A new style, an informal and immediate luxury interpret the space
La Roche is a product with the charm of a protagonist but without excesses with a surface characterized by chromatic variations and decisive traits that connote the passing of time. The culture of the past rereads the present: all in a connection, a fine and authentic line that takes you back to living in a place permeated with timeless charm.
Frequently Asked Questions
What are the dimensions of the La Roche la roche Mud?
The La Roche la roche Mud measures W: 60 x H: 120.
Is the La Roche la roche Mud suitable for commercial projects?
Yes, the La Roche la roche Mud by Florim is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the La Roche la roche Mud be used outdoors?
The La Roche la roche Mud is designed for indoor use only.
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Airtech/ is a collection designed to create spaces that interact with each other in a uniform and discreet manner. <p>The collection offers six stones available in shades of gray, the quintessential metropolitan color. The 60x120 cm size with a high-gloss finish gives a bright and appealing nuance to this very austere project. There are two available thicknesses, 9 mm and 20 mm.</p>
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
Six essences inspired by the beauty of marble become stylistic shades to create modern and functional environments The collection is available in various finishes and sizes suitable for private spaces and the light commercial world with shades that go from white to beige, from grey to desaturated black.
The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. <p>A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
Artifact of Cerim refers to the simplicity of spatulated cement crafted by skilled hands, whose uniqueness becomes a distinctive feature, an identifying factor that reveals the taste of those who select it for their daily lives. <p> The collection is available in a thickness of 9 mm and offers two sizes (60x120 cm and 80x80 cm) with the relative modular sub-sizes (the 30x60 cm is also available in the <em>grip</em> outdoor finish). The graphic shade variations of the cement are declined in 6 different neutral shades ranging from white to coal through gray and beige.</p>
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
A collection of profound and mesmerising energy which conveys all the informal elegance of luxurious contemporary spaces Lightness and solidity, combined with a sophisticated colour scheme, evoke the sense of craftsmanship associated with this wonderful stone whose stratified fossils, trapped in the slender sediments formed over the centuries, embody its time-honoured yet contemporary beauty. Tradition and innovation therefore come together in a unique project, creating an attractive surface that respects the culture of places and the history of time.
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
<p>The Biotech collection by Florim embraces the principles of sustainable architecture. </p> <p>The collection is born from a sustainable and virtuous approach and is part of <a href="https://www.florim.com/en/company/sustainability/carbonzero-florim/">CarbonZero</a>, Florim's range of Carbon Neutral surfaces.</p>
<p><br>Florim provides the scope to contribute to sustainable architecture projects with <strong>green design methods</strong>, proposing materials that are made with a particular focus on the energy efficiency of processes, removing pollutants, and selecting suppliers and stakeholders that can comply with the established quality parameters.</p> <p>Sustainable architecture could be described as <strong>contemporary organic architecture</strong>.<br>It means designing and constructing green, eco-friendly buildings, with the aim of protecting the environment and human well-being by taking an ethical stance towards ecosystems.<br>A systematic approach, the broadest possible interdisciplinarity and parsimonious use of resources all play a key part in the design process.<br>Sustainable architecture seeks to establish a balanced relationship between the natural environment and the built environment, satisfying the needs of the people of today without compromising future generations through indiscriminate use of resources.</p>
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
Buildtech/2.0 assures the realization of ever-current projects To the four colors, White, Bone, Mud and Coal in Tinta Unita, Granigliata and Cemento, 10 solid bold colors are being added, only intensifying the "brutality".<br />
In the new wall-mounted spotlight version, the Counterbalance lamp, conserves the characteristic directional reflector cap and is enhanced by a new white finish, shared with the other models in the family.
