Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
For all those who set their sights high, Jalis is available not only as a bar stool but now also as a bar chair, with a comfortably upholstered shell, armrests and a 360° swivel mechanism – a kind of lounge chair with which you can sit elegantly at counter height. The Jalis bar chair is available in two heights, the wire frame comes in black or chrome, and evenings now come in long format only.
Scope is highly flexible seating furniture which can be added and regrouped to form seating groups, think tanks or room-in-room solutions depending on the space and function in question. Together with its top elements it creates aesthetic meeting and working islands which can stand in the middle of an open-plan office or lobby and yet still be far away. And because this diversity is ultimately based on one single element, Scope makes life considerably easier not only for users, but also for designers and furnishers in particular. Scope's appearance can be adapted perfectly to any corporate architecture with fabric and leather variants from the COR collection.
Affair originally came about as a draft for the public areas of the exhibition centre in Frankfurt/Main. In other words, as a new kind of seating for large public areas in which many people relax, talk, kill time between appointments, take a breather and above all just feel at ease. And because such people also exist in other places, Affair is now to be found in theatre foyers and lounges, receptions and offices, company headquarters and atriums of all shapes and sizes. No two Affairs are the same. After all, it can literally be configured infinitely to form seating islands or corners, never-ending sofas or waiting benches. And then regrouped for any occasion and any purpose.
The Conic table with its elegant basic geometrical forms always serves as the ideal partner. Its round, oval or rectangular top is is available in solid oiled wood, in natural oak, walnut, ash, in lacquer/powder lacquer colours or mineral material white matt and the base is made of Cristalplant® in matt white. This compound material feels velvety soft, is 100 % recyclable and easy to clean. For a surface that still looks as good as new after years of use.
Conic comes as a side table or coffee table. The basic form is always elegantly geometric: A round, white tabletop rests on a conical base. Conic goes wonderfully with the COR classic Conseta, as well as with Mell Lounge, Trio and numerous other models.
The Bag in fabric looks good on any the armrest. It helps you keep things nice and tidy on your sofas. And the colour shade can match the upholstery or come in a contrasting colour of your choice. Just lay it over the arm, fix it by pushing the weight into the gap between the cushioning and armrest — and it turns into a practical holder for magazines, remote controls and reading glasses, all within easy reach.
Tablo is a small assistant, always there when needed. The side table with the distinctive base, chrome-plated or lacquered, is flexible and spontaneous.
Rawi is Arabic and means storyteller. A good story is best followed while sitting and relaxing. In this easy chair, for example, with its strikingly curved seating surface. Rawi easy chair is not for slouching, but for sitting upright.
Sinus appears weightless, rocking slightly, and once you have settled down on the distinctive cushions, you will never want to give up your new favourite place again. The highlight is the combination of pleasantly rocking skids and leather straps that provide support for the round upholstery elements. Visibly and tangibly COR.
Cosma is not a sofa-bed, nor is it just a functional sofa; it is an exceptionally elegant piece of seating furniture which also serves as a bed. This is ensured by the slatted frame and the comfortable upholstery. The generally poor compromise between sitting and sleeping does not apply here because it is possible to do both extremely well, with conversion requiring just two easy steps.
Level, designed by Uwe Fischer, is a family of height-adjustable worktables that are quite unpretentiously committed to the idea of a workbench. This gave rise to a tool with “trestle-like substructures”. A highly functional item that adheres fully to the tradition of modernism and brings its functions clearly to the fore. Working while standing is becoming more and more popular “because it most closely corresponds to the fleetingness and speed that work involves,” says Fischer. The change becomes the actual constant. A quick meeting. Then the table top is lowered manually or electrically. Then it’s time for a snack. Here, too, we meet for an exchange, this time quite informally.
For a less conventional design of workspaces and creative areas, Level System is a good choice. Its trestle substructure is strongly reminiscent of a workbench.
Lounge modules with sofas or easy chairs (communication zones) can now all combined with desk areas (work zones) throughout. The basic configurations of this concept solution have an S or U shape. Similar to a construction kit, different panels function as links, connecting several modules to each other.
Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
The model developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple wooden frame in oak, walnut or lacquered with large, comfy cushions. Producing a chair that makes an impression from all sides — especially when you sit on it.
