -10

Michael Anastassiades > Ceiling lamp

This collection of fixtures uses the standard unit of the light tube as a measure. Through the alternation of 1m and 0.5m modules, it creates a rhythmic language of recording space. The designs evolve as a parallel progression of rods, combining five variations of standard linear LED bulbs and metal tubes of the same diameter. With this series, Michael Anastassiades expands the compositional possibilities of some of the most structural elements of lighting, engaging the viewer in a rigorous yet playful exercise in measuring. 

Twiggy

Foscarini > Floor lamp

A fine arched line, a flexible sign which by magic suspends a large diffuser in mid-air: this is Twiggy, a floor lamp that meets multiple setting and lighting requirements.

ALPHA 7950 - LED wall lamp

Vibia > Wall lamp

This modern wall lamp features a sleek, adjustable design perfect for bedroom use. Crafted from matte-finished metal, it offers a minimalist aesthetic that complements contemporary interiors. Ideal for creating a focused lighting effect in intimate spaces.

POD - Brass pull handle

Dnd > Finishes accessories

MG5434 - Round solid wood table

OAK > Table

Table in hand carved solid oak wood with gilt details, marble top thickness cm. 3.

RECTANGULAR - Resin laundry container

Vallvé > Cabinet

INLET WITH TRIM

Delta Light > Ceiling lamp

INLET WITH TRIM is a Delta Light architectural lighting fixture. Ingress protection IP20. Colour temperature 2700K-3000K. Available in 2 finishes: Alu Grey, White.

48" Stem Kit, 16mm Diameter

Hubbardton Forge > Functional light

16mm diameter stem kit for use with select Hubbardton Forge fixtures. Includes one 48" stem.

36" Stem Kit, 16mm Diameter

Hubbardton Forge > Functional light

16mm diameter stem kit for use with select Hubbardton Forge fixtures. Includes one 36" stem.

Cavaletti Sconce

Hubbardton Forge > Wall lamp

A cavaletti is the support and bar horses jump during competition. But you don't have to like horses to love this wall sconce. Each piece is created from steel square bar stock heated in our forge, and skillfully drawn out to a taper before the pieces are interlocked.

Arc Linear Pendant

Hubbardton Forge > Ceiling lamp

Sweeping arcs of steel and classic lines envelope eight elegant pieces of clear glass with flowing white swirls. The Arc Linear Pendant features eight candelabra sockets and is suited to a variety of settings. Available in all standard finishes.

Camomila

ABC Worldwide Stone > Floor tile-stone

Camomila is a natural stone in black tones. Available in polished and honed finishes.

Uranus Console

Alcarol > Console

As a suspended composition of Burled Poplar wood and transparent crystalline depth, this console transforms organic matter into a luminous sculptural presence inspired by celestial atmospheres and shifting perceptions of light. The intricate grain of the Burled Poplar — marked by knots, eyes, and unpredictable growth patterns — is enhanced through a verdigris pigmentation process that gives the wood an iridescent green radiance. Light continuously interacts with the surface, creating reflections that seem to move beneath the transparent volume, evoking the visual depth and ethereal tones of distant planetary landscapes. The transparent structure creates a seamless continuity between the legs and the top, allowing the material and crystalline depths to flow uninterrupted through the entire piece like a suspended bridge between solid matter and light. The live-edge slabs appear to float weightlessly while remaining connected in perfect equilibrium, amplifying the sensation of fluidity and suspended movement. More than a console, the piece becomes a contemplative object where nature, perception, and transparency merge into a continuous sculptural landscape.

AEOLIE Coffee Table

Alcarol > Coffee table

The Aeolie Coffee Table evokes a volcanic formation emerging from the depths, where lava meets water and solidifies in suspended time. The stone retains the marks of rapid cooling — irregular, porous, alive with internal tension — while the transparent resin surrounds it like a liquid field, preserving the moment of contact. The surface appears to hover within this transparent volume, as if still immersed, while the bronzed steel base provides a subtle grounding — a horizon between seabed and open space. The object becomes a landscape shaped by opposing forces: a fragment of territory born underwater, where matter has found balance between expansion and containment.

STUMP Stool - Walnut

Alcarol > Stool

alcarol recovered a stunning walnut log and decided to cut it in two, in order to create a couple of stump stools. The two halves perfectly match, recreating the original log as it was found in the undergrowth of the Italian Dolomite mountains. The alcarol’s environmental cross-section allows to reveal the intimate essence of wood, hidden in the heart of the log. Natural bark surface is preserved with its native populations of plants, which are embedded in a resin resembling the water that generated their life. By filling the gaps with resin, alcarol achieves a new functionality with the poetic choice to freeze time at the end of the material’s cycle and giving it a new life before it goes to waste. The section planes – through touch, sight and olfaction of different materials – allow to transcend the ordinary perception of a place.

