When it comes to snugness, this delicate occasional easy chair is like the most beautiful of flowers. Its body unfolds like a calyx and is made from one single piece. How is that achieved? Imagine it as a sculpture: ‘Simply cut out all that is superfluous’, Jehs + Laub, the designers of the Flint seating furniture, say lightly. In fact, what they have created with their design is the square of the circle: a circular base — on a rotating plate — that rises up to the rounded square seat surface and then flows to the high backrest. Craftsmanship that is also so comfortable that it would easily knock you off your stool — if it weren’t so stable.
For all those who set their sights high, Jalis is available not only as a bar stool but now also as a bar chair, with a comfortably upholstered shell, armrests and a 360° swivel mechanism – a kind of lounge chair with which you can sit elegantly at counter height. The Jalis bar chair is available in two heights, the wire frame comes in black or chrome, and evenings now come in long format only.
Scope is highly flexible seating furniture which can be added and regrouped to form seating groups, think tanks or room-in-room solutions depending on the space and function in question. Together with its top elements it creates aesthetic meeting and working islands which can stand in the middle of an open-plan office or lobby and yet still be far away. And because this diversity is ultimately based on one single element, Scope makes life considerably easier not only for users, but also for designers and furnishers in particular. Scope's appearance can be adapted perfectly to any corporate architecture with fabric and leather variants from the COR collection.
Affair originally came about as a draft for the public areas of the exhibition centre in Frankfurt/Main. In other words, as a new kind of seating for large public areas in which many people relax, talk, kill time between appointments, take a breather and above all just feel at ease. And because such people also exist in other places, Affair is now to be found in theatre foyers and lounges, receptions and offices, company headquarters and atriums of all shapes and sizes. No two Affairs are the same. After all, it can literally be configured infinitely to form seating islands or corners, never-ending sofas or waiting benches. And then regrouped for any occasion and any purpose.
The Conic table with its elegant basic geometrical forms always serves as the ideal partner. Its round, oval or rectangular top is is available in solid oiled wood, in natural oak, walnut, ash, in lacquer/powder lacquer colours or mineral material white matt and the base is made of Cristalplant® in matt white. This compound material feels velvety soft, is 100 % recyclable and easy to clean. For a surface that still looks as good as new after years of use.
Conic comes as a side table or coffee table. The basic form is always elegantly geometric: A round, white tabletop rests on a conical base. Conic goes wonderfully with the COR classic Conseta, as well as with Mell Lounge, Trio and numerous other models.
The Bag in fabric looks good on any the armrest. It helps you keep things nice and tidy on your sofas. And the colour shade can match the upholstery or come in a contrasting colour of your choice. Just lay it over the arm, fix it by pushing the weight into the gap between the cushioning and armrest — and it turns into a practical holder for magazines, remote controls and reading glasses, all within easy reach.
Tablo is a small assistant, always there when needed. The side table with the distinctive base, chrome-plated or lacquered, is flexible and spontaneous.
Rawi is Arabic and means storyteller. A good story is best followed while sitting and relaxing. In this easy chair, for example, with its strikingly curved seating surface. Rawi easy chair is not for slouching, but for sitting upright.
Sinus appears weightless, rocking slightly, and once you have settled down on the distinctive cushions, you will never want to give up your new favourite place again. The highlight is the combination of pleasantly rocking skids and leather straps that provide support for the round upholstery elements. Visibly and tangibly COR.
Cosma is not a sofa-bed, nor is it just a functional sofa; it is an exceptionally elegant piece of seating furniture which also serves as a bed. This is ensured by the slatted frame and the comfortable upholstery. The generally poor compromise between sitting and sleeping does not apply here because it is possible to do both extremely well, with conversion requiring just two easy steps.
Level, designed by Uwe Fischer, is a family of height-adjustable worktables that are quite unpretentiously committed to the idea of a workbench. This gave rise to a tool with “trestle-like substructures”. A highly functional item that adheres fully to the tradition of modernism and brings its functions clearly to the fore. Working while standing is becoming more and more popular “because it most closely corresponds to the fleetingness and speed that work involves,” says Fischer. The change becomes the actual constant. A quick meeting. Then the table top is lowered manually or electrically. Then it’s time for a snack. Here, too, we meet for an exchange, this time quite informally.