Like the rest of the family, the Elm coffee tables confidently take up the typical COR design: Every detail is instantly visible and surprises with many fine touches. The focus is on the beauty of the wood's individual grain and skilful finishing. The Elm coffee tables combine the wood with glass surfaces and are consciously reminiscent of 20th-century Scandinavian furniture design.
Cordia is far too comfortable to be used exclusively in the office. We have brought it to the dining table. With a light-footed wire frame, individual material mix and a seat shell which merges smoothly into the graceful backrest. The covers on the armrests not only look exciting, but also offer perfect protection — from children’s sticky fingers, for example.
Sofa beds and top-notch design are mutually exclusive? Not with Conseta. With its closed-base frame available in depths of 85 or 95 cm it looks great when folded up – and transforms itself into a comfortable guest bed when folded out. A throw over the foldable cold-foam mattress makes the frame vanish, while the backrest cushions remain in position and are perfect for reading in bed. And all done in a few seconds and with a pleasantly raised lying surface – your guests will almost believe they are back home.
A bench is a bench is a bench is a wonderful reinterpretation by Uwe Fischer. Its elongated shape, clear lines and simple materials — wood and fabric or leather — combine to create an object that conveys lightness and seating comfort, even without a backrest. Bridge is more than an upholstered bench, it is a tool for the modern office that is dedicated entirely to the new informal way of working. Here nothing is put off until later. Here you can even relax whenever you feel like it. “Functionality without too much design attitude,” is what Uwe Fischer had in mind, meaning a language which is understood both in the living and working environment. We think he succeeded.
Part of the architectural periphery for the surprisingly new furniture concept Pilotis: various large, small, round or rectangular side tables with table tops in solid oiled wood or lacquered MDF and a delicate metal frame. The Pilotis tables are so versatile that they easily combine with other sofa ranges.
The side table in a practical C-shape can simply be moved next to Mell or any other COR sofa whenever needed. It comes in two different heights and is an ideal place for your coffee cup or for long periods working on your laptop. The frame is chrome-plated and extremely stable despite its finely rounded contours. The top, which can serve as a table or tray, is painted white.
Mell is an elegant easy chair for the living area. Both variants with a slightly higher backrest or low backrest are right not just for Mell and Mell Lounge, but also for many other COR classics.
While one tends to sprawl on some other sofas, Mell likes things nice and tidy. But this does come at the expense of comfort. As angular as Mell might be on the outside, it is equally round on the inside. Mell is up for anything: as a versatile seating landscape or - which is new - as a small suite with a high back and loose cushions. And always on such a delicate metal frame that the bed almost appears to float.
This sofa developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple solid wooden frame in oak or walnut or a lacquered wooden frame with large, comfy cushions. Producing a sofa that makes an impression from all sides — especially when you sit on it.
Sitting in state: not here. Pilotis wants to be lived in. This is the reason for the deep seat and reclining elements – sloping or straight – which are more than open to a playful combination with tables and shelves. But the new petite variant for small apartments and small rooms also makes a big impact.
Already a firm favourite: the high-quality conference and office chair series Cordia Plus. With wider seating surfaces and reinforced upholstery in the armrests and in the headrest area, this executive chair version with a backrest height of 101/109 cm impresses not only in the contract segment but also in the home office.
Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
Curling up at home certainly does not mean cutting yourself off from the outside world. On the contrary, the latest member of the Mell family is a furniture invitation to a cosy rendezvous with friends, family or colleagues. With the emphasis on ‘cosy’. On the good old kitchen bench, the chest-with-armrest model, you didn’t know which side of your bottom you should shift your weight to after sitting down for just a short time. By comparison, the separate seat cushions and high back of this youngster designed by Jehs + Laub are so softly upholstered that they allow you to think, talk, eat, play or work endlessly ‘around the corner’. And it does not necessarily have to be in the kitchen either. The elegant metal frame cuts a good figure in any room.
