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Aurore ottoman bed

gautierFurniture > Bed frame

This ottoman bed provides excellent built-in storage space, cleverly located just underneath the base to fully maximise your space. A range of different options mean you can add further storage solutions and a built-in lighting system to create an intimate atmosphere with elegant, muted lighting. Note: your Aurore ottoman bed can be fitted with a lift-up bed base (optional) to make it even easier to access this ultimate in space-saving storage solutions.

Cosy chair with light grey legs

gautierFurniture > Chair

This COSY chair with polyurethane covering will add a touch of casual elegance to your lounge with its beautiful surface and relaxing backrest. Its smooth lines create a charming atmosphere to make your guests feel really comfortable. Designed to blend in with any natural decor, this restful chair is ideal for creating soothing, pleasant energy in your home. Available in two colours: travertine beige or opal grey. Choose the one that suits you best to complement your lounge.

Lands End Bar Stool

lexington > Stool

The leather-wrapped rattan bar stool offers a great look and exceptional comfort with an antique brass finished kick plate. Choose any of our fabrics or leathers, or your own custom fabric to create a look uniquely yours. The Bermuda Sands, warm umber finish on the rattan frame is available only as shown.

Grove Park Long Media Console

lexington > Console

This 92-inch console make a grand statement and accommodates the largest of today? monitors. The neo-classical design features an elegant curved front, crafted from quartered ash veneers, in a wire-brushed dove gray finish. The interlocking molding design frames signature door hardware. Behind each pair of doors is a storage drawer and two adjustable shelves.

Grove Park Media Console

lexington > Console

This 62-inch console offers generous storage in a mid-size footprint. The neo-classical design features an elegant curved front, crafted from quartered ash veneers, in a wire-brushed dove gray finish. The interlocking molding design frames signature door hardware. Behind each pair of doors is a storage drawer and two adjustable shelves.

Sinsemilla Rolling Tray

jonathanadler > Styling

Hot for Pot.Rainbow-emblazoned accessories for bohos looking for a little quelque chose, our Sinsemilla collection is smoking. Crafted from posh porcelain and lit up with real gold accents. Packaged in a nifty gift box, it makes a perfect present for a rich hippie host (or a pick-me-up for yourself!).

Voltaire Lounge Chair

jonathanadler > Chair

Bespoke Oak.The classic Windsor chair uncaged. Our deconstructed spin features a solid turned oak frame with a perfectly placed back cushion and super thick and comfy seat clad in oatmeal bouclé.Our collection of artisan crafted solid oak furniture is as mighty as its source. Wire-brushing exposes the natural wood grain and our liming technique accentuates each solid piece of wood's unique pattern. A nod to French 50s cool, a dash of Milanese moxie, and a whisper of Scandinavian soulfulness.

Led+O 1434/DIM/T/2700

martinelliluce > Wall lamp

Essentiality and lightnessLED+O wall lamp designed by Studio Natural provides indirect light. The design encompasses only the essential geometry needed to create the ring of indirect illumination. The LEDs are inside the diecast aluminum painted structure in white or grey finish shielding them from direct view while allowing them to provide the perfect light distribution. The indirect, gentle lighting, which directs the light against the wall, ensures a nuanced lighting mood. Wall lamp, indirect light. Painted aluminium structure. LED light source integrated. Electronic driver into the body lamp.

Add Cable Table

lammhults > Side table

Add Cable Table is designed to never let multiport charging be more than an arm’s length away. Equipped with power outlets and Power USB it allows you to power up your laptop, phone or tablet. Gather several tables to create a spontaneous meeting, perfect for the activity-based environment.

Area

lammhults > Chair

This modular seating series with its six different modular units inspires to creative and flexible seating solutions. Use them separately or in groups to create exiting configurations. Two-, three- or even more seater sofas are easily created. The innovative linking device, Quicklink, consisting of built-in magnets makes the units easy to regroup. The airy table in perforated sheet metal makes a perfect complement to the upholstered units. The high back version offers a feeling of seclusion in open areas and enables building a soft, sophisticated room within the room.

