Kiruna Warm grey

auping > Box spring

The Kiruna box spring is the most luxurious box spring. This is distinguished by the rich appearance and the use of natural materials. As soon as you lie down, you experience it for yourself. This 1-person Kiruna box spring Warm grey with Unik mattress and Unik headboard in Maze / Taupe gives a luxurious look to your bedroom.  The luxurious Kiruna box spring has a refined design with attention to every detail and very high-quality finish. There are two headboards for the Kiruna: the slender and stylish Sami and the classic Unik. Or combine with one of the headboards of our Original box spring. To subtly add colour to the Kiruna box spring and your bedroom, you can choose one of the ten Auping colours for the legs. Discover the Kiruna box spring The unique Kiruna mattresses have no less than 7 zones so that your body is perfectly supported and you lie comfortably. The Sami mattress has a sleek finish, while the Unik mattress has an extra rich look due to graceful handles, a piping all around and refined side stitching. Our collection consists of 4 box springs that you can put together completely according to your wishes. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or do you want to know more about our Box springs? Then take a look at the online lookbooks.

Rilievi Cielo

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

UPON - Stackable wood veneer chair _ Zilio A&C

R

Zilio A&C > Chair

Upon Chair by Zilio A&C – A Minimalist and Ingenious Stacking Chair for Versatile Spaces A Pure, Expressive Design with a Hidden Innovation Designed by Sylvain Willenz for Zilio A&C, the Upon Chair is a study in understated elegance and intelligent engineering. What makes Upon truly unique is its seamless backrest connection—as if by magic, the form-pressed veneer backrest sits on the contrasting metal frame with no visible fixings, thanks to a hidden internal joint. This precision-engineered detail not only enhances the chair’s aesthetic purity but also ensures it is lightweight, strong, and stackable, making it ideal for both commercial and residential interiors. Versatile for Home, Hospitality & Office Settings With its clean lines, refined proportions, and practical stackability, Upon adapts effortlessly to a variety of spaces: Cafés & Restaurants – A stylish, durable chair that allows for easy stacking and storage. Workspaces & Offices – A minimal yet comfortable seating solution for meeting rooms and collaborative spaces. Modern Dining Rooms – A sculptural, contemporary chair that complements Scandinavian and Japandi aesthetics. Hotel & Hospitality Projects – Perfect for lobbies, conference areas, and guest spaces. The upcoming armchair version and optional upholstered seat further expand Upon’s possibilities, allowing designers to customize it for enhanced comfort and style. Materiality: A Balance of Strength & Lightness Upon is designed with a mix of materials that emphasize both functionality and refined aesthetics: Form-Pressed Veneer Backrest – Tapers to just 6mm at the edges, offering a light, floating appearance while maintaining strength. Contrasting Metal Frame – Ensures structural durability while keeping the chair light and visually effortless. Optional Upholstered Seat – Adds extra comfort, making it suitable for longer seating durations in work and hospitality environments. Dimensions & Stackability Upon’s compact yet ergonomic proportions make it a functional choice for both small and large spaces: Width: 500 mm Depth: 505 mm Height: 785 mm Its stackable design allows for efficient storage, making it an excellent solution for flexible and adaptable environments. Why Choose the Upon Chair? ✔ Innovative design – Hidden joint creates a seamless, floating backrest effect. ✔ Lightweight & stackable – Ideal for contract and hospitality use. ✔ Minimal yet strong – A refined balance of form, function, and durability. ✔ Versatile for multiple settings – From homes and cafés to offices and hotels. ✔ Optional upholstery & armchair version – Customizable for enhanced comfort. A Contemporary Seating Solution for Modern Interiors With its elegant simplicity, functional stackability, and precise craftsmanship, Upon by Zilio A&C is a timeless seating solution that brings sophistication to any setting. Whether used as a stylish dining chair, a practical workspace seat, or a sleek hospitality solution, Upon merges technical innovation with design purity. 📥 2D & 3D files available for download for seamless integration into interior projects. 🔗 Discover more at Zilio A&C. Search ChatGPT can make mistakes. Check important info.

Tam Tam

marset > Ceiling lamp

With the Tam Tam collection, Fabien Dumas shows us his knack for innovation: bringing together various lamps in one and allowing each to send light in any direction. The design features a central light source, to which various satellite lamps -between 3 and 5- can be added to project light from any angle.Imaginative and playful, Tam Tam is dynamic in its configuration and expressive in its colours. The extensive collection, which comes in pendant, wall and floor lamps, has harnessed colour since its inception to create volume and accentuate spaces. A decade later, the collection is getting an update to offer new possibilities. The glossy finishes have become semi-matte and new, softer colours have been added, including blue-grey and khaki for the central lamp and silver-grey and olive yellow for the satellite lamps. The combination of colours is what harmonises the whole. Besides colour and texture, Tam Tam has also evolved to offer the possibility of including more powerful light sources. New ideas to expand the collection, new colours to create a fresh look, new varieties to offer users maximum flexibility, and new options to improve the quality of light. The Tam Tam is moving forward in every way possible.  

Tesori Monile bianco

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>

Kiruna Night blue

auping > Box spring

The Kiruna box spring is the most luxurious box spring. This is distinguished by the rich appearance and the use of natural materials. As soon as you lie down, you experience it for yourself.  This adjustable 2-person Kiruna box spring 1M Night blue with Sami mattress and Sami headboard in Remix / Royal blue gives a luxurious look to your bedroom. For the Kiruna box spring you can choose from 95 different fabrics. They each differ in colour and structure. In our stores you can see, feel and give you advice on which one fits best on the box spring of your choice. There are five fabric groups.  The luxurious Kiruna box spring has a refined design with attention to every detail and very high-quality finish. There are two headboards for the Kiruna: the slender and stylish Sami and the classic Unik. Or combine with one of the headboards of our Original box spring. To subtly add colour to the Kiruna box spring and your bedroom, you can choose 1 of the ten Auping colours for the legs.  Discover the Kiruna box spring The unique Kiruna mattresses have no less than 7 zones so that your body is perfectly supported and you lie comfortably. The Sami mattress has a sleek finish, while the Unik mattress has an extra rich look due to graceful handles, a piping all around and refined side stitching. Our collection consists of 5 beds and 4 box springs that you can put together completely according to your wishes. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or do you want to know more about our Box springs? Then take a look at the online lookbooks.

Dipping Light

marset > Table lamp

Beyond its function as a lamp, the Dipping Light seeks to excite. When it’s turned on, its different shades of paint sift the light, creating a magical ambient effect. When it’s off, its colored glass sphere is an object charged with beauty, and eye-catching design piece for a shelf, bedside, or table.Jordi Canudas is an alchemist of light. He experiments with it, seeking always to be surprised and learn from it. He wants to capture the essence of light. With this goal in mind, the Dipping Light was created as yet another experiment – dipping a lit bulb into paint several times – with the end result of this table lamp. The various layers of paint draw concentric circles and capture the light, moderating its intensity. The paint becomes the shade, colouring and texturizing the light. A brass o graphite base is added for support. This artisanal process will make each lamp a unique and exclusive creation. The table version doesn’t settle for just two sizes: the most poetic of lamps offers more uses and comes in a stand-alone portable version and with another diameter – ø20 cm – halfway between the small and the large versions. There is also a choice of finish for the base between brushed brass and graphite, while the colours of the bulb remain the same.

Quadrado

minotti > Sofa

Inspired by the classic teak duckboard used in the yachting industry to facilitate the outflow of water, the Brazilian architect Marcio Kogan developed Quadrado, a modular system consisting of suspended square platforms that furnish outdoor spaces with exceptional lightness and flexibility. A flexible and dynamic furnishing, of undisputed quality and comfort, which perfectly dialogues with the surrounding environment: a young and contemporary proposal that invites informal and original solutions. The wooden bases welcome comfortable padded cushions with backrests in a special fibre woven with wicker-effect, available in Mud colour or plain Liquorice colour. The sitting elements are interspersed with wooden surfaces that feature trays or candle holders, that can be arranged as desired with a surprising interlocking effect. A circular armchair joins this outdoor landscape characterized by its broad compositional freedom. For the concept, Kogan was inspired by the Japanese Metabolist architecture of the Fifties and Sixties, defined by modular volumes. Originally conceived for large living areas with 102x102 cm modules, Quadrado also integrates within its range a more compact version with 87x87 cm modules that can be combined together to adapt to more limited urban, residential and Hospitality contexts. The Quadrado double daybed, with its substantial proportions - 242x180 cm - creates an extracomfy nest in which to sit back, relax and dream. It is designed in the form of a niche, with alcove marked out by the teak duckboard backrest and armrests, and it is completed by a large mattress and soft, enveloping cushions. The double daybed sits on two metal crosspieces in Bronze.

