UOVO OUTDOOR - 2d files - 3d files

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

Plan Table Extendable

fredericia > Table

The Plan Table Extendable is designed for flexible collaboration spaces, restaurants, and private homes. While conventional extension tables are fitted with rather complicated extension mechanisms, the Plan Table extension table has aimed to simplify the tool as much as possible – with the principle that reducing complexity prolongs a product’s life. The newly developed Fredericia extension mechanism runs without wires and can be easily handled by one person. It allows for two additional seats or just a convenient extra space to be added to the table. The additional table top is stored under the table while not in use.

Piloti Wood, 46,5x39 cm

fredericia > Styling

The Piloti tables in wood are made from solid oak. The Piloti series comes in a range of sizes and two optional heights, making them ideal individually, together in groups or nested above each other. A subtle profiling of the solid wood table top transits to the legs at each corner, creating a balanced entity. Piloti was designed by the Copenhagen-based Portuguese designer Hugo Passos in 2016.

Pal Table Ø44

fredericia > Styling

Pal is there whenever you need it. It’s a small, occasional table that’s movable and easy to access. Pal’s solid wood table top is crafted to resemble a serving tray and a slim stem elevated by a slim stem in stainless steel or powder-coated steel. The Pal tables are designed by Milan-based Japanese designer Keiji Takeuchi in 2020.

Silhouette Mirror Ø55

fredericia > Styling

Silhouette is a series of mirrors framed in solid wood, informed by a focus on materials, craftsmanship and the experience of living with design. The concept is based on a simple geometric equation – a round, a square and a rectangle as universal shapes that are timeless, trendless and, at the same time, contemporary.

Silhouette Mirror 70x180

fredericia > Styling

Silhouette is a series of mirrors framed in solid wood, informed by a focus on materials, craftsmanship and the experience of living with design. The concept is based on a simple geometric equation – a round, a square and a rectangle as universal shapes that are timeless, trendless and, at the same time, contemporary.

Silhouette Mirror 70x70

fredericia > Styling

Silhouette is a series of mirrors framed in solid wood, informed by a focus on materials, craftsmanship and the experience of living with design. The concept is based on a simple geometric equation – a round, a square and a rectangle as universal shapes that are timeless, trendless and, at the same time, contemporary.

moroni - 8060.06

vescom > Curtain

fine-weave, unpatterned curtain fabric in black-out design

moroni - 8060.20

vescom > Curtain

fine-weave, unpatterned curtain fabric in black-out design

moroni - 8060.22

vescom > Curtain

fine-weave, unpatterned curtain fabric in black-out design

rani - 8067.02

vescom > Curtain

structured linen look curtain fabric, dim-out

rani - 8067.06

vescom > Curtain

structured linen look curtain fabric, dim-out

rani - 8067.08

vescom > Curtain

structured linen look curtain fabric, dim-out

rani - 8067.18

vescom > Curtain

structured linen look curtain fabric, dim-out

rani - 8067.19

vescom > Curtain

structured linen look curtain fabric, dim-out

rani - 8067.20

vescom > Curtain

structured linen look curtain fabric, dim-out

rebun - 1112.13

vescom > Wallpaper

coarse-weave linen structure with a matte, irregular look

Calmo 3 seater Chaise, 80 cm cushions

fredericia > Sofa

Calmo is a sofa concept designed for contemporary needs in both private and public spaces. The sofa’s proportions offer a roomy sense of cosiness that allows for work and conversation as well as relaxed comfort. Straight lines converge with discrete curved details in this Hugo Passos design which subtly breaks with the formality of the typical Scandinavian sofa.

RE

fontanaarte > Floor lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

REGINA

fontanaarte > Floor lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

TRIPOD

fontanaarte > Floor lamp

Slender, elegant and extremely long legs give this floor lamp a sense of lightness, yet also of great stability. Like the ancient Greek tripod, a symbol of hospitality, the end of each support is fitted with a Led light source with different forms and functions: the longest leg has a sphere that produces a diffused ambient light, while the other two have adjustable spotlights for a direct and concentrated light. The structure is kept simple thanks to the cable organizing system, which runs inside the tubular legs. The lamp comes with frame and fixtures, which lend the lamp a precious elegance.

