Simple and monumental, Clockwise reveals its subtle humour only to those who manage to grasp the play of steps that define the position of the legs and the alternation of their positioning in the corners of the top. Born from the first collaboration between Tacchini and designer Michael Anastassiades, it is a table with an important presence, which at the same time evokes a sense of lightness in the legs that chase each other almost dancing, rotating around a choreography that suggests the right dance steps to experience it fully. At different rhythms, following the metaphor of a gesture, the movements and activities that take place around the table can thus be told from time to time unexpectedly, as fluid and informal as the environments in which the table itself can be placed.
Specifications
Indoor / Outdoor
Indoor
Durability
Residential
Size
Large
Brand
Tacchini
Category
Table
Frequently Asked Questions
Is the CLOCKWISE - Marble table suitable for commercial projects?
Yes, the CLOCKWISE - Marble table by Tacchini is suitable for both residential and commercial interiors. It is commonly specified by interior designers and architects for hospitality, office, and retail environments.
Can the CLOCKWISE - Marble table be used outdoors?
The CLOCKWISE - Marble table is designed for indoor use only.
This modern pendant light features a polished metal frame and a globe glass shade, offering an elegant ambient glow. Perfect for dining areas, its sleek design and premium materials make it a sophisticated addition to contemporary interiors.
The Tacchini Doric wall sconce embodies modern elegance with its sleek, brushed metal design. Perfectly wall-mounted, this medium-sized fixture provides a focused downward light, making it an ideal choice for living room settings.
This organic modern table lamp features a natural rattan cone shade and a sturdy stone base, perfect for adding a cozy touch to living rooms or bedrooms. Its table-top design and downward light direction create a warm, inviting atmosphere. Ideal for those seeking a blend of natural materials and elegant design.
This modern table lamp features a sculptural design with a natural stone base and a diffused glass light source. Perfect for adding an artistic touch to living rooms, bedrooms, or offices, it combines elegance with functionality.
This contemporary floor lamp by Tacchini features a sculptural frosted glass design that exudes elegance and sophistication. Perfect for a living room setting, its diffused light creates a warm and inviting atmosphere. The lamp's large scale and multi-light configuration make it a standout piece in luxury interiors.
This modern floor lamp by Tacchini exudes sleek elegance with its polished metallic finish and minimalist design. Perfect for ambient lighting in a sophisticated living room, it stands as a statement piece that combines form and function seamlessly.
The Tacchini Fackel Floor Lamp embodies modern elegance with its sleek, minimalist design. Crafted from high-quality metal with a matte finish, this floor-standing lamp is perfect for illuminating living spaces with a warm, upward light. Ideal for contemporary interiors, it serves as both a functional lighting solution and a striking design statement.
The Solstice wall sconce by Tacchini embodies organic modern design, featuring a sculptural form that adds a touch of elegance to any living space. Crafted from a glossy mixed material, this medium-sized fixture is wall-mounted to provide ambient lighting, making it perfect for enhancing the atmosphere in contemporary interiors.
The Tacchini wall lamp embodies modern elegance with its sculptural design, featuring a series of matte white tubes that create a captivating ambient light. Ideal for living room settings, this wall-mounted fixture combines mixed materials to enhance contemporary interiors.
Showcasing an intriguing relationship between material and concept, the X lounge chair represents Hvidt & Mølgaard’s peak as furniture designers.
After experimenting for years with the concept of a laminated wooden frame inspired by old wooden tennis rackets, Danish design duo Hvidt & Mølgaard released X in 1959, a lounge chair with a distinctive sloping silhouette and understated aesthetic.
The BM3670 Dining Table was designed in the late 1960s by Danish furniture designer Børge Mogensen. A part of his Deck Chair Series, the simple, slatted lines and solid teak construction provide classic durable functionality in a range of outdoor spaces.
The Zero armchair is built as a clean set of soft volumes, supported by a satin-finished metal structure in a platinum finish. The seat and back are made of extremely comfortable cushions covered in fabric. The outer shell of the armchair is covered in leather. The Zero armchair is available in different finishes as per sample book.