Lawson

minotti > Sofa

With the fluid line of its shapes and the equilibrium of its soft volumes, the Lawson seating system explores different types of chairs, offering innovative solutions that push out the traditional style boundaries, ranging from small lounge armchairs to the larger easy chair, and even sofas.    The design features a look based on the juxtaposition of materials: on one side there is leather, which follows the curve of the enveloping backrest, in turn becoming an armrest and on the other side there is the fabric of the cushions, with its haute couture feel.   The many different layouts of the system, with its interesting range of alternating depths, mean it is perfect for creating both small, intimate spaces, as well as arrangements featuring several elements, all fit to occupy larger spaces with grace.  With its natural elegance, Lawson is ideal for residential interiors, but also reveals a strong vocation for the hospitality sector, thanks to its versatile modularity. Sofas and armchairs sit on metal feet with a chrome or polished Pewter finish, a jewel-detail that adds a touch of sophistication to the piece. The wide variety of elements in the Lawson family also includes an armchair with legs in Moka-coloured ash wood or covered in leather, a detail that also characterises the lounge armchair and dining chair. Each piece can be used in a wide range of potential combinations of materials and colours. And while the impression made by Lawson oozes with Seventies style if the arrangement includes pieces with black leather, structured fabric upholstering and feet with a chrome finish, instead, a more decorative spirit shines through if the option chosen features velvet and chenille.

Araldica Cemento

florim > Wallcovering

The miscellany of bright, contrasting, pure colours. The manifest extroversion of decor. The solutions provided to complete the range are in a different tone: reflecting the desire to "stage" a clear contrast with the multicolour ceramic wall coverings, these slabs are in completely neutral shades, in the grey frequencies of concrete.<br /><br />«The collection is intended to create a struggle, a fight. Between something very stiff, which sees itself as governed by clear rules, and a variable, marbled paper, which aims to be completely free.»<br />Federico Pepe "Once upon a time, there was a Roman emperor who lived on a huge splinter in space, a spaceship of multi-coloured marble, where techno music played incessantly. That day he left his spaceship to go to dinner at the Sun King's home, riding his sinuous golden dragon with blood-red eyes."If there were a book with these opening words, Federico Pepe would have designed its cover. And if the book were made into a film, he would definitely be its writer and director. Federico is not an author, director or screenwriter, but this does not prevent him from drawing on his natural ability to create stories through flashes of imagination.Federico Pepe's career started in advertising, a family tradition, which he gradually transformed and built into many other things, in a constant, inevitable investigation of creativity in all its possible forms. He very soon understood that commission work was not enough for him, and he began to explore further afield. The first of these other fields was art, but the consolidated mechanisms on which galleries and gallery owners operate soon became a new limit from which he had to break free: this apparently expanding horizon turned out to be a restrictive cage, more a defining label than an infinite learning opportunity. And definitions are one of the things which least describe Federico: anyone trying to distil his work into two words would find its essence disappearing before their own eyes. He has occupied many roles and engaged in many professions to give shape to his ideas, and in all of them he has excelled, created and led teams, and won awards. Adman, creative director, graphic designer, printer, gallery owner, publisher, curator, performer, painter, designer, director: Pepe does, rather than is, all these.<br /> He works, builds and makes things happen because he is not led by instinct alone and does not succumb to idle whim; he does not rush aimlessly around and does not simply await the inspiration or idea of the century. Quite the opposite. His work comes about and produces results only thanks to strict self-discipline, a design method made up of constant verification, the precise sharing of tasks and roles, the compulsive exploration of unknown contexts, daily physical exercise, the carefully measured use of social media, and occasional spells of isolation in the mountains he loves. It is no coincidence that he created Le Dictateur, a dual-faced entity which may be both his child and his spiritual guide, both friend and boss, part madness and part dictator. Le Dictateur is not Federico's alter ego: it is his superpower. It is not a mask, since in it he actually transforms himself into an artistic project.Le Dictateur is both result and origin of Federico Pepe's work. "I think ideas are born from predisposition," Federico explained to me in 2014. "Not in the sense that "˜we are born predisposed,' but for daily preparation. In this domain I believe that discipline is pivotal. The real talents today are very rigorous people, those who work hard, exchange a lot, think a lot, and know how to apply and balance many different things." An approach which has made him the best-kept secret on the Italian creative scene, a fact well known not only to Pierpaolo Ferrari, Maurizio Cattelan, Nico Vascellari, Jacopo Benassi and Patricia Urquiola, but also to the companies, both large and small, which have turned to him over the years. He has worked and continues to work with them all, designing by laying the foundations of designs naturally expressed in episodes, in a serial pattern which not only gradually builds up Federico's own creative story, but also offers his clients designs so special that they would be virtually impossible without him.<br /> This self-discipline generates heat and energy in such quantities that "“ if it were not imprisoned within the geometrical grids of graphic design "“ it might generate a thermonuclear reaction. The blood running through the veins of his images is black as ink, red as sealing-wax, white as plaster and golden as lava. But there is more, too. His crystal-clear visions are able to break down the slender membrane which separates analogue from digital. He sees matter as absolutely central, but he makes it vibrate with an unusual two-dimensional quality. This can be seen in the way he carves marble with coloured squiggles, recollections of faces briefly sketched as vectors. It is discovered in the skill with which he invades plates and bowls of the finest, monitor-shiny porcelain with geometrical patterns. It becomes tangible in the love with which he brings to life the paper of his publishing projects, peopled with highly elegant, powerfully symmetrical, often kaleidoscopic graphics. It can be admired in the precision with which a metallic factory flooring becomes fabric on an ancient loom, after its resolution is decreased from 300 dpi to 8 bits. It is enjoyed in the hyperbolic repetition of faces and hands in acrylic on canvas in his painting studio, in which every work conserves copy and paste reminders of its predecessor. It amazes in the doors of exquisite metal sideboards, profane glass panels, hand-made but born through the glass of a screen.<br /> A career which has led almost naturally to an encounter with CEDIT, with whom he has created an aesthetically courageous collection, part punk and part aristocratic austerity. The Araldica project's very name evokes strength and nobility, and it is grounded in a past whose weight does not drag it backwards but rather catapults it forwards into the future. Here, Federico's digital geometries become the most solid of materials, taking shape in a graphic object, condensing stories and images into three or two dimensions. In Pepe's and CEDIT's space, Euclidean geometrical forms encounter the marble of Phidias, the intricate patterns of the floor of Milan Cathedral merge into the Baroque images of the marbles found in Roman art galleries, and private space opens out to the infinite space of a thousand possible universal histories.