Couture Collection

antolini > Floor tile-stone

There is a place where the perfection of Antolini®’s natural stone meets the extraordinary creativity of Alessandro La Spada, it is where the exclusive Antolini® Couture Collection comes to life. A collection made up of 12 motifs created and packaged with a sartorial method in which natural stone is expertly selected by Antolini®, marries geometric, natural and artistic decorations. The impetuous force of nature in the Artistic Mood, the acceptance of the transience of things in the Organic Mood, and the authentic rigor of the forms in the Geometric Mood are the sources of inspiration of the Antolini® Couture Collection. The peculiarities of each natural stone are greatly enhanced by the combination with metal materials that strengthens the finishes and shapes, creating a real work of art - suitable for environments of the highest quality and design. The Antolini® Couture Collection aims to unite and harmonize the world of high fashion with the universe of nature, bringing to light the characteristics of each material, thanks to the uniqueness of La Spada’s designs. Natural stone is cut, worked, and assembled to create new motifs - as if it was the fabric of a dress, giving life to a bold and revolutionary collection, dedicated to unique and exclusive projects.

Ardoise Ecrù

florim > Floor tile-stone

A timeless material whose authenticity, sensual and elegant, is implemented in modern environments, where precious and recovered elements coexist in perfect harmony. A precise chromatic choice selected 6 neutral and modern shades that cater to the vivid texture, the absolute protagonist of the collection. The delicacy of the colors chosen give the space a strong sense of light that contrasts with the hardness of the stone. The experience of Florim manages to join three dimensional texture and graphic movements in a play of optical effects to make a timeless material modern, giving it new life.

Les Bijoux Marron imperial

florim > Wall tile-stone-brick

The artistic allure of jewel surfaces The collection's true inspiration is found in different sources of artistic outlook, interpreted according to a wider meaning: noble minerals such as onyx, red jasper and sodalite skillfully worked to create refined, artisanal jewels, magnificent marbles used in the creation of important architecture and sculptures, even paintings by renowned artists.

Match-Up Liquorice Mix

florim > Wall tile-stone-brick

The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. The collection offers 3 finishes - Comfort, Glossy and Grip. <a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a>

Match-Up Cookie Mix

florim > Wall tile-stone-brick

The union of two different materials has resulted in a contemporary, trendy project that mixes surfaces, colours and languages to offer original combinations. There are two basic surfaces that can be used to create multiple combinations in line with fashions and lifestyle trends: a concrete effect with an urban and industrial aesthetic and an original marble agglomerate effect that blends tone-on- tone tactile elements with irregular shapes and varying sizes. Two seemingly very different materials – the first a symbol of modernity and innovation, the second of authenticity and tradition – coexist in a unique project that promotes and encourages combinations not only between the surfaces and colour shades in the range, but also with all the other elements that contribute to defining the space: colours, paints, fabrics, furnishings and various materials. The collection offers 3 finishes - Comfort, Glossy and Grip. <a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a>