A new style, an informal and immediate luxury interpret the space <p><em>La Roche</em> is a product with the charm of a protagonist but without excesses with a surface characterized by chromatic variations and decisive traits that connote the passing of time. The culture of the past rereads the present: all in a connection, a fine and authentic line that takes you back to living in a place permeated with timeless charm.</p>
Recurring geometries, combinations of figures. Marble and marmorino plaster: comparison and dialogue. The collection is completed by a linear listello tile with the motif of a sequence of vertical rectangular blocks, which can be combined with the slabs to further enrich compositions involving continuous ceramic surfaces cladding.<br /><br />"Another reference is the use of Italian marbles on the verge of extinction, rare marbles such as Rosa Valtoce, the marble used in Milan Cathedral."<br />Cristina Celestino Cristina Celestino's smartphone contains a folder of images entitled "Milan". Photographs that are more like notes. Photographs of architectural features, materials or details of shapes encountered by chance during a walk, but they cannot be described as merely a vague "source of inspiration". This filing system, created in response to a fleeting instinct, is an integral part of the method of work adopted by the architect and designer, who starts off without preconceptions "“ or "free", as she puts it before drawing inputs from a vast world of references, from Hermès scarves to the works of the great Masters (in the specific case of Policroma). This accumulation, partly spontaneous and party the outcome of in-depth historical knowledge and study, naturally activates a process of synthesis and personal interpretation common to all Cristina Celestino's output.<br /><br /><br />The wall covering collection designed for Cedit was no exception, although in this case the designer was dealing with a project with variable dimensions, reaching up even to the architectural scale. In her own distinctive way, she combined a variety of references. Adolf Loos's passion for coloured types of marble, and Cipollino in particular. Carlo Scarpa's angular metal frames and Marmorino plaster in Venice. The French fashion house's square silk scarves. The entrance halls of Milan palazzos, Gio Ponti, the city's Cathedral. All expressed in the designer's own language: well balanced geometrical forms, subtle colours (shades similar to those of Scarpa himself), an effortless, almost restrained, playful elegance. The mood is that of the homes of the enlightened bourgeoisie who shaped the history of Milan, Celestino's adoptive city and an endless source of inputs. She has worked its interiors, including some of the least expected a 1928 tram, the historic Cucchi confectionery store hybridising her own style with the existing context. An imitative effect which is also the key to the meaning of the new Policroma collection: the marble varieties replicated using the Cedit technology are all from Italian quarries that are virtually "worked out". This revives an increasingly rare material as a "living" presence, in a different form which makes no claim to replace the natural original. Quite the contrary, Celestino immediately states her intention to imitate, by combining marble and Marmorino plaster in some variants with a contrasting frame (a typical feature for her, just as it was for Scarpa), and evoking the centuries-old marble-imitating scagliola plasterwork with a contemporary formula.<br /><br /><br />The types of marble chosen are central to the project's character. Verde Alpi, a favourite with Gio Ponti and often found in Milan entrance halls, features tightly packed patterning. Breccia Capraia, still found in a very few places in Tuscany, has a white background with just a few veins. Cipollino, in the special Ondulato variety in green and red, is patterned with spirals. Rosa Valtoce, on the other hand, was used by the "Veneranda Fabbrica" guild to build Milan Cathedral. It is an iconic stone with dramatic stripes, popular in the past; it is now sourced from one very small quarry in Piedmont which has been virtually abandoned.<br /> The many different elements that make up the Policroma collection all reflect the importance of craftsmanship to Cristina Celestino's design style: the modules can be freely mixed and combined, for example to create a concave or convex semicircle, or for the large-scale replication of small features initially conceived as trims, functional details transformed into a dominant motif.There is a return to the theme of the interior, a large or small protected space, conceived as suspended in space and time yet also reassuring and protective. It is designed through its coverings in a stark yet not minimalist way, with intelligence and with no overreaching artistic ambitions. An understated space and an extremely stylish declaration. In Milan style, of course.
This modern wall lamp combines functionality with minimalist design, featuring a sleek matte metal finish and a cone-shaped shade. Perfect for bedrooms, it provides ambient lighting while serving as a stylish accent piece.
MORELLET is a customizable technical fabric for indoor and outdoor use. A classic one, clearly inspired by the French artist Morellet. It’s ideal for panels tensed in orthogonal directions or for flat curtains. Sample available
The Rustic Modern Rectangular Sectional Tubular Entry set for front door hardware crafted with meticulous attention to detail, rustic charm, modern functionality, in a timeless bronze finish.