Tesori Monile grigio

florim > Wallcovering

East and West, a synthesis archieved through Italian taste. «My work often takes me to far-off lands, also remote in terms of their culture and traditions. Even without my being aware of it, I then metabolise these traditions and include them in the designs I subsequently produce.» Matteo Nunziati <p>"It is the architect's task to create a warm, livable space. Carpets are warm and livable. He decides for this reason to spread one carpet on the floor and to hang up four to form the four walls. But you cannot build a house out of carpets. Both the carpet and the floor and the tapestry on the wall required structural frame to hold them in the correct place. To invent this frame is the architect's second task."When Adolf Loos wrote his revolutionary essay on the "principle of cladding" in 1898, architecture was just entering the modern age. Building meant imagining structures capable of putting together different materials, but, Loos affirmed, it must also respect their individual characteristics. "Every material possesses a formal language which belongs to it alone and no material can take on the forms proper to another", the Austrian master therefore maintained. And there is no doubt that the spirit of these words extended throughout most Twentieth Century architecture, regardless of its location or style. When we look at Matteo Nunziati's designs for the CEDIT Tesori collection, we seem to be seeing geometrical purity and attention to detail at the service of a new "truth" of material. Because Matteo Nunziati views ceramics as a form of fabric.<br /> The woven patterns he imagines for the various styles in his collection "“ from Arabian to damask to more geometrical motifs "“ constantly seek to provide the soft, iridescent look of time-worn linen. In them, ceramics are raised from the status of poor relation of marble to become a luxury wall covering in their own right: almost a wallpaper, suitable however for both floors and walls, and an absolutely versatile material. No longer only for beautifying bathrooms, they can create new moods in every room of the house (and elsewhere) starting from the living-room. Naturally, the revolution has been mainly technological. The large slabs produced by CEDIT are more than 3 metres tall, and since they eliminate the serial repetition typical of conventional tiles, they generate a new relationship between the surface and its decoration. However, Nunziati does not use this to create, artist-like, a more eye-catching decorative composition that emphasises the slab's dimensions. Quite the opposite; the patterns he offers us attempt to break down what is left of the boundaries between substrates. In particular, the Arabian and damask styles, in the version with "timeworn" patterning, convey the idea of the ceramic slab as an abstract, almost non-existent material which melts into the decorative motif applied to it, in a kind of pure wall covering.<br /> Through the patient selection of geometrical motifs and tests to verify their suitability for application to ceramic slabs, Nunziati aims to achieve a new material rather than a mere decoration, making this clear by also exploring its tactile dimension, with gouged and relief motifs. His "principle of coverings" therefore relates to ceramics' essence rather than their image: highlighting the versatility which, as we all know, has made ceramics an absolute material, a kind of cement that incorporates structure and finish in a virtually infinite range of applications. This is clearly indicated by the reference to the mashrabiya, a term meaning place where people drink in Arabic, which in Arabian architecture originally referred to the kind of veranda where people used to meet and rest, and over time has come to mean the wooden gratings that screened these places from the sun. Inspired by his trips to the Middle East, for Nunziati the geometric patterns of the mashrabiya become both an outline of his method of work and the form of what in fact becomes the key element in a new idea of space: a real location conceived around a strong, livable surface in which physical substance and decoration overlap to the point where they merge.</p>

Rilievi Salvia

florim > Wall Paint

The alternation and symbiosis between concave and convex, recessed and raised. <p>Rilievi is a work of design balanced between different historic periods: while the volumetric relief tile modules are inspired by artistic experiments conducted in Italy during the Sixties and Seventies, the large slabs are the outcome of research into materials and technology that has only come to fruition in very recent times. The shadow effects generated on the surfaces of the slabs by the light striking the projecting parts of the modules create an unusual impression of architectural depth found virtually nowhere else in ceramic coverings, laying the bases for a new decoration interior design language.</p> This project simply embodies perfection - a term which certainly sets the bar high in a description of a new product for launch on the market. But when an enlightened manufacturer is capable of encapsulating a designer's personal research in a product to be added to its range, the outcome is a perfect synthesis. A perfect synthesis between untrammelled creativity and market trends. CEDIT had the insight needed to perceive, identify and rework the immense potential of Practice Practice Practice "“ a self-produced project by Zaven (Enrica Cavarzan and Marco Zavagno "“ and realised that its sophisticated design, originated by pure, pristine input (unadulterated by external factors except the noblest of them all, research) could provide the basis for an innovative, successful collection. I might add, a collection unique of its kind. Zaven is also a name that comes with guarantees; the two partners are good at what they do. Their work always starts from personal curiosity and investigations, the study of other stories (as in this case inspiration was drawn from the output of artist and activist Nino Caruso) and individual interests, which are broken down, developed, optimised and prepared for transformation into something fresh.Enrica Cavarzan and Marco Zavagno have a masterly ability to transform their own wishes and passions into design work of the greatest breadth and, as we see here, the widest, richest application. Their use of ceramics as a material is clearly outstanding and reflects a method precisely founded on the desire to look at things from an unusual viewpoint, under a different light. And to be daring. Zaven have an unconventional approach to convention. In the specific case of the Rilievi collection, the "modules" created for CEDIT seem to explode off the walls; in fact, they are constructed by combining the two-dimensional slab with its three-dimensional decor.Rilievi seems to be seeking space. More space. Even though these modules have actually established a dialogue with the wall from which they are born. At the same time, they hypnotise us with their tight sequence of lines, the pattern that is always different although its root is the same, and the intriguing, unusual colours that add another vital factor to the finished product. Their firm grounding in graphic design (and here we have come back to two-dimensional effects, of the kind most often associated with a wall covering) easily evolves into a facade which seems to have been carved with a chisel - although this is not the case. These modules are conceived to convey an impression of movement, and the three models, in seven colour combinations, create a powerful effect on a surface, which is never passive but rather an organic contributor to the forms and colours involved in the fascinating combinations. The slab is very much present and has the same worth and status as the relief pattern associated to it. In the light of this dichotomy between the linear and the sculpted, expressed through the skilfully balanced visual expedients, the use of repetition adds vigour to the module's intrinsic meaning. As we have seen, a rejection of facile, superficial creative dynamics in favour of an investigation reaching above and beyond has always been a central, clearly recognisable feature of this Venice-based duo, who already have impressive international partnerships to their credit, including the London Design Festival, the Kalmar Konstmuseum, the Paris Designer Days, Ca' Foscari University, the Venice Biennale, the Sandretto Re Rebaudengo Foundation, the Sindika Dokolo Foundation and the V-A-C Foundation, and also won the 2018 Wallpaper Design Award. Graphics, advertising and product design: the pair have always opted for a type of design closely linked to the observation of everyday items, followed by their reinterpretation in a version applied to experimentation with materials. This duality, combined with their energetic yet elegant visual language, forms Enrica and Marco's primary code, experienced in this specific context through serial carvings. On walls.

Archeologie Archeologie Bianco

florim > Wall Paint

The poetics of the wall. The forgotten wall. «A wall is like a book to be opened, a journey into the interior, revealing the experiences, memories, signs and symbols which this fragment of masonry has absorbed over the centuries.» Franco Guerzoni <p>It is difficult to resist the beauty of Franco Guerzoni's art, created by a rare harmony of feeling and intellect, poetry and mind. The artist expresses this through paintings which, although complex in structure, are joyous and sensual, with bright colours made, like those of the great masters of the past, from choice powdered ingredients. A painter with a technique rich in traditional skills, Guerzoni offers a version of modernity involving an intense fundamental relationship with his images and with space. In fact, the dialectic between painting and space, form and architecture, time and memory seems to be essential to his art. As his works specifically created for CEDIT clearly express, his creations achieve a perfect balance between the spatial dimension and intensely lyrical use of colour, which here becomes a soft, liquid form of matter, wandering across the surface of a dazzling lime-plaster white. White, metaphor for the clear light of day, as it was in the large, complex canvases exhibited in his personal exhibition at the 1990 Venice Biennale, is the background for forms of colour which renew the pleasure to be had from painting and the memory of an image glimpsed on the vast expanse of the surface. In the more recent works, these voluptuous shades are transformed into subtle shadows of colour that delicately caress the surface.</p> <p> </p> <p> All it takes is one wall, the only surviving wall of what was once a house, on which time has recorded its own, unavoidable passing, leaving traces of colour that is still vibrant, although faded in places, to allow the memory of the image to transpire, fragile and uncertain, in the physicality of the surface, to bear tangible witness to the existence of history, a mysterious visual memory, the extension into the present of the life of things. A memory of the past on a contemporary wall. The idea of memory is central to Franco Guerzoni's poetics: private, secret memory and the collective memory of the past. Fragmentary and indecipherable, perceived by the artist with the aid of what is left of the images, the fragment. A relic of a totality which can no longer be reconstructed but only imagined in poetic terms, the fragment, a fraction of an image conserved by time, guides the artist's fantastic archaeological journey in search of the world's memory. However, this journey takes him in the opposite direction to the archaeologist, for whom the fragment - fundamental because it reveals a trace of the past is the starting-point for an attempt to reconstruct history. For Guerzoni, the fragment is the endpoint of his work, the goal for which he strives in his investigation of the surface, as he digs deep down, leafing through the deposits of time and memory.</p> <p> </p> <p>Like the large pages of a book traced with fragile sketches, embryonic forms whose meaning has been lost in time, leaving only fleeting traces, uncertain, ambiguous, mysterious morphologies. It marks the start of a journey into the mind of the artist-archaeologist, an adventurous journey into the inextricable labyrinth of the mind, to unearth what is hidden, shuffling the cards in a perennial contamination of images, memory, signs and traces, in search of a meaning, which no sooner appears than it is lost, merging into time and once again becoming a dream, an imaginary journey into fantasy and wonder. And this is the case in the tryptic created for CEDIT, which placed a new challenge before the artist: to transfer "his" image, the remains and fragments of a forgotten wall onto a new material for him “stunning, large-sized ceramic slabs“ and a real wall, without this tautology betraying the painting's deep meaning, its fertile magic of lines and colours, from which the image is born. And the artist is fully aware of this. Guerzoni describes his art as a "gamble": a gamble that is a critical test, an act of daring, dangerous and risky. This is the challenge he sets himself. It is a challenge he easily overcomes, expressing himself on these large walls with a rediscovered pleasure in painting, no longer restrained and apparently absorbed by the dense, uneven coloured surface but set free and almost luxuriously accentuated. In his large, demanding works for CEDIT, Guerzoni achieves a new, consummate mode of painting, in which the architecture of the surfaces provides a poetic meeting-point between the two founding components of his style, the complex, well thought-out composition and the lyricism of colour.</p>

