TROPICO GRANDE - 2d files - 3d files
PRODUCT DESCRIPTION
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
SUPPLIER: FONTANAARTE
TYPE: LIGHTING
LIST OF FILES:
Istruzioni di montaggio - TROPICO_IDM.pdf
2D - TROPICO_F442110_2D.dwg
3D - TROPICO_F442110_3D.stp
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Other Products From This Supplier
A wide range of product from furniture to finishes to meet the desire of all designers.
UOVO LARGE
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO MEDIUM
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
UOVO SMALL
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.
PAROLA
fontanaarte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
PAROLA
fontanaarte > Table lamp
Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.
REGINA
fontanaarte > Table lamp
Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.
ASHANGHAI
fontanaarte > Table lamp
This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.
METAFORA
fontanaarte > Table lamp
Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.
LASOSPESA
fontanaarte > Table lamp
FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
UOVO RECHARGEABLE
fontanaarte > Table lamp
A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
OORT
fontanaarte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
OORT
fontanaarte > Table lamp
The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.
DARUMA LARGE
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA MEDIUM
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
DARUMA SMALL
fontanaarte > Table lamp
On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
BLOM
fontanaarte > Table lamp
Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.
MATRIX LARGE
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX LARGE
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
MATRIX MEDIUM
fontanaarte > Table lamp
Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.
Recently Viewed Products
A wide range of product from furniture to finishes to meet the desire of all designers.
BOW SPH
tossb > Ceiling lamp
Since Roman times, the ‘arch’ is one of the basics in architecture. It’s part of our daily life (even if we don’t notice it), and it expresses at the same time deepness, strength and equilibrium. ‘bow’ tries to translate the essence of the arch into a minimalistic luminaire. Gravity and balance, combined with the arch, are the other ingredients involved in the design of this product. It is a small family composed by a floor/hanging lamp, and 7 different chandeliers (2, 4 or 6 bulbs).
Søborg Metal Base Seat upholstered
fredericia > Chair
The Søborg chair is a comfortable chair with generous proportions in the seat and back, both of which are available with or without upholstery. This makes the chair suitable for restaurants as well as meeting rooms, casual workspaces and private homes. The chair was designed in 1952 and is one of Børge Mogensen’s rare works in steel. The Søborg chair has replaceable components that can be renewed separately as needed.
TROPICO GRANDE
fontanaarte > Table lamp
The "shape of light" is the central theme of this project by Gabriele and Oscar Buratti, which began with the Equatore family of lamps, presented in 2017 and now expanded to include other finishes, and continues with the new Meridiano and Tropico. Forms of glass and metal that collect, contain and diffuse light in space. Passing between opaline, coloured and transparent layers, emphasised by the refined curves and the magic of blown glass, the light is free to create surprising and fascinating effects, patterns and moods. Tropico is a spherical cap of opaque opaline glass, flattened and fixed by a large mirrored metal boss. The family comprises wall/ceiling and table versions, both available in three different sizes.
Eva-Sheepskin
mathsson > Chair
Mi 472 EvaDesigned in 1941, further development of the original model from 1933.Loungechair with seat of solid Birch. Arms and underframe of bentlaminated Beech. treated with clearcoat, alternatively untreated or black pigmented laquer.Alternatively Chair with seat of solid, stained Birch. Arms and underframe of bentlaminated Oak. Treated with waxoil alternatively Smoked Oak (pigmented waxoil).Seat covered with sheepskin over plaited webbing and Flamestop wool felt. Sheepskin in the colours: black, drake, offwhte and scandinavian grey. Width 600, depth 710, height 820, seatheight 340 mm.Mi 471 Eva. Performance as Mi 472 but without arms. Width 490, depth 710, height 820, seatheight 340 mm.
CAYERES - Fabric with graphic pattern for curtains _ Élitis
Élitis > Curtain
Cayeres is a vibrant patterned fabric designed for curtains, featuring broken, multicolored lines that burst across a rustic canvas, adding a lively touch to any space with its intricate embroidery stitches. The fabric is composed of 51% linen, 36% cotton, 11% polyester, and 2% viscose, offering a durable and textured feel. It boasts raised multicolored embroidery, is washable, and has excellent light resistance, with a UV lightfastness rating of 6 out of 8. The pattern repeats vertically every 38 cm (15") and horizontally every 42 cm (17"), with a weight of 17 oz per square yard. Available for purchase by the linear meter, Cayeres is a versatile choice for both residential and commercial interiors. Additionally, a 3D file of the product is available for download, allowing for easy visualization and integration into design projects. Élitis, the supplier behind Cayeres, is a globally recognized interior design brand founded in 1988, celebrated for its innovative and luxurious wallcoverings, fabrics, and furniture that combine bold patterns, rich textures, and vibrant colors to create timeless, sophisticated spaces.
