The Americana series is built around a satin nickel rotating arm holding an elegant white linen shade. The arm gently swivels the light nearer or further away, while the wide metal base stays put, in an evocation of the harmonic motion of swing dancing.
Asa is built of an ingenious, single, continuous tube structure which also defines the upper, handle-shaped structure for carrying. It has two colour versions: white or, in its original 1961 version, with black structure and switch. Three visible elements, structure, shade and switch, make up a beautifully-proportioned ensemble.
Babel, whose name comes from the biblical story of the unfinished tower, is both a sturdy sculpture and a lamp apt for night-time intimacy. The use of alabaster, solid at the base and hollow for the shade, with no two units the same, made Babel a piece of art that began as a deliberate affront to the prevailing trends of the time.
The Básica lamp champions the return to natural materials. A birch wood cylinder, which is supported by a heavy metal base of equal diameter, holds a variety of shade options of different shapes and colours, made of sewn paperboard or ribbon. In defiance of the metallic taste of the eighties.
Básica Mínima is the pocket edition of the Básica lamp. On its own or with others, it combines sturdiness and lightness. The shade and finish are available in two unique versions. The first features a bronze finish base and a pleated natural parchment lampshade. The second version has a nickel finish base and a ribbon-stitched lampshade.
Básica Mínima Batería is the portable version of Básica Mínima. Its cylindric structure, made of birch wood, holds two lampshade options: pleated natural parchment and ribbon stitched. With a light touch, the lamp turns on and off, making it a light and practical companion.
On a stroll through Barcelona in the 1960s, designer Miguel Milá found an abandoned opal globe outside a glass factory. He took it home, and over the years, it became the heart of a large family. As its name suggests, Cesta (Spanish for “basket”) was designed to hold this fragile shade.
After decades of producing Miguel Milá’s iconic design from the sixties, we have now incorporated its outdoor version. With the same aesthetic characteristics as the original and with the same lighting efficiency, it comes with an aluminium structure, in black or olive green, and a polyethylene shade, two water-resistant materials suitable for outdoor use.
The smaller version of the Cesta lamp is defined by a smaller wooden structure, always carefully polished and strongly assembled, holding the small opal glass globe in which its light is wrapped. This design, an object-lamp that creates spaces of pleasure wherever it is located, is one of its author’s most widely publicised international icons.
A cordless, portable version, Cestita Batería is a lantern that creates an ambience of pleasure anywhere; depicting Chinese shadows in the garden, emanating light from any corner, or on a table. The perfect balance of technology and craftsmanship, the rechargeable lamp offers two lighting intensities.
Robust yet lightweight, Cestita Alubat is ready for action indoors and out. Its aluminium structure, with a closed plastic balloon for better sealing and a rechargeable battery, is distinguished by its sobriety.
Miguel Milá learned to master the expressiveness of steel by giving it a fragile heart. Strength and emotion, angle and curve. In a duel between strength and fragility, Cesta Metálica comes with or without a soft leather handle, contrasting with the well-aimed severity of the brackets that gently hold the delicate opal globe.
Miguel Milá learned to master the expressiveness of steel by giving it a fragile heart. Strength and emotion, angle and curve. With the constructive singularity of its older sibling, ennobling whatever it illuminates, Cestita Metálica does not feature a handle, thereby signalling its willingness to stay wherever it is placed.
In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Barcelona’s new offices in the run-up to the 1992 Olympics, its appearance evokes a balance between classic tradition and modernity wherever it is placed.
The Duo lamp was conceived by André Ricard for “executive desks”, not only that good focal light was required when going through extensive paperwork, but also the fact that, in the face of visitors, the view of those who sat in the confidants’ chairs should not be obstructed by a large or ostentatious lampshade. Duo fulfils both purposes seamlessly. It illuminates with proximity, and does not interrupt the visual horizon. The luminous flux is adjustable by the independent rotation of its glass shades, which can be opaque to focus the light on the work surface, or translucent to provide a more general illumination too.
Miguel Milá got everything right compositionally with this demonstration of industrial craftsmanship. Its cylindrical oak column creates a vertical symmetry that gracefully supports an almost cylindrical white linen shade. With no time for unnecessary adornment, FAD lamps are distinguished by their permanent elegance.