LEAFPRINT Coffee Table C

Alcarol > Coffee table

Made from a gem-shaped volume in copper-plated steel – inspired by the prismatic structures of metallic minerals – the Leafprint Coffee Table embodies the timeless dialogue between the fleeting nature of the organic world and the enduring essence of inorganic matter. The plant world is rich in tannins, natural compounds that react with metals to form oxides and surface patinas. Real leaves and underwood plant fragments are immersed in tannin-based solutions and oxidizing agents to accelerate and control natural oxidation, interacting with the metal to create one-of-a-kind textures and patinas with organic, ever-changing hues. The mirrored copper surfaces, marked by organic imprints, play with light and depth, producing a dynamic effect that shifts with the gaze and the surrounding environment.

LEAFPRINT Low Table B

Alcarol > Side table

Made from a gem-shaped volume in copper-plated steel – inspired by the prismatic structures of metallic minerals – the Leafprint Low Table embodies the timeless dialogue between the fleeting nature of the organic world and the enduring essence of inorganic matter. The plant world is rich in tannins, natural compounds that react with metals to form oxides and surface patinas. Real leaves and underwood plant fragments are immersed in tannin-based solutions and oxidizing agents to accelerate and control natural oxidation, interacting with the metal to create one-of-a-kind textures and patinas with organic, ever-changing hues. The mirrored copper surfaces, marked by organic imprints, play with light and depth, producing a dynamic effect that shifts with the gaze and the surrounding environment.

RAPOLANO One Side Console

Alcarol > Console

Nestled in the Sienese hills, the town of Rapolano has long been a land where stone and water intertwine. Since ancient times, its thermal springs have drawn those in search of healing, while its travertine – shaped by centuries of mineral sedimentation – has served as a building material since the Etruscan era. Formed by the slow precipitation of carbonate minerals in underground waters, this unique travertine bears fibrous textures and earthy hues – from soft white to warm rust – that make it unlike any other in the world. Often found in caves and thermal basins, it carries within its veins the memory of flowing water and geological time. In collaboration with Vaselli, alcarol has salvaged timeworn fragments of this living stone, preserving its natural cavities with a transparent resin that recalls the thermal waters in which it once lay submerged. The Rapolano One Side Console is a sculptural flow. Rising vertically from the ground, unfolding in a single horizontal stretch, and returning once more to the earth, it traces a seamless path, like water shaping its course through stone. A continuous gesture where material, memory, and movement converge in one timeless form.

LAVA Side Table

Alcarol > Side table

The matter surface is the one that is normally revealed, but only by going deeper can we fully understand the processes and forces that generated it. Lava is molten rock that has been expelled from the interior of a planet onto its surface. Lava may have erupted on land or underwater. The word Lava comes from Italian and is probably derived from the Latin word labes, which means a fall. Lava stool is made of Lava rocks from the Etna volcano on the island of Sicily, Italy, one of the world’s most active volcanoes with eruptions occurring beneath the sea since about 500,000 years ago. During submarine eruptions, the molten magma meets the sea, and its violent encounter with water sculpts the rock into fluid, organic forms that seem to freeze movement itself. Each fragment thus carries within it the memory of that encounter — a fleeting instant of transformation made eternal. The rocks seem frozen and suspended in an infinite cosmic moment, like a sort of underwater cross section that has flung open the doors to this ancestral activity of the Universe, in all its majesty and wonder. Lava is a meditation on terrestrial matter with its gaze turned toward the cosmos, where time solidifies into stillness and energy becomes reflection. The natural stone surface is left uncovered, revealing the tactile power of the material — its density, its silent strength, its primordial warmth. Each fragment tells of the slow cooling of magma, the transformation of chaos into form, of fluid fire turned solid and eternal.