When it comes to snugness, this delicate occasional easy chair is like the most beautiful of flowers. Its body unfolds like a calyx and is made from one single piece. How is that achieved? Imagine it as a sculpture: ‘Simply cut out all that is superfluous’, Jehs + Laub, the designers of the Flint seating furniture, say lightly. In fact, what they have created with their design is the square of the circle: a circular base — on a rotating plate — that rises up to the rounded square seat surface and then flows to the high backrest. Craftsmanship that is also so comfortable that it would easily knock you off your stool — if it weren’t so stable.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
‘Come into my arms,’ this chair seems to say, with its gently curved side rests reaching out invitingly to the observer. And you feel a sense of security as you settle down into it. This is due, on the one hand, to the generous seat surface with its softly cambered seat cushion and high back at an angle that brings the spine into the perfect upright position. On the other hand, designer Uwe Fischer has provided the upholstery furniture with a compact base which provides firm support on a swivel plate. Surprisingly, however, Roc is so light that it can be moved around easily in the room — to the seating group, to the reading lamp, to the window or even just to see its pretty rear view. And while we’re at it: Read the word Roc backwards!
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
Much about Trio has remained unchanged over all these decades — such as the high-quality materials, the intricate workmanship, the intelligent interior that houses a real slatted frame, and the clear edge with the distinctive double seam.
Cordia blends into any surrounding, yet it also stands alone. This is due to its simple but sophisticated design. The swivel chair with distinctive armrests provides a sitting position which is more upright and always comfortable. This makes it ideal for long conversations as well as for short breaks - especially when combined with the optional reclining mechanism and matching footstool.
The Cordia family now has a lounge chair, and an exceptionally cosy one. A voluminous down cushion rests in a smooth, thin shell. A special feature is the folded fabric on the armrests. On a aluminium polished swivel base, Cordia Lounge stands with its four feet firmly on the ground. The lounge aspect of the new family member comes not least from its built-in tilt mechanism. So there's just one thing left to do: Lean back and relax!
Conseta is not only a sofa programme but also an add-on programme offering countless possibilities. Elements of different shapes and sizes combined with a choice of armrests give plenty of scope to explore configurations to fit every room. Various styles of armrest and of carcass widths and a choice of cushion fillings give birth to a wide range of design solutions.
This adaptable table cuts a fine figure wherever it stands. It can be square, round or rectangular. With the tabletop in solid ash, oak or walnut. Made of clear glass underside lacquered or dyed glass. In white marble or dark limestone. Or made from lacquered MDF board. In many different widths, lengths, diameters and heights.
Shoes off. Feet up. Arms spread. Breathe out. Sink in. How can a human being ever want to be somewhere else but in this endless, all-embracing softness?
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A wide range of product from furniture to finishes to meet the desire of all designers.
The signature Piet Boon color palette is now expanded into a range of refined paint and plaster products. It consists of twenty subdued colors and six different finishes that are designed to effortlessly complement and blend into each other as well as a variety of materials, such as wood or natural stone. This lime paint has a chalky look. For indoor use only.
Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
The **SPY 39 PLUG WALLWASH** is a sleek, round LED adjustable ceiling spotlight designed to deliver exceptional lighting performance with a focus on minimalism, functionality, and versatility. It features advanced LED technology with options for 2700K, 3000K, or tunable white (3000K-1800K) color temperatures, offering high color rendering (CRI>90) and lumen outputs ranging from 623lm to 787lm. With a beam angle adjustable between 15° and 45°, an IP20 rating, and orientability of 0-85°/355°, this spotlight is ideal for accent lighting in residential, hospitality, or commercial spaces. The SPY 39 is part of the upgraded Spy family, which includes hybrid optics for improved light comfort, enhanced LED color consistency, and innovative features like Tunable White and Soft Dim. Available in diameters of 27, 39, 52, 66, and 90 millimeters, the Spy collection offers a variety of finishes, beam angles, and mounting options to suit diverse lighting needs. A 3D file of the product is available for download, allowing for seamless integration into design projects.
**Deltalight**, the supplier behind this product, is a globally recognized leader in high-end lighting solutions, founded in 1987 and headquartered in Belgium, known for its innovative designs, premium materials, and cutting-edge technology.
The Empire lamps by Barovier&Toso are a striking blend of three-dimensional artistry and architectural interaction, designed to define volumes and boundaries within a space. Featuring concealed structures with square cross-section tubes descending from the ceiling, these lamps form asymmetrical, inverted pyramid compositions inspired by the bold geometric shapes of Art Deco. The polychrome versions showcase rhythmic color alternations and varying lengths, while the Venetian Crystal's *a corteccia* craftsmanship creates irregular surface textures and unique light refractions, resulting in a soft, luminous glow accentuated by sparkling highlights. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. Barovier&Toso, a historic Italian supplier founded in 1295, is celebrated for its masterful glass craftsmanship and innovative lighting solutions, offering timeless elegance and custom-made designs that elevate interiors worldwide.
