CARTOCCIO - Glass vase _ FontanaArte - 2d files - 3d files

UOVO LARGE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO MEDIUM

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

UOVO SMALL

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the Uovo lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light. Available in three sizes, it has all the versatility of a collection designed for multiple uses: from the small version which serves as a tiny utility lamp to the large version, a veritable light sculpture, protagonist of any space.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

PAROLA

fontanaarte > Table lamp

Designed by Gae Aulenti and Piero Castiglioni in 1980, the Parola lamp features three different kinds of glass working processes: blown glass, natural glass and natural crystal. It is an exemplary model of technical integration between artisan and industrial skills.

REGINA

fontanaarte > Table lamp

Inspired by the game of chess with their sinuous shapes, Re and Regina are the key characters of the chessboard. Their profiles stand out clearly in the white light diffused by opalescent glass. Real individuals, they play in pairs alternating spheres, cylinders and rings of light. Vertical the King (Re), horizontal the Queen (Regina). They can be placed next to each other or in different spots in the same room, be used as floor or table lamps, on a coffee table or a desk, both Re and Regina have the presence to create a context. The dimmer allows to modulate the light making it a surreal element with different degrees of intensity: an element of representation that releases energy in space when the light is bright, abstract and restful when the light is soft and low. Glass sculptures during the day in environments illuminated by natural light. Re and Regina are inspired by the history of art, from Cosmè Tura to the Flemish interiors of Jan Van Eych to the conceptual imagery of Marcel Duchamp who plays chess as a lifestyle. Re and Regina are Cartesian axes of a universe that crosses ages and cultures. In 2020 FontanaArte reintroduces these glass lamps as a sign of the expressive wealth contained in the great repertory of ideas that is the FontanaArte catalogue and, most importantly an homage to the talent of an artist who had a gift for calibrating the formal tension of a utilitarian object on a quest for unity among the arts.

ASHANGHAI

fontanaarte > Table lamp

This extremely elegant table lamp was designed by Max Ingrand in 1955, during the period when this French maestro was artistic director at FontanaArte. Chromed brass joints hold together five tubes made of transparent borosilicate glass that form a series of intersections supporting the lamp.

METAFORA

fontanaarte > Table lamp

Metafora was born in the flourishing creative climate of the early ‘80s, when Gae Aulenti took on the role of artistic director for FontanaArte and decided to bring glass back to the forefront of the company’s production. On Aulenti’s invitation, Umberto Riva designed a precious table lamp consisting of a conical shade in layered opal glass supported by a transparent glass base that hides the metal frame, all interlocking. A highly decorative object, produced with traditional techniques like glass blowing and other examples of artisanal know-how, reproposed today to a clientele ever more attentive to originality of design and its timeless expressions.

LASOSPESA

fontanaarte > Table lamp

FontanaArte calls Stefano Boeri Architetti and launches "lasospesa", the new table lamp. For one of the most important Milanese architects in the world, whose Bosco Verticale is one of the most representative and iconic projects of our time, trying a lamp was an interesting change of scale. Like FontanaArte: historic and contemporary Milan, elegant entrances and new buildings, fashion and major art exhibitions. Like FontanaArte's art: it finds form in an object that does not preclude function and from which a light comes to life. lasospesa is in fact a symmetrical table lamp, born from the elementary principle of the incorporation of two cylinders: a cylinder of primary light suspended in a cylinder of diffused light. "A non-lamp with numerous uses and iridescent luminosity, very simple and classic, lasospesa seems to have always been there, where you placed it" says Stefano Boeri.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

UOVO RECHARGEABLE

fontanaarte > Table lamp

A natural form and timeless symbol of perfection, in which symmetry and asymmetry harmoniously coexist. Designed in 1972, the ‘shell’ of the egg contained a light source: an ironic idea that still works today. As in nature, the shell of the UOVO lamp is the embodiment of absolute lightness, an elegant form in white satin blown glass that gives off a warm, uniform light.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

BILIA MINI

fontanaarte > Table lamp

Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

OORT

fontanaarte > Table lamp

The OORT system is composed of tubular elements made of borosilicate glass. Inside them are flexible LED light tubes of the latest generation, easily replaceable, with perfectly uniform 360° light emission and certified also for outdoor use. The borosilicate glass is ribbed on the inside, a feature that enhances the light by making it warm and welcoming, brings out the effect of light and shadow, and allows easy cleaning of the smooth outer surface. The light is diffuse, dimmable and available at 3000K (1900Lm/m) or Dim To Warm which allows to change the colour temperature, by dimming, from minumum 1800K to 4000K at maximum intensity. The flux is dimmer-dependent to a maximum of approx 1000Lm/m. The product can be supplied at 2700K on request.

