Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
Specifications
Indoor / Outdoor
Outdoor
Durability
Heavy-duty
Size
Small
Brand
Cor
Category
Side table
Frequently Asked Questions
Is the Mell suitable for commercial projects?
Yes, the Mell by Cor is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
For all those who set their sights high, Jalis is available not only as a bar stool but now also as a bar chair, with a comfortably upholstered shell, armrests and a 360° swivel mechanism – a kind of lounge chair with which you can sit elegantly at counter height. The Jalis bar chair is available in two heights, the wire frame comes in black or chrome, and evenings now come in long format only.
Scope is highly flexible seating furniture which can be added and regrouped to form seating groups, think tanks or room-in-room solutions depending on the space and function in question. Together with its top elements it creates aesthetic meeting and working islands which can stand in the middle of an open-plan office or lobby and yet still be far away. And because this diversity is ultimately based on one single element, Scope makes life considerably easier not only for users, but also for designers and furnishers in particular. Scope's appearance can be adapted perfectly to any corporate architecture with fabric and leather variants from the COR collection.
Affair originally came about as a draft for the public areas of the exhibition centre in Frankfurt/Main. In other words, as a new kind of seating for large public areas in which many people relax, talk, kill time between appointments, take a breather and above all just feel at ease. And because such people also exist in other places, Affair is now to be found in theatre foyers and lounges, receptions and offices, company headquarters and atriums of all shapes and sizes. No two Affairs are the same. After all, it can literally be configured infinitely to form seating islands or corners, never-ending sofas or waiting benches. And then regrouped for any occasion and any purpose.
The Conic table with its elegant basic geometrical forms always serves as the ideal partner. Its round, oval or rectangular top is is available in solid oiled wood, in natural oak, walnut, ash, in lacquer/powder lacquer colours or mineral material white matt and the base is made of Cristalplant® in matt white. This compound material feels velvety soft, is 100 % recyclable and easy to clean. For a surface that still looks as good as new after years of use.
Conic comes as a side table or coffee table. The basic form is always elegantly geometric: A round, white tabletop rests on a conical base. Conic goes wonderfully with the COR classic Conseta, as well as with Mell Lounge, Trio and numerous other models.
The Bag in fabric looks good on any the armrest. It helps you keep things nice and tidy on your sofas. And the colour shade can match the upholstery or come in a contrasting colour of your choice. Just lay it over the arm, fix it by pushing the weight into the gap between the cushioning and armrest — and it turns into a practical holder for magazines, remote controls and reading glasses, all within easy reach.
Tablo is a small assistant, always there when needed. The side table with the distinctive base, chrome-plated or lacquered, is flexible and spontaneous.
Rawi is Arabic and means storyteller. A good story is best followed while sitting and relaxing. In this easy chair, for example, with its strikingly curved seating surface. Rawi easy chair is not for slouching, but for sitting upright.
Sinus appears weightless, rocking slightly, and once you have settled down on the distinctive cushions, you will never want to give up your new favourite place again. The highlight is the combination of pleasantly rocking skids and leather straps that provide support for the round upholstery elements. Visibly and tangibly COR.
Cosma is not a sofa-bed, nor is it just a functional sofa; it is an exceptionally elegant piece of seating furniture which also serves as a bed. This is ensured by the slatted frame and the comfortable upholstery. The generally poor compromise between sitting and sleeping does not apply here because it is possible to do both extremely well, with conversion requiring just two easy steps.
Level, designed by Uwe Fischer, is a family of height-adjustable worktables that are quite unpretentiously committed to the idea of a workbench. This gave rise to a tool with “trestle-like substructures”. A highly functional item that adheres fully to the tradition of modernism and brings its functions clearly to the fore. Working while standing is becoming more and more popular “because it most closely corresponds to the fleetingness and speed that work involves,” says Fischer. The change becomes the actual constant. A quick meeting. Then the table top is lowered manually or electrically. Then it’s time for a snack. Here, too, we meet for an exchange, this time quite informally.
For a less conventional design of workspaces and creative areas, Level System is a good choice. Its trestle substructure is strongly reminiscent of a workbench.