Cromatica Gradiente grigio-verde

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Cromatica Rosa

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Criade Sand beige

auping > Box spring

With its slender lines and refined details, the Criade is a sleek box spring with a distinctive design. The steel frame carries the design and the horizontal line connects the two box springs. This variant in Sand beige with topper and Bend headboard in Points / Stone is a real eye-catcher in your bedroom. The refined legs give the Criade's design an airy feel while the steel frame provides a solid base. Head and footboard stand directly on the frame, leaving the floor free. The use of the different materials creates the design characteristic of Auping. The Criade is a richly padded box spring: the box contains a mesh base and pocket springs. The Auping mesh base is eighty percent open and therefore the box spring ventilates very well. The pocket springs in both the box spring and the mattress ensure that you can turn easily at night and have good support during your sleep. View the Criade box spring   This Criade box spring includes Comfort mattress and Comfort topper. Want to make a different choice? The Criade box spring is available with all our mattresses and toppers, change your choice in the configurator. Our collection consists of 4 box springs that you can put together exactly as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

Criade Dusty red

auping > Box spring

With its slender lines and refined details, the Criade is a sleek box spring with a distinctive design. The steel frame carries the design and the horizontal line connects the two box springs. This variant in Dusty Red with Cushion headboard in Clara / Light grey / Orange is a real eye-catcher in your bedroom. The refined legs give the Criade design an airy feel while the steel frame provides a solid base. Head and footboard are placed directly on the frame, leaving the floor free. The use of the different materials creates the design characteristic of Auping. The Criade is a richly padded box spring: the box contains a mesh base and pocket springs. The Auping mesh base is eighty percent open and therefore the box spring ventilates very well. The pocket springs in both the box spring and the mattress ensure that you can turn easily at night and have good support during your sleep. View the Criade box spring This Criade box spring includes the Inizio mattress. Want to make a different choice? The Criade box spring is available with all our mattresses and toppers, change your choice in the configurator. Our collection consists of 4 box springs that you can put together exactly as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

Original Blush With Outline headboard in Peach / Blossom with table in Blush

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminium legs gives an elegant look. This variation in Blush with 1 motor electric mesh base, Outline headboard in Peach / Blossom and matching Blush table completes your bedroom. The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So chances are your favourite colour is among them. Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   The Original is available with all our mattresses. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.

Original Deep black with Outline headboard in Points / Denim and table Deep black

auping > Bed frame

The Original is a minimalist bed with strong lines. The steel frame with aluminium legs gives an elegant look. This variation in Deep black with 1 motor electric adjustable mesh base, Outline headboard in Points 153 Denim and a matching Deep black table completes your bedroom.  The bed is inspired by one of Auping's very first designs, the Cleopatra, and is available in ten colours. So chances are your favourite colour is among them.   Designed in 2007, the Original is part of a family of iconic beds. The design was inspired by the Cleopatra, one of Auping's first design classics. In 2014, the Auping Original was awarded the Good Industrial Design (GIO) award. Besides design, this award is mainly about function, originality and innovation. In addition to this, the design must also be made with respect for people and the environment. Would you like to know more about the Original? Check out the Original lookbook.  Have a look at the Original   The Original is available with all our mattresses, make your choice in the configurator. Need help making a choice? In the configurator, go to the mattress selector for advice. Our collection consists of 5 beds that you can put together entirely as you wish. Choose your own colours, materials and accessories. In total, there are 2.8 billion possibilities in our online configurator. Looking for inspiration for your own bedroom or want to know more about our beds? Then take a look at the online lookbooks.  

TIDE - LED aluminium wall lamp _ Rotaliana

Rotaliana > Wall lamp

The Tide collection by Rotaliana introduces an indirect emission aluminum lamp characterized by its thin and sinuous geometry, translating into visual and structural lightness while providing a very high light flow. ROTALIANA.IT Finishes, Colors, and Materials Crafted from high-quality aluminum, the Tide lamp is available in a variety of finishes to suit diverse interior aesthetics: Standard Finish: Matt White Satin Collection (available upon request): Graphite Royal Gold Silver Dark Bronze Matt Black Bronze Champagne Kerakoll Warm Collection (available upon request): Sand Rope Color Dove-gray Coffee These diverse finishes allow interior designers to select the perfect hue to complement various design themes, from minimalist to luxurious. Dimensions The Tide W0 wall lamp has the following dimensions: Width: 24 cm Height: 16 cm Depth: 12.1 cm Its compact size makes it suitable for both small and large spaces, providing flexibility in placement. Applications The elegant and minimalist design of the Tide lamp makes it versatile for various settings: Residential Spaces: Ideal for living rooms, bedrooms, and hallways, offering ambient lighting that enhances the home's atmosphere. Hospitality Venues: Perfect for hotels and restaurants, creating a welcoming and sophisticated environment for guests. Workspaces and Offices: Provides a professional yet stylish lighting solution, contributing to a productive work environment. Design and Style The Tide lamp features a minimalist and modern design, characterized by its thin and sinuous geometry. This sleek form factor not only adds a touch of elegance to any space but also ensures that the lamp integrates seamlessly with various interior styles, from contemporary to classic. Lighting Characteristics Equipped with high-efficiency LED technology, the Tide W0 wall lamp provides indirect lighting, creating a soft and ambient glow. The light sources are completely hidden within the die-cast aluminum body, ensuring a clean and uncluttered appearance. With a power consumption of 34W, it delivers 3,400 lumens at color temperatures of 2,700K or 3,000K, making it both energy-efficient and effective in illuminating spaces. Alternative Options For those seeking alternative designs within the Rotaliana brand, the String collection offers a different aesthetic while maintaining the quality and efficiency associated with Rotaliana products. Additionally, the Dresscode series provides a more traditional design with modern functionality, catering to diverse stylistic preferences. In summary, the Tide collection by Rotaliana combines elegant design with high functionality, making it a valuable addition to various interior environments. Its minimalist aesthetic, durable materials, and efficient lighting capabilities cater to the needs of interior designers and homeowners alike, ensuring spaces are both beautifully illuminated and stylishly appointed