DARUMA LARGE

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA MEDIUM

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

DARUMA SMALL

fontanaarte > Table lamp

On show at the Museum of Modern Art in New York, Daruma was produced in 1968 to a design by Sergio Asti. His table lamp has simple, formal features: a spherical vase topped by a little lid.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

BLOM

fontanaarte > Table lamp

Blom is a small table lamp by Andreas Engesvik, a Norwegian designer who has made a name for himself on the international scene thanks to his ability to instil emotions, appeal and ideas into everyday objects. Taking up very little space, just 24 cm tall with a diameter of 15 cm, Blom is a light, fun lamp that is easy to pick up and move and suitable for any purpose. Its name, a contraction of the word blomst, which in Norwegian means flower, is inspired by its petal shaped blades. Intensity can be adjusted thanks to the two petals that gently embrace the diffuser, rotating on the base to shield the glare depending on personal requirements: with the petals aligned the lamp emits maximum light. The compact fluorescent bulb guarantees good effective lighting with low energy consumption. The metal base ensures stability for the lamp and when lit, the polycarbonate petals maintain a temperature that permits touching without the risk of burns. Blom is an article that adapts perfectly to contemporary living trends, at home on a table in the lounge or even by a bedside.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX LARGE

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

MATRIX MEDIUM

fontanaarte > Table lamp

Both table lamp and art object, MATRIX is the result of the essential design of the duo Oskar Peet and Sophie Mensen, established designers of the latest generation and founders of the Eindhoven-based Studio OS Δ OOS. When referring to the term matrix, we generally think of a square matrix commonly used in mathematics, i.e. a combination of rows and columns. A third dimension is added by introducing a circle that surrounds the matrix like a ring. The design object becomes a lamp thanks to a light globe, positioned internally and centrally to the matrix, which emits a soft and diffused light in all directions. The grid structure plays with the simple and pure shape of the illuminated sphere. The components of Matrix create transparencies and cast unusual geometric shadows on the surrounding surfaces when viewed from different perspectives. The Matrix project began as a system to allow for endless configurations. The base concept is derived from architectural constructions and solutions for multi-purpose situations, i.e. from the concept of form meeting function.

Wooden Doll No. 10

vitra > Styling

Alexander Girard originally created the Wooden Dolls (1952), a whimsical assortment of figures both joyful and grim, for his own home. Today they add a charming touch to any interior.

Fauteuil Direction Pivotant

vitra > Office Chair

The swivel seat of Fauteuil Direction Pivotant is height adjustable, and the backward tilt mechanism can be adapted to the individual user's weight. These features are paired with the generous upholstery to ensure optimum comfort. Leather or fabric covers are available in many different colours, making it easy to find the ideal chair for any type of business workplace or home office.

Eames House Whale

vitra > Styling

A prominent feature of the Eames House by Charles and Ray Eames was a wooden whale measuring over two metres in length. Its smaller reproduction, the hand-painted Eames House Whale by Vitra, is crafted from ash wood.

Kalì Wall

paolocastelli > Wall lamp

Kalì is the result of an artisan handcraft totally made in Murano island.Wall version of Kalì chandelier is also part of this collection. It is realised with a metal hand with matt gold finish bearing two Murano glass elements enclosing 24 KT golden leaf.

mioko - 8057.25

vescom > Curtain

unpatterned satin

clare - 8052.17

vescom > Curtain

open transparent net structure

clare - 8052.19

vescom > Curtain

open transparent net structure

kilby - 1113.01

vescom > Wallpaper

two-tonal, non-directional linen weave structure with a matte look

Lita

luceplan > Floor lamp

Lita is a decorative lamps, the result of a delicate design process that mixes imagery, signs, geometric textures and natural materials.

CHANDELIER MEDIUM

fontanaarte > Ceiling lamp

This spectacular lamp designed by David Chipperfield is inspired by those at the court of King Arthur. Available in two colors, in a single or double version with two concentric circles, it is a classy elegant lighting solution for any setting, even the most modern and minimal.New gold finishing, absence of tiges, 5 m length cables.