Skift Bar – a barstool in a compact design. Seat and backrest are separate, which gives freedom to choose materials. The distance between seat and backrest provides an open design and practical cleaning. All upholstered details have a frame made of environmentally friendly molded wood, which provides a long service life. Metal base, with slades.
Cushions are archetypal pieces of seating furniture, especially in Arab countries. With Jalis, they are raised to a European seating level and transformed into chairs. What looks like a cushion with a kink in it is in fact a complexly upholstered, stably built item of seating furniture relative of the eponymous Orient-inspired upholstered Jalis sofa. A pleasing contrast is provided by the seemingly delicate base construction.
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Alexander Girard's Wooden Dolls represent a unique blend of craftsmanship and artistic expression, meticulously crafted from solid fir wood that is hand-painted to perfection. This exquisite product comes packaged in a high-quality wooden gift box adorned with a printed label and an accompanying brochure, ensuring the dolls are both beautifully presented and informative for their recipients.
Crafted by one of the leading figures of postwar American design alongside Charles and Ray Eames and George Nelson, these Wooden Dolls embody Girard's deep appreciation for folk art from diverse cultural regions such as South America, Asia, and Eastern Europe. Inspired by his extensive personal collection, each doll is a testament to Girard’s creativity and passion for blending traditional aesthetics with modern design.
These decorative objects are not only visually stunning but also serve as charming toys, embodying the playful spirit that characterizes much of Girard's work. The dolls are based on original pieces from the Girard estate housed within the holdings of the Vitra Design Museum, ensuring authenticity and historical context.
For those who wish to display these decorative objects in their homes or offices, the Wooden Dolls offer a delightful addition with their intricate designs and vibrant colors. They make perfect gifts for art enthusiasts, design aficionados, and anyone looking to add a touch of cultural richness and artistic flair to their surroundings.
To maintain the quality and beauty of your Wooden Dolls, it is recommended to clean them gently using a soft cloth or brush. Avoid harsh chemicals or abrasive materials that could damage the delicate surface finish. Store these decorative objects in a cool, dry place when not in use to preserve their condition for years to come.
The Wooden Dolls by Alexander Girard exemplify a blend of craftsmanship and artistic expression, crafted from solid fir wood that is meticulously hand-painted to bring each piece to life with vibrant colors and intricate details. This exquisite product comes packaged in a high-quality wooden gift box adorned with a printed label and an accompanying brochure, enhancing the overall presentation for both personal use or as a thoughtful gift.
Inspired by Girard's deep appreciation for folk art from various regions including South America, Asia, and Eastern Europe, these decorative objects are not only works of art but also toys that captivate children and adults alike. The Wooden Dolls feature a unique design that seamlessly combines the functionality of play with the aesthetic appeal of fine craftsmanship.
Each doll is meticulously designed to reflect the rich cultural heritage from which it draws its inspiration, making them more than just decorative items; they serve as tangible connections to diverse artistic traditions. These dolls are part of Girard's extensive personal collection and have been preserved in the holdings of the Vitra Design Museum, ensuring their authenticity and quality.
For those who wish to display these charming creations at home or gift them to loved ones, proper care is essential. Regular dusting with a soft cloth can help maintain their pristine appearance. For deeper cleaning, it's advisable to use a damp cloth slightly moistened with water, followed by drying immediately to prevent any damage from moisture.
The Wooden Dolls are suitable for both collectors and those looking to add a touch of cultural charm to their home decor or as thoughtful gifts. They make an excellent addition to any collection of decorative objects and toys alike, offering a unique blend of functionality and aesthetic appeal that celebrates the beauty of diverse artistic traditions.
The Wooden Dolls by Alexander Girard embody a harmonious blend of craftsmanship and creativity, crafted from solid fir wood that is meticulously hand-painted to bring each piece to life with vivid colors and intricate details. This exquisite product comes packaged in a high-quality wooden gift box adorned with a printed label, ensuring it arrives as a thoughtful and elegant present.