For a less conventional design of workspaces and creative areas, Level System is a good choice. Its trestle substructure is strongly reminiscent of a workbench.
Lounge modules with sofas or easy chairs (communication zones) can now all combined with desk areas (work zones) throughout. The basic configurations of this concept solution have an S or U shape. Similar to a construction kit, different panels function as links, connecting several modules to each other.
Like the sofa, the Mell table also appears to float. This is due to the delicate steel skids, just twelve millimeters thick. A closer look reveals that they have rounded corners - a detail which underlines the table's class. Combined with the Mell seat elements, seating landscapes emerge which will always be glad to accommodate guests.
The model developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple wooden frame in oak, walnut or lacquered with large, comfy cushions. Producing a chair that makes an impression from all sides — especially when you sit on it.
Like the rest of the family, the Elm coffee tables confidently take up the typical COR design: Every detail is instantly visible and surprises with many fine touches. The focus is on the beauty of the wood's individual grain and skilful finishing. The Elm coffee tables combine the wood with glass surfaces and are consciously reminiscent of 20th-century Scandinavian furniture design.
Cordia is far too comfortable to be used exclusively in the office. We have brought it to the dining table. With a light-footed wire frame, individual material mix and a seat shell which merges smoothly into the graceful backrest. The covers on the armrests not only look exciting, but also offer perfect protection — from children’s sticky fingers, for example.
Sofa beds and top-notch design are mutually exclusive? Not with Conseta. With its closed-base frame available in depths of 85 or 95 cm it looks great when folded up – and transforms itself into a comfortable guest bed when folded out. A throw over the foldable cold-foam mattress makes the frame vanish, while the backrest cushions remain in position and are perfect for reading in bed. And all done in a few seconds and with a pleasantly raised lying surface – your guests will almost believe they are back home.
A bench is a bench is a bench is a wonderful reinterpretation by Uwe Fischer. Its elongated shape, clear lines and simple materials — wood and fabric or leather — combine to create an object that conveys lightness and seating comfort, even without a backrest. Bridge is more than an upholstered bench, it is a tool for the modern office that is dedicated entirely to the new informal way of working. Here nothing is put off until later. Here you can even relax whenever you feel like it. “Functionality without too much design attitude,” is what Uwe Fischer had in mind, meaning a language which is understood both in the living and working environment. We think he succeeded.
Part of the architectural periphery for the surprisingly new furniture concept Pilotis: various large, small, round or rectangular side tables with table tops in solid oiled wood or lacquered MDF and a delicate metal frame. The Pilotis tables are so versatile that they easily combine with other sofa ranges.
The side table in a practical C-shape can simply be moved next to Mell or any other COR sofa whenever needed. It comes in two different heights and is an ideal place for your coffee cup or for long periods working on your laptop. The frame is chrome-plated and extremely stable despite its finely rounded contours. The top, which can serve as a table or tray, is painted white.
Mell is an elegant easy chair for the living area. Both variants with a slightly higher backrest or low backrest are right not just for Mell and Mell Lounge, but also for many other COR classics.
While one tends to sprawl on some other sofas, Mell likes things nice and tidy. But this does come at the expense of comfort. As angular as Mell might be on the outside, it is equally round on the inside. Mell is up for anything: as a versatile seating landscape or - which is new - as a small suite with a high back and loose cushions. And always on such a delicate metal frame that the bed almost appears to float.
This sofa developed by Jehs & Laub succeeds effortlessly in bridging the gap between external austerity and absolute inner softness. To achieve this, Elm combines a fine, simple solid wooden frame in oak or walnut or a lacquered wooden frame with large, comfy cushions. Producing a sofa that makes an impression from all sides — especially when you sit on it.
Sitting in state: not here. Pilotis wants to be lived in. This is the reason for the deep seat and reclining elements – sloping or straight – which are more than open to a playful combination with tables and shelves. But the new petite variant for small apartments and small rooms also makes a big impact.