ANDERSEN - Fabric sofa bed_ Milano Bedding

Milano Bedding > Sofa

ANDERSEN by Milano Bedding – Classic Lines, Daily Comfort, and Italian Craftsmanship Name: Andersen Material: Solid wood frame, polyurethane foam, steel Lampolet mechanism Finishing: Fixed or removable fabric/leather upholstery, wooden or metal feet Sizes (cm): Width 180–210 | Depth 100 | Height 83 | Bed size 140×200 or 160×200 Weight: Approx. 110–125 kg Designed in: Italy Collection: Milano Bedding Sofa Beds Lead Time: 30 days 2D/3D Files: Available for download Timeless Style with Hidden Functionality The Andersen sofa bed by Milano Bedding is a harmonious blend of classic proportions, tailored detailing, and everyday comfort. Its straight arms, structured cushions, and timeless silhouette make it a versatile solution for elegant hospitality spaces, refined homes, and serviced apartments. Behind its refined appearance lies a true Milano Bedding innovation: a 17 cm thick mattress that unfolds with the Lampolet mechanism into a full-size bed—without removing seat or back cushions. Ideal for daily use, the Andersen ensures that comfort and aesthetics go hand in hand. Structure, Upholstery & Detailing The Andersen features a solid wood frame, built to last in high-traffic environments like hotels and short-stay accommodations. Its multi-density polyurethane foam cushions provide lasting support and comfort, retaining their shape over time. Upholstery is available in both fixed or removable fabric or leather options, with Milano Bedding’s curated range of timeless textures: smooth cottons, wool blends, tactile bouclé, high-performance weaves, and natural linens. The piping detail on the arms and seat cushions adds structure and refinement. You can choose between classic wooden legs (for a more traditional look) or slim metal legs (for a contemporary edge), depending on the project style. Perfect for Residential, Hospitality & Contract Use The Andersen is a great fit for: Hotel rooms, suites, and short-stay apartments Guest bedrooms or home libraries Serviced apartments and co-living units Executive lounges or reception spaces Transitional or modern-classic interiors that require flexibility Its elegant proportions and removable upholstery make it ideal for spaces that require a balance of formality, durability, and multi-functionality. Style Notes & Interior Fit Visually, Andersen sits comfortably in modern classic, transitional, or tailored Scandinavian interiors. Its clean structure and understated character allow it to blend seamlessly with both minimalist and decorative spaces. Whether styled in soft neutral tones for a calming palette or dressed in rich velvet or leather for a more luxurious feel, Andersen adapts effortlessly. It complements both traditional wood-panelled rooms and modern, minimalist apartments. Features & Options Mattress sizes: 140×200 cm or 160×200 cm 17 cm thick mattress in polyurethane or memory foam Quick-open Lampolet mechanism – no cushion removal required Upholstery: Removable or fixed, depending on fabric Base options: Wooden legs or painted metal legs Optional add-ons: headrests, scatter cushions, bolsters Explore More Sofa Beds in This Style Looking for similar aesthetics with different proportions? Consider: Ellington – Slim, compact shape with tailored look Marsalis – Sharper, more architectural design Vivien – Curved arms and soft feminine lines Goodman – Clean geometry with a slightly more relaxed feel All models are delivered with 2D and 3D files, ideal for planning, BIM, and designer presentations. Andersen by Milano Bedding is a sofa bed that combines understated elegance, technical excellence, and versatile design—an easy choice for projects where classic design and daily practicality go hand in hand.

YACHT L - Stainless steel outdoor shower _ Inoxstyle

Inoxstyle > Shower

Sole 48 Stainless Steel Outdoor Shower by Inoxstyle Luxurious Marine-Grade Outdoor Shower for Sophisticated Spaces The Sole 48 outdoor shower by Inoxstyle brings exceptional craftsmanship, sleek design, and unmatched durability to exterior environments. Specifically engineered for outdoor use, this luxury shower delivers both practicality and aesthetic appeal, making it ideal for upscale residential gardens, hotel and resort landscapes, yacht installations, and other premium hospitality projects. Elegant Design & Contemporary Aesthetic The Sole 48 outdoor shower is distinguished by its minimalist yet sophisticated design, defined by smooth curves and a clean, fluid silhouette. Its contemporary style effortlessly complements modern outdoor environments, blending seamlessly with sophisticated landscaping and architectural designs. The elegant, sculptural quality of the shower not only meets functional needs but also elevates the overall visual appeal of outdoor spaces, enhancing both daytime and nighttime aesthetics. Premium Materials & High-Quality Finishes Constructed entirely from marine-grade AISI 316L stainless steel, the Sole 48 is purposefully built to endure challenging outdoor conditions, including coastal areas exposed to salt air and humidity. This superior-grade stainless steel offers exceptional corrosion resistance, ensuring the shower remains pristine and fully functional over time. The surface is meticulously hand-polished to a nautical-grade mirror finish, reflecting its high-end quality and providing a striking visual impact. The polished stainless steel not only provides lasting protection against environmental factors but also underscores the luxurious appearance of this exceptional outdoor fixture. Dimensions & Technical Specifications Designed with both elegance and functionality in mind, Sole 48 maintains proportional balance and practical dimensions suitable for various outdoor environments. Its streamlined structure is both visually appealing and user-friendly, ensuring optimal comfort during use without overwhelming the surrounding space. The height and width are thoughtfully crafted to offer comfortable access while maintaining the discreet presence expected of luxury outdoor furnishings. Innovative Features & Functionality The Sole 48 showcases Inoxstyle’s commitment to quality through innovative design elements and features: Integrated Showerhead: The showerhead is seamlessly integrated into the structure, reinforcing the shower’s minimalist aesthetic and providing a consistent, pleasing water flow. Single-Unit Construction: Manufactured as a single, solid piece without visible screws, ensuring a smooth, uninterrupted surface that enhances both durability and visual refinement. Customization Options: Offering flexibility in design, the Sole 48 can be customized according to specific project needs, including finishes and additional accessories, enabling designers to perfectly match the shower with their overall project vision. Versatile Installation Options The Sole 48 outdoor shower is adaptable for various installation scenarios, ranging from stable base-mounted fittings to more flexible mounting solutions tailored to diverse outdoor spaces. This versatility facilitates seamless integration into different landscape types, from stone terraces and wooden decks to grassy garden areas and yacht decks. Suitable for Multiple Outdoor Applications The Sole 48’s robust build and attractive design make it suitable for a broad spectrum of outdoor settings: Residential Gardens & Pools: Enhances private outdoor spaces, providing practical use combined with high-end aesthetics. Hotels & Resorts: Ideal for luxury hospitality settings, offering guests both functionality and a visually pleasing experience. Yachts & Marine Environments: Specifically designed to withstand harsh marine conditions, making it the ideal choice for yacht decks and seaside locations. Alternative Options from Inoxstyle For projects requiring different design aesthetics or specific functional features, Inoxstyle provides alternative models: Tecno Cube: A modern, square-profile outdoor shower with a sleek, minimalist design, ideal for contemporary environments. Dream Yacht: Featuring fluid lines and subtle elegance, designed specifically for spaces requiring sophisticated style and streamlined functionality. The Sole 48 by Inoxstyle represents a luxurious fusion of form and function, promising longevity, superior performance, and unmatched visual appeal in any prestigious outdoor setting.