Lounge modules with sofas or easy chairs (communication zones) can now all combined with desk areas (work zones) throughout. The basic configurations of this concept solution have an S or U shape. Similar to a construction kit, different panels function as links, connecting several modules to each other.
Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
The model developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple wooden frame in oak, walnut or lacquered with large, comfy cushions. Producing a chair that makes an impression from all sides — especially when you sit on it.
Like the rest of the family, the Elm coffee tables confidently take up the typical COR design: Every detail is instantly visible and surprises with many fine touches. The focus is on the beauty of the wood's individual grain and skilful finishing. The Elm coffee tables combine the wood with glass surfaces and are consciously reminiscent of 20th-century Scandinavian furniture design.
Cordia is far too comfortable to be used exclusively in the office. We have brought it to the dining table. With a light-footed wire frame, individual material mix and a seat shell which merges smoothly into the graceful backrest. The covers on the armrests not only look exciting, but also offer perfect protection — from children’s sticky fingers, for example.
Sofa beds and top-notch design are mutually exclusive? Not with Conseta. With its closed-base frame available in depths of 85 or 95 cm it looks great when folded up – and transforms itself into a comfortable guest bed when folded out. A throw over the foldable cold-foam mattress makes the frame vanish, while the backrest cushions remain in position and are perfect for reading in bed. And all done in a few seconds and with a pleasantly raised lying surface – your guests will almost believe they are back home.
A bench is a bench is a bench is a wonderful reinterpretation by Uwe Fischer. Its elongated shape, clear lines and simple materials — wood and fabric or leather — combine to create an object that conveys lightness and seating comfort, even without a backrest. Bridge is more than an upholstered bench, it is a tool for the modern office that is dedicated entirely to the new informal way of working. Here nothing is put off until later. Here you can even relax whenever you feel like it. “Functionality without too much design attitude,” is what Uwe Fischer had in mind, meaning a language which is understood both in the living and working environment. We think he succeeded.
Part of the architectural periphery for the surprisingly new furniture concept Pilotis: various large, small, round or rectangular side tables with table tops in solid oiled wood or lacquered MDF and a delicate metal frame. The Pilotis tables are so versatile that they easily combine with other sofa ranges.
The side table in a practical C-shape can simply be moved next to Mell or any other COR sofa whenever needed. It comes in two different heights and is an ideal place for your coffee cup or for long periods working on your laptop. The frame is chrome-plated and extremely stable despite its finely rounded contours. The top, which can serve as a table or tray, is painted white.
Mell is an elegant easy chair for the living area. Both variants with a slightly higher backrest or low backrest are right not just for Mell and Mell Lounge, but also for many other COR classics.
While one tends to sprawl on some other sofas, Mell likes things nice and tidy. But this does come at the expense of comfort. As angular as Mell might be on the outside, it is equally round on the inside. Mell is up for anything: as a versatile seating landscape or - which is new - as a small suite with a high back and loose cushions. And always on such a delicate metal frame that the bed almost appears to float.
This sofa developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple solid wooden frame in oak or walnut or a lacquered wooden frame with large, comfy cushions. Producing a sofa that makes an impression from all sides — especially when you sit on it.
Sitting in state: not here. Pilotis wants to be lived in. This is the reason for the deep seat and reclining elements – sloping or straight – which are more than open to a playful combination with tables and shelves. But the new petite variant for small apartments and small rooms also makes a big impact.
Already a firm favourite: the high-quality conference and office chair series Cordia Plus. With wider seating surfaces and reinforced upholstery in the armrests and in the headrest area, this executive chair version with a backrest height of 101/109 cm impresses not only in the contract segment but also in the home office.
Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
Curling up at home certainly does not mean cutting yourself off from the outside world. On the contrary, the latest member of the Mell family is a furniture invitation to a cosy rendezvous with friends, family or colleagues. With the emphasis on ‘cosy’. On the good old kitchen bench, the chest-with-armrest model, you didn’t know which side of your bottom you should shift your weight to after sitting down for just a short time. By comparison, the separate seat cushions and high back of this youngster designed by Jehs + Laub are so softly upholstered that they allow you to think, talk, eat, play or work endlessly ‘around the corner’. And it does not necessarily have to be in the kitchen either. The elegant metal frame cuts a good figure in any room.