Dwell

illoft > Styling

A sideboard with doors and drawers crafted with wood from our collection. The Dwell sideboard is also available with or without a glass cabinet and shelf on the top. The drawers, doors and top of the shelf can also be covered with leather. The drawers can also be supplied with the electric Servo-Drive mechanism upon request, which enables effortless and easy hands-free opening, while Bluemotion guarantees soft and silent closing.

SpaceyMidnight Sun Floor Lamp

lasvit > Floor lamp

It’s said that a sphere is the most perfect shape in the universe. And sometimes, one can discover the whole universe within this one shape. The variability and immeasurable beauty of the Universe is captured in Spacey thanks to a special technique called lithyalin. It looks like gemstone, yet it is actually glass. This technique was invented in Northern Bohemia more than 200 years ago and has now been resurrected in the same region by a Czech designer.

Starlight

sciroccoh > Accessories

Two souls that come together in a single radiator. Light and heat give life to Starlight, a design radiator made up of a thin steel plate with fully integrated LED lights. Its elegant structure with curved ends closed by two elegant steel circles recalls ancient scrolls. Ideal for making any rooms refined and comfortable thanks to the soft light and high thermal efficiency guaranteed by hydraulic or electric functioning.

Cosy chair with charcoal grey legs

gautierFurniture > Chair

Does your interior decoration reflect your personality, so you are looking for a chair that matches your sense of style? If so, the COSY chair is sure to give your lounge a classy look with its slightly curved backrest. As an added bonus that's invisible to the naked eye, this chair has a webbed seat to provide maximum comfort that will be very much appreciated during long dinner parties with friends, for example. This chair looks its best in rooms with a warm, refined feel. Positioned around a well-dressed table, it enhances the atmosphere in your room for a peaceful, relaxed feel. Its comes in a range of very natural colours to complement the cosy feel you are striving to achieve in your home.

Flowtech Aged Bronze

florim > Floor plank

Out of the study of metal and its evolutionary transformation, FLOWTECH is born <p>The attention to detail and the perfect colour balance of the three available versions, combined with the vast selection of sizes in 9 mm and 6 mm thickness options (large Magnum Oversize sheets) boldly express the architectural versatility of Florim brand that meets the needs of professionals with design solutions suitable for any application.</p>

Woodslate Life Champagne

florim > Floor tile-stone

<p>A rustic look combined with a clean, modern sensibility. </p> <p>The collection toys with the native materials of slate and oak wood, interpreted on a versatile and appealing color scale, from gray to hazelnut, allowing different natural inspirations to be combined with ease. The clean simplicity of wood-effect planks can thus become the perfect backdrop against which to enhance the material texture of slate-effect surfaces, or become a distinctive element of the space thanks to the herringbone decorations. The delicate grain of the slate and the gentle knots of the wood then fit easily into the interior, blending with different furniture styles, from the most modern and minimalist lacquered surfaces to elements with a rough, industrial feel in painted metal or stainless steel. Whether used in a cozy retail space or in a modern domestic context, the surfaces of the Woodslate Life collection will add an authentic and, at the same time, contemporary touch to any environment, without disregarding the functionality of Made in Florim porcelain stoneware products.</p>

Storie Palazzo

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it.<br /> Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential.<br /> It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Donut Set of 2 espresso - Cherry

petitefriture > Styling

In creating the Donut collection, designer Pia Chevalier drew her inspiration from the world of baking. The ceramic artist designs her espresso like pastries, where the cup handles mimic doughnut pastry, and the enamel finish renders a sugar-glazed coating look. The production techniques deployed are such that the shape and thickness of the cups are unique every time. The colour names echo the variety of flavours doughnuts come in: Lemon, Vanilla, Cherry, Blueberry, Bubble Gum, and Pistachio. Espresso cups are sold in pairs.The Donut collection’s strong personality stems from the design’s oversized handle. An original array of colours make the Donut cups perfect for gifting. Made in Portugal.  Read more