SPILLO - Brass wall lamp / ceiling lamp _ ICONE

ICONE > Wall lamp

Spillo 2 – A Sleek and Versatile Wall & Ceiling Lamp Modern Lighting with Adjustable Design The Spillo 2 is a refined and highly functional wall and ceiling lamp, designed by Marco Pagnoncelli. Featuring a double adjustable drawn brass rod with a slim 7×7 mm profile, this lighting fixture embodies minimalist elegance while offering exceptional versatility. Designed for both residential and commercial applications, Spillo 2 combines sophisticated aesthetics with high-performance LED lighting to enhance a variety of interior spaces. Refined Minimalist Design The sleek linear structure of the Spillo 2 makes it a subtle yet striking addition to contemporary interiors. The double adjustable rod allows for precise positioning, making it an excellent choice for accent lighting, directional illumination, or decorative wall installations. Its minimalist profile ensures that it integrates seamlessly into a variety of spaces, from modern homes to hospitality and commercial settings. This registered design embodies a balance between functionality and elegance, making it an ideal choice for architectural and interior lighting projects where clean lines and flexibility are key. Premium Materials and Finishes Crafted from drawn brass, Spillo 2 ensures durability and a premium aesthetic. The selection of four sophisticated finishes allows designers to tailor the lamp to different styles and environments: White – A crisp, clean option that blends effortlessly into modern interiors. Black – A bold, contemporary choice that adds a touch of drama and contrast. White/Chrome – A sleek combination that enhances refined and elegant interiors. Brushed Gold – A luxurious finish that introduces warmth and sophistication, ideal for high-end residential or hospitality settings. High-Efficiency LED Lighting Spillo 2 is powered by a high luminous efficiency LED micro-strip, ensuring energy-efficient illumination with low power consumption. It is available in multiple power levels, offering different brightness levels to suit various applications. The 3000K LED temperature provides a warm white light, ideal for creating a comfortable and inviting atmosphere. The fixture is complete with a power supply unit, ensuring easy installation and compatibility with standard electrical systems. Customizable Size and Power Options Spillo 2 is available in three size variations, each offering different power and brightness levels: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) C (cm) D (cm) E (cm) LED Type Spillo 2.40 7.44W 220V 660 lm 3000K 20 cm 40 cm 6 cm 12 cm 3.2 cm 12V CRI90 Spillo 2.60 11.88W 220V 990 lm 3000K 30 cm 60 cm 6 cm 19 cm 3.2 cm 12V CRI90 Spillo 2.80 15.36W 220V 1320 lm 3000K 40 cm 80 cm 6 cm 19 cm 3.2 cm 12V CRI90 This range of dimensions allows Spillo 2 to be used in different spatial contexts, from compact wall-mounted setups to larger, more dramatic installations. Versatile Applications Residential Interiors Spillo 2 enhances modern living rooms, hallways, and bedrooms, serving as both ambient lighting and task lighting for reading corners or workspaces. The adjustable rods allow users to direct the light precisely where needed, making it an ideal bedside or gallery wall fixture. Hospitality & Commercial Spaces For hotels, restaurants, and retail stores, Spillo 2 provides sophisticated accent lighting that enhances architectural details, artworks, or display areas. Its minimalist aesthetic ensures that it complements a wide range of interior styles, from luxury boutique hotels to cutting-edge office spaces. Art Galleries & Museums Spillo 2’s precise and directional illumination makes it an excellent choice for highlighting artworks and exhibits, ensuring that displayed pieces are presented in the best possible light. Energy Efficiency & Performance With an energy rating of A++, A+, A, Spillo 2 is a sustainable lighting choice that reduces energy consumption without compromising on performance. The high CRI90 rating ensures that colors appear true to life, making it ideal for spaces where

SPILLO - Brass ceiling lamp / wall lamp _ ICONE

ICONE > Wall lamp

Spillo 2 – A Sleek and Versatile Wall & Ceiling Lamp Modern Lighting with Adjustable Design The Spillo 2 is a refined and highly functional wall and ceiling lamp, designed by Marco Pagnoncelli. Featuring a double adjustable drawn brass rod with a slim 7×7 mm profile, this lighting fixture embodies minimalist elegance while offering exceptional versatility. Designed for both residential and commercial applications, Spillo 2 combines sophisticated aesthetics with high-performance LED lighting to enhance a variety of interior spaces. Refined Minimalist Design The sleek linear structure of the Spillo 2 makes it a subtle yet striking addition to contemporary interiors. The double adjustable rod allows for precise positioning, making it an excellent choice for accent lighting, directional illumination, or decorative wall installations. Its minimalist profile ensures that it integrates seamlessly into a variety of spaces, from modern homes to hospitality and commercial settings. This registered design embodies a balance between functionality and elegance, making it an ideal choice for architectural and interior lighting projects where clean lines and flexibility are key. Premium Materials and Finishes Crafted from drawn brass, Spillo 2 ensures durability and a premium aesthetic. The selection of four sophisticated finishes allows designers to tailor the lamp to different styles and environments: White – A crisp, clean option that blends effortlessly into modern interiors. Black – A bold, contemporary choice that adds a touch of drama and contrast. White/Chrome – A sleek combination that enhances refined and elegant interiors. Brushed Gold – A luxurious finish that introduces warmth and sophistication, ideal for high-end residential or hospitality settings. High-Efficiency LED Lighting Spillo 2 is powered by a high luminous efficiency LED micro-strip, ensuring energy-efficient illumination with low power consumption. It is available in multiple power levels, offering different brightness levels to suit various applications. The 3000K LED temperature provides a warm white light, ideal for creating a comfortable and inviting atmosphere. The fixture is complete with a power supply unit, ensuring easy installation and compatibility with standard electrical systems. Customizable Size and Power Options Spillo 2 is available in three size variations, each offering different power and brightness levels: Model Power (W) Voltage (V) Lumen Output Color Temperature (K) A (cm) B (cm) C (cm) D (cm) E (cm) LED Type Spillo 2.40 7.44W 220V 660 lm 3000K 20 cm 40 cm 6 cm 12 cm 3.2 cm 12V CRI90 Spillo 2.60 11.88W 220V 990 lm 3000K 30 cm 60 cm 6 cm 19 cm 3.2 cm 12V CRI90 Spillo 2.80 15.36W 220V 1320 lm 3000K 40 cm 80 cm 6 cm 19 cm 3.2 cm 12V CRI90 This range of dimensions allows Spillo 2 to be used in different spatial contexts, from compact wall-mounted setups to larger, more dramatic installations. Versatile Applications Residential Interiors Spillo 2 enhances modern living rooms, hallways, and bedrooms, serving as both ambient lighting and task lighting for reading corners or workspaces. The adjustable rods allow users to direct the light precisely where needed, making it an ideal bedside or gallery wall fixture. Hospitality & Commercial Spaces For hotels, restaurants, and retail stores, Spillo 2 provides sophisticated accent lighting that enhances architectural details, artworks, or display areas. Its minimalist aesthetic ensures that it complements a wide range of interior styles, from luxury boutique hotels to cutting-edge office spaces. Art Galleries & Museums Spillo 2’s precise and directional illumination makes it an excellent choice for highlighting artworks and exhibits, ensuring that displayed pieces are presented in the best possible light. Energy Efficiency & Performance With an energy rating of A++, A+, A, Spillo 2 is a sustainable lighting choice that reduces energy consumption without compromising on performance. The high CRI90 rating ensures that colors appear true to life, making it ideal for spaces where

H-45 Red Heart

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Elica Studio > Styling

H-45 Red Heart Material Porcelain, glaze Finishing Matte Sizes (cm) 24X26X17 Weight (g) 1150 Designed in 2017 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.

H- 67 JELLYFISH

Elica Studio > Styling

H- 67 JELLYFISH Material Porcelain, engobes, oxides Finishing Matte Sizes (cm) 24X17X11 Weight (g) 800 Designed in 2022 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.

H-66 OMNIA VINCIT AMOR

Elica Studio > Styling

H-66 OMNIA VINCIT AMOR Material Porcelain, engobes, oxides Finishing Matte Sizes (cm) 27X17X11 Weight (g) 800 Designed in 2022 Collection In alto i Cuori The H-66 Omnia Vincit Amor is a sculptural porcelain piece that embodies the timeless message "Love conquers all." Handcrafted in Ravenna, Italy, this artwork is part of Elica Studio's In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 27 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-66 is crafted from high-quality porcelain, finished with engobes and oxides to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of oxides add depth and nuance, enhancing its organic appeal. Conceptually, the H-66 Omnia Vincit Amor symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-66 offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-66 Omnia Vincit Amor into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. Elica Studio is renowned for its commitment to blending traditional ceramic techniques with contemporary design. The In alto i Cuori collection exemplifies this approach, offering pieces that are both culturally resonant and visually compelling. In summary, the H-66 Omnia Vincit Amor is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-65 CRAB

Elica Studio > Styling

H-65 CRAB Material Porcelain, engobes, oxides Finishing Matte Sizes (cm) 24X17X11 Weight (g) 800 Designed in 2022 Collection In alto i Cuori The H-65 Crab is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of Elica Studio's In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-65 Crab is crafted from high-quality porcelain, finished with engobes and oxides to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of oxides add depth and nuance, enhancing its organic appeal. Conceptually, the H-65 Crab symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-65 Crab offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-65 Crab into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. Elica Studio is renowned for its commitment to blending traditional ceramic techniques with contemporary design. The In alto i Cuori collection exemplifies this approach, offering pieces that are both culturally resonant and visually compelling. In summary, the H-65 Crab is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-62 DANTE 700° Inferno