When it comes to snugness, this delicate occasional easy chair is like the most beautiful of flowers. Its body unfolds like a calyx and is made from one single piece. How is that achieved? Imagine it as a sculpture: ‘Simply cut out all that is superfluous’, Jehs + Laub, the designers of the Flint seating furniture, say lightly. In fact, what they have created with their design is the square of the circle: a circular base — on a rotating plate — that rises up to the rounded square seat surface and then flows to the high backrest. Craftsmanship that is also so comfortable that it would easily knock you off your stool — if it weren’t so stable.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
‘Come into my arms,’ this chair seems to say, with its gently curved side rests reaching out invitingly to the observer. And you feel a sense of security as you settle down into it. This is due, on the one hand, to the generous seat surface with its softly cambered seat cushion and high back at an angle that brings the spine into the perfect upright position. On the other hand, designer Uwe Fischer has provided the upholstery furniture with a compact base which provides firm support on a swivel plate. Surprisingly, however, Roc is so light that it can be moved around easily in the room — to the seating group, to the reading lamp, to the window or even just to see its pretty rear view. And while we’re at it: Read the word Roc backwards!
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
Much about Trio has remained unchanged over all these decades — such as the high-quality materials, the intricate workmanship, the intelligent interior that houses a real slatted frame, and the clear edge with the distinctive double seam.
Cordia blends into any surrounding, yet it also stands alone. This is due to its simple but sophisticated design. The swivel chair with distinctive armrests provides a sitting position which is more upright and always comfortable. This makes it ideal for long conversations as well as for short breaks - especially when combined with the optional reclining mechanism and matching footstool.
The Cordia family now has a lounge chair, and an exceptionally cosy one. A voluminous down cushion rests in a smooth, thin shell. A special feature is the folded fabric on the armrests. On a aluminium polished swivel base, Cordia Lounge stands with its four feet firmly on the ground. The lounge aspect of the new family member comes not least from its built-in tilt mechanism. So there's just one thing left to do: Lean back and relax!
Conseta is not only a sofa programme but also an add-on programme offering countless possibilities. Elements of different shapes and sizes combined with a choice of armrests give plenty of scope to explore configurations to fit every room. Various styles of armrest and of carcass widths and a choice of cushion fillings give birth to a wide range of design solutions.
This adaptable table cuts a fine figure wherever it stands. It can be square, round or rectangular. With the tabletop in solid ash, oak or walnut. Made of clear glass underside lacquered or dyed glass. In white marble or dark limestone. Or made from lacquered MDF board. In many different widths, lengths, diameters and heights.
Shoes off. Feet up. Arms spread. Breathe out. Sink in. How can a human being ever want to be somewhere else but in this endless, all-embracing softness?
Showcasing an intriguing relationship between material and concept, the X lounge chair represents Hvidt & Mølgaard’s peak as furniture designers.
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Mølgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
Space Copenhagen ́s Fly series signals a sculptural approach to design without sacrificing comfort. Referencing a classic Nordic aesthetic, details and techniques, seen in the slatted wood backrest, organic shapes and solid craftmanship. Fly is a series that allows the users to sit, lie, rest, and relax. Unlike many of the sofas and easy chairs in Scandinavian design history, Fly does not impose any particular posture onto the sitter. The seat itself is optimized for comfort, with loose cushions for the back that can be arranged according to the user’s own needs.
The BM3670 Dining Table was designed in the late 1960s by Danish furniture designer Børge Mogensen. A part of his Deck Chair Series, the simple, slatted lines and solid teak construction provide classic durable functionality in a range of outdoor spaces.
When designing the Trinidad Chair in 1993, Nanna Ditzel found inspiration in the elaborate fretwork from the Gingerbread Facades that she had seen in colonial architecture while travelling through Trinidad. Much like the facades, the cut-out fretwork of the chair triggers an interplay of light and shadows, creating a pattern projected into space and a subtle sense of motion.