The Mixer XYZ+™ is a beautifully designed product that combines tactile pleasure with exceptional functionality, featuring a Techstone® structure with an integrated shelf and available in elegant black-and-white or white-and-chrome finishes. It offers the choice between traditional single-lever or advanced thermostatic technology, embodying flexibility, freedom, and purity to deliver the ultimate well-being experience. Perfect for morning showers to rejuvenate, evening showers to unwind, or late-night showers for peaceful reflection, this mixer is a harmonious blend of form and function. Additionally, a 3D file of the product is available for download, allowing for detailed visualization and planning. Supplied by Jacuzzi®, a globally renowned brand founded in 1915 and celebrated for its luxury hydrotherapy products, including hot tubs, whirlpool baths, and wellness solutions, the Mixer XYZ+™ reflects the company’s commitment to innovation, quality, and timeless design.
The Outline Pouf echoes the clean and refined lines of the Outline design, making a perfect addition to any sofa setting. Use the pouf as a footstool as well as an extra seat.
The Five Pouf is a versatile, easy-to-use design that is both comfortable and contemporary. With a pentagon shape and linear detailing contrasted against curved edges, the Five Pouf is a unique item that can be used as extra seating or to decorate an unused corner of any room.
The Echo Pouf has a simple, friendly expression that brings comfort and function to any space alongside its light and almost hovering expression through its small legs underneath. The name of the Echo Pouf refers to how the design can be used in symmetric formations or clusters with various sizes and upholsteries, creating visual echoes throughout the space.
Alfred footrest is a classic and modern place to rest tired feet and a lovely alternative to the standard coffee table. The design is round and oozes contemporary elegance.
Dane footrest has a streamlined and simple expression which makes it a robust and elegant modular piece. The softly rounded seats with gracious folded details invites you to kick back and relax. The different modules make it possible to combine a unique sofa adjusted to any space. Choose a single textile or combine severel for a cool statement effect.
This footrest is part of the Vincent sofa, which is a luxurious and comfortable lounge series of loose modules, where you can combine criss-cross and create the ultimate flexible dream sofa.
The Astha footrest has a classic, Scandinavian look that will add elegance to any home. With a footrest, you have both an extra seat when you have guests and a footrest where you can rest your feet when relaxing in your favorite armchair after a long day.
When classic Japanese and Scandinavian aesthetics meet up, Aya becomes the result. A simple and subtle design with a yet luxuriously inviting feel and look. This elegant pouf with its wodden leg frame and spacious body emphasises the “japandi! elegance and minimalism. Add it to the Aya 4-seater sofa for a design match made in heaven.
Dorothy footrest is elegant, simple and quite functional all at once. The perfect add-on for tired feet or for an extra seating when needed. Use together with Dorothy lounge chair and sofa or on its own.
The Honey pouf is irresistible and sums up some of the most significant new trends; curvy shapes, stacked layers and full upholstery! It is both a stool, a footrest, a side table and a sculpture in one.
IT by SLS is a dining pouf, which is a combination of a pouf and a dining chair. IT dining puf is new, proactive and different. It’s a “statment piece” that doesn’t compromise on functionality and comfort. The size and comfort makes it the ideal stool for dining, the walk-in, the entrance or as a beautiful sculpture in the bedroom. The metal tube is covered with soft aniline leather which embraces the soft upholstery, and works both as a handle and a lumber support.
The tall, narrow pouf suggests a simple, Nordic design with visible double stitching along the edges. The beautiful design makes No. 8 stand out in all its simplicity.
Hide Storage Pouf is a storage and pouf in one. Hide is made from PET felt, which consists of post-consumer plastic bottles which are extruded into polyester fibers and then pressed into felt. The seat of the pouf can be removed, revealing the hollow space inside which makes the design convenient for storage purposes.
Circus consists of hard foam in the bottom part and softer foam on the upper part for good sitting comfort. The pouf is covered in velour or wool textile. The pouf has a wooden plate at the bottom for stability.