Elica Studio > Styling

Name: H-62 DANTE 700° Inferno Material: Porcelain, engobes Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2021 Collection: In alto i Cuori The H-62 DANTE 700° Inferno is a sculptural porcelain piece that pays homage to Dante Alighieri's Inferno, the first part of his Divine Comedy. Handcrafted in Ravenna, Italy, this artwork is part of Elica Studio's In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-62 DANTE 700° Inferno is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-62 DANTE 700° Inferno symbolizes the enduring power of love and its ability to transcend earthly confines, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-62 DANTE 700° Inferno offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-62 DANTE 700° Inferno into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. Elica Studio is renowned for its commitment to blending traditional ceramic techniques with contemporary design. The In alto i Cuori collection exemplifies this approach, offering pieces that are both culturally resonant and visually compelling. In summary, the H-62 DANTE 700° Inferno is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-63 DANTE 700° Purgatorio

Elica Studio > Styling

Name: H-63 DANTE 700° Purgatorio Material: Porcelain, engobes Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2021 Collection: In alto i Cuori The H-63 DANTE 700° Purgatorio is a sculptural porcelain piece that pays homage to Dante Alighieri's Purgatorio, the second part of his Divine Comedy. Handcrafted in Ravenna, Italy, this artwork is part of Elica Studio's In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-63 DANTE 700° Purgatorio is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-63 DANTE 700° Purgatorio symbolizes the enduring power of love and its ability to transcend earthly confines, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-63 DANTE 700° Purgatorio offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-63 DANTE 700° Purgatorio into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. Elica Studio is renowned for its commitment to blending traditional ceramic techniques with contemporary design. The In alto i Cuori collection exemplifies this approach, offering pieces that are both culturally resonant and visually compelling. In summary, the H-63 DANTE 700° Purgatorio is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-54 OCCHIO

Elica Studio > Styling

Name: H-54 Occhio Material: Porcelain Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2021 Collection: In alto i Cuori The H-54 Occhio is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of Elica Studio's In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-54 Occhio is crafted from high-quality porcelain, finished with a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration add depth and nuance, enhancing its organic appeal. Conceptually, the H-54 Occhio symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-54 Occhio offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-54 Occhio into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. Elica Studio is renowned for its commitment to blending traditional ceramic techniques with contemporary design. The In alto i Cuori collection exemplifies this approach, offering pieces that are both culturally resonant and visually compelling. In summary, the H-54 Occhio is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents. Sources

H-55 RETICULUM

Elica Studio > Styling

Name: H-55 Reticulum Material: Porcelain Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2021 Collection: In alto i Cuori The H-55 Reticulum is a sculptural porcelain object that combines anatomical inspiration with artistic abstraction. Designed as a tribute to the heart's intricate beauty and the emotional resonance it carries, this piece offers a poetic presence that enriches both residential and commercial interiors. Crafted from fine porcelain and finished in matte, the surface of the sculpture invites close inspection. The form is rooted in the human heart, yet its details are interpreted with an artistic freedom that transforms biology into a symbolic artefact. With soft curves and subtle complexity, it creates a visual rhythm that feels organic and refined. The subdued finish softens the object’s overall appearance, enhancing its quiet, contemplative presence. At 24 x 17 x 11 cm and weighing just 800 grams, the H-55 Reticulum is compact and versatile. It can easily be integrated into styling compositions—whether placed on a display shelf, used as an accent on a sideboard, or set into a curated wall niche. The concept behind the piece speaks to connection, rhythm, and emotional flow. It evokes themes of life and memory—making it a meaningful addition to spaces designed for reflection, intimacy, or wellbeing. The natural, neutral palette allows the object to adapt effortlessly to various design styles, from minimalist and modern to eclectic and soulful. For interior designers, the H-55 Reticulum offers more than visual value—it brings narrative. Its handcrafted form means no two pieces are exactly alike, adding authenticity and uniqueness to any project. It’s especially suited to interiors where curated, story-driven objects are used to create emotional engagement. Whether standing alone as a focal point or layered within a more complex styling scheme, this piece balances boldness and sensitivity. Its sculptural presence and thoughtful symbolism make it a quietly powerful element in any space, offering both material beauty and conceptual depth.

H-56 BEES

Elica Studio > Styling

Name: H-56 BEES Material: Porcelain, engobes, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2019 Collection: In alto i Cuori The H-56 BEES is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-56 BEES is crafted from high-quality porcelain, finished with engobes, glaze, and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-56 BEES symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-56 BEES offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-56 BEES into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-56 BEES is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-57 OCTOPUS

Elica Studio > Styling

Name: H-57 OCTOPUS Material: Porcelain, oxides Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2019 Collection: In alto i Cuori The H-57 OCTOPUS is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-57 OCTOPUS is crafted from high-quality porcelain, finished with oxides to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of oxides add depth and nuance, enhancing its organic appeal. Wikipedia Conceptually, the H-57 OCTOPUS symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-57 OCTOPUS offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-57 OCTOPUS into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-57 OCTOPUS is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-58 BONES

Elica Studio > Styling

Name: H-58 BONES Material: Porcelain, glaze, 24k gold Finishing: Matte Sizes (cm): 25 x 33 x 11 Weight (g): 1240 Designed in: 2019 Collection: In alto i Cuori The H-58 BONES is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 25 cm in height, 33 cm in width, and 11 cm in depth, and weighing 1240 grams, the H-58 BONES is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of glaze and 24k gold add depth and nuance, enhancing its organic appeal. Conceptually, the H-58 BONES symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-58 BONES offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-58 BONES into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-58 BONES is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-59 INSEMBRAI

Elica Studio > Styling

Name: H-59 Insembrai Material: Porcelain, engobes, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2020 Collection: In alto i Cuori The H-59 Insembrai is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-59 Insembrai is crafted from high-quality porcelain, finished with engobes, glaze, and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-59 Insembrai symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-59 Insembrai offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-59 Insembrai into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-59 Insembrai is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-60 CHORISIA

Elica Studio > Styling

H-60 CHORISIA Material porcelain, glaze Finishing matte Sizes (cm) 292817 Weight (g) 1100 Designed in 2021 Collection In alto i Cuori The H-60 CHORISIA is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. The H-60 CHORISIA is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-60 CHORISIA symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-60 CHORISIA offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-60 CHORISIA into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-60 CHORISIA is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-61 SIGIL

Elica Studio > Styling

Name: H-61 SIGIL Material: Porcelain, engobes, oxides Finishing: Matte Sizes (cm): 24 x 17 x 12 Weight (g): 870 Designed in: 2021 Collection: In alto i Cuori The H-61 SIGIL is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 12 cm in depth, and weighing 870 grams, the H-61 SIGIL is crafted from high-quality porcelain, finished with engobes and oxides to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes and oxides add depth and nuance, enhancing its organic appeal. Conceptually, the H-61 SIGIL symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-61 SIGIL offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-61 SIGIL into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-61 SIGIL is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-53 TROFEO D’AMORE

Elica Studio > Styling

Name: H-53 TROFEO D’AMORE Material: Porcelain, engobes Finishing: Matte Sizes (cm): 27 x 23 x 17 Weight (g): 1160 Designed in: 2017 Collection: In alto i Cuori The H-53 TROFEO D’AMORE is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 27 cm in height, 23 cm in width, and 17 cm in depth, and weighing 1160 grams, the H-53 TROFEO D’AMORE is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-53 TROFEO D’AMORE symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-53 TROFEO D’AMORE offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-53 TROFEO D’AMORE into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-53 TROFEO D’AMORE is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-52 JEWEL BEETLE

Elica Studio > Styling

Name: H-52 JEWEL BEETLE Material: Porcelain, glaze, 24k gold Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 840 Designed in: 2019 Collection: In alto i Cuori The H-52 JEWEL BEETLE is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 840 grams, the H-52 JEWEL BEETLE is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of glaze and 24k gold add depth and nuance, enhancing its organic appeal. Conceptually, the H-52 JEWEL BEETLE symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-52 JEWEL BEETLE offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-52 JEWEL BEETLE into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-52 JEWEL BEETLE is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-51 FRAGILE