Vertigo Large Pendant light - Neon

petitefriture > Ceiling lamp

To celebrate the Vertigo icon, Petite Friture will launch the yellow neon limited edition. Generous amounts of colour, a shot of light for your interior decor, a prestigious Pantone edition of our permanent collections. A mad idea, implausible even, "impossible to make", a startling beginning! The symbiotic encounter between Amélie du Passage and Constance Guisset gave rise to Vertigo when both women were just starting out. A massive suspension light, huge, where motion fuels the imagination: is it a sunhat, or even a dragonfly... this is precisely what Constance Guisset wanted: "to open a door to the imagination".  Read more

Vertigo Large Pendant light - Bronze

petitefriture > Ceiling lamp

The Vertigo pendant light is an icon of Petite Friture. Created by the designer Constance Guisset it aroused the enthusiasm of design professionals. Recognized very early by Rossana Orlandi, this large design chandelier has incorporated an anthology of prestigious permanent collections like the Moma, the CAP and the MAD. But the plebiscite also came from the public. In addition to the success met, Vertigo pendant lamp received the public award in 2006 at the villa Noailles.3 sizes available : small : 110cm - new only in black and white medium : 140cm large : 200cm  Made in France Read more

Week-end Week-End Garden Chair with armrests - Pearl grey Studio Brichet-Ziegler

petitefriture > Chair

The WEEK-END garden chair with armrest by Studio BRICHETZIEGLER fuses aesthetics with practicality. The oval, contoured shape of the seat outlines the backrests forming a striking graphic motif. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the chairs are as robust as they are lightweight. The chairs have also been designed so they can be stacked 6 high. All chairs are water and UV resistant, are suited for use by the ocean. Add in one of our full or slatted Week-end tables for 6 to 8 people to wholly embrace the collection’s aesthetic. Seat cushions can also be included for added comfort.

Week-end Week-End Backless Bench - Dune Studio Brichet-Ziegler

petitefriture > Chair

This backless bench from the WEEK-END collection by Studio BRICHETZIEGLER combines aesthetics and practicality. The oval, contoured shape of the seat outlines the backrest and becomes a graphic sign. Its unique design and comfort give it a sense of timelessness. Made of aluminum, the backless benches  are as robust as they are lightweight. The benches have also been designed so they can be stacked 4 high. All benches are water and UV resistant, are suited for use by the ocean. The bench goes perfectly with single or long coffee tables as well as the sofa from the same collection and will allow you to compose a unique garden furniture.

CHIAROSCURA - LED aluminium floor lamp with dimmer _ Foscarini

foscarini > Floor lamp

The **Chiaroscura** is a sleek and modern floor lamp crafted from liquid-coated aluminum, PMMA, and metal, designed to deliver both functionality and aesthetic appeal. It features an integrated LED light source (220/240V, 37W, 2700K, 4730 lm, CRI > 80) with a built-in dimmer, offering energy efficiency rated at E+E and an IP20 rating for indoor use. For added convenience, a downloadable 3D file of the product is available for design and visualization purposes. This lamp is a creation of **Foscarini**, a renowned Italian lighting design company founded in 1981 on the island of Murano, celebrated for its innovative, high-quality, and artistically sculptural lighting solutions that blend contemporary and avant-garde styles.

LAYER - Rectangular metal and glass side table with shelf _ Herman Miller

Herman Miller > Coffee table

The Layer Tables by BassamFellows are thoughtfully designed to complement light-scaled, modern sofas, such as those created for Herman Miller, featuring glass tops that reveal the cross-brace structure or an optional secondary surface beneath, embodying their name through both construction and design intent. These tables, including side tables and rectangular or L-shaped coffee tables, are crafted to integrate seamlessly into various architectural settings, enhancing collaborative work environments by promoting fluid movement and interaction. With soft corner radii on all edges, including the glass tops, and cylindrical metal structures, the tables exude a subtle sensuality characteristic of BassamFellows' designs. The collection emphasizes material heft, with thicker cuts for visually heavy materials like stone and wood, and exquisitely thin glass for lighter elements, all finished to highlight their natural qualities. A 3D file of the product is available for download, offering a detailed preview for designers and architects. Herman Miller, the supplier, is a globally recognized leader in interior design since 1905, headquartered in Zeeland, Michigan, and celebrated for its innovative, high-quality furniture and workspace solutions that blend functionality with modern aesthetics.