Already a firm favourite: the high-quality conference and office chair series Cordia Plus. With wider seating surfaces and reinforced upholstery in the armrests and in the headrest area, this executive chair version with a backrest height of 101/109 cm impresses not only in the contract segment but also in the home office.
Drop by Pauline Deltour is the name of a whole family consisting of a mobile roller stool, a stackable stool and large pouf. The small components are mobile, while the large pouf forms a meeting point in the office. What they all have in common is that they are laid-back. A round, fully visible steel frame enfolds each upholstered body. Tone in tone. Four legs with rollers turn the small stool into the office run-about — an incredibly practical colleague. The perfect additive for a mobile working envi-ron-ment. “I share my office with friends,” says the French designer, “and on holiday I use Airbnb.” It is precisely this lightness and joy that Drop ema-nates. A dash of French savoir vivre.
Curling up at home certainly does not mean cutting yourself off from the outside world. On the contrary, the latest member of the Mell family is a furniture invitation to a cosy rendezvous with friends, family or colleagues. With the emphasis on ‘cosy’. On the good old kitchen bench, the chest-with-armrest model, you didn’t know which side of your bottom you should shift your weight to after sitting down for just a short time. By comparison, the separate seat cushions and high back of this youngster designed by Jehs + Laub are so softly upholstered that they allow you to think, talk, eat, play or work endlessly ‘around the corner’. And it does not necessarily have to be in the kitchen either. The elegant metal frame cuts a good figure in any room.
When it comes to snugness, this delicate occasional easy chair is like the most beautiful of flowers. Its body unfolds like a calyx and is made from one single piece. How is that achieved? Imagine it as a sculpture: ‘Simply cut out all that is superfluous’, Jehs + Laub, the designers of the Flint seating furniture, say lightly. In fact, what they have created with their design is the square of the circle: a circular base — on a rotating plate — that rises up to the rounded square seat surface and then flows to the high backrest. Craftsmanship that is also so comfortable that it would easily knock you off your stool — if it weren’t so stable.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
‘Come into my arms,’ this chair seems to say, with its gently curved side rests reaching out invitingly to the observer. And you feel a sense of security as you settle down into it. This is due, on the one hand, to the generous seat surface with its softly cambered seat cushion and high back at an angle that brings the spine into the perfect upright position. On the other hand, designer Uwe Fischer has provided the upholstery furniture with a compact base which provides firm support on a swivel plate. Surprisingly, however, Roc is so light that it can be moved around easily in the room — to the seating group, to the reading lamp, to the window or even just to see its pretty rear view. And while we’re at it: Read the word Roc backwards!
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
Much about Trio has remained unchanged over all these decades — such as the high-quality materials, the intricate workmanship, the intelligent interior that houses a real slatted frame, and the clear edge with the distinctive double seam.
Cordia blends into any surrounding, yet it also stands alone. This is due to its simple but sophisticated design. The swivel chair with distinctive armrests provides a sitting position which is more upright and always comfortable. This makes it ideal for long conversations as well as for short breaks - especially when combined with the optional reclining mechanism and matching footstool.
The Cordia family now has a lounge chair, and an exceptionally cosy one. A voluminous down cushion rests in a smooth, thin shell. A special feature is the folded fabric on the armrests. On a aluminium polished swivel base, Cordia Lounge stands with its four feet firmly on the ground. The lounge aspect of the new family member comes not least from its built-in tilt mechanism. So there's just one thing left to do: Lean back and relax!
Conseta is not only a sofa programme but also an add-on programme offering countless possibilities. Elements of different shapes and sizes combined with a choice of armrests give plenty of scope to explore configurations to fit every room. Various styles of armrest and of carcass widths and a choice of cushion fillings give birth to a wide range of design solutions.
This adaptable table cuts a fine figure wherever it stands. It can be square, round or rectangular. With the tabletop in solid ash, oak or walnut. Made of clear glass underside lacquered or dyed glass. In white marble or dark limestone. Or made from lacquered MDF board. In many different widths, lengths, diameters and heights.
Shoes off. Feet up. Arms spread. Breathe out. Sink in. How can a human being ever want to be somewhere else but in this endless, all-embracing softness?