Elica Studio > Styling

Name: H-51 FRAGILE Material: Porcelain Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2019 Collection: In alto i Cuori The H-51 FRAGILE is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-51 FRAGILE is crafted from high-quality porcelain, finished with a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration add depth and nuance, enhancing its organic appeal. Conceptually, the H-51 FRAGILE symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-51 FRAGILE offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-51 FRAGILE into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-51 FRAGILE is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-50 CHAINS

Elica Studio > Styling

Name: H-50 CHAINS Material: Porcelain, glaze Finishing: Matte Sizes (cm): 24 x 19 x 13 Weight (g): 1070 Designed in: 2018 Collection: In alto i Cuori The H-50 CHAINS is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 19 cm in width, and 13 cm in depth, and weighing 1070 grams, the H-50 CHAINS is crafted from high-quality porcelain, finished with glaze to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of glaze add depth and nuance, enhancing its organic appeal. Conceptually, the H-50 CHAINS symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-50 CHAINS offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-50 CHAINS into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-50 CHAINS is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-49 LOCK

Elica Studio > Styling

Name: H-49 LOCK Material: Porcelain, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 24 x 17 x 13 Weight (g): 900 Designed in: 2018 Collection: In alto i Cuori The H-49 LOCK is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 13 cm in depth, and weighing 900 grams, the H-49 LOCK is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-49 LOCK symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-49 LOCK offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-49 LOCK into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-49 LOCK is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-48 COR DOMUS

Elica Studio > Styling

Name: H-48 COR DOMUS Material: Porcelain, engobes Finishing: Matte Sizes (cm): 24 x 17 x 18 Weight (g): 890 Designed in: 2018 Collection: In alto i Cuori The H-48 COR DOMUS, meaning “House of Love,” is a sculptural piece that transforms the heart into a poetic symbol of intimacy and belonging. Designed in porcelain and finished with soft, matte engobes, this object invites touch, reflection, and presence—ideal for interiors with emotional depth. Its form draws inspiration from the anatomical heart, stylised to express both its organic structure and symbolic weight. The asymmetry and layered volume add a sense of movement, while the muted surface tones reflect calm and warmth. The piece feels quiet yet confident—perfect for environments that aim to balance elegance and soul. Measuring 24 x 17 x 18 cm and weighing 890 grams, it holds visual impact without taking over a space. Its proportions are ideal for display on consoles, pedestals, sideboards, or art shelves—alone or as part of a curated composition. The sculpture explores themes of inner life, home, and love as sanctuary. Its earthy tones and matte texture evoke grounding and security, while the heart's form—expanded and interpreted—suggests vulnerability, care, and human connection. It’s a storytelling object suited for interiors that aim to connect with emotion and narrative. For interior designers, the H-48 COR DOMUS offers versatility. It can soften modern or industrial schemes with an organic touch, or blend seamlessly into more layered, eclectic spaces with natural materials and curated decor. Its handcrafted nature ensures each version carries its own small variations and imperfections—enhancing authenticity. This piece is more than just decoration. It creates atmosphere. It suggests meaning. And in the right space, it becomes a visual anchor for themes of warmth, memory, and emotional connection.

H-47 MAJESTY

Elica Studio > Styling

Name: H-47 MAJESTY Material: Porcelain, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 25 x 18 x 15 Weight (g): 980 Designed in: 2017 Collection: In alto i Cuori The H-47 MAJESTY is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 25 cm in height, 18 cm in width, and 15 cm in depth, and weighing 980 grams, the H-47 MAJESTY is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-47 MAJESTY symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-47 MAJESTY offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-47 MAJESTY into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-47 MAJESTY is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-46 CHIODO

Elica Studio > Styling

Name: H-46 CHIODO Material: Porcelain, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 24 x 19 x 14 Weight (g): 950 Designed in: 2017 Collection: In alto i Cuori The H-46 CHIODO is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 19 cm in width, and 14 cm in depth, and weighing 950 grams, the H-46 CHIODO is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-46 CHIODO symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-46 CHIODO offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-46 CHIODO into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-46 CHIODO is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-44 ODI ET AMO

Elica Studio > Styling

Name: H-44 ODI ET AMO Material: Porcelain, engobes Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2016 Collection: In alto i Cuori The H-44 ODI ET AMO is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-44 ODI ET AMO is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-44 ODI ET AMO symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-44 ODI ET AMO offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-44 ODI ET AMO into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-44 ODI ET AMO is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-43 TROFEO D’AMORE

Elica Studio > Styling

Name: H-43 TROFEO D’AMORE Material: Porcelain, engobes Finishing: Matte Sizes (cm): 33 x 22 x 16 Weight (g): 1150 Designed in: 2017 Collection: In alto i Cuori The H-43 TROFEO D’AMORE is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 33 cm in height, 22 cm in width, and 16 cm in depth, and weighing 1150 grams, the H-43 TROFEO D’AMORE is crafted from high-quality porcelain, finished with engobes to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes add depth and nuance, enhancing its organic appeal. Conceptually, the H-43 TROFEO D’AMORE symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-43 TROFEO D’AMORE offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-43 TROFEO D’AMORE into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-43 TROFEO D’AMORE is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-42 PEPITA

Elica Studio > Styling

Name: H-42 PEPITA Material: Porcelain, glaze, 24k gold Finishing: Matte and glossy Sizes (cm): 25 x 18 x 13 Weight (g): 1340 Designed in: 2017 Collection: In alto i Cuori The H-42 PEPITA is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 25 cm in height, 18 cm in width, and 13 cm in depth, and weighing 1340 grams, the H-42 PEPITA is crafted from high-quality porcelain, finished with glaze and 24k gold to achieve a combination of matte and glossy surfaces. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The interplay of matte and glossy finishes, along with the subtle application of 24k gold, adds depth and nuance, enhancing its organic appeal. Conceptually, the H-42 PEPITA symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. In terms of styling, the H-42 PEPITA offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. For interior designers, incorporating the H-42 PEPITA into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-42 PEPITA is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.

H-41 IPPOCAMPO

Elica Studio > Styling

Name: H-41 IPPOCAMPO Material: Porcelain, engobes, oxides Finishing: Matte Sizes (cm): 24 x 17 x 11 Weight (g): 800 Designed in: 2016 Collection: In alto i Cuori The H-41 IPPOCAMPO, meaning "seahorse" in Italian, is a sculptural porcelain piece that embodies the theme of love's renewal and rebirth. Handcrafted in Ravenna, Italy, this artwork is part of the In alto i Cuori collection, which reinterprets the human heart through artistic expression. Measuring 24 cm in height, 17 cm in width, and 11 cm in depth, and weighing 800 grams, the H-41 IPPOCAMPO is crafted from high-quality porcelain, finished with engobes and oxides to achieve a matte surface. This finish enhances the tactile quality of the piece, inviting viewers to engage with its form on a sensory level. Elica Design Studio The design features an anatomically inspired heart, stylized to convey both physical structure and emotional depth. The matte finish and subtle coloration achieved through the use of engobes and oxides add depth and nuance, enhancing its organic appeal. Conceptually, the H-41 IPPOCAMPO symbolizes the enduring power of love, aligning with the In alto i Cuori collection's exploration of the heart as both a physical organ and a metaphorical vessel. This piece serves as a visual representation of love's ability to overcome adversity, making it a poignant addition to spaces designed to evoke introspection and connection. Elica Design Studio In terms of styling, the H-41 IPPOCAMPO offers versatility. Its organic form and neutral tones make it an ideal accent for minimalist interiors, where it can serve as a focal point without overwhelming the space. In more eclectic settings, it can complement other naturalistic elements, such as wood, stone, or botanical motifs. Its compact size allows for placement on shelves, consoles, or as part of a curated vignette. Elica Design Studio +1 Creativity Oggetti +1 For interior designers, incorporating the H-41 IPPOCAMPO into a project offers an opportunity to introduce a piece that is both aesthetically pleasing and rich in symbolism. Its handcrafted nature ensures each sculpture is unique, adding a layer of authenticity and artisanal value to the space. In summary, the H-41 IPPOCAMPO is more than a decorative object; it is a sculptural embodiment of emotion and artistry. Its presence in an interior space not only enhances visual interest but also invites reflection on the themes it represents.