Arkad S by Zilio A&C – A Playful and Modular Pouffe for Contemporary Spaces
A Soft Interpretation of Architectural Forms
Designed by Note Design Studio for Zilio A&C, the Arkad S pouffe draws inspiration from the classic portico, transforming architectural geometry into a playful yet elegant seating solution. With its soft, rounded form and compact dimensions, Arkad S works as a standalone graphic accent or as part of a modular seating system when combined with other pieces from the Arkad collection.
Versatility for Residential & Commercial Interiors
The Arkad collection is designed to bring flexibility and personality to modern interiors, making it an excellent choice for:
Hotel Lobbies & Lounge Areas – A stylish, informal seating option that enhances social and relaxation zones.
Co-Working & Office Spaces – Adds a soft and inviting element to collaborative work environments.
Retail & Exhibition Spaces – Functions as a display piece or interactive seating in creative settings.
Residential Interiors – Works as an accent stool, ottoman, or occasional seating in living rooms and bedrooms.
Thanks to its sculptural yet minimal design, Arkad S seamlessly integrates into Scandinavian, contemporary, Japandi, and eclectic interiors.
Compact, Comfortable & Fully Upholstered
With a fully upholstered body, Arkad S offers both aesthetic appeal and seating comfort. Its soft, rounded edges create a welcoming look, while its compact size makes it easy to move and rearrange.
The available fabric finishes allow for customization to suit different interior styles—ranging from neutral, understated tones for modern minimalism to bold, vibrant hues for playful contract settings.
Dimensions & Modularity
Arkad S is compact yet impactful, making it ideal for small and large spaces alike:
Width: 550 mm
Depth: 550 mm
Height: 450 mm
Designed as part of the Arkad series, it can be used alone or combined with other Arkad pieces, such as longer seating units and corner elements, to create unique configurations.
Why Choose the Arkad S Pouffe?
✔ Architectural inspiration – A modern take on the classical portico.
✔ Flexible use – Perfect as a standalone accent piece or part of a modular seating system.
✔ Fully upholstered – Provides both comfort and aesthetic appeal.
✔ Compact yet functional – Ideal for residential, hospitality, and commercial spaces.
✔ Customizable fabric options – Suitable for a wide range of interior design schemes.
A Modular Statement Piece for Dynamic Interiors
Whether used individually or combined into a larger composition, Arkad S is a versatile, stylish, and engaging seating solution that enhances modern interiors with playfulness and sophistication.
📥 2D & 3D files available for download for easy specification in interior projects.
🔗 Discover more at Zilio A&C.
The Conek Modular Seating Collection from Mobboli serves as contract furniture for hospitality venues and workspaces and applies to public and commercial settings as well as residential and hotel interiors.
Introducing the Conek Collection by Mobboli
The Conek collection produced by Mobboli features modular seating solutions designed by famous designer Gabriel Teixidó which fit perfectly into contemporary interior spaces. Conek offers armchairs and poufs that combine perfect form with function and sustainability so designers can create tailored seating solutions for various spaces including hotels and offices as well as residential and hospitality settings.
Conek remains adaptable and adjusts instinctively to meet modern interior design needs. The smooth modular design of Conek allows for easy adaptation to both straight and curved layouts which delivers essential flexibility for versatile spaces. The collection's understated elegance establishes it as a flexible choice for spaces that appreciate minimalism along with modern features and practical luxury.
Elegant, Minimalist Style and Design
The Conek collection presents a modern minimalist design with smooth lines that create a sophisticated look suitable for various spatial applications. Seating modules utilize carefully determined proportions to blend seamlessly into interior spaces without dominating existing decorative elements. The combination of delicate rounded corners and precise upholstery work creates a refined appearance which highlights luxury and comfort while maintaining visual simplicity.
The Conek modular collection features an advanced interconnectivity system which simplifies both attachment and rearrangement of its pieces. Configurations in the Conek modular collection can include intermediate tables which provide practical surfaces for work as well as relaxation and interaction purposes. The improved functionality enhances user experience which allows Conek to function in both sophisticated waiting areas and modern workspaces.
Premium Materials and Luxurious Finishes
High-quality craftsmanship and sustainable practices stand as key principles behind the Conek collection from Mobboli. The upholstered components deliver unmatched comfort through their structure of rubber bands which vary in density. The design maintains ergonomic support and durability under constant use in heavy-traffic areas.