Inspired by the rich tapestry of folk art from South America, Asia, and Eastern Europe, these decorative Wooden Dolls are not only functional but also serve as captivating conversation starters. Designed for both aesthetic appreciation and playful engagement, they seamlessly blend into any home decor setting while evoking a sense of cultural heritage and artistic expression.
Each Wooden Doll is meticulously crafted with attention to detail, featuring whimsical designs that invite interaction and storytelling. They come in various styles, each uniquely designed to captivate the eye and stimulate imagination. Whether displayed on shelves or used as toys for children, these dolls offer endless possibilities for creative play and decoration.
For those seeking a sustainable choice, the use of solid fir wood ensures durability while aligning with eco-friendly practices. The hand-painted finish not only enhances the aesthetic appeal but also provides an opportunity to personalize each piece through subtle variations in color and texture.
To maintain the beauty and longevity of these Wooden Dolls, it is recommended to clean them gently with a soft cloth and avoid harsh chemicals or abrasive materials that could damage the delicate paintwork. Regular dusting will help preserve their pristine appearance over time.
For those interested in learning more about Alexander Girard’s inspiration and design process, further information can be found through the manufacturer's resources dedicated to these Wooden Dolls. This comprehensive approach ensures customers not only appreciate the aesthetic value but also understand the cultural significance behind each piece.
In summary, the Wooden Dolls by Alexander Girard represent a unique fusion of artistry, craftsmanship, and cultural heritage, making them an ideal addition to any home or collection seeking to celebrate diversity and creativity through decorative objects.
Discover two delightful additions to your family collection with the introduction of Cat and Dog, part of a new line of Wooden Dolls inspired by the vibrant world of Alexander Girard's design philosophy. These charming figures are crafted from solid fir wood, meticulously hand-painted for an authentic aesthetic appeal. Available in two sizes, these dolls feature three distinct parts that are held together using magnetic connectors, ensuring they remain securely assembled and easy to play with.
Each Wooden Doll is packaged with care in a high-quality wooden gift box adorned with the Vitra logo, complemented by a brochure that offers insights into the design process and inspiration behind these delightful creations. This thoughtful packaging not only protects your purchase but also serves as an elegant display piece for your collection.
Inspired by Alexander Girard's extensive personal collection of folk art from South America, Asia, and Eastern Europe, these Wooden Dolls are part decorative object and part toy. They draw upon the original designs found in the estate of Girard’s home in Santa Fe, which is now housed within the Vitra Design Museum. This connection to a renowned museum ensures that each doll embodies not only artistic excellence but also historical significance.
Whether displayed on a shelf or used as interactive playmates for children and adults alike, these Wooden Dolls offer endless possibilities for engagement and creativity. Their simple yet charming design features make them suitable for various applications in home decor, office settings, or even as thoughtful gifts for friends and family members.
For the care of your Wooden Dolls, it is recommended to handle them with gentle hands to preserve their natural beauty. Avoid placing them near sources of heat or direct sunlight which could cause fading over time. Regularly dusting with a soft cloth will help maintain their pristine appearance. By following these simple care instructions, you can ensure that your collection remains vibrant and cherished for years to come.
For further information about the Wooden Dolls, including design details and care tips, please refer to the manufacturer's documentation provided by Vitra.
Introducing a delightful addition to your home decor and children's playroom, the new Wooden Dolls collection now features two adorable animal characters – Cat and Dog. These charming figures are available in two sizes, each crafted with meticulous attention to detail and designed for both aesthetic appeal and interactive engagement.
Crafted from solid fir wood, these dolls are meticulously hand-painted to bring them to life. They consist of three parts that are held together by magnets, ensuring they remain securely attached while allowing for imaginative play. The construction is sturdy yet delicate, making them suitable for children who can handle small pieces with care.
