Gustave Residential
flos > Table lamp
Gustave is a portable, self-powered luminaire, specially designed for tabletop lighting applications and other related uses as supplementary lighting. Gustaves compact size encloses a perfect mix of the most innovative optical and light technology and a disruptive engineering, developed in the service of a discretionary purpose of Flos for this project: to create the first portable luminaire on the market with circular design awareness, ecological and honestly conceived against obsolescence.Portable luminaire with autonomous battery, designed for residential applications. Powered by 'Button Type 18650 Li-Ion' batteries (2 units, included inside the product). USB-C charging cable (plug adapter not included). 0-100% sequential regulation by means of capacitive haptic push button.
Takumi armchair
infinitidesign > Chair
Two kanji characters, “taku” meaning “skillful” and “mi” meaning “to see”, give rise to the ancient Japanese name Takumi, meaning one who has “talent in the field of craftsmanship and technology”. And it is from this encounter between the industrial world and the creativity of craftsmanship that ‘Takumi’ was born, a collection of upholstered chairs where the circular design combined with the minimalism that hark back to bygone eras. The development of this new line, designed by Studio Dessì, is based on the perfect balance between aesthetics and comfort; the steel tubes of the structure seem to interconnect in a way similar to Escher’s optical illusions as they accommodate soft upholstered elements that can be disassembled and restyled. Available with or without armrests, Takumi is an armchair designed for use in the HoReCa industry, but can also be used in more intimate settings. The wide range of fabrics and the steel frame, which can be painted in different colours, work well together to create refined or pop versions depending on taste or the interior.
brick ll grey
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
Epoque cyclicallight.
terzani > Ceiling lamp
Epoque is a light sculpture designed to study chiaroscuro and volumes. The result is a modern expression of these renaissance-era techniques in a stunning chandelier. Composed of curved, organic lines, Epoque’s frame is made of flexible and durable brass metal, suspended by metal chains. Two bands of metal, a central elongated section and an external band of wide arcs, allows the light to envelop a room in reflections of soft light. Epoque has attracted attention from those in the design community with discerning tastes. Epoque is available in nickel, black nickel, bronze and gold finish. Design Stefano Papi & Saviz Yaghmai. Made in Italy
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
Pavilion AV12
&tradition > Chair
Located on the castle grounds of Copenhagen’s Kastellet overlooking the waterfront promenade that is home to the Little Mermaid, The Langelinie Pavilion stands with a resilient spirit. The first Pavilion was built in 1885. Echoing its own ability to endure is the Pavilion chair by Andersen & Voll. Here the challenge was to design a stackable chair used for mass seating in this iconic, multi-purpose venue, the Langelinie Pavilion. The Pavilion chair has an airy feeling, with slim arms and legs that give it a light appearance. Now available in a contemporary chrome frame.
Stacked Storage System
muuto > Cabinet
Being both versatile and functional, the Stacked Storage System can be arranged and rearranged for the exact configuration that you’d like, whether it be as shelving setups, sideboards, bookcases or side table. The design can easily be refreshed by playing around with the space between the modules or mounting the modules with backboard directly onto the wall.
Middleweight Pouf Michael Anastassiades, 2021
karakterCopenhagen > Chair
The Middleweight sofa captures the best of two worlds, the Italian super lounge sofa on one side and the compact Danish box sofa on the other. Set on a thin, open steel frame, the cushions are firmly held together by zippers and carefully mitered in the corners of the frame, resembling the sharp edges of folded paper. Middleweight is a luxuriously comfortable sofa, available as an arm-chair, 2-seater or 3-seater sofa and pouf. “This was my first sofa design, but actually the biggest surprise didn’t come until the product was finalized – when we stood there, looking at the actual sofa, and it looked exactly like what I had in my head. It is a great satisfaction as a designer. You can’t accelerate the process of design. An idea has to come when the time is right, so you have to stretch the process as long as possible and allow for enough time to get the ideas and experiments across.”
wash blue
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
ReForm Discovery Network wild berry
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
ReForm Discovery Planet broken green
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
Naturalia
marazzi group > Wall tile-stone-brick
Stone Look Stoneware & Wall Tiles Five neutral colours underline the patterning that adds variety to the uniform sandstone plain tiles with intriguing veining and inclusions. The resulting detail-rich material with a strong tactile consistency is available in three sizes, including the new 100x100 for floors and 33x100 for walls. A versatile range, suitable both for creating monochrome interior design schemes and for attractive combinations with other Marazzi looks. The collection is completed by decors which highlight the contrast between stone’s natural delicacy and its rough surfaces, by reinterpreting the carvings and relief effects of ancient carved stonework.