The Gira lamp has all the simplicity and the profile of a classic. This lamp encapsulates all the essential elements, providing range of motion through its rotating arm and adjustable shade. Great for work, Gira is concentrated to give prominence to the light, creating desktop lighting spaces.
Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart, to link up to one another and to constitute a system of very pleasant light. Now it also finds its way to tabletops offering a general and nuanced light.
In its flat and golden version, Lámina preserves the delicacy of its line through a new reflection game, very suggestive for tabletops. Simple, clean shapes laid bare and fully exposed. A visual break found no matter in which corner it is placed.
Maija conveys the feeling of light typical of Baltic cities, where the streets are barely illuminated, apart from the light that streams from the windows of homes and shops; from the inside outwards. A tower composed of stacked metal discs through which its inner light filters, vibrant and inviting conversation.
A sturdy wooden cylinder supports a head with three bulbs, surrounded by a generous circular shade. The shade is made from cotton ribbon and has a thread running along the edge, reminiscent of bookbinding, and forming an asymmetry that creates a splendid contrast of light and shadow.
A lamp that combines simplicity and technology to create a lucent ring of light suspended in the air. It comes in two sizes, both available in matte white or graphite, to which a shade can be affixed. Or they can be left without a shade, unapologetic. Sin broadly illuminates any work surface with direct, warm light, and does not take up space on a desk because all kinds of errant items can be kept on its base, including papers.
Freed from oils, kerosene or cords, and powered by an efficient rechargeable battery, Sylvestrina, very robust in its delicacy, comes in handy for every occasion. Simply press the outer tube down to activate the switch, adjusting accordingly, to full, medium or zero strength. It is charged by induction, and its light really is that of an oil lamp.
Tatu is an object-lamp that has become a memorable icon of Spanish pop culture in the 1970s. Incorporating LED technology, the light intensity and focal aperture are easily adjustable, conducive to quiet retreat or activities that require concentration. And its friendliness is legendary.
With a structure supported by a circular metal base, the while linen shade of the TMD lamp looks like a sail hoisted on a mast. Whether switched on or off, the TMD manages to add warmth to the space around it. Another example of the timeless sobriety of Miguel Milá.
Trípode humanises neutral spaces with its colourful and functional sobriety. Each one of its shade options is hand ribboned: the natural, red-amber and black; the Raw Color terracotta, green and mustard, as well as the Diplomática and Bretona stiped shades by Júlia Esqué. Switched on, it provides a characteristic, warm light, rich in nuances. Switched off, it is a small volumetric sculpture that invites immediate use.
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Styling
Life swings from side to side in search of balance. The double flame, the most subtle part of the fire, dances enchanted by its splendour. Two flames that seek each other to their centre. The simple consumption of the wick produces the oscillating movement that dazzles the beholder. Vita simultaneously elevates our spirit while rooting us to the earth. Incipit vita nova, start a new life, light the next candle.
Inspired by an Art Déco design, Zeleste is reminiscent of Barcelona night life, with a story that takes us back to the early seventies. Its peculiarity is determined by the material it is made of: alabaster, a translucent stone that gives a very special warmth.
The Americana series is built around a satin nickel rotating arm holding an elegant white linen shade. The arm gently swivels the light nearer or further away, while the wide metal base stays put, in an evocation of the harmonic motion of swing dancing.
In keeping with the calling of its creators, the Diana lamp has a timeless quality. Its metal structure and linen shade are in perfect harmony. Designed to illuminate the Mayor of Barcelona’s new offices in the run-up to the 1992 Olympics, its appearance evokes a balance between classic tradition and modernity wherever it is placed.
The balance of materials that make up this lamp—its cotton shade, metallic structure and stitched leather grip—are a vindication of industrial craftsmanship. With a strong presence, Dórica is an impressive lamp that evokes the classical doric column.
Miguel Milá got everything right compositionally with this demonstration of industrial craftsmanship. Its cylindrical oak column creates a vertical symmetry that gracefully supports an almost cylindrical white linen shade. With no time for unnecessary adornment, FAD lamps are distinguished by their permanent elegance.
Maintaining the good size of its more than half sphere lampshade and the peripheral illumination caused by its slit, we are extending the Fontana family by including its floor version more than fifty years after its creation.