The Conek collection features eco-friendly upholstery options like FELICITY which is made from 100% recycled plastic bottles. The sustainable fabric selections come in modern shades such as terracotta, dry blood red, sophisticated navy, and subtle light grey. The combination of soft textures and strong compositions provides both visual and tactile benefits along with outstanding durability to meet the tough requirements of hospitality and commercial settings.
Every frame benefits from robust yet well-proportioned construction made of round steel tubing which receives a finishing coat of high-quality epoxy paint. Designers have the flexibility to create harmony or contrast between project elements because the frames come in numerous modern colors that enhance the appearance of the upholstery.
Dimensions of Conek Seating Elements
The Conek collection contains two fundamental seating components which provide maximum comfort through their design while optimizing space efficiency.
Armchair Dimensions:
Width: 686 mm
Height: 640 mm
Depth: 663 mm
Seat Height: 390 mm
Pouf Dimensions:
Width: 686 mm
Height: 390 mm
Depth: 663 mm
Seat Height: 390 mm
The Conek collection's compact yet spacious dimensions allow it to fit comfortably into multiple interior layouts without losing either functional capacity or comfort features.
Ideal Applications and Versatile Usage
The Conek collection demonstrates adaptability across multiple settings because of its flexible design and modern appearance.
Hospitality and Hotels:
The Conek collection delivers sophisticated seating solutions for hotel lobbies, lounges, and guestrooms that create welcoming environments for relaxation.
Restaurants and Bars:
Establishments can use Conek's modular design to establish seating arrangements for both personal discussions and big group interactions which improves guest comfort with its fashionable design.
Offices and Collaborative Working Spaces:
Conek offers dynamic seating solutions that enhance corporate interiors and coworking spaces equally for formal meetings and casual collaboration areas.
Residential Interiors:
This collection brings minimalist elegance to residential spaces and offers adaptable seating that meets diverse requirements from hosting guests to daily life comfort.
Public and Commercial Projects:
The combination of durable building techniques with flexible design features positions Conek as the top choice for waiting areas and lounges in airports and public institutions that need seating combining sturdiness with contemporary looks.
Sustainability and Environmental Responsibility
Mobboli demonstrates its commitment to environmental stewardship through the sustainable design of its Conek collection. Through their utilization of recycled upholsteries and components that can be recycled completely Mobboli demonstrates their support for a circular economic model. Conek's sustainable credentials and responsible production methods make it an excellent choice for interior designers who prioritize eco-friendly products.
Alternative Modular Seating Collections
Mobboli offers other modular seating solutions for interior designers who wish to expand their options while maintaining similar functionality.
Split Collection: The Split Collection modular sofa system delivers modern versatility for public spaces and hospitality settings through cosmopolitan elegance and straightforward design.
Track Collection: The Track series delivers more customizable options through its modern modular design which makes it perfect for contract projects that need both stylish aesthetics and adaptability.
2D and 3D Files Available
Designers and architects who select the Conek collection can access comprehensive 2D drawings as well as 3D models for their projects. The system enables detailed project planning and smooth integration into design processes while supporting visualization and specification needs for projects regardless of size.
UPHOLSTERY
A wide range of Upholstery and materials provided by our suppliers to satisfy your needs.
auckland - 7071.18
Upholstery
>
vescom
auckland - 7071.28
Upholstery
>
vescom
harding - 7070.07
Upholstery
>
vescom
harding - 7070.08
Upholstery
>
vescom
furka plus - 7064.14
Upholstery
>
vescom
acton - 7062.20
Upholstery
>
vescom
leone plus - 7054.02
Upholstery
>
vescom
noss - 7058.13
Upholstery
>
vescom
lani - 7060.49
Upholstery
>
vescom
wolin - 7050.32
Upholstery
>
vescom
wolin - 7050.35
Upholstery
>
vescom
hestan - 7035.11
Upholstery
>
vescom
hestan - 7035.22
Upholstery
>
vescom
cyprus - 7038.15
Upholstery
>
vescom
lindau - 7028.01
Upholstery
>
vescom
lindau - 7028.09
Upholstery
>
vescom
dalma - 7024.13
Upholstery
>
vescom
dalma - 7024.14
Upholstery
>
vescom
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