This non-woven backed vinyl wallpaper panel features a breathtaking botanical scene in a grand scale with exquisite detail, celebrating the flamboyant esse
A natural feel wide-width abstract hatching reminiscent of wild grasses or South Asian brushwork according to the colour theme selected for your home. Meta
Sanfte Landschaften - wilde Konfigurationen Spätestens mit 15 Curt Modulen geht der Landschaftsbau los. Die unendliche Weite an Konfigurationsmöglichkeiten diese Sets, ist zwar unerschöpflich, aber auch durchaus erschöpfend. Dafür hat man dann ja viel Platz um sich auszuruhen. Curt ist mehr als ein modulares Sofasystem, es ist ein modulares Sitz- und Liegelandschaft System. Samt Barcelona - die Farben CORNHUSK RUSSET LOTUS VOLE SERPENTINE PATINA RIVER Einige Konfigurationen Das Curt Sofasystem Das Modul Schwer zu glauben aber wahr. Diese unendliche Vielfalt entsteht durch lediglich eine einzige Modulform. Ein Quader mit quadratischer Grundfläche, dessen Höhe der Hälfte der Seitenlänge entspricht. Dazu 16 versteckte Verbindungsschlaufen, die nur sichtbar sind wenn sie gebraucht werden. So einfach, so unendlich. Die Verbindung Das ist keine Verbindung für die Ewigkeit. Kurzfristige Bindungen sind jetzt auch bei Sofas gang und gäbe. Hat man genug von der einen, wird der Haken gelöst und eine neue Konfiguration gesucht. Ein justierbares Gurtband mit zwei einfachen Haken. Das ist der Gurt von Curt. Dazu an jeder Modulseite drei und auf dem Rücken vier Ansatzschlaufen zum Einhaken. So schnell bindet sich Curt neu und neu und neu. Der Bezug - Abnehmbar Auch der Bezug von Curt ist eher ungewöhnlich. Zwei Rechtecke, zu einem U geformt, die mit einem durchgehenden Reißverschluss verbunden und geteilt werden können. Abnehmbar, Austauschbar, Teilbar, Kombinierbar und gut zu reinigen. Aus einem roten und einem blauen Modul werden zwei Rot-Blaue-Module. Bezüge je nach Stoffart für die Reinigung geeignet Die Pflegeleichtigkeit des Modularen Sofas wird durch die Möglichkeit, die Bezüge einfach in die Reinigung zu geben, perfekt ergänzt. Die abnehmbaren Bezüge sind so konzipiert, dass sie sich mühelos lösen lassen und in der Reinigung wieder in frischem Glanz erstrahlen. So bleibt Ihr Sofa nicht nur ein Designhighlight, sondern auch stets hygienisch und makellos, ohne dass Sie sich um Flecken oder Abnutzung sorgen müssen.
Zugegeben, die Idee ist etwas flach. Der Fläpps Klappstuhl. Endlich darf ein Klappstuhl bleiben. Fläpps muss nicht hinter den Schrank, in die Kammer, die Nische, wie die meisten seiner Artgenossen. Seine Motive machen ihn salonfähig. Steht er doch mal im Weg, passt er auch in die kleinste Lücke. Fläpps ist 20mm flach. Klappt man oben, klappt es unten. Ein Handgriff reicht aus. Denn eigens für Fläpps wurde ein Klappmechanismus entwickelt. Dabei ist Fläpps so stabil wie die meisten anderen Klappstühle und, dank flexibler Rückenlehne und des leichten Federns, bequemer als man denkt. Ein freischwingender Klappstuhl.
Change up the rhythm of your space. The Motion loop pile carpet tile collection moves fluidly; colours flowing into dynamic texture and shifting pattern. Create your own choreography with the driving colour gradient of Motion, available in a colour palette striding from punk greens and acid yellows through petrol blues and chromatics.Embrace Motion as a soloist or mix & match it with coordinated colours of Vision.
The Vision carpet tile collection moves fluidly; colours flowing into dynamic texture and shifting pattern. This loop pile collection is available in a colour palette striding from punk greens and acid yellows through petrol blues and chromatics.Embrace Vision as a soloist or combine it with the coordinating colour gradient of Motion.