The GATCPAC lamp is a tribute to the group of Catalan architects of the same name who sought to modernise the approach to construction during their era. Conceived as a machine à illuminer, members of the group used to leave these lamps as a gift to their customers, symbolic of their modern outlook, by way of a collective signature.
A line of light and a thin metal sheet create a faint yet effective diffusion. Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart. It now stands as light sculptures that contrast with any wall finish on its back.
A line of light and a thin metal sheet create a faint yet effective diffusion. Lámina was born in a flash as a family of pendant lamps, with an exceptional lightness that knows how to be smart. It now stands as light sculptures that contrast with any wall finish on its back.White and concave lampshade of 165 cm, opens up new depths of space both vertically and horizontally.
The elegance of Lamina’s shades captivates, soon pleased by its efficacy. Simple, clean lines laid bare and fully exposed. Reflection provides more nuanced results than direct light. Sober, supporting, contrasting and without glare.
Maija conveys the feeling of light typical of Baltic cities, where the streets are barely illuminated, apart from the light that streams from the windows of homes and shops; from the inside outwards. A tower composed of stacked metal discs through which its inner light filters, vibrant and inviting conversation.
This slender synthesis of traditional lamps is a sparkle of timeless elegance created in a context of the avant-garde. The combination of materials with its symmetrical, leather-wrapped chrome centre shaft, its choice of three shade materials and eight colour options make it a paradigm of industrial craftsmanship.
This friendly lamp, a revolutionary milestone in design, is essential in any context, directing light wherever it is needed. A synonym to good design, modernity and comfort.
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A wide range of product from furniture to finishes to meet the desire of all designers.
The widest and most complete colour offerSphera Element has the most complete colour proposition in the market and its subtle design is ideal for use in areas where the floor is required to blend in with the environment. Sphera Element is used in a wide variety of applications, including specific areas in healthcare and industrial environments.The Element colour palette consists of 52 colours. The carefully selected outspoken pastels and bright accent colours are ideal for areas requiring zoning or to create an authentic and welcoming interior. The 9 Contrast designs have a more pronounced pattern and a higher contrast between the three colour components. • Many colours with high LRV values• Excellent dirt hiding and scratch resistant properties• Approved for use in cleanrooms up to ISO class 4• Perfect solution for care and cure spaces, public buildings and education facilities
A form in mouth blown glass, the Silent Vase is Scandinavian design at its subtlest. Available in three sizes and multiple colors, the Silent Vase is a humble yet decorative addition to any space.
Designed with Scandinavian materiality at its heart, the Avail Coat Rack brings the ideas of simplicity and functionality into the modern home. The design features 2 metal hooks that can be rearranged forever while also bringing hints of color to the form, allowing for the Avail Coat Rack to evolve as time passes while holding smaller objects on its minute plateau.
The Story Pinboard brings subtle feelings of Scandinavian design into any work or creative context, whether in the home office, in a kids room or within the workplace. Produced in cork, a material that is sourced from the renewable bark of cork oak trees, the Story Pinboard is recyclable in its entirety.
The Dots Ceramic bring an artful expression to a Muuto icon, made in earthenware with a reactive glaze for a unique look, giving each single piece a distinct look while referencing the ideas of traditional craftsmanship. Combine the design across various colors and sizes along with the Dots Wood and Dots Metal for a unique expression.
The Jellies coat hangers draw their inspiration from the tableware collection of the same name designed by Patricia Urquiola for Kartell. This accessory is available in three different sizes, each with its own specific texture.
A multi-faceted vase widening from the base to the top in a swirling motion. Shanghai is like refracted light radiating from prism-like crystals with an alternating play of flashes and shadows, creating irregular geometric forms.
The distinctive feature and special allure of these original vases lie in their particular conformation, suggestive of a wafed fabric with irregular sinuosities caused by the different surface thicknesses.
The special feature of this series lies in the conformation of the surface material which enhances the core that looks like jelly, just as the name suggests, evocative of the forms used in pastry-making.
H-45 Red Heart
Material Porcelain, glaze
Finishing Matte
Sizes (cm) 24X26X17
Weight (g) 1150
Designed in 2017
Collection In alto i Cuori
The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects.
The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation.
Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space.
Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space.
For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project.
This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere.
The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.
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