The design features include vibrant and whimsical designs inspired by Alexander Girard’s passion for folk art from South America, Asia, and Eastern Europe. These decorative objects are not only aesthetically pleasing but also serve as engaging toys that encourage imaginative play and storytelling among young audiences.
Each Wooden Doll is packaged in a high-quality wooden gift box adorned with the manufacturer's logo, complete with an informative brochure. This thoughtful packaging ensures that these delightful creations are presented beautifully and can be shared with others who appreciate their craftsmanship and design.
Alexander Girard, alongside Charles and Ray Eames and George Nelson, was one of the leading figures in postwar American design. His work often drew inspiration from his extensive collection of folk art, which he collected from around the world. Inspired by these treasures, Girard designed the Wooden Dolls for his own home in Santa Fe, making them part of a broader decorative object and toy category.
The Wooden Dolls are not only beautiful but also functional, serving as both decorative objects and toys that can be enjoyed throughout the years. They make excellent gifts for children or collectors who appreciate unique and handcrafted items.
For proper care, it is recommended to keep these dolls away from direct sunlight and moisture to maintain their vibrant colors and overall condition. Regular dusting with a soft cloth will help preserve their pristine appearance. With thoughtful handling and occasional cleaning, the Wooden Dolls can continue to bring joy for generations to come.
Alexander Girard's Wooden Dolls stand as a testament to his innovative and eclectic design philosophy, blending traditional craftsmanship with modern aesthetics. Crafted from solid fir wood, these dolls are meticulously hand-painted to bring each piece to life, showcasing the artist’s commitment to detail and artistic expression. The construction is robust yet delicate, allowing for both functional play and aesthetic appreciation.
The Wooden Dolls feature a unique design that seamlessly combines functionality and decorative appeal. Each doll is crafted with intricate details, capturing the essence of folk art from South America, Asia, and Eastern Europe, which served as a significant source of inspiration for Girard’s work. The dolls are part of a broader collection inspired by these cultures, reflecting Girard's passion for diverse artistic traditions.
These decorative objects come packaged in high-quality wooden gift boxes adorned with printed labels and brochures that provide insight into the history and design philosophy behind each piece. This thoughtful packaging not only enhances the aesthetic appeal but also serves as an educational tool, allowing recipients to learn more about Alexander Girard’s contributions to American design.
Designed for both personal enjoyment and display purposes, these Wooden Dolls are suitable for home decor or as gifts for art enthusiasts. Their playful yet sophisticated nature makes them ideal for creating a vibrant and culturally rich environment within any living space.
For care and maintenance, it is recommended to clean the dolls with a soft cloth and avoid using harsh chemicals that could damage the finish. Regular dusting will help maintain their pristine appearance over time. The Wooden Dolls are not only charming decorative items but also serve as tangible links to cultural heritage, making them valuable additions to any collection or home interior.
For further information on care instructions and additional details about Alexander Girard’s Wooden Dolls, customers can refer to the comprehensive documentation provided by the manufacturer.
This classic table lamp features a delicate porcelain dome with intricate angelic motifs, providing an elegant ambient glow. Perfect for adding a touch of sophistication to a bedroom, its matte finish and neutral tones blend seamlessly with refined interiors.
Mixu is an elegant stool crafted from chromed or powder-coated steel with four robust legs, offering both contemporary style and enduring durability. The stool's construction features a seat made of polypropylene, incorporating 80% recycled materials, complemented by a backrest available in five vibrant colors. Alternatively, Mixu can be configured with a seat crafted from plywood featuring a reconstituted oak finish (either natural or black), paired with a polypropylene backrest also in five color options.
The design of Mixu is characterized by its sleek and minimalist aesthetic, allowing for an infinite range of customization possibilities through the combination of base, seat, and backrest finishes. The stool's height is precisely set at 75 cm, ensuring optimal comfort and functionality.