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Babila demonstrates that, when it comes to a design, the material can be as important as the shape. This new outdoor wall sconce is of polished stainless steel, a circular object that produces a panoramic effect, reflecting its surroundings. It is not designed to be an architectural element, but rather a simple and beautiful design that draws attention, whether on or off, as it allows us to catch a glimpse of the daily life occurring around it.Babila comes in two sizes, 18 and 28 cm in diameter, and is also available in matt white or brown varnished aluminium, which provide a more discreet alternative to the chrome finish. In all of them an aura of blurred light is generated, a detail that contrasts with its material. Its lighting is indirect, soft on the wall, and well integrated into outside spaces.
Haiku is a Japanese poem consisting of just three lines and a total of seventeen syllables. The coffee table designed by Marco Zito for Saba Italia is in fact made up of three parts: the frame and the two tops. The slim architecture suspends the tops on two levels which play with the partial overlap of colors, in a simple and well-gauged relationship of balance and proportions. Haiku was designed with a sophisticated color palette. Frame in painted metal rod. Top in lacquered MDF.
Tekla bar tables are in two heights: 90 and 105 cm, in 3 board designs: standard 25 mm laminate, 26 mm HPL and black Nano with profiled edge. Round bar table has plate size Ø60 and stands on a pillar base. The oval plates, measuring 150×60 cm and 180×60 cm, stand on 2 column feet.
When it comes to snugness, this delicate occasional easy chair is like the most beautiful of flowers. Its body unfolds like a calyx and is made from one single piece. How is that achieved? Imagine it as a sculpture: ‘Simply cut out all that is superfluous’, Jehs + Laub, the designers of the Flint seating furniture, say lightly. In fact, what they have created with their design is the square of the circle: a circular base — on a rotating plate — that rises up to the rounded square seat surface and then flows to the high backrest. Craftsmanship that is also so comfortable that it would easily knock you off your stool — if it weren’t so stable.
Bond is the name given to the table series created by the design duo Aust & Amelung, because it joins everything. It features extremely mobile, rollable and height-adjustable laptop tables, trolleys, side tables, as well as a serving cart with a leather insert and various recesses for work utensils and a bottle plate. “Our goal was to create highly flexible furniture,” say Miriam Aust and Sebastian Amelung. “Each part of the family performs its own function and can be used like a tool.” Even the side tables, with their offset, slightly flared legs, seem to be on the go. Interestingly, handcarts were among the initial inspirations. What has remained is the curved handle which says to its users: Let’s do it!
In <em>Chimera,</em> Elena Salmistraro merges rigour with self-expression, in a graphic grammar laden with symbolic meaning. <em>Empatia </em>speaks to the emotions with graphics that interpret, through a highly individual abstract code, the stage make-up of a clown, with the aid of superimposed geometric forms and images. <em>Radici </em>is a tribal statement, a tribute to primitive ritual custom, evoked by the interplay between a sequence of triangles and rectangles and a set of figurative fragments. <em>Ritmo</em> is inspired by fabrics, suggesting the rhythmic alternation of woven yarns through a largely linear pattern. In <em>Colore, </em>the upheaval of a background of small isolated spots generated by a parametric digital program is combined with densely packed repeated forms. "The Chimera collection is rather like a book with four different chapters: I set out to differentiate these graphic motifs to create four totally different stories."<br></br>Elena Salmistraro It all starts with drawing. A <em>passion</em> for drawing. An <em>obsession</em> with drawing. Drawings like spider-webs, obsessively filling spaces, in a kind of manual choreography or gymnastics, a continuous flow. Elena Salmistraro draws all the time. She draws everywhere. Mostly on loose sheets or random surfaces. First and foremost with pen and pencil. Her drawings only acquire colour at a later stage. Often - just like Alessandro Mendini used to do - she draws "monsters": fascinating yet disturbing, subversive forms. The denser, more contorted the shape, the more obvious its underlying truth. For Elena, drawing is an intimate act. It is relaxing. And therapeutic. With an unrivalled communicative strength. Because drawing gives shape to ideas: you both give form to the world and reveal yourself. This passion, combined with natural graphic talent, has guided Elena Salmistraro in her project for Cedit: an experimental series of ceramic slabs produced using a high-definition 3D decorative technique. The explicit aim is to transform surfaces beyond their original