THEA

fontanaarte > Floor lamp

Table, floor, wall, ceiling and pendant, THEA is a family of lamps that covers all types of applications, designed for use both in the domestic environment of the home and in the more public and contract spaces of the hotel, restaurant and work sectors.

UOVO OUTDOOR

fontanaarte > Floor lamp

In production since 1972, the Uovo table lamp has achieved a great success thanks to its ironic and elegant design. Established design icon, Uovo is one of the FontanaArt‘s most representative projects. A natural shape that has always been a symbol of perfection, in which symmetry and asymmetry coexist harmoniously. The shell contains a light source: an ironic idea that still conquers today. As in nature, even in the Uovo lamp the shell is an absolute example of lightness: an elegant shape in satin white blown glass, which uniformly diffuses a warm and enveloping light. In the three sizes available there is all the versatility of a collection designed for multiple uses: from a tiny service lamp - in the smaller version - to a luminous sculpture, the protagonist of the space, in the larger version. With the FontanaArte 2021 Collection, Uovo is again available in the outdoor version.

3247 LARGE

fontanaarte > Floor lamp

Family of lamps, which includes the floor and table version, re-edited by the FontanaArte historical archive. With well-balanced proportions and a simple and refined design, these lamps create atmospheres with soft and harmonious tones.

SKYLINE - 5 seater fabric sofa _ Giorgetti

Giorgetti > Sofa

The **SKYLINE** series by Giorgetti is a collection of modular sofas designed for ultimate comfort and versatility, available in three lengths and featuring options such as chaise longue, back-to-back seating, and stools. The structure is crafted from multi-layer and solid wood, reinforced with elastic straps, while the seat combines flexible multi-density polyurethane and memory foam for a thermosensitive, ergonomic experience. The armrests and backrests are made of high-density expanded polyurethane, covered with soft fibre, and the padding includes goose feathers with multi-density polyurethane inserts. The fully removable upholstery is available in fabric or leather, and the backrest comes in two versions: one with a goose-down cushion and a central polyurethane insert, and another with a leather-panel-supported cushion, both featuring a unique reclining mechanism for adjustable comfort. Armrest options include high (62 cm), moulded high (62 cm), low (51 cm), and a storage armrest with drawers in ash wood, topped with marble or wood finishes in various colors. Additional accessories include low tables and drawer elements with removable trays, available in premium materials like Calacatta marble, walnut, and sapele pommelle mahogany, with optional tempered crystal glass basins. The stool is also available in a quilted, asymmetrically patterned design, and goose-down cushions with removable piping come in 60x60 cm and 40x40 cm sizes. A 3D file of the product is available for download, allowing for detailed visualization and planning. Giorgetti, an Italian luxury furniture brand established in 1898 in Meda, Italy, is renowned for its timeless elegance, exceptional craftsmanship, and innovative designs, offering a wide range of high-end interior products that seamlessly blend contemporary and traditional aesthetics.

