THEA - LED glass pendant lamp _ FontanaArte - 2d files - 3d files

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

THEA - LED glass pendant lamp _ FontanaArte

fontanaarte > Ceiling lamp

Thea is an elegant suspension lamp designed by Gabriele and Oscar Buratti for FontanaArte, featuring a glass lampshade that beautifully interacts with light through its dual diffuser system—an inner white opaline glass for uniform light diffusion and an outer transparent or colored glass that amplifies and multiplies the light. Available in two sizes (Ø 24 x 42.4 cm and Ø 36 x 66.1 cm) with LED lighting options, Thea is versatile for table, floor, wall, ceiling, or pendant applications, making it suitable for both residential and commercial spaces like hotels, restaurants, and offices. The lamp’s refined design is accentuated by black nickel or polished copper metal finishes and transparent or smoked glass, embodying a timeless aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. FontanaArte, founded in 1932 by Luigi Fontana and Gio Ponti, is a renowned Italian design brand celebrated for its innovative lighting and furnishing solutions, blending traditional craftsmanship with contemporary elegance.

HUNA - Painted metal pendant lamp _ FontanaArte

fontanaarte > Ceiling lamp

This suspension lamp features direct, dimmable lighting, with a diffuser and hook crafted from painted metal, complemented by a steel suspension cable and a transparent power cord. The ceiling rose is made of durable painted thermoplastic, and while the bulb is not included, it is recommended to use an LED 1x21W E27 (2700K, 2452Lm) or HA 1x116W E27 (2800K, 2135Lm) for optimal performance. The lamp, designed in Italy, boasts an A++ energy efficiency rating and is available in black and aluminum finishes. A 3D file of the product is available for download, allowing for detailed visualization and planning. FontanaArte, the renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, is celebrated for its innovative lighting and furnishing solutions that blend timeless elegance with modern craftsmanship.

THEA - LED glass pendant lamp _ FontanaArte

fontanaarte > Ceiling lamp

Thea is an elegant suspension lamp designed by Gabriele and Oscar Buratti for FontanaArte, featuring a glass lampshade that beautifully interacts with light through its dual diffuser system—an inner white opaline glass for uniform light diffusion and an outer transparent or colored glass that amplifies and multiplies the light. Available in two sizes (Ø 24 x 42.4 cm and Ø 36 x 66.1 cm) with LED lighting options, Thea is versatile for table, floor, wall, ceiling, or pendant applications, making it suitable for both residential and commercial spaces like hotels, restaurants, and offices. The lamp’s refined design is accentuated by black nickel or polished copper metal finishes and transparent or smoked glass, embodying a timeless aesthetic. A 3D file of the product is available for download, allowing for detailed visualization and integration into design projects. FontanaArte, founded in 1932 by Luigi Fontana and Gio Ponti, is a renowned Italian design brand celebrated for its innovative lighting and furnishing solutions, blending traditional craftsmanship with contemporary elegance.

THEA - Glass table lamp _ FontanaArte

fontanaarte > Table lamp

Thea, a sophisticated table lamp designed by Gabriele and Oscar Buratti, features a glass lampshade and is available in two sizes: Ø 24 x 42.6 cm with a 3.85W LED (2700K, CRI>90, 640Lm) and Ø 36 x 60 cm with an 11.6W LED (2700K, CRI>90, 1596Lm), both including a dimmer. This lamp is part of a broader collection that explores the interplay between light and glass, continuing the designers' research that began with the Equatore lamp. Thea's design includes a double diffuser—a small internal white opaline glass diffuser for homogeneous light distribution and a larger transparent or colored diffuser that captures and multiplies the light within. Suitable for various settings, from homes to hotels and offices, Thea comes in table, floor, wall, ceiling, and pendant versions, all resting on a slender stem base with options for wall fixation or ceiling suspension. The lamp is characterized by its elegant use of black nickel and polished copper for metal parts and transparent or smoked glass for the shades. Additionally, a 3D file of Thea is available for download, allowing for detailed visualization and integration into design projects. FontanaArte, the esteemed supplier of Thea, was established in 1932 by Luigi Fontana and Gio Ponti and is renowned for its innovative lighting and furnishing solutions that blend traditional craftsmanship with contemporary design, headquartered in Milan, Italy.

THEA - Glass floor lamp _ FontanaArte

fontanaarte > Floor lamp

Thea is an elegant floor lamp featuring a glass lampshade, designed by Gabriele and Oscar Buratti for FontanaArte, equipped with an 11.6W LED (2700K, CRI>90, 1596Lm) and includes a dimmer for adjustable lighting. This lamp is part of a broader collection that explores the interplay between light and glass, continuing the designers' innovative research that began with the Equatore lamp. Thea's design includes a dual diffuser system: a small, internal white opaline glass diffuser that evenly disperses light, and a larger, transparent or colored outer diffuser that captures and amplifies the light within. Available in various configurations—table, floor, wall, ceiling, and pendant—Thea is versatile, suitable for both private homes and public spaces like hotels and offices. The lamp stands on a sleek stem base, with options for wall mounting or ceiling suspension, and is available in finishes of black nickel and polished copper, paired with either transparent or smoked glass. A 3D file of Thea is available for download, allowing for detailed preview and integration into design projects. FontanaArte, established in 1932 by Luigi Fontana and Gio Ponti, is renowned for its high-quality, innovative lighting and furnishing products that blend traditional Italian craftsmanship with contemporary design, making it a preferred choice among designers and architects globally.