flatness so that a new, visual and tactile, three-dimensional personality emerges, sweeping aside the coldness and uniformity that ceramic objects often inevitably convey.Elena Salmistraro has always viewed ceramics as a democratic material, in view of their accessibility, and the infinite potentials for shaping matter that they provide. She began working and experimenting with ceramics very early in her career, just after she graduated from the Milan Politecnico in 2008. She came into contact with small artistic craft firms specialising in smallproduction lots, and cut her teeth on projects that demanded the hand-processing of every detail, and finishes of high artistic value, for the high end of the market. The large corporations and galleries came later, but here again Elena kept faith with her desire to make mass-produced pieces unique, and to combine artistic value with specifically industrial characteristics. The monkey-shaped <em>Primates</em> vases reflect this method and intention, aiming to excite, surprise and charm. Antiminimalist and hyper-figurative, playful, ironic and a rich image-maker, often drawing on anthropology and magic, over the years Salmistraro has built up her own fantastic universe, inhabited by ceramic bestiaries, painted jungles and a cabinet like a one-eyed cyclops , always finding inspiration and inputs in nature and always aiming to reveal the extraordinary in the everyday. Given this background, it was almost inevitable she would work with Cedit: constantly seeking new talents and new approaches, as well as designs that break down the boundaries of ceramics and release them into the realm of art and innovation, the Modena company has recognised Elena Salmistraro as a leading contemporary creative spirit and involved her in a project intended to experiment with fresh ideas in materials and synaesthetics.Salmistraro's collection for Cedit is entitled <em>Chimera</em> and consists of large ceramic slabs, which can be enjoyed not only visually, through their patterns and colours, but also on a tactile level. Like the chimera in the "grotesque" tradition, monstrous in the etymological sense of the word with its merging of hybrid animal and vegetable shapes, the Cedit project attempts to originate a synaesthetic form of ceramics, through a three-dimensional development that exactly reproduces the texture of leathers and fabrics, creating an absolutely new kind of layered effect, with a tactile awareness that recalls the passion of grand master Ettore Sottsass for "surfaces that talk". And the surfaces of the slabs Salmistraro has created really seem to talk: in <em>Empatia </em>clown faces add theatricality to the cold gleam of marbles, interspersed with references to Art Déco graphics; <em>Radici</em> uses the textures of leathers and hide as if to re-establish a link between ceramics and other materials at the origins of human activity and creativity; in <em>Ritmo</em> the texture of cloth dialogues with pottery, almost in homage to the tactile rationalism of warp and weft, of which Bauhaus pioneer Anni Albers was one of the most expressive past interpreters ; finally, <em>Colore</em> has a spotted base generated by computer to underline the contrast between analogue and digital, the graphic sign and the matter into which it is impressed. It is an aesthetic of superimposition and mixing, and especially of synaesthesia: as in her drawings, in the <em>Chimera </em>slabs Elena Salmistraro's art is one of movement and acceleration. A process not of representation but of exploration. Of the world and of oneself. Almost a kind of Zen, for distancing oneself from the world to understand it more fully. In every sense.
Wrap is a soft Lounge Chair with a blanket-like textile wrapped around its shell, allowing a deep sense of comfort with a strong sense of character. While its design is guided by the search for ultimate comfort, its generous shape is supported by a light steel frame creating a contrasting image of airy lightness. The draped upholstery is a result of extensive research and development as well as craftsmanship and knowhow. The Wrap Lounge Chair is simple, yet refined, combining a sense of ease with a strong design language.
Designed with extensive comfort and a modern expression through the vibrant lines and folds of its back and armrests along with an embracing seat, the Doze Lounge Chair join together the ideas of Scandinavian design with the lines of 1970's furniture for a contemporary perspective on the archetypal lounge chair. Use the Doze Lounge Chair on its own or with the Doze Ottoman.
The Outline Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, marrying the ideals of simplicity and function into one. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants. The Outline Series also includes Studio versions of the Sofa and Chair, being compact versions with slimmed-down proportions for smaller spaces within the home, hotel rooms, work settings and more. The Outline Studio Sofa and Chair have a smaller depth of 76 cm / 29.9”.