FONTANA MEDIUM - Table lamp _ FontanaArte

fontanaarte > Table lamp

This elegant table lamp features a dimmable, diffused light source, housed in a painted metal frame with a black power cable, dimmer, and European two-pole plug (bulb not included). Available in multiple variants, including diffusers and bases in white or colored paste-blown glass, satin brass, or a combination of glossy paste-colored blown glass with a satin brass base. Crafted from high-quality materials such as glass (available in light gray, purple, black, or white) and metal (brass or brass/black, brass/white finishes), this lamp is energy-efficient with an A++ rating. Designed in 1954 by the renowned French Master glassmaker Max Ingrand, the lamp, originally named "1853" and later "Fontana," is a timeless design icon with multiple light sources for versatile illumination, from soft ambient lighting to focused reading light. A 3D file of the product is available for download, offering a detailed preview for design enthusiasts. The lamp is proudly made in Italy and supplied by Fontanaarte, a prestigious Italian design company founded in 1932, celebrated for its innovative lighting and furnishing solutions that blend traditional craftsmanship with contemporary aesthetics.

CARTOCCIO - Glass vase _ FontanaArte

fontanaarte > Accessories

The Cartoccio vase, a timeless masterpiece designed by Pietro Chiesa in 1932, is a testament to exquisite craftsmanship, with each piece uniquely handcrafted through the hot folding of natural satin glass, resulting in a transparent, elegant finish. This iconic Italian-made vase is a perfect blend of art and functionality, and a 3D file of the product is available for download, allowing designers and enthusiasts to explore its intricate details digitally. Produced by FontanaArte, a renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, the company is celebrated for its innovative lighting and furnishing solutions that seamlessly merge traditional craftsmanship with contemporary aesthetics, making it a trusted name among architects and design aficionados worldwide.

DS-22 - Fabric armchair with armrests _ de Sede

de Sede > Armchair

The DS-22, an evolution of the acclaimed DS-21 model by Stephan Hürlemann, embodies a refined architectural design tailored for modern living spaces. This luxurious sofa features a deep, 69cm upholstery body paired with plush comfort pillows, creating an inviting atmosphere for relaxation and lounging. Its striking geometry, generous proportions, and elevated metal frame give it the appearance of a floating sculpture, effortlessly supporting its sumptuous form. The DS-22 is highly versatile, with modular upholstery components that can be easily rearranged on the steel frame, including corner elements, allowing for seamless adaptation to new interior layouts. Available in classic de Sede leather or fabric covers, it offers customization options with metal feet in black, chrome, brass, or powder-coated RAL colors. The collection includes armchairs, 2, 2.5, or 3-seater sofas, and can be complemented with a matching table and round stool. A downloadable 3D file of the DS-22 is available for design planning. De Sede, a Swiss luxury furniture brand founded in 1965 and based in Klingnau, is renowned for its premium leather seating and timeless, sophisticated designs, catering to high-end residential, commercial, and hospitality spaces worldwide.

DS-48 - Leather armchair with armrests _ de Sede

de Sede > Armchair

The DS-48 sofa system by Gordon Guillaumier embodies timeless, understated elegance, blending seamlessly into any environment while captivating attention with its discreetly extravagant details. Its clean, uncluttered design features aesthetically pleasing lines, quilted leather stitching reminiscent of a 1950s design icon, and loose fabric cushions in two sizes, offering versatility for both formal and relaxed settings. The system includes a sofa, armchair, stool, and recamiere, which can be combined into generous seating ensembles or used individually for striking effect. Available with wood or chrome legs, the DS-48 harmonizes beautifully with the DS-9048 occasional tables. A 3D file of the product is available for download, allowing for detailed visualization and planning. Crafted by de Sede, a Swiss luxury furniture brand renowned since 1965 for its premium leather seating and sophisticated designs, the DS-48 reflects the brand’s commitment to high-quality materials, craftsmanship, and timeless aesthetics.

PAGE BLANCHE - Geometric wallpaper _ Wall&decò

Wall&decò > Wallpaper

Here’s a rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"This contemporary wallpaper collection transforms artistic inspirations—from photographs and wall paintings to trompe-l'oeil and macro-designs on textured backgrounds—into striking vertical patterns that deliver truly unique visual effects. The 3D file of this product is available for download, allowing for seamless visualization and integration into your design projects. For further details, explore the innovative offerings of Wall&decò, a leading Italian interior design supplier renowned for its high-quality, trendsetting wall coverings since 2005."* (Note: The supplier description is condensed to one sentence while retaining key details about their expertise and legacy.)