DESIGN BY David Redondo Silla tapizada con base de patín con varilla de acero recubierta de pintura en polvo o cromadas COMPOSICIÓN Estructura:acero. Asiento y respaldo: tapizado. DIMENSIONES 84 x 64 x 60 cm.
DISEÑADO POR: Carlos Tíscar Taburete con base de madera maciza y altura 65cm. Disponible en haya y roble y con múltiples opciones de telas. La colección Aro surgió de la idea de construir una familia de sillas basada en un tipo de construcción tradicional que podemos observar en algunas sillas tipo Windsor. El fresado que recorre los travesaños en su entrega con las patas es un detalle clave que confiere un acabado único, artesanal y de calidad a esta colección. COMPOSICIÓN Estructura: Madera de haya o roble maciza con reposapiés de aluminio. Asiento: Tapizado. DIMENSIONES 65 x 38,2 x 38,2
The Asura shower glass and enclosure range provides a beautiful solution for modern, minimalist bathroom designs. Offering a comprehensive range of showering glass, there are a wide range of configuration options possible.
The Asura Quadrant creates a beautiful, contemporary shower enclosure with the space-saving functionality of a sliding door. With two sizes available, make the most of your corner space with this quadrant enclosure. The soft close mechanism of the sliding door ensures a smooth, gentle movement to remove the risk of damaging the frame when closing. Featuring concealed fixings, this design removes bold features, creating a clean, simple aesthetic that screams luxury.
Made from 8mm toughened safety glass, this high-quality shower enclosure is long-lasting and durable. Asura glass is finished with a Crosswater Clear coating. While untreated glass can quickly and easily suffer permanent bonding of limescale and mineral salts onto its surface, Crosswater Clear treated glass prevents build up and makes the glass easier to clean as soils and liquids slide off the surface.
With Asura's customisation options, you can personalise your final shower enclosure design with both colour and texture. Choose from three unique handle designs: fluted, hammered or sleek. Both the enclosure and handles are available in six beautiful modern finishes that colour-match with our brassware and accessory ranges for a fully coordinated contemporary bathroom design.
Light and shade converse in an evocative natural context played out on a textural jacquard weave. The look of this fabric suggests the roughness of bark; its hand-feel the bulky softness of animal fur. Contributing to the distinct organic suggestions is a sandy effect, along with a well pondered choice of mottled plant-related colours – comprising of herbaceous and woody tones as well as those borrowed from the world of lichens. The lightest colours of the palette enhance the textile construction; the dark ones reveal the texture of linen. Suitable for intensive seating applications and panels.
This comfortable bouclé features an uneven, flaxen appearance. Natural and resistant linen pairs with slightly shiny viscose for a wonderful combination.
A textural and luminous fabric with a delightful play of different weaves gives life to a delicate three-dimensionality and irregularity that recalls the texture and grain typical of the finest woods. It ia ideal for upholstery applications.
A chenille combines an extraordinarily soft touch with functionality. Suitable for all indoor and outdoor environments, Alouette is durable, resistant to abrasion, weather conditions, sunlight, and mold, washable, and easy to care for.
Thin Wall Coverings Limestone Wall, available in 3 colours − Ivory, Sand and Taupe − on a 40x120 size combines the ancient look of stone with a design characterised by a natural, minimalist surface pattern. The Mikado 3D structure, available in all colours, expands the collection’s decorative possibilities. The Agrifoglio decor, a natural theme available on Ivory and Taupe plain tiles, and the geometric Losanga decor are made with Touch technology, which enriches the surface with the addition of glossy and matt vitreous grits, adding depth and realistic texture.
Marble effect cladding and 3D decorations Marble is renowned as the embodiment of elegance and purity. Now its most neutral varieties, the whites with their sophisticated veining and the warmer beiges, are reinterpreted in contemporary style in a very tactile porcelain stoneware collection in which use of the 3D Ink technology makes every piece unique and gives the veins both depth and shine. The matching Fabula Wall selection of wall coverings features tactile decors and three-dimensional structures.
