Gloss gray ceramic wall tiles. size 10 x 17 in.Malaga Acero 25X44.3 is a Grey Ceramic tile with a Gloss finish and a Malaga Acero. This product is sold by boxes, and each one contains 12 pieces (price per box). Malaga Acero 25X44.3cm can be installed as a Wall Tile.
brown wood effect vinyl. Size 4x23 in, suitable for interior floor.Linkfloor Realm Greece 9.8X58.8X0.55 cm is a vinyl wood effect. This product is sold by boxes, and each one contains 20 pieces (price per box). Linkfloor Realm Greece 9.8X58.8X0.55 cm can be installed as a Floor tile.
brown wood effect vinyl. Size 4x23 in, suitable for interior floor.Linkfloor Realm Greece 9.8X58.8X0.55 cm is a vinyl wood effect. This product is sold by boxes, and each one contains 20 pieces (price per box). Linkfloor Realm Greece 9.8X58.8X0.55 cm can be installed as a Floor tile.
brown wood effect vinyl. Size 9x71 in, suitable for interior floor.Linkfloor Kingdom Iberia 22.8X180X0.55 cm is a vinyl wood effect. This product is sold by boxes, and each one contains 6 pieces (price per box). Linkfloor Kingdom Iberia 22.8X180X0.55 cm can be installed as a Floor tile.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
The range of motifs does not limit the use of Ornaments by Alexander Girard to seasonal occasions but a number of them are perfect, for example, for Christmas time.
The Classic Trays (1945-74) by Alexander Girard and Charles and Ray Eames come in three sizes. Made of laminated plywood, they feature motifs from the rich store of images created by these legendary designers.
Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.
The Akari Light Sculptures (1951) by Isamu Noguchi are a series of luminaires, handcrafted from traditional washi paper by Japanese artisans. ‘The harshness of electricity is thus transformed through the magic of paper back to the light of our origin – the sun.’ (Noguchi)
With his collection of Wall Clocks (1949-1960), George Nelson conceived a wide array of timepieces, many of which have since become icons of 1950s design.
The hand-glazed Ceramic Containers (1952) derive from the original lathe-turned wooden objects by Alexander Girard. Their silhouettes are reminiscent of the traditional shapes of apothecary vessels, board game tokens or millinery blocks.
The drawings of Ronan Bouroullec exemplify the practice of 'intuitive drawing', derived from Surrealism's literary roots and its écriture automatique.
Charles and Ray Eames designed the elegant lounge chair La Chaise for a competition at the Museum of Modern Art in New York in 1948. It was inspired by the 'Floating Figure' sculpture by Gaston Lachaise. The lounge chair has long since established itself as an icon of organic design.
The Herringbone Vessels are created by repeatedly immersing ceramic bowls and vases in a coloured glaze. This process yields a pattern with an intrinsic logic, determined by the dipping angle as well as the shape and weight of the piece. As the dyeing process is performed entirely by hand, each bowl and vase in the Herringbone Collection is a unique object.
A functional table with essential forms that reveals its poetics in the artistic intervention. A Spanish translation of the word ‘cleft’, Grieta table makes interruptions in continuity an opportunity to embark on a new journey to discover the potential of ceramics, the material from which it is made. Characterised by a bell-shaped base with an irregular surface, available in glazed ceramic or Vicenza stone, the Grieta table represents a contemporary stage for sharing, a sophisticated solution that inhabits the dining area with ease thanks to the clean and essential design of the table top. MATERIALS Base: single-fired fine porcelain stoneware, monolite ipergres or stone Top: ceramic Under-top: MDF FINISHES Base: ceramic col. Sage, Terracotta, Ocean, Grey or Vicenza stone col. Ivory or col. Light grey Top: col. Sage, Terracotta, Ocean, Grey Under-top: glossy lacquered in matching colour
Anodine Floor is a free-standing lamp that transforms light into a sculpture evoking the concept of “shape non-shape” of the light, which adds an artistic touch to the ambience. It comprises 13 shiny brass stems anchored to a square metal base finished “mat gold”, some decorated with metal leaves, all asymmetrical and hand-made by expert artisans, with a matt gold finish. Perfect as a couple to create the right symmetry in the room. Thanks to hand-made manufacturing techniques, each piece of the collection is unique.