BERENICE - LED adjustable aluminium wall lamp _ LUCEPLAN

luceplan > Wall lamp

Here’s your rephrased and expanded product description, including a concise supplier overview and mention of the 3D file availability: **"The Berenice wall-mounted lamp delivers precise, adjustable lighting with its dual 45 cm arms and 10.2 cm head, available in finishes like aluminum or black and diffuser colors ranging from white to vibrant hues. Crafted from durable die-cast aluminum, reinforced nylon, and a rynite head, it features a parabolic reflector in pressed glass or metal, compatible with LED GY6.35 or G4 bulbs (max 35W-12V). A 3D file of the product is available for download to facilitate integration into design projects. Designed by Luceplan—a pioneering Italian lighting brand renowned since 1978 for merging innovative technology with sustainable elegance—Berenice exemplifies the brand’s commitment to functional artistry."** (Note: I condensed the supplier details to one sentence while preserving key brand values. Let me know if you'd like further tweaks!)

FORTEBRACCIO - Wall lamp / ceiling lamp _ LUCEPLAN

luceplan > Wall lamp

Here’s the rephrased and expanded product description, including a concise supplier overview and mention of the 3D file: **"The Fortebraccio lamp offers unparalleled flexibility in light positioning, featuring a distinctive handle that combines charismatic design with intelligent functionality for precise light direction. Crafted from durable polycarbonate with an integrated switch, its ergonomic design ensures easy handling and maneuverability. Available in sleek aluminum, glossy white, or soft-touch black finishes, it accommodates multiple light sources (LED 6W E14, 42W HSGSA E14, or 28W Spot R50 E14 for the D33Nsp.60 model; LED 9W E27 or 70W HSGSA E27 for the D33Nsp.100). A 3D file of the product is available for download, enabling seamless integration into design projects. Designed by Luceplan—a Milan-based lighting pioneer since 1978 renowned for merging innovation with sustainability—this lamp reflects the brand’s legacy of elegant, high-performance solutions."** (Note: I condensed the supplier details to one sentence while preserving key accolades. Let me know if you'd like further adjustments!)

ROSSO LEPANTO - Porcelain stoneware wall/floor tiles with marble effect _ FMG

FMG > Wall tile-stone-brick

Here’s the rephrased and expanded product description, including the supplier details and mention of the 3D file: *"The allure of precious marbles and rare natural surfaces comes to life in these exquisite creations, where each piece embodies idealized beauty through masterful craftsmanship. Maxfine slabs showcase unparalleled depth of color, radiant whites, elegant designs, and perfectly balanced veining—a testament to the brand’s innovative creativity, technical expertise, and dedication to quality. Combining artisanal skill with cutting-edge technology, Maxfine transforms premium raw materials into timeless surfaces. A 3D file of the product is available for download, allowing for seamless integration into design projects. These slabs are proudly supplied by FMG (Iris Ceramica Group), a globally renowned leader in high-end ceramic and porcelain solutions, headquartered in Italy with a strong international presence."* (Note: The supplier description is condensed into one sentence while retaining key details about FMG’s expertise and reach.)

UMAMI - PVC free, eco-friendly, washable wallpaper _ WallPepper®/Group

WallPepper®/Group > Wallpaper

**Revised Product Description:** *Umami* is a sustainable, certified wallpaper collection that brings the enchanting beauty of nature and the mystical allure of Oriental culture to modern interiors, outdoor spaces, and wet areas, with optional sound-absorbing properties. Each design is a captivating blend of charm and mystery, evoking the exotic elegance of distant lands while transforming walls into artistic statements. The collection offers versatile printing options on various materials, ensuring suitability for indoor, outdoor, humid environments, or acoustic applications. Additionally, the graphics can be fully customized in color beyond the suggested palette. A downloadable 3D file of the product is available for preview and design planning. **Supplier Description:** *WallPepper®/Group*, a renowned Italian interior design brand, is celebrated for its high-quality, customizable wall decor, combining innovation with eco-conscious production. *WallPepper®/Group* provides an exclusive full-wall decorating service, delivering tailor-made solutions that enhance any space while upholding the brand’s commitment to sustainability and premium "Made in Italy" craftsmanship.