The Zero armchair is built as a clean set of soft volumes, supported by a satin-finished metal structure in a platinum finish. The seat and back are made of extremely comfortable cushions covered in fabric. The outer shell of the armchair is covered in leather. The Zero armchair is available in different finishes as per sample book.
The smaller version of the Cesta lamp is defined by a smaller wooden structure, always carefully polished and strongly assembled, holding the small opal glass globe in which its light is wrapped. This design, an object-lamp that creates spaces of pleasure wherever it is located, is one of its author’s most widely publicised international icons.
The Gira lamp has all the simplicity and the profile of a classic. This lamp encapsulates all the essential elements, providing range of motion through its rotating arm and adjustable shade. Great for work, Gira is concentrated to give prominence to the light, creating desktop lighting spaces.
With a structure supported by a circular metal base, the while linen shade of the TMD lamp looks like a sail hoisted on a mast. Whether switched on or off, the TMD manages to add warmth to the space around it. Another example of the timeless sobriety of Miguel Milá.
Skift Bar – a barstool in a compact design. Seat and backrest are separate, which gives freedom to choose materials. The distance between seat and backrest provides an open design and practical cleaning. All upholstered details have a frame made of environmentally friendly molded wood, which provides a long service life. Metal base, with slades.
Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
The Wooden Dolls by Alexander Girard embody a harmonious blend of craftsmanship and creativity, crafted from solid fir wood that is meticulously hand-painted to bring each piece to life with vivid colors and intricate details. This exquisite product comes packaged in a high-quality wooden gift box adorned with a printed label, ensuring it arrives as a thoughtful and elegant present.
Inspired by the rich tapestry of folk art from South America, Asia, and Eastern Europe, these decorative Wooden Dolls are not only functional but also serve as captivating conversation starters. Designed for both aesthetic appreciation and playful engagement, they seamlessly blend into any home decor setting while evoking a sense of cultural heritage and artistic expression.
Each Wooden Doll is meticulously crafted with attention to detail, featuring whimsical designs that invite interaction and storytelling. They come in various styles, each uniquely designed to captivate the eye and stimulate imagination. Whether displayed on shelves or used as toys for children, these dolls offer endless possibilities for creative play and decoration.
For those seeking a sustainable choice, the use of solid fir wood ensures durability while aligning with eco-friendly practices. The hand-painted finish not only enhances the aesthetic appeal but also provides an opportunity to personalize each piece through subtle variations in color and texture.
To maintain the beauty and longevity of these Wooden Dolls, it is recommended to clean them gently with a soft cloth and avoid harsh chemicals or abrasive materials that could damage the delicate paintwork. Regular dusting will help preserve their pristine appearance over time.
For those interested in learning more about Alexander Girard’s inspiration and design process, further information can be found through the manufacturer's resources dedicated to these Wooden Dolls. This comprehensive approach ensures customers not only appreciate the aesthetic value but also understand the cultural significance behind each piece.
In summary, the Wooden Dolls by Alexander Girard represent a unique fusion of artistry, craftsmanship, and cultural heritage, making them an ideal addition to any home or collection seeking to celebrate diversity and creativity through decorative objects.
Discover two delightful additions to your family collection with the introduction of Cat and Dog, part of a new line of Wooden Dolls inspired by the vibrant world of Alexander Girard's design philosophy. These charming figures are crafted from solid fir wood, meticulously hand-painted for an authentic aesthetic appeal. Available in two sizes, these dolls feature three distinct parts that are held together using magnetic connectors, ensuring they remain securely assembled and easy to play with.
Each Wooden Doll is packaged with care in a high-quality wooden gift box adorned with the Vitra logo, complemented by a brochure that offers insights into the design process and inspiration behind these delightful creations. This thoughtful packaging not only protects your purchase but also serves as an elegant display piece for your collection.
Inspired by Alexander Girard's extensive personal collection of folk art from South America, Asia, and Eastern Europe, these Wooden Dolls are part decorative object and part toy. They draw upon the original designs found in the estate of Girard’s home in Santa Fe, which is now housed within the Vitra Design Museum. This connection to a renowned museum ensures that each doll embodies not only artistic excellence but also historical significance.