DAFNE - Upholstered leather chair _ Cattelan Italia
Cattelan Italia > Chair
The DAFNE chair is a striking piece of modern design, featuring a frame crafted from titanium (GFM11) or bronze (GFM18) embossed lacquered steel, paired with a luxurious soft leather or synthetic leather cover, available in a variety of colors and textures as per the sample card (non-removable). Designed by CS LAB, this chair stands out with its perforated backrest, cone-shaped base, and intricate detailing, showcasing a blend of creativity and precision. The upholstery elegantly drapes around the base, revealing a polished metal breastplate at the front, while the polygonal-shaped seat and backrest, with their rounded edges and gentle curves, create a harmonious and ergonomic design. The elliptical cavity in the backrest adds a unique touch, likened to a pearl within a shell, making the DAFNE chair a true statement piece. Perfect for modern dining rooms, it combines royal elegance with premium comfort, embodying the essence of luxury. A 3D file of the DAFNE chair is available for download, allowing for detailed visualization and planning. Cattelan Italia, the esteemed Italian supplier behind this masterpiece, has been a leader in contemporary interior design since 1979, renowned for its innovative, high-quality furniture and accessories that blend Italian craftsmanship with modern aesthetics.
RILIEVO - 3 hole brass shower mixer with hand shower _ Gessi
Gessi > Tap
**Rilievo** is an elegant three-hole shower mixer with a plate and an anti-limescale hand shower, crafted from high-quality chromed brass and available in a variety of sophisticated finishes. Inspired by the timeless harmony of geometric purity, its design masterfully blends the dynamic energy of a circle with the stability of a square—symbolizing balance and perfection. This striking fusion of form and function transforms the bathroom into a sanctuary of relaxation and aesthetic refinement. A 3D file of the product is available for download, allowing for seamless integration into design plans. **Gessi**, the esteemed Italian luxury design house behind Rilievo, is renowned for its innovative bathroom and kitchen fixtures, combining cutting-edge craftsmanship with timeless elegance. For more details, visit [www.gessi.com](http://www.gessi.com).
TERRE TOSCANE - Indoor/outdoor porcelain stoneware wall/floor tiles _ Casalgrande Padana
Casalgrande Padana > Wall tile-stone-brick
Volta zodiac-3 483
Fabromont > Synthetic Floor
Zodiac-3 483 – Espresso Depth for Rich Floor Accents Dark and delicious, Zodiac-3 483 brings espresso richness to the floor—elevating any scheme with confidence. Whether in cocktail bars, heritage hotels, or brand headquarters, this shade creates an opulent, grounded feel.
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TECO - LED blown glass table lamp _ Italamp
Italamp > Table lamp
Italamp Teco 3058/LG Table Lamp – A Statement of Contemporary Elegance Refined Italian Craftsmanship in a Modern Form The Teco 3058/LG Table Lamp by Italamp is a striking blend of modern design and refined craftsmanship, embodying the essence of Italian lighting excellence. With a design that is both sophisticated and adaptable, this lamp is the perfect addition to contemporary interiors, offering an ambient glow that enhances the atmosphere of any space. Whether placed in a luxury hotel suite, a high-end restaurant, an executive office, or a stylish residential living room, the Teco 3058/LG brings a touch of understated elegance. Exquisite Design and Premium Materials Designed with meticulous attention to detail, the Teco 3058/LG features a beautifully blown glass body, seamlessly transitioning from the base to the diffuser. The glass is available in a refined white-shaded finish, ensuring a soft, harmonious light that elevates the ambiance of any room. The top diffuser, a key feature of the design, comes in mirror-effect gold or titanium, adding a luxurious accent while enhancing the reflective qualities of the light. Supporting the glass structure is a sturdy metal base, available in finishes such as light gold, iron grey, and white. These options provide flexibility, allowing the lamp to be tailored to various interior palettes, from warm, classic settings to cool, industrial-inspired environments. Dimensions and Technical Specifications Diameter: 36 cm Height: 48 cm Light Source: 1x GU10 LED bulb (maximum 8W) Voltage: 110V With its compact yet statement-making dimensions, the Teco 3058/LG is an ideal fit for bedside tables, console tables, desks, and hospitality settings, offering both practical lighting and a decorative presence. Perfect for Residential, Hospitality, and Commercial Spaces One of the greatest strengths of this lamp lies in its versatility. The combination of high-quality materials, timeless design, and soft yet effective lighting makes it suitable for a variety of applications: Luxury Residential Interiors In homes and apartments, the Teco 3058/LG serves as a chic lighting accent for living rooms, bedrooms, or reading nooks. Its warm, diffused light creates an inviting atmosphere, while its sleek silhouette complements modern, Scandinavian, and contemporary interior styles. Hotels, Restaurants, and Bars For the hospitality industry, lighting is crucial in shaping the mood of a space. The Teco 3058/LG’s mirror-effect top diffuser and sophisticated finishes make it an excellent choice for high-end hotels, boutique restaurants, and stylish bars, where it can enhance the luxurious ambiance without overpowering the overall design. Office and Workspaces In executive offices and co-working spaces, where aesthetics and functionality go hand in hand, this lamp provides a stylish lighting solution that complements modern desks, conference rooms, and reception areas. Its soft yet precise light makes it ideal for workspaces requiring focused but atmospheric illumination. Aesthetics: Minimalist with a Luxurious Edge Modern Minimalism – The clean lines, smooth glass surface, and simple yet effective structure align with minimalist design principles. Sophisticated Elegance – The combination of refined materials and luxurious finishes adds a sense of exclusivity and style. Versatile Appeal – Available in various finishes, the lamp can be tailored to different aesthetics, from classic elegance to industrial chic. Alternative Options in the Teco Collection For those looking for a cohesive lighting scheme, Italamp offers additional models in the Teco series, such as the Teco 3057/LG and Teco 3059/LG, which feature similar design elements but differ in size and proportions. These variations provide options for different spatial needs while maintaining the same sophisticated appeal.
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