PLANET X Table

Alcarol > Table

Planet X Table is a reflection around human visual perception of Nature and Cosmos, a play with the process by which the physical energy received by sense organs forms the basis of perceptual experience. Planet X Table is a meditation on perception — an exploration of how the eye and mind translate the vastness of nature and the cosmos into tangible experience. Inspired by the hypothesis of an unseen planet orbiting in the far reaches of our solar system, Planet X evokes the mystery of distant matter suspended in space and time. At first glance, its materials seem unfamiliar, almost weightless — as if joined in zero gravity. In reality, the tabletop is crafted from two Burled Poplar planks, their live edges and swirling grain recalling planetary atmospheres. The two fragments merge within a crystal-clear medium, frozen like cosmic ice. Three transparent pillars pierce and support the circular top in apparent levitation, playing with light and refraction, concealing their structure within luminous, extraclear volumes. The result is an illusion of suspension — a fragment of our planet transformed into an object that feels extraterrestrial. The rare Burled Poplar, naturally deformed and richly figured, undergoes a special colored-oil finishing that amplifies its inherent holographic quality. This treatment reveals a vibrant, shifting depth — as if the wood itself were reflecting multiple dimensions of light — making the material almost unrecognizable, suspended between the organic and the cosmic. Between gravity and light, Planet X Table reveals the invisible — where earthly matter becomes a mirror of the universe, and perception transcends reality.

Chiron Table

Alcarol > Table

In astronomy, Chiron was first thought to be an asteroid, but it is in fact one of the most massive known periodic comets — a wandering body that orbits around Uranus, the green planet. Like its celestial namesake, the Chiron Table explores perception itself: the way light, matter, and the human eye collaborate to create what we call reality. At first glance, the materials seem unearthly, as if joined in zero gravity. Yet they are of this planet — two planks of Burled Poplar with organic live edges, joined and encased within a clear, luminous medium. Their forms stretch toward each other without ever touching, held in balance by three irregular transparent pillars that pierce and support them in a seemingly weightless gesture. The Burled Poplar — a wood whose grain grows in spontaneous, natural deformation — reveals a swirling, unpredictable pattern that no human hand could design. Through a special verdigris and oil finishing, the surface acquires a holographic radiance that amplifies the wood’s innate depth and fluidity. Under shifting light, its grain moves and breathes, as if alive, transforming the material into something almost unrecognizable — no longer mere wood, but a living reflection of light itself. Chiron is not a table of outer space, but a terrestrial one — a vision of our own planet seen as if from afar. It reminds us that the extraordinary already exists beneath our feet, waiting only to be perceived. It invites us to look deeper into the familiar, and to rediscover the wonder of what is real.

SURFACING TRUNK Stool / Side Table

Alcarol > Side table

Surfacing Trunk Stool is crafted from discarded sections of dead trees, sourced from the wetlands of the Italian Dolomites. Its natural bark surface, still bearing mosses and tiny native plants, is preserved in a transparent resin that recalls the still water of its habitat. By filling the irregular cavities with resin, alcarol doesn’t only restore structure, it freezes a moment in time, just before nature’s cycle would reclaim the material. What was once overlooked becomes a quiet presence, holding the memory of a forest floor immersed in silence and slow decay. This is not just a stool, but a fragment of territory surfacing from below, suspended between end and rebirth.

FUNGI Rectangular Coffee Table

Alcarol > Coffee table

Recovered from the Italian Dolomite forest, the Fungi Table is crafted from a large Beech log marked by native fungal activity — each line and shadow a silent record of time, place, and transformation. The live edges are encased in an extra-clear resin that evokes the winter ice once halting the fungi’s growth, preserving a fleeting natural process in stillness. The plank has been cut with a fine blade and rejoined with precise alignment of the fungal woodgrain, forming an L-shape with corners so seamless that both wood and resin appear uninterrupted. Through a proprietary process, alcarol creates a single, continuous volume — a solid trace of ephemeral life. This invisible joinery can be adapted for various typologies: tables, benches, shelves, and beyond. Each piece is unique — a quiet testament to the living conditions that shaped it, and to the poetry of transformation hidden in decay.

Slash

BeWall > Wallpaper

Lambris wall covering

Devon&Devon > Wallcovering

Black ceramic slab wall covering. Cm 92x32. Discontinued item.

Blend 430.BLE1

Fi.Ma > Bench

Seating with structure in brass or steel, with cataphoretic treatment and powder-coated with RAL coloration. Seating and backrest in natural hardwood battens and/or treated and painted with fire-resistant basis layer. Patented model

GridWork

Established and Sons > Wood flooring

GridWork, designed by Raw Edges for Established & Sons in collaboration with Tongue & Groove, reinterprets the square grid pattern in solid-engineered…

Ease Portable Lamp

Muuto > Table lamp

Inspired by shapes of traditional table lamps, the Ease Portable Lamp transforms this typology into a carriable size suitable to take wherever. Ease offers a high-quality dimmable, no-glare light with 3 levels, striking a balance between atmospheric and functional light. The design has a distinct lightness to it, with the top and bottom gently touching. A slightly flared bottom mimics the lip of a vase in a grounding gesture that allows the base to be slimmer and easier to grab. Ease Portable Lamp is a humble friend with a strong character that works alone or in repetition in any setting; from the bedside, reading nook and home office to the café table, co-working space or library. ​

Tip Table Lamp

Muuto > Table lamp

Created from the idea of stripping a design down to its essentials, the Tip Table Lamp is an example of simple, functional design with careful attention to detail. Offering direct as well as ambient light, the lamp's adjustable head and arm feature an opal diffuser and dimmer function that effortlessly alters the volume of light.