Melt is a beautifully distorted floor light in a modern Copper finish. Emitting an attractive, mildly hallucinogenic light, this floor light creates a mesmirizing melting hot-blown glass effect when on and a mirror-finish effect when off. Made in Germany using a high tech manufacturing technique to achieve the perfect melted orb.
More Information The range is blow moulded and vacuum metallised - techniques that have been developed over several years, working with German engineering and manufacturing experts. Melt also comes as a table, pendant and surface light.
Kwic is a lively expression of graphic geometry, dynamism and refinement. Its asymmetrical lines are like elusive droplets that play with highly intense, luminous reflections.
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
<p>Florim’s Coretech collection takes Piasentina stone quarried in the foothills of the Julian Alps and enhances its performance to cater to the needs of contemporary architecture.</p> <p>Piasentina stone is ideally suited to the creation of relief textures and finishes using traditional methods and age-old techniques.<br>Different types of processing give different colours and feels to this natural stone, thus making it possible to put together numerous combinations using the same material. </p>
<p>Piasentina stone’s name means “pleasing stone” in Friulian. It has been known since ancient Roman times and it is now highly sought after in architecture in Italy and internationally due to the shades of colour and versatility it can offer indoors and outdoors, on both urban floors and walls.</p>
<p><br>It stands out not only due to its distinctive feel but also thanks to its refined <strong>grey tones </strong>with slender white veins and little brownish tinges.</p>
<p><br>It is a stone that can conjure up all sorts of emotional responses, making it a popular choice among interior designers and architects across the globe. It has played a central role in numerous constructions over the centuries, including churches, palaces, villas, rural buildings and flooring. It was used by figures such as the Renaissance master Andrea Palladio and Raimondo D’Aronco in the Art Nouveau period and it continues to be employed in 21st century architecture and design.</p>
From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>
<p><br />Exalt is the new collection, inspired by marble, which completes the research project undertaken by Contemporary Design. </p> <p>The series offers six types of marble effect with veining and delicate graphics for a versatile and modern look, particularly suited to residential applications. There are two available thicknesses - 9 mm and 6 mm - with glossy and natural finishes.</p>
<p>A precious ingredient enhances the surfaces. It is the gold sheet taken from the past as an ancient form of decoration.</p> <p>Used at the service of plasters and valuable furniture, Gold allows you to adorn the environments, providing even more precious prestige and becoming a decorative furnishing itself, transversely integrating with Florim collections. Emotion, light and seductive wealth describe the essence of Gold, an expression of beauty with strong bonds between tradition and modernism.</p>
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
A contemporary, luxurious but balanced lifestyle Soft vein patterns and gentle colour contrasts characterise a collection that exudes taste and authenticity, the bright and showy shades of yesterday consigned to memory. Surfaces with luminous, deep and delicate shades restore a sense of preciousness to the space without overpowering the architecture. The collection lends itself to various stylistic interpretations: the warm colours with matte finishes create natural and relaxing atmospheres, the pearl and blue tones emit light and uniqueness, revealing an infinite potential that is waiting to be explored.