Neutra 6.0 05 quarzo

florim > Wallcovering

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Neutra 6.0 04 ferro

florim > Wallcovering

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Neutra 6.0 01 bianco

florim > Floor tile-stone

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Storie Casale

florim > Wall Paint

The faded wall fresco, damp stains in plaster. «Technological innovation enables us to reproduce on large-sized ceramic materials all the effects of wear and stratification that normally only time is able to create.» Giorgia Zanellato & Daniele Bortotto Children stare at the walls of a farmhouse, wondering what the cracks are, and whether every mark is a path and every path is a story. They think that miniature beings live in the air pockets that have formed, and the detaching plaster is like an avalanche cascading from a glacier. They don't ask why the colours are as they are, because they just had to be like that. And every square centimetre becomes the first page of an adventure that restarts at every break in the pattern. Could this be why we say that both textures and plots have twists, and stories are woven? As even children know, walls are tales. Not only do they contain adventures, emotions, moments, loves and hates and record them on their surfaces; their uneven, active surfaces generate new imaginary worlds, in which one can literally get lost. The "Storie" collection by Giorgia Zanellato and Daniele Bortotto brings this metaphor to three-dimensional life by expressing the moods, loves and hates and moments that the walls and floors of old Italian homes conserve, and capturing them in a frozen instant. The theme of time and the changes wrought in matter by the passing seasons, weather and human action have always been a strong source of inspiration for architects: some have tried to freeze it, while others have used sleight of hand to embrace it while resisting its effects, and yet others have accelerated, anticipated, directed and re-created it. Zanellato and Bortotto do all these things at once, engaging in a duel with History with a capital H, in which it is never clear who is winning: design or object, man or nature, culture or time. And it is probably this unresolved tension which makes the "Storie" designs so universal and meaningful, so intimate and yet familiar. The floor is the only thing we can be certain that everyone entering our home will touch, and at the same time it is the most intimate part, the most steeped in private happenings. They talk about having your "feet firmly on the ground". This image stands for common sense, but also a recognition of how things are, how things work. The wall is a synecdoche, too: it is the part of the home that expresses an idea of solidity, the layering of time, the passage of lives. "Storie" gives form to this metaphor by drawing a line that links the most classical of taste to a sophisticated modernity of taste and style. The two designers did a great deal of background work for this project: old Italian homes, country villas, noble palazzos, farmhouses and old factors, which become an unlimited source of motifs, colours, textures and materials. But, perhaps unconsciously, literature also re-emerges from this survey of locations, with its blend of aestheticism and decadence, with echoes of Wilde and D'Annunzio, Ruskin and Huysmans. "Storie" would be the ideal backdrop for Des Esseintes, the dandy in "A Rebours". And in fact the collection clearly has strong theatrical connections, arising partly from its storytelling connotations but also from its scene-setting potential. It represents life, which we are, have been and wish to continue to be. And it is thrilling to realise that this vision comes from the youngest designers in CEDIT's new era, who have successfully taken a confident, cultured, astute, sidelong approach to the most ancient of topics, with a persuasive effect which appears, at least, to be not at all intimidated by the many stories, the type of product they are dealing with, the catalogue in which they are included, the designers who have gone before them or, naturally, the adventures that lie concealed in the historic dwellings they reproduce. The reference to Italy, on the other hand, is in perfect harmony with the work of the brand and its past and present designers: it is intrinsic to the perfection of the production process that underlies the collection, the relationship with the brand's tradition and its local roots, and the intelligent, strategic use of its innovations in the treatment of this complex material.Child's play? Yes, but with the integrity and ability to enchant unique to specific designs, capable of an immediacy of vision and feeling that makes them little novels written in cement.

Cromatica Gradiente grigio-verde

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to Ettore Sottsass. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention. With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future. The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Cromatica Rosa

florim > Wall Paint

A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to Ettore Sottsass. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention. With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future. The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».

Neutra 6.0 08 avio

florim > Wall Paint

After a decade of success, the Neutra collection becomes a container of colors and increasingly advanced materials and transforms into Neutra 6.0. The surfaces thereby create scenery for pure sensory pleasure, where nothing is left to chance, but everything is always skillfully calibrated to the search for a new bon ton where the body and mind can be rejuvenated. The perfect integration between man and the space in which he lives is expressed through a simple architecture where you can spread your artistic sign on the surfaces, in the colors and in the furnishing for an unrepeatable result from which your own creative identity emerges.

Buds 2

foscarini > Ceiling lamp

The magic of blown glass, for a family of lamps that explore various combinations of shapes and colours, also devised to create multiple compositions. The full shape of the Buds 2 suspension lamp, which is available in stylish grey or in warm white, make it suitable for any setting.

Streamline Console

castrolighting > Console

Inspired by the Streamline Moderne that emerged in the 30s and became an influence on design and architecture, the Streamline console emphasizes forms and long lines combined to create a stylish ambiance. This elegant console features long gold plated brass tubes that give all the designs a whole exclusive and deluxe look, setting another level by their distinctive appearance. This recipe of rich materials, such as the brass and the Black Marquina marble, and sleek lines inspired by art-deco architecture make the Streamline piece desirable. #worldofmarbles VIEW FULL FAMILY #lifestyle