The Outline Studio Series adds new perspectives to the classic Scandinavian design sofas of the 1960's, designed in slimmed-down proportions for smaller spaces such as apartments, hotel rooms, workplaces and more. With the design taking its name from its strong outline of a sofa, the Outline Series is clean and elegant on the outside with a deep seat and soft cushioning on its inside. The Outline Series has an expression that is at once elegant yet timeless, elevated by its lines referencing architectural shapes alongside its curved armrests, giving the design a distinct appearance across various sizes and variants.
It all started with a single detail: the way in which the generously proportioned seat cushion contrasts against the frame. Designers Florian Kallus and Sebastian Schneider, of Studio KaschKasch, decided that this should be the basis of their first lounge chair for Leolux. The result combines simplicity with versatility and relaxed comfort. Welcome to Kudo!
The Mimas armchair will put a smile on your face, for two reasons. Firstly because with a little imagination it reminds you of a smile, and secondly because it’s so comfortable and comes with so many practical options.
Throughout its long design history, Leolux built unique collections, year after year. The Anton armchair, named after one of the founders of Leolux, is loosely based on that storied legacy. The design is a reference to the past, to the artisanally crafted, top-quality products that earned Leolux its reputation.
For the Leolux Cream swivel armchair, Studio Truly Truly has combined the loveliest natural materials to create an armchair with unprecedented comfort and elegance. The wooden shell in curved walnut or oak takes centre stage, covered with soft fabric or leather upholstery. The aluminium swivel base gives you even more options to personalise Cream, which can be finished in any colour for the ideal look.
Gerard Vollenbrock ontwierp Scylla met herinneringen aan ‘De Stijl’. Hij voorzag het ontwerp van een schitterend buisframe dat helemaal achter de rug doorloopt en stoere beklede armsteunen. Het zijn de kleine details en de perfectionistische afwerking die zorgen dat dit ontwerp ook na vele jaren gemakkelijk elke toets doorstaat.
This is Lloyd. A beacon of design. Sturdy and yet so inviting. With supple, almost nonchalant upholstery and traditional detailing, like decorative piping that highlights the powerful shape. Lloyd merges two different worlds – the Leolux commitment to comfort, cast in Gino Carollo's distinctive Italian design.
Kikko will surprise you at first glance. Is it a chaise longue? Yes, but this multifunctional piece offers even more possibilities. By slightly lifting the back, it turns 90 degrees left or right. This turns the chaise longue into a comfortable seat with an extra seat next to it.
This design is a reference to the past, inspired by luxury 19th-century hotel interiors. You can see Edward van Vliet's classic style in the armchair and chaise longue. He combines a touch of nostalgia with contemporary comfort, charming curves and elegant details.
The comfort of an embrace: the K-WAIT upholstered collection by Rodolfo Dordoni plays with the contrast between the formal simplicity of rigorous volumes and soft, rounded lines. The division between habitat and contract solutions is increasingly blurred in this collection too. The keyword is versatility. The wide range of delightful upholstery includes warm velvety fabrics, bouclé and other fabrics that, though plainer, always stand out for their striking weave. All fabrics are certified for contract use.
Bubble Club is the industrial sofa in which rotational moulding technology has enabled Kartell to mass produce. A large two-seater sofa, characterised by the soft line of the armrests which contrast with the more rational line of the backrest; an essentia
Enzo is an armchair with a very modern and classic Scandinavian design. Here, focus is on simplicity, clean lines, and natural materials. The armchair has an wooden frame, loose soft cushions, and paper cord as an extra design wise detail.
Judi is a cool lounge chair inspired by the early James Bond movies. The chair is named after actor Judi Dench, who plays M. Judi is a glamorous and cool chair with fine, round shapes. The empty space in the backrest makes the design less bombastic and even more elegant.
Oscar is a small and light armchair with attractive curves and contrasts. The shell is wide and framed by the dark piping that set off the simple design of the chair. A cool chair with a rather elegant masculine look.
With Otis the idea was to scale down the look of an old-school armchair to accommodate the small living tendency. This chair fulfills the need for a soft and embracing chair. With its round shape and low height, it looks welcoming and super cute.
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