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
Lightness, Earth, Sensoriality The Sensi collection also features a <strong>decorative mosaic</strong> made from <strong>recycled glass</strong> made from disused TV and PC screens. This mosaic, manufactured by a <strong>process in which human hands play a role</strong>, has a distinctive surface structure. Due to the nature of the recycled glass and the production cycle, every tiny chip is different from the others, creating a <strong>dynamic surface.</strong> Soft, velvety or structured to the touch, it dialogues with the light and may become shiny or matte. This product also derives its uniqueness from its colour. <strong>Every chip is unique </strong>and has its own shades of the same tone. <p>Developed with close attention to environmental impact, "<em>Sensi</em>" is the perfect synthesis of innovation and sustainability and also a virtuous example of <strong>circular economy</strong>. The collection is made <strong>over 90% natural raw materials</strong> and up to 41%<strong> of recycled materials</strong>. "<em>Sensi</em>" is the result of <strong>up to 100% sustainable production process</strong>, both in terms of water consumption and self-generated electricity.</p>
The Spokes 2 pendant lamp, crafted from varnished steel and aluminum, is a versatile lighting solution available in four sizes (Small, Midi, Large, and Extra Large), each featuring integrated LED light sources with a warm 2700K color temperature, high CRI (>90), and dimmable functionality via On-Off/Push, DALI, or the Casambi Bluetooth app. Designed to create captivating light and shadow effects, the double LED source ensures optimal illumination while adding a touch of elegance to any space. The lamp is energy-efficient, with ratings ranging from D+ to E, and comes with an IP 20 rating, making it suitable for indoor use. A 3D file of the Spokes 2 is available for download, allowing for seamless integration into design projects. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.
The Spokes 1 pendant lamp is a stunning lighting piece crafted from varnished steel and aluminum, featuring a double LED light source (30W, 2700K, 3220 lm, CRI>90) that delivers perfect illumination below while creating enchanting light and shadow effects on walls and ceilings. Dimmable via On-Off/Push/DALI or Bluetooth through the Casambi App, this IP20-rated lamp combines energy efficiency with a versatile design, available in various forms, sizes, and colors to suit diverse spaces. A 3D file of the product is available for download, allowing for detailed visualization and planning. Manufactured by Foscarini, a renowned Italian lighting design company founded in 1981 on the island of Murano, the brand is celebrated for its innovative, artistic, and high-quality lighting solutions that blend contemporary and avant-garde styles, making them statement pieces in both residential and commercial settings.
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A wide range of product from furniture to finishes to meet the desire of all designers.
An authentic oak pattern with natural veining and knotting. With that limed feel, the soft cracks and those elegant knots, your options really are unlimited.
An authentic oak pattern with natural veining and knotting. With that limed feel, the soft cracks and those elegant knots, your options really are unlimited.
An authentic oak pattern with natural veining and knotting. With that limed feel, the soft cracks and those elegant knots, your options really are unlimited.
A floor with a history. Its nuanced colour palette and sculptured textures are inspired by nature’s unique patterns. The result? A rustic and contemporary look. Perfect for a home that feels cosy and warm.
A floor with a history. Its nuanced colour palette and sculptured textures are inspired by nature’s unique patterns. The result? A rustic and contemporary look. Perfect for a home that feels cosy and warm.
A floor with a history. Its nuanced colour palette and sculptured textures are inspired by nature’s unique patterns. The result? A rustic and contemporary look. Perfect for a home that feels cosy and warm.
A floor with a history. Its nuanced colour palette and sculptured textures are inspired by nature’s unique patterns. The result? A rustic and contemporary look. Perfect for a home that feels cosy and warm.
This toned down design is so versatile, it matches every interior style. It’s lightly grained and the wooden pattern softly changes throughout the design. It has sleek and elegant written all over it.
This toned down design is so versatile, it matches every interior style. It’s lightly grained and the wooden pattern softly changes throughout the design. It has sleek and elegant written all over it.
A balanced mixture of soft lines, deep tones and intense colours. Smooth, yet elegant. Searching for a timeless floor that never takes the upper hand and blends into your home effortlessly? Look no further.
A balanced mixture of soft lines, deep tones and intense colours. Smooth, yet elegant. Searching for a timeless floor that never takes the upper hand and blends into your home effortlessly? Look no further.
The outspoken knots of this floor bring the wild nature of rugged mountains into every environment. A durable and distinguished floor full of character that transforms every space.
The outspoken knots of this floor bring the wild nature of rugged mountains into every environment. A durable and distinguished floor full of character that transforms every space.
The outspoken knots of this floor bring the wild nature of rugged mountains into every environment. A durable and distinguished floor full of character that transforms every space.
An authentic oak pattern with natural veining and knotting. With that limed feel, the soft cracks and those elegant knots, your options really are unlimited.