BUTTERFLY - Ageless wallpaper, eco-friendly, PVC free and washable _ WallPepper®/Group

WallPepper®/Group > Wallpaper

Here’s a refined and expanded product description, including a concise supplier overview and mention of the 3D file availability: *"Butterfly" is an eco-friendly, non-woven wallpaper from the Naive collection, designed to bring whimsical imagination to any space—not just children's rooms. Featuring enchanting graphics that depict fairytale worlds, mystical creatures, and dreamlike architectures, this collection transforms walls into vibrant storytelling canvases. Crafted from breathable agave and cellulose, the WP/Smooth TNT material offers a soft-touch texture, washability with neutral solutions, and sustainable indoor decor. WallPepper®/Group, a renowned Italian leader in high-end, customizable wallcoverings, ensures premium quality with PVC-free, fire-resistant, and eco-certified materials. The product is part of their innovative technical systems, including options like stain-resistant WP/Suede, acoustic WP/Acoustic, and humidity-resistant WP/H2O. A 3D file of the design is available for download, allowing for seamless visualization. Explore endless creative possibilities with WallPepper®/Group’s commitment to artistry and sustainability.*

CLASSIC - Floor-standing wooden vanity unit with doors _ bathroom brands

bathroom brands > Washbasin cabinet

METOPE III - Cement sculpture _ kiasmo

kiasmo > Styling

SURFACE II - Ceramic vase _ kiasmo

kiasmo > Accessories

GISELE V - Ceramic wall tiles _ kiasmo

kiasmo > Wall tile-stone-brick

Globe-S Swivel

papatya > Chair

Spectacular characteristic design involves variety of solutions for home, work and hospitality settings. Its curved shape makes the design more attractive as a complement of trendy architectures. Globe Collection is inspired by our planet. Suitable for outdoor usage.

Globe-S Swivel Soft

papatya > Chair

Spectacular characteristic design involves variety of solutions for home, work and hospitality settings. Its curved shape makes the design more attractive as a complement of trendy architectures. Globe Collection is inspired by our planet. Suitable for outdoor usage.

CARTOCCIO - Glass vase _ FontanaArte

fontanaarte > Accessories

The Cartoccio vase, a timeless masterpiece designed by Pietro Chiesa in 1932, is a testament to exquisite craftsmanship, with each piece uniquely handcrafted through the hot folding of natural satin glass, resulting in a transparent, elegant finish. This iconic Italian-made vase is a perfect blend of art and functionality, and a 3D file of the product is available for download, allowing designers and enthusiasts to explore its intricate details digitally. Produced by FontanaArte, a renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, the company is celebrated for its innovative lighting and furnishing solutions that seamlessly merge traditional craftsmanship with contemporary aesthetics, making it a trusted name among architects and design aficionados worldwide.

CARTOCCIO Q - Glass vase _ FontanaArte

fontanaarte > Accessories

The Cartoccio Q vase, an iconic design by Pietro Chiesa from 1932, is a testament to timeless craftsmanship, featuring a transparent glass construction created through the intricate hot-folding technique, ensuring each piece is uniquely handcrafted. This elegant vase, made in Italy, is a perfect blend of art and functionality, ideal for enhancing modern or classic interiors. A 3D file of the Cartoccio Q is available for download, allowing designers and enthusiasts to explore its dimensions and details digitally. Supplied by FontanaArte, a renowned Italian design house founded in 1932 by Luigi Fontana and Gio Ponti, the brand is celebrated for its innovative lighting and furnishing solutions that combine traditional craftsmanship with contemporary aesthetics, making it a trusted name among architects and interior designers worldwide.

D-Code Spare roll holder

duravit > Accessories

Design by sieger design

D-Code Soap dispenser

duravit > Accessories

Type of mounting: Wall-mounted Design by sieger design

D-Code Towel shelf

duravit > Accessories

Design by sieger design

D-Code Toilet paper holder

duravit > Accessories

Design by sieger design

Starck T Glass holder

duravit > Accessories

Accent colour: White Matt, Glass, Brass, Type of mounting: Wall-mounted, Position toothbrush holder: Right, Left Design by Philippe Starck

Karree Soap dispenser

duravit > Accessories

Chrome, Type of mounting: Wall-mounted Design by Duravit

Universal Towel rail

duravit > Accessories