Cosy In Grey Table Lamp

Muuto > Table lamp

With its modern shape in mouth-blown glass, the Cosy In Grey Table Lamp provides gentle lighting through its dimmable naked bulb, encased in smoked grey glass. Place the Cosy In Grey Table Lamp in any space for a new perspective on ambient lighting.

Halo Portable Light Bronze

Astro > Table lamp

Halo is a portable lamp that brings comfortable task lighting to any space in your home, including bedside tables, work surfaces or the living room. Available in Light Bronze, it complements any modern décor. Halo's intuitive touch control and durable, contemporary design make it the ideal choice for modern task lighting.

Bourgie xmas limited edition

Kartell > Table lamp

Bourgie is unveiled in the new matte version available in black and white, with a matte, soft-touch effect for more contemporary furnishing in line with today’s tastes, in addition to the traditional finishes.

Bourgie metal gold

Kartell > Table lamp

Bourgie unites classicism, wealth and tradition with technological innovation. The baroque-style base consists of three decorated elements that interlock, while the large shade is created with a pleated effect which creates a multitude of reflections when lit. Thanks to a special system used to hang the shade, three different heights can be obtained, altering them to suit personal preference, depending on the use to be made of the lamp: 68, 73 and 78 centimetres.

Bourgie

Kartell > Table lamp

Bourgie unites classicism, wealth and tradition with technological innovation. The baroque-style base consists of three decorated elements that interlock, while the large shade is created with a pleated effect which creates a multitude of reflections when lit. Thanks to a special system used to hang the shade, three different heights can be obtained, altering them to suit personal preference, depending on the use to be made of the lamp: 68, 73 and 78 centimetres.

Planet

Kartell > Table lamp

A family of lamps: suspended, for a coffee table and with a metal structure, and the most recent floor version of the lamp is available in two heights: 130 and 160 cm. The distinctive trait is the shape of the slightly elliptical transparent diffuser, which is characterised by a multi-faceted surface, both inside and out, which creates a rich tapestry of reflections.

Toy

Kartell > Table lamp

The iconic bear of Moschino, re-launched by the designer, becomes a table lamp for Kartell that interprets the playful, irreverent and colourful style that the two brands have in common.

Colette ATD6

&tradition > Table lamp

Named after the famed and pioneering French author known simply as ‘Colette’, &Tradition’s new table lamp has an avant-garde aesthetic. Showcasing a tactile shade and base, this dimmable lamp is elegant, fresh and playful.

Bilboquet

Flos > Table lamp

Table lamp with adjustable head. Integrated LED bulb and cut-off providing direct lighting . Body made of a special pigmented polycarbonate deriving from a by-product of paper production rather than from petroleum. Adjustability through steel sphere treated with protective layer deposited in PVD. Useful length of the cable 2 mt. The cable can be adjusted and locked in place through a special slit in the base of the lamp. The product has been designed according to the ISCC standards and it is assembled with total absence of glued components so that it can be completely separated for future recyclability.

Snoopy

Flos > Table lamp

Table lamp giving direct light with enamelled metal reflector and white Carrara's marble base. It was designed by Achille e Pier Giacomo Castiglioni in 1967.

Gatto

Flos > Table lamp

Table lamp providing diffused light. White powder coated internal steel structure sprayed with a unique "cocoon" resin to create the diffuser which is then protected by a transparent sprayed on finish. On the cable there is the electronic  dimmer which allows the regulation of light brightness.

Cestita Alubat

Santacole > Table lamp

Robust yet lightweight, Cestita Alubat is ready for action indoors and out. Its aluminium structure, with a closed plastic balloon for better sealing and a rechargeable battery, is distinguished by its sobriety.

Cestita Alubat

Santacole > Table lamp

Robust yet lightweight, Cestita Alubat is ready for action indoors and out. Its aluminium structure, with a closed plastic balloon for better sealing and a rechargeable battery, is distinguished by its sobriety.