Pelagus Lounge Chair
fritzhansen > Chair
Pelagus has a graceful contemporary expression that sits lightly in nature and holds its own in urban environments. The collection is high on comfort and versatility. It is furniture that suits a lifestyle as diverse as that lived in urban cosmopolitans or far from the city and grounded in nature. Designed in collaboration with Stockholm-based Note Design Studio. Pelagus Lounge Chair is designed for laidback days of sun and sociability. It is perfectly at home on a leafy porch or by the pool on a hotel terrace. The lounge chair has a solid 100% FSC-certified teak frame that evokes a classic Scandinavian typology while the weatherproof Sling fabric seat brings a modern edge with its lightness and transparency. The angle of the seat is perfectly reclined for enjoying hours of comfort and the wooden armrests are wide enough for a drink or a book.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
ReForm Discovery Cliffs sand grey
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
BILIA MINI
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
Philo
sabaitalia > Sofa
Philo is a prefix of Greek origins that indicates love, propensity and empathy towards people and things. A metallic thread draws together a welcoming silhouette; it runs, turns, comes up and goes down, hugging and delicately supporting the upholstered surfaces. The agile dimensions give life to a seating system capable of existing in different spaces: homes, offices, hospitality and places of meeting in general where relationships are nourished. Philanthropic by nature this elegant and simple sofa has a lean yet grounded honest form. The design’s character is communicated with an interplay of lines and colours. The metallic thread transforms into sewing thread and continues on to weft and warp creating a singular harmony. Fully removable covers.
Terra Nova Mediterraneo Decorative Tile: Prisme Black & White
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
BILIA
fontanaarte > Table lamp
Nothing more than a sphere, set in an apparently impossible feat of balance, upon a cone that serves as the base. One of Gio Ponti’s many compositional magic tricks, designed in 1932. The counterbalancing of two elementary geometric forms results in an original, perfectly proportioned object. An unpretentious composition, enriched by the extraordinary balance of its proportions and the stylish discretion of non-reflective materials.The light is diffused and valorized by the geometrical simplicity of the design. In designing Bilia, Gio Ponti imagined a smaller version in a range of “spray colours”. From those handwritten notes of the original project, FontanaArte presents Bilia Mini in new breathtaking chromatic variations.
Chispa
marset > Table lamp
The collection for outdoors just had to include a portable, rechargeable, cordless lamp that, in addition, can be left outside. Chispa (Spark), designed by Joan Gaspar, is waterproof certified, with IP44 accreditation.Its design evokes a garage lamp, but a high quality one, lighter and eminently useful, with three setting for illumination. It is sophisticated and conveys a warm light, decidedly designed to serve as an accompaniment. Its structure is protected by a grate that revolves the light source, a touch rendering it truly original. It also comes with an accessory that allows one to hang it. When turned on, the light itself illuminates the lamp, mitigating its color. Available in orange, blue, green and in a special black version with copper details, designed in collaboration with the automotive brand CUPRA. Chispa evokes creativity and ingenuity, the spark of light and combustion.
Tape "Cord" Outdoor
minotti > Sofa
The Tape family of seats, which made its début in 2018, naturally evolves, incorporating items for the outdoor environment that maintain the undeniable elegance of the forms and concepts of the design, and add a few welcome variants that embrace the concept of outdoor living. The seats become deeper, larger and more relaxing, while the metal frame, in a new outdoor finish, is covered with the wicker-effect cords available in two colours: Mud and Liquorice. Here, the couture detail of Tape - the piece of ribbon that holds the feet on to the body - takes the form of a metal plate in Bronze colour, a finish that is the leitmotiv of all the outdoor seats of the 2019 Collection. The system offers many elements, ideal for creating relaxation areas also in small outdoor spaces or on urban rooftop terraces: from the armchair to the sofa, from the Paolina chaise longue to the original couch open at the back, from the chair to the coffee tables, up until the stool in two heights of 102 and 115 cm, in the collection from January 2020. The concept of the small tables in metal with Bronze finish is inspired by the distinctive Tape detail itself, which aesthetically secures the legs to the crown, inside which the top in Silver Beola or Corian® EC is inserted.