Butler Side Table

castrolighting > Side table

Finding inspiration in all the butlers who once served the most demanding monarchs across Europe, the Butler Side Table aims to honour these distinguished figures. Crafted to meet the highest of standards, this geometrical side table features a contemporary gold-plated brass structure. Butler Side Table is an effortlessly elegant and stylish piece that bounds sophistication with practicality. A simple yet beautiful design that, above all, provides exceptional charm and focus to prestigious interiors. #cinema #cosychic

Streamline Bar Table

castrolighting > Table

Inspired by the Streamline Moderne that emerged in the 30s and became an influence on design and architecture, the Streamline bar table emphasizes forms and long lines combined to create a stylish ambiance. This elegant bar table features long gold plated brass tubes that give all the designs a whole exclusive and deluxe look, setting another level by their distinctive appearance. This recipe of rich materials, such as the brass and the Black Marquina marble, and sleek lines inspired by art-deco architecture make the Streamline table desirable. VIEW FULL FAMILY #luxuryhomebar

Streamline Flower Pot

castrolighting > Styling

Inspired by the Streamline Moderne that emerged in the 30s and became an influence on design and architecture, the Streamline flower box emphasizes forms and long lines combined to create a stylish ambiance. VIEW FULL FAMILY

Figoll Table lamp Brown

calixter > Table lamp

The Figoll table lamp is designed by Tyra Matsdotter under the By Calixter brand, Figoll is a table lamp composed of a ceramic base together with an associated lampshade in two different sizes to create an effective look of different levels. The table lamp is available in 5 different colors in a neutral and earthy color scale, all with a fin with structure to create more character and depth in the lamp. Figoll's ceramic base is handmade in Portugal and the associated lampshades are also Swedish-made in Borås. The table lamp is therefore locally produced, which we at Calixter are very proud of.

Plenum™ Cabin

fritzhansen > Sofa

Plenum™ pays homage to the modern workspace – the perfect setting for collaboration, concentration, or relaxation. Designed by artist and designer Jamie Hayon for Fritz Hansen, the Cabin's signature curved designs pair functionality and style to create inviting spaces to meet and work. The Plenum™ Cabin with integrated table and screen mounting plate includes an intuitive outlet to connect a computer to the screen. Ready for online meetings, in-person presentations, and informal meetings in privacy and comfort in large open spaces.

Egg™ Table

fritzhansen > Table

The Egg™ table was designed by Arne Jacobsen in 1952 to complement his Ant™ chair. The elliptical design today makes for an informal dining setting or elegant home office desk thanks to its beautifully versatile form and expertly crafted materials.

Planner™ Tables

fritzhansen > Side table

The Planner™ coffee tables are part of a relaunched Fritz Hansen collection by Paul McCobb, a legendary designer known for creating slender designs where form follows function. Featuring a structured marble surface and a powder-coated steel base, the coffee table is an illustration of raw, tactile simplicity.

marmoleum cocoa white chocolate

forbo > Synthetic Floor

Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.

marmoleum cocoa stracciatella

forbo > Synthetic Floor

Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.

marmoleum cocoa eucalyptus

forbo > Synthetic Floor

Marmoleum Cocoa embraces our ethos of sustainable design with its combination of circularity and beauty.Marmoleum Cocoa floors are developed and manufactured to be recycled and reused while preventing and sequestering carbon emissions.By adding cocoa shells to the traditional Marmoleum ingredients we have created an exciting surface texture that is both natural looking and contemporary in feel. Marmoleum Cocoa floors combine the liveliness of cocoa husks with the calmness of mineral tones.A timeless floor that fits everywhere.All Marmoleum Solid colours can be ordered in a 3.5 mm Marmoleum Decibel construction.

marmoleum solid Titan

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.

marmoleum solid Pluto

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.

marmoleum solid stracciatella

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.

marmoleum solid cement

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.

marmoleum solid beton

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.

marmoleum solid nebula

forbo > Synthetic Floor

Connect with modern natureDiscover a harmonious connection with modern nature through Marmoleum Solid, a climate positive floor that fosters your well-being. Crafted from natural raw materials, this collection is designed to elevate any space with its refined aesthetics.The balanced colour palette effortlessly blends with contemporary trends while remaining true to its natural essence. Marmoleum Solid enhances any interior, making the surroundings the hero for many years to come.