Slimline XL Size wall tiles Latest-generation production technology and unusual extra-large sizes for the Alchimia collection, the new Marazzi slimline wall covering with a tactile character and simple elegance. Inspired by micro-cements, materials with a particularly fine grain and sandy inclusions that create a striking bright micropixel effect, Alchimia comes in four neutral shades and two 3D structures: Raw, which creates a kind of trowel-levelled look on the surface and Tide, with the distinctive formwork look. The cement tiles of Boho, the geometric motifs of Arky and the highly coloured flowers of Gipsy, the decor modules of Alchimia allow this collection to be interpreted in a variety of ways.
Antibacterial Stone Effect Porcelain Stoneware Porcelain stoneware with a luminous consistency featuring an innovative stone look. Carácter is a collection for indoor and outdoor floors with a dual personality: understated and minimalist, in the Blanco, Arena and Greige colours, and with a bold character in the same number of colour variants ranging from grey to brown, including pebbles in different shapes, sizes and colours that characterize the surface. The result is a material that is soft to the touch, enhanced with the advanced StepWise anti-slip solution. Seamless design, great expressive potential and an eco-friendly approach – 40% of the product is made of recycled material. Carácter coverings complete the collection with an eclectic decorative range. Outstanding performance and the exceptional antibacterial, hygienic and surface protection properties of Puro technology. A product which, boasting multiple sizes and surfaces, expresses discreet, versatile elegance with a natural and trendy style.
Plaster Effect Ceramic Tiles The beauty of plaster and the simplicity of ceramics unite in the new 32,5x97,7 cm Marazzi Fresco wall tiles, in the 6 mm thickness. The collection is distinctive for its textured appearance and colour variations and offers a contemporary twist on plaster applied in multiple layers and at different times with a palette of 5 neutral shades, enriched with 3D structures, mosaics and decors.
Glossy Tiles for Bathrooms and Kitchen Pottery is the new Marazzi wall covering inspired by the majolica ware of the ceramic tradition. A single size of 25x76 cm and seven elegantly individual colours for reinterpreting the tradition of the past in contemporary taste. One three-dimensional structure, one decor Azulejo and one 30x30cm mosaic extend the collection’s design potential, making it ideal for residential interiors with a strong personality
Glossy finish and irregular surfaces A glossy finish and intentionally irregular surfaces evoke the sensations of handmade products. Three modular sizes - 15x15, 5x15 and 7.5x20 cm - with straight edges to enable spaceless installation. A neutral palette - Bianco, Natural and Grigio - with hints of Blu combine with three motifs inspired by nature, creating multiple compositions with a unique character.
The stone effect that recalls traditional marble chip tiles The Stream collection combines surfaces inspired by natural stone for floor and wall coverings, offered in 5 colours with a delicate look and in 60x120, 75x75, 60x60, 45x45 and 30x60 sizes, the last of which is also available for outdoor surfaces. 2 different wall covering sizes, 25x76 and 20x50, enhanced by 2 three-dimensional structures and decorations with geometric patterns, are a perfect match for porcelain stoneware floors.
Architectural Ceramic Tiles Since its earliest beginnings, Triennale has been an anthem to modularity and flexibility: a simple element that uses an inspired interlocking mechanism to alternate gaps and solids, vertical and horizontal alignments, straight lines and curves. Today, these potentials are extended by new versions, where colour takes centre stage in glossy and matt, contrasting or tone-on-tone variants. Playful and versatile, Triennale can be adopted on any surface, leaving its user free to decide the complexity and depth of the interlocking structure and its language. Custom Project on all the products and technologies in the catalogue
Wall Tile Multicolor Floral Decorations Different languages and styles meet on a soft, satiny, semi-matt white surface to create the versatile, timeless Vision geometrical motif and attractive floral decors. These are Botanica, inspired by a neat, colourful herbarium, the elegant, subtle Heyday, the lush tropical pattern of Jungle, Roseto, a floral design with colourful, vibrant backgrounds and Frond the tropical wild side, tempered by white floral motifs. The details of the colours and patterns, in slight relief, are illuminated with a bright, delicate consistency thanks to the innovative Touch technology, which makes all these decors suitable for installation even in the shower area.
Handcrafted-effect tiles North African tradition meets industrial ceramics. The hand-crafted look tiles in the Zellige series are produced in 12 shades with glossy finish and visible variations in tone. Random installation creates a blend effect, in which the colours vibrate strongly.
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