Mixu embodies sustainability with its use of recycled materials in the polypropylene seat and FSC certified wood in the plywood option, reflecting a commitment to environmental responsibility. This versatile collection can be tailored to fit any setting or preference, whether for hospitality, contract applications, or personal spaces. The stool's design features softly rounded geometric curves that serve as an ideal canvas for material expression, allowing users to select from various color and texture combinations.
Mixu is available in a variety of seat options including post-industrial recycled plastic, FSC certified wood, fabric, and leather finishes. Backrests can be selected in plastic, fabric, or leather, while the stool's four-legged base can be made either of metal or FSC certified wood. A stool variant with the same seat size as a chair offers additional comfort for hospitality or contract settings.
Mixu’s design system is modular, enabling users to create unique and personalized pieces by combining different components. The stool can also be disassembled for correct disposal at the end of its lifecycle, ensuring that sustainability remains central throughout Mixu's entire existence. This thoughtful approach not only reduces waste but also minimizes carbon footprint during shipping and transportation.
Mixu is a testament to design innovation, offering both practicality and aesthetic appeal in an environmentally conscious package. Its versatility ensures it can be seamlessly integrated into various settings, making it a versatile choice for designers, architects, and homeowners alike.
<!-- td {border: 1px solid #cccccc;}br {mso-data-placement:same-cell;} --> Deep pigments of green and teal cast a meditative shade over the intricate traditional design of this hand-knotted Color Reform Green Wool Rug - 9'11" x 12'2". Organically neutralized from its original color, this patchwork area rug was overdyed to produce a one-of-a-kind composition reborn through color.
O'pera armchair with base in glassfibre reinforced polypropylene and the back in polycarbonate. This traditional chair turns into a contemporary looking chair with combination of the two material and with its fashionable colours make it easily adaptable to every dynamic design environments. Anti UV stabilized. Suitable for indoor and outdoor use. O'pera-K also available with rich selection of cushion models. It enriches the chair and gives a distinct character for the interior usages.
This whimsical ceramic piece combines the elegance of high heels with playful floral designs, creating a unique decorative object. Perfect for adding a touch of charm to a bedroom or dressing area.
This modern pendant light features a polished metal frame and a globe glass shade, offering an elegant ambient glow. Perfect for dining areas, its sleek design and premium materials make it a sophisticated addition to contemporary interiors.
The Tacchini Doric wall sconce embodies modern elegance with its sleek, brushed metal design. Perfectly wall-mounted, this medium-sized fixture provides a focused downward light, making it an ideal choice for living room settings.
This organic modern table lamp features a natural rattan cone shade and a sturdy stone base, perfect for adding a cozy touch to living rooms or bedrooms. Its table-top design and downward light direction create a warm, inviting atmosphere. Ideal for those seeking a blend of natural materials and elegant design.
This modern table lamp features a sculptural design with a natural stone base and a diffused glass light source. Perfect for adding an artistic touch to living rooms, bedrooms, or offices, it combines elegance with functionality.
The Tacchini Fackel Floor Lamp embodies modern elegance with its sleek, minimalist design. Crafted from high-quality metal with a matte finish, this floor-standing lamp is perfect for illuminating living spaces with a warm, upward light. Ideal for contemporary interiors, it serves as both a functional lighting solution and a striking design statement.
The Solstice wall sconce by Tacchini embodies organic modern design, featuring a sculptural form that adds a touch of elegance to any living space. Crafted from a glossy mixed material, this medium-sized fixture is wall-mounted to provide ambient lighting, making it perfect for enhancing the atmosphere in contemporary interiors.
The 70/70 Table is designed with a simple expression, paired with subtle, understated details that reveal themselves upon closer inspection. Adding character to the design, the details of the 70/70 Table include the triangular shape of its base for a modern expression and the slanted edges of the table top. Available in a variety of sizes and finishes, the 70/70 Table is an ideal match for any dining area, home office, workplace or hospitality area.
The Workshop Table joins together the ideals of Scandinavian craftsmanship and subtle detailing for a deliberately simple and archetypal expression. With its tabletop in either oak veneer or linoleum harmoniously carving itself into the solid oak frame, the Workshop Table brings a refined and understated appearance to any setting.