SKYLINE - Corner modular fabric sofa with chaise longue _ Giorgetti

Giorgetti > Sofa

The **SKYLINE** series by Giorgetti is a collection of modular sofas designed for ultimate comfort and versatility, available in three lengths and featuring options such as chaise longues, back-to-back units, and stools. The structure is crafted from multi-layer and solid wood, reinforced with elastic straps, while the seat combines flexible multi-density polyurethane and memory foam for a thermosensitive, ergonomic experience. The armrests and backrests are made of high-density expanded polyurethane, covered with soft fibre, and the padding includes goose feathers with multi-density polyurethane inserts. The fully removable upholstery is available in fabric or leather, and the backrest comes in two versions: one with a goose-down cushion and a central polyurethane insert, and another with a leather-panel-supported cushion, both featuring a unique reclining mechanism for adjustable comfort. Armrest options include high (62 cm), moulded high (62 cm), low (51 cm), and a storage armrest with drawers in ash wood, topped with marble or wood finishes in various colors. Additional accessories include low tables and drawer units with tops in marble or wood, and a tempered crystal glass basin in grey or bronze. The stool is also available in a quilted, asymmetrical pattern, and goose-down cushions with removable piping come in 60x60 cm and 40x40 cm sizes. A 3D file of the product is available for download, allowing for detailed visualization and planning. Giorgetti, an Italian luxury furniture brand founded in 1898 in Meda, Italy, is renowned for its timeless elegance, exceptional craftsmanship, and innovative designs, offering a wide range of high-end interior products that seamlessly blend contemporary and traditional aesthetics.

BRASS 95/96 - Brass pendant lamp _ Gervasoni

Gervasoni > Ceiling lamp

The Brass 95/96 suspension lamp, crafted in hammered matte brass, is a striking piece that combines functionality with artistic elegance. With a maximum power of 18 W, 220 Volt, and an E27 bulb holder (bulb not included), this lamp exudes a warm, golden glow, enhancing interiors with its reflective charm. Its delicate, floating brass disc design, available in subtly curved or more pronounced forms, creates a poetic and cinematic ambiance, perfect for individual use or combined installations. The lamp’s handcrafted nature may result in small stains or marks over time due to brass oxidation or the hammering process, which are inherent to its artisanal quality. The Brass collection, which also includes sculptural tables and coffee tables with brass or aluminum tops, embodies a versatile and eclectic aesthetic, making it a standout addition to any space. A 3D file of the product is available for download, allowing for detailed visualization and planning. Gervasoni, the esteemed Italian interior design brand behind this collection, has been crafting timeless, high-quality furniture and accessories since 1882, blending natural materials with meticulous craftsmanship to create pieces that suit modern, contemporary, and eclectic interiors alike.

UNI ICE ACTIVE - Indoor porcelain stoneware wall tiles with stone effect _ Fiandre Architectural Surfaces

Fiandre Architectural Surfaces > Wall tile-stone-brick

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Radiant and timeless, this pure white design brings lightness and versatility to any space, seamlessly blending with both traditional and modern aesthetics—whether used as a primary finish or paired with other styles. More than just a blank canvas, Active Surfaces® by Fiandre Architectural Surfaces combine striking aesthetics with innovative functionality, leveraging photocatalytic technology (titanium dioxide and silver) to create eco-active ceramic tiles with antibacterial, antiviral, anti-pollution, anti-odor, and self-cleaning properties. A 3D file of this product is available for download, enabling seamless integration into your design plans. For detailed technical specifications, refer to UNI ICE ACTIVE Fiandre Architectural Surfaces."* **Supplier note:** *Fiandre Architectural Surfaces, a globally recognized Italian manufacturer, specializes in high-performance porcelain stoneware for residential and commercial projects, offering durable, design-forward solutions.*

ALASKA WHITE MAXIMUM - Porcelain stoneware wall/floor tiles with granite effect _ Fiandre Architectural Surfaces

Fiandre Architectural Surfaces > Wall tile-stone-brick

**Graniti Maximum** is an innovative collection of architectural and interior design surfaces that reimagines the timeless elegance of granite through four exquisite porcelain stoneware options—Alaska White Maximum, Celeste Aran Maximum, Labradorite Maximum, and Deep Norway Maximum—each crafted with meticulously processed grains and crystals to deliver stunning aesthetics and superior technical performance. Developed by **Iris Ceramica Group**, these surfaces feature advanced honed, lapped, and glint finishes, the result of extensive research and innovation. Available in a versatile 300x150 cm large-format panel (with sub-formats) at just 6 mm thickness, they are ideal for cladding floors, walls, facades, and furnishings, offering architects and designers unparalleled creative flexibility. The **Alaska White Maximum** stands out with its dynamic blend of white, brown, red, and grey tones, evoking the expressive energy of a Jackson Pollock painting, while its lapped and honed finishes add a tactile, luxurious appeal. A downloadable **3D file** of the product is available for design visualization. **Fiandre Architectural Surfaces**, a globally recognized Italian leader in high-performance porcelain stoneware, provides these premium surfaces alongside a wide range of architectural solutions for residential and commercial projects. Explore their offerings at [www.granitifiandre.it](http://www.granitifiandre.it).