Whether displayed on a shelf or used as interactive playmates for children and adults alike, these Wooden Dolls offer endless possibilities for engagement and creativity. Their simple yet charming design features make them suitable for various applications in home decor, office settings, or even as thoughtful gifts for friends and family members.
For the care of your Wooden Dolls, it is recommended to handle them with gentle hands to preserve their natural beauty. Avoid placing them near sources of heat or direct sunlight which could cause fading over time. Regularly dusting with a soft cloth will help maintain their pristine appearance. By following these simple care instructions, you can ensure that your collection remains vibrant and cherished for years to come.
For further information about the Wooden Dolls, including design details and care tips, please refer to the manufacturer's documentation provided by Vitra.
Alexander Girard's Wooden Dolls stand as a testament to his innovative and eclectic design philosophy, blending traditional craftsmanship with modern aesthetics. Crafted from solid fir wood, these dolls are meticulously hand-painted to bring each piece to life, showcasing the artist’s commitment to detail and artistic expression. The construction is robust yet delicate, allowing for both functional play and aesthetic appreciation.
The Wooden Dolls feature a unique design that seamlessly combines functionality and decorative appeal. Each doll is crafted with intricate details, capturing the essence of folk art from South America, Asia, and Eastern Europe, which served as a significant source of inspiration for Girard’s work. The dolls are part of a broader collection inspired by these cultures, reflecting Girard's passion for diverse artistic traditions.
These decorative objects come packaged in high-quality wooden gift boxes adorned with printed labels and brochures that provide insight into the history and design philosophy behind each piece. This thoughtful packaging not only enhances the aesthetic appeal but also serves as an educational tool, allowing recipients to learn more about Alexander Girard’s contributions to American design.
Designed for both personal enjoyment and display purposes, these Wooden Dolls are suitable for home decor or as gifts for art enthusiasts. Their playful yet sophisticated nature makes them ideal for creating a vibrant and culturally rich environment within any living space.
For care and maintenance, it is recommended to clean the dolls with a soft cloth and avoid using harsh chemicals that could damage the finish. Regular dusting will help maintain their pristine appearance over time. The Wooden Dolls are not only charming decorative items but also serve as tangible links to cultural heritage, making them valuable additions to any collection or home interior.
For further information on care instructions and additional details about Alexander Girard’s Wooden Dolls, customers can refer to the comprehensive documentation provided by the manufacturer.
This classic table lamp features a delicate porcelain dome with intricate angelic motifs, providing an elegant ambient glow. Perfect for adding a touch of sophistication to a bedroom, its matte finish and neutral tones blend seamlessly with refined interiors.
Mixu is an elegant stool crafted from chromed or powder-coated steel with four robust legs, offering both contemporary style and enduring durability. The stool's construction features a seat made of polypropylene, incorporating 80% recycled materials, complemented by a backrest available in five vibrant colors. Alternatively, Mixu can be configured with a seat crafted from plywood featuring a reconstituted oak finish (either natural or black), paired with a polypropylene backrest also in five color options.
The design of Mixu is characterized by its sleek and minimalist aesthetic, allowing for an infinite range of customization possibilities through the combination of base, seat, and backrest finishes. The stool's height is precisely set at 75 cm, ensuring optimal comfort and functionality.
Mixu embodies sustainability with its use of recycled materials in the polypropylene seat and FSC certified wood in the plywood option, reflecting a commitment to environmental responsibility. This versatile collection can be tailored to fit any setting or preference, whether for hospitality, contract applications, or personal spaces. The stool's design features softly rounded geometric curves that serve as an ideal canvas for material expression, allowing users to select from various color and texture combinations.
Mixu is available in a variety of seat options including post-industrial recycled plastic, FSC certified wood, fabric, and leather finishes. Backrests can be selected in plastic, fabric, or leather, while the stool's four-legged base can be made either of metal or FSC certified wood. A stool variant with the same seat size as a chair offers additional comfort for hospitality or contract settings.
Mixu’s design system is modular, enabling users to create unique and personalized pieces by combining different components. The stool can also be disassembled for correct disposal at the end of its lifecycle, ensuring that sustainability remains central throughout Mixu's entire existence. This thoughtful approach not only reduces waste but also minimizes carbon footprint during shipping and transportation.