The Base Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base Table features a veneer edge for a touch of Scandinavian materiality, paired with the elegant shapes of its table top and frame. Use the design in any home, workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Base High Table references the heritage of Scandinavian design through its simple frame and subtle details. With its design harking back to the essence of a table, the Base High Table comes with either a veneer edge for a touch of Scandinavian materiality or an edge in ABS for a monochrome appearance, paired with the elegant shapes of its table top and frame. Use the design in any workplace, educational institution or hospitality space for notes of Scandinavian simplicity.
The Linear System Table is a simple yet refined table with subtle details and references to the Scandinavian design heritage. Its legs are cut into half-circles and joined with the table for a light expression while the slender overhang at both ends of the table makes for a refined expression. The Linear System Table is available as a freestanding table to be used on its own, as predesigned configurations or as Middle and End Modules that can be configured to the exact needs of your space.
Simple and elegant lines, joined by the functionality of castors. Frame is made from extruded aluminum, painted with an acrylic paint initially developed for outdoor interiors and building facades. Organize and manage cords and wires with our Cable Management. Our Power Outlet can be added to the Base Table. Made-to-order: Laminate with ABS or plywood edge in black or white. Linoleum with plywood edge in black. Nanolaminate finish in either black or white. Bases available in Black or White with matching castors.
Studio Truly Truly has designed a wonderfully luxurious dining table to join the Toveri family by Leolux. Just like the coffee tables, the Toveri dining table is an interplay of soft shapes and hard materials, shadows and curves.
Leolux was looking for something new, a table that adds a pop of colour to the interior. Bondi is the perfect answer. Its unusual organic leaf shape is the first thing to stand out, with space for at least five users.
Columna is a table built on pure form, with the base and table top connected by a straight column. The only playful element Hugo de Ruiter allowed is the way the column links to the base: like an ancient marble column.
VISCOUNT OF WOOD tables are the latest addition. These naturally composed tables complement the collection's choice of seats and create a sustainable living area in which wood plays a central role thanks to its lightweight properties. These large items of furniture feature top-quality materials and advanced manufacturing technology. The square and rectangular versions with four legs come in five sizes (100x100, 145x80, 160x90, 190x90 and 240x100) and three top finishes: light ash with two darker shades, flamed walnut and a third, characterised by thin strips of different tones of dark wood. The legs are in chrome or black.
A family of tables ideal for the home and office. The light steel structure is made particular by the use of the cross element that joins the legs on each of the four sides, supporting the top. The collection comprises square, oval and round versions.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Available in three sizes, the larger, six or eight-person Pavilion table is ideal for an office meeting room or dining space while the smaller, four-person version is a perfect addition to the home. The table can be matched with the Pavilion desk to provide a cohesive design experience, and cable management can be easily inserted into the table due to the location of the stretcher.
Inspired by the Scandinavian heritage of design and furniture craftmanship, In Between is a result of Sami Kallio’s solid grounding in traditional wood- working techniques and his eye for ingenious detail. It started with a single chair which later resulted in a series of furniture including both tables and bar stools. Get this In Between dining table in three different variants.
Børge Mogensen designed the BM1160 Hunting Table for the Copenhagen Cabinetmakers’ Guild Furniture Exhibition in 1950. The table combines excellent woodwork with elegant metal brace bars, creating a bold and organic whole.
The CH002 is the smaller of two dining tables that Hans J. Wegner created in 1982. The table expresses Wegner’s functional design philosophy through an appealing solution for modern interiors. The CH002 is crafted to fit smaller spaces, and can be extended easily with two accompanying leaves.
At 90 x 138 cm, the CH006 is a longer version of the CH002 dining table, designed in 1982. The table, with solid extension frames and built-in grip for the two hinged extension leaves with rounded edges, illustrates Hans J. Wegner’s visionary approach to functional design. The CH006 table is versatile and can be adapted to smaller gatherings as well as larger dinner parties.
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