AESTHETICA BRECCIA CAPRAIA - Full-body porcelain stoneware wall/floor tiles with marble effect _ LaFaenza

LaFaenza > Wall tile-stone-brick

**Aesthetica Breccia Capraia** is an exquisite porcelain stoneware tile collection inspired by the rare and luxurious Breccia Capraia marble, quarried exclusively in the Apuan Alps of Tuscany. This Italian marble, cherished since Roman times for its striking beauty, features a pristine white background adorned with bold, multicolored veins ranging from dark grey and brown to green, burgundy, black, orange, and purple. The dramatic contrast between the bright base and vibrant veining creates a visually captivating and high-end aesthetic. Available in three sophisticated finishes—glossy lapped (120x260 cm, 120x120 cm, 60x120 cm), matte lapped (120x260 cm, 60x120 cm) with a velvety smooth texture, and natural (120x120 cm, 60x120 cm) with enhanced vein detailing—the collection offers versatility for both floors and walls. With a premium 6.5 mm thickness across all sizes, Aesthetica reinterprets classic marble elegance through contemporary color combinations, blending traditional neutrals with unexpected hues for a bold, modern statement. LaFaenza, the esteemed Italian supplier behind this collection, is renowned for its premium ceramic and porcelain tiles, combining innovative design with timeless craftsmanship. *For added convenience, a downloadable 3D file of this product is available for design visualization.* The 2022 palette includes Breccia Capraia, Golden Black, Statuario Extra White, Golden Lighting, and Sky-Blue Onyx, alongside 2021 favorites like Calacatta Extra White, Paonazzetto, Unico Grey, and Arabescato Orobico Brown. Explore more at [www.lafaenzaceramica.com](http://www.lafaenzaceramica.com).

PORFIDO - Paving block _ GRANULATI ZANDOBBIO

GRANULATI ZANDOBBIO > Floor tile-stone

MINT - Natural stone paving block _ GRANULATI ZANDOBBIO

GRANULATI ZANDOBBIO > Floor tile-stone

QUARZITE GIALLA - Outdoor slate wall tiles _ GRANULATI ZANDOBBIO

GRANULATI ZANDOBBIO > Wall tile-stone-brick

ARDESIA MULTICOLOR - Outdoor slate wall tiles _ GRANULATI ZANDOBBIO

GRANULATI ZANDOBBIO > Wall tile-stone-brick

ITALIAN DESIGN - VITAL - Steel door handle on rose _ Fama International

Fama International > Finishes accessories

ITALIAN DESIGN - PRIMULA - Steel door handle on rose _ Fama International

Fama International > Finishes accessories

ITALIAN DESIGN MT4070 - Brass pull handle _ Fama International

Fama International > Finishes accessories

PRAIA 1 Tier - Chandelier _ mullan lighting

mullan lighting > Ceiling lamp

VOX VINTAGE CAGE PENDANT LIGHT - Handmade brass pendant lamp _ mullan lighting

mullan lighting > Ceiling lamp

MINSK INDUSTRIAL COPPER PENDANT - Handmade copper pendant lamp _ mullan lighting

mullan lighting > Ceiling lamp

GADAR GLASS INDUSTRIAL PENDANT - Handmade pendant lamp _ mullan lighting

mullan lighting > Ceiling lamp

Ascoli Floor Matt Black

astro > Floor lamp

Kuro 450 Textured Black

astro > Floor lamp

The Kuro 450 is our first portable, solar-powered, rechargeable outdoor light. An invaluable addition to any garden, balcony or terrace, this contemporary lantern has three brightness settings and a hidden LED that eliminates glare while focusing light downwards .Its pared-back look blends effortlessly with any decorating style and it can be used both outdoors and indoors thanks to an additional USB charging source.