Mixu is a testament to design innovation, offering both practicality and aesthetic appeal in an environmentally conscious package. Its versatility ensures it can be seamlessly integrated into various settings, making it a versatile choice for designers, architects, and homeowners alike.
The White Solid Indo Loop Cut Plain Rug is a hand-knotted masterpiece from India. This 8'1" x 10'2" rug features a cream-colored, textured surface that exudes a natural and organic vibe. Made of high-quality wool, this piece evokes a sense of calm and neutrality with its simple yet elegant design.
<!-- td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;} --> Deep pigments of green and teal cast a meditative shade over the intricate traditional design of this hand-knotted Color Reform Green Wool Rug - 9'11" x 12'2". Organically neutralized from its original color, this patchwork area rug was overdyed to produce a one-of-a-kind composition reborn through color.
O'pera armchair with base in glassfibre reinforced polypropylene and the back in polycarbonate. This traditional chair turns into a contemporary looking chair with combination of the two material and with its fashionable colours make it easily adaptable to every dynamic design environments. Anti UV stabilized. Suitable for indoor and outdoor use. O'pera-K also available with rich selection of cushion models. It enriches the chair and gives a distinct character for the interior usages.
This whimsical ceramic piece combines the elegance of high heels with playful floral designs, creating a unique decorative object. Perfect for adding a touch of charm to a bedroom or dressing area.
An elegant side table with two planes, connected through a graphic leg for a modern expression. Pull the Relate Side Table up to a sofa to use as a hot desk or place it in any space to hold various objects.
HIRAY takes metal, one of the most important materials for the greening of the Kartell catalogue, and uses the welded wire process to shape it. The result is an essential and functional product that is nevertheless rich in emotion. Metal wires form well-defined yet lightweight structural parts of the collection’s chair, chair with arms, bistro table, armchair, divan and side table. The various articles come in white, Bordeaux, black and green.
Blast is a side-table (available in square or rectangular versions with rounded corners) with transparent base and tops. The design is a development of the Sir Gio table, with the opportunity to associate and combine different coloured bases and tops. The central core of the base is available in chrome or copper metallic finishes.
A completely transparent small side table in the perfect size: 40x40x40 cm. Colourful, practical, safe and functional, Jolly is a versatile and fun side table.
Rotate’s unassuming appearance belies its highly functional design. Created to fulfil a wide variety of purposes – from an office trolley, to a bedside table or bathroom storage unit – this asymmetrical piece can be inserted into any space. To ensure maximum adaptability, it sits on discreet wheels to facilitate quick and simple manoeuvrability from one location to the next.
Sitting within the larger In Between series, this lounge table carefully echoes many aspects of the In Between chair, from its gentle curvature to the outward splay of its legs. It is available in two heights and comes in three finishes: black lacquered oak; oiled oak; and smoked oiled oak.
The BK16 side table was designed in 1959 by Danish architect and professor Bodil Kjær. Part of a collection of beautifully crafted indoor-outdoor furniture in solid teak, its Cubist-inspired form echoes other designs in the series, all of which have a clean-lined and geometric quality. Perfectly proportioned to match the height of the collection’s lounge chair, the BK16 side table displays the same superior craftsmanship and striking simplicity that underpins the entire Indoor-Outdoor Series.
Tables. Base in Cristalplant®, composite material based on polyester and acrylic resins, loaded with minerals and mass pigmented. For the version 2575, tempered, extraclear, acidated plate glass top painted in the shade of white or made of white Carrara marble only matching the matt white base; or Sahara Noir marble top, with stain-resistant clear matt polyester protective varnish, matching the matt black varnished base. For the version 2576, clear plate glass top, matching the matt white base or black glossy lacquered; or smoky grey plate glass top only matching the black glossy lacquered base.
Bedside table with drawer. Graphite painted steel frame. Handle in graphite painted aluminium. Drawer in medium density fiberboard veneered with natural oak or varnished grey or white.
Small table. Steel frame painted in the shades black or white. Tops available either in white Carrara marble, in black Marquinia marble or in Emperador marble, with stain-resistant protective varnish, in clear matt polyester.