THEA - Glass wall lamp / ceiling lamp _ FontanaArte

fontanaarte > Wall lamp

Thea, a versatile glass wall and ceiling lamp designed by Gabriele and Oscar Buratti for FontanaArte, embodies a harmonious blend of light and glass, featuring a dual diffuser system—an inner white opaline glass for even light distribution and an outer transparent or colored glass that amplifies the light’s reflections. Available in two sizes (Ø 24 x 21.6 cm with 3.85W LED and Ø 36 x 30.5 cm with 11.6W LED), both versions offer phase-cut dimming, 2700K color temperature, CRI>90, and luminous outputs of 640Lm and 1596Lm, respectively. The lamp family, suitable for table, floor, wall, ceiling, and pendant applications, is crafted with black nickel or polished copper metal finishes and transparent or smoked glass, making it ideal for both residential and commercial spaces like hotels, restaurants, and offices. A 3D file of the product is available for download, allowing for seamless integration into design projects. FontanaArte, founded in 1932 by Luigi Fontana and Gio Ponti, is a renowned Italian design brand celebrated for its innovative lighting and furnishing solutions, combining timeless elegance with modern craftsmanship.

Top Pendant Lamp

muuto > Ceiling lamp

With its universal and simple design, Top Pendant is a contemporary reinterpretation of the archetypical cone-shaped pendant. Its top is a striking feature designed to neatly fit its compact LED light source. Manufactured in spun steel with a graphic rolled hem, it is a versatile lighting family that offers an array of opportunities in color, size and function.

Ambit Rail Lamp

muuto > Ceiling lamp

The Ambit Rail Lamp is characterized by its simple lines and elegant shapes, bringing a refined light to any space. With its shades being made of handspun aluminum, the Ambit Rail Lamp features white interiors that provide a contrast to its outside shade while enhancing the light emitted into the room of any home, office or hospitality space.

Ambit Pendant Lamp

muuto > Ceiling lamp

Embodying the values of Scandinavian design, the Ambit Pendant Lamp is as timeless as it is contemporary. Made of hand-spun aluminum that has been hand-painted, the Ambit Pendant Lamp features clean lines and a white interior that heighten contrasts of its outside shade while enhancing the light emitted in any room of a home, office or commercial space. Use the design on its own or symmetric formations and vibrant clusters.

Fluid Pendant Lamp

muuto > Ceiling lamp

Inspired by a resting drop of water, the Fluid Pendant Lamp shows how soft light can diffuse across a space for a cosy atmosphere. The frosted matte surface creates a glowing ambience that fits into any home or casual business setting. Present the design individually or in a group for an intimate atmosphere.

Homefield Pendant 240 Textured Black

astro > Ceiling lamp

Portree Pendant Solid Brass

astro > Ceiling lamp

Drum 500 Oyster

astro > Ceiling lamp

Khan metal

kartell > Ceiling lamp

Many different styles, from 18th century eclecticism to contemporary minimalism, come together in Philippe Starck’s KHAN chandelier to create a new icon of elegance and modernity. The symbolism of the design is complemented by the technological innovation of Kartell’s new polycarbonate 2.0 in the colours black, champagne and clear.

Small fl/y transparent

kartell > Ceiling lamp

FL/Y is an essentially-styled suspension lamp. The particular transparency of the material and the sheen of the colours recreate the idea of a soap bubble, shimmering iridiscently in the light. The shade is not perfectly hemispherical, with the cut-off falling just below the level of the diameter, offering greater concentration of the light. The lamp is available in three different sizes: Fl/Y (diameter 52cm, shade depth 33cm), Small Fl/Y (diameter 38cm, shade depth 28cm) and Big Fl/Y (diameter 83cm, shade depth 55cm).

Ge' metal

kartell > Ceiling lamp

Gè is a suspension lamp attached to the ceiling with a decorated rosette suggestive of antique Venetian chandeliers. It comes with a 37 cm diameter pleated lampshade. The cable can be adjusted in height from 45 to 230 cm.

Bloom hanging medium metal

kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Bloom hanging big

kartell > Ceiling lamp

Bloom is a tubular polycarbonate framework entirely covered by a structure of tiny transparent polycarbonate double corolla flowers. The result is an industrially produced lamp but with all the forms and stylistic complexity of a unique handcrafted piece.

Mist AP16

&tradition > Ceiling lamp

Mist is inspired by the warm, diffused light of morning rays shining through the haze, offering a modern take on the classic globe light silhouette. Crafted from mouth-blown opal glass with white coated aluminium details and a textile cord, the Mist pendant lamp is available in two sizes.

Taraxacum 88 Suspension 1

flos > Ceiling lamp

Suspension lamp providing direct and reflected lighting. Structure formed by 20 pressed, polished aluminum triangles. 60 clear Globolux lamps housed around the structure. Steel ceiling fitting and rose.