Martello 240 Plaster

astro > Floor lamp

Kabuki indoor

kartell > Floor lamp

The Kabuki floor lamp is injection moulded. The technology used makes it possible to create a woven structure similar to lace with a unique perforated surface through which the light is diffused. Available in indoor and outdoor versions.

Cellu Floor Lamp EU Grey

normann-copenhagen > Floor lamp

Cellu Lamp collection is a modern take on the classic folded lampshade. The elegant lampshade made from PVC for extra durability rests on a powder coated aluminum column and powder coated steel base, both designed with a characteristic, robust expression. The column and base come in complementary color combinations, infusing the design with a contemporary, playful feel. 

Ambrosia

marset > Floor lamp

Ambrosia is essentially a line of light that can be converted into a modular system, capable of extending the illumination it offers to adapt to any space. A design that recovers and revisits the tube light, timeless, and updates it so that its simple structure and diffuse lighting add beauty to any space. This collection expands on its possibilities by proposing a change in the plane of light, from horizontal to vertical.This new style of lamp is available in two versions, both of which are pendant lamps. First there is the Ambrosia V, a 235-cm-high vertical structure consisting of two tubes of light of different lengths. An interrupted line of light, a detail that brings lightness and character to the lamp. Its design allows you to choose the lighting, either towards the wall for indirect light, or towards the main space for direct light. This aesthetic and functional design also works well in domestic settings. The other vertical version, Ambrosia V, joins three light tubes placed at different heights, forming a sculptural ensemble. This option can provide a great deal of light and therefore comes with a dimming system for easy lighting control. It is available in two heights of 130 and 175 cm. Both sizes can be electrically connected through the ceiling rosette or the floor plug. The new Ambrosia allows you to create vertical lighting compositions, combining different sizes in repetition to illuminate large spaces. When installed individually, it fills the space with light and warmth. Its slender design sets the perfect scene in any room. A totally new perspective for this flexible lighting system, which achieves maximum light expression with a minimalist structure. The metal structure is available in two finishes – black and matte gold – and the light source in three colour temperatures: 2200 K, 2700 K and 3000 K.          

Funiculí

marset > Floor lamp

For Lluís Porqueras, designing consisted of eliminating the superfluous until an essential object was left: beautiful, useful and simple. This was the case with the Funiculí, a 1979 lamp that Marset reissued in 2013 and which has become an emblem of the collection.Lightweight, it takes up almost no space and can function as an ambient lamp or for direct light, depending on how you direct the beam. Its designer released the shade to give maximum mobility. It can rotate through 360 degrees to focus the light where you want and also has a double clamp system for height adjustment. For the Funiculí, forty years are nothing; it has stood the test of time and now comes in new colours that further expand its possibilities. It is no longer only available in the neutrals moss grey, black and off-white. The new colours – green, terracotta and mustard – are intense. They are design statements, highlighting the shapes of the Funiculí and bringing chromaticism to the space. The new shades are cheerful and vivid, conveying that colour can also be essential.

Matin Floor Lamp

hay > Floor lamp

The Matin Floor Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The flat-packed design consists of a slender polished brass steel frame complemented with matte black hardware and zinc alloy joints at the base which is paired with a pleated cotton shade in a variety of carefully selected colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer floor switch to adjust the output of light if required.

ROMA - Metal floor lamp _ Turri

turri > Floor lamp

The Roma collection includes this cheerful piece available in two forms: a side table featuring an integrated arched lamp and a side table without the lamp. The product serves multiple functions across different rooms such as the living room, bedroom and office.