Miniatures Tom Vac Chair
vitra > Styling
The Tom Vac Chair was first realized as one element in a sculpture consisting of 70 stacking chairs named »Totem«. Commissioned by the magazine Domus, it was set up in the centre of Milan during the Salone del Mobile in 1997.<br/><br/>The seat shell with the characteristic wave profile is based on earlier versions Ron Arad sketched for the dining room of a house in Tel Aviv. The first small series for »Totem« was created in just four months. Though it is a complicated metal to manufacture, vacuum-formed aluminium proved to be a suitable material.<br/><br/>In collaboration with furniture maker Vitra, for whom he had already produced the Well Tempered Chair back in 1986, Ron Arad developed, within a very short time, a version of the Tom Vac Chair suitable for mass production. Seen within the context of Arad's complete work, which is largely characterized by »one offs«, the chair is something of an innovation by virtue of its industrial and by extension inexpensive production. While the design of the Tom Vac Chair only deviates minimally from the first plan, the flexible seat shell of polypropylene offers a high degree of comfort.
ypso
tossb > Ceiling lamp
The name ypso refers to the letter ypsilon on which its shape is inspired. The light is spread in three directions creating a large area of illumination. When installed in group, ypso seems to create structures in the air. A 3D printed connection piece is holding the tubes in place and provides a nice detail to the design. Ypso is provided with 3 steelcables so that the lamp can be installed horizontally or oblique by adjusting each cable individually. This playful pendant lamp is equipped with a high efficient LED strip, comes in two different sizes and is available in black and white.
SETAREH GLASS MEDIUM
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
SETAREH MEDIUM
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
SETAREH SMALL
fontanaarte > Ceiling lamp
This is the name of the family of lighting fixtures that Francesco Librizzi, a young Sicilian architect working in Milan, has designed for the first time for FontanaArte. Setareh was born of the idea of giving form to light. The lamp is composed of a sphere magically suspended within a thin metal structure. The play of circular masses and trajectories generates a balanced design of gravitational dynamics. The light from the sphere is diffused into the surrounding space, illuminating the frame. The reflections of the metal render the luminous field visible, space influenced by light, by its aura. The result is a collection of lighting elements, available in tabletop and suspension versions, of extraordinary poetic grace. Setareh takes on new dimensions: elongated, with either two or three spherical elements that work separately or together. Its vocation is the illumination of large spaces, with double-height ceilings or otherwise ample enough to accomodate expansive compositions of multiple elements. A firmament of Setareh, ‘star’ in the ancient Farsi language.
Doodle freehanddesign.
terzani > Ceiling lamp
We no longer march in a straight line. Our lives are dynamic, intertwining collections of relationships, experiences and journeys. Reflecting the fluidity of our generation, designer Simone Micheli has created a new, contemporary light for Terzani, Doodle. Like us, each Doodle is unique, each pendant is handcrafted by artisans to resemble a randomised path. And, to give us control over the journey we want to take, each led bulb can be placed anywhere on the light, not only reflecting the choices we make in life, but giving Doodle a special flexibility. Available in nickel, black amethyst, gold andcopper plated finishes. Design Simone Micheli. Made in Italy.
Doodle freehanddesign.
terzani > Ceiling lamp
We no longer march in a straight line. Our lives are dynamic, intertwining collections of relationships, experiences and journeys. Reflecting the fluidity of our generation, designer Simone Micheli has created a new, contemporary light for Terzani, Doodle. Like us, each Doodle is unique, each pendant is handcrafted by artisans to resemble a randomised path. And, to give us control over the journey we want to take, each led bulb can be placed anywhere on the light, not only reflecting the choices we make in life, but giving Doodle a special flexibility. Available in nickel, black amethyst, gold andcopper plated finishes. Design Simone Micheli. Made in Italy.
Middleweight 2-seater Michael Anastassiades, 2021
karakterCopenhagen > Chair
The Middleweight sofa captures the best of two worlds, the Italian super lounge sofa on one side and the compact Danish box sofa on the other. Set on a thin, open steel frame, the cushions are firmly held together by zippers and carefully mitered in the corners of the frame, resembling the sharp edges of folded paper. Middleweight is a luxuriously comfortable sofa, available as an arm-chair, 2-seater or 3-seater sofa and pouf. “This was my first sofa design, but actually the biggest surprise didn’t come until the product was finalized – when we stood there, looking at the actual sofa, and it looked exactly like what I had in my head. It is a great satisfaction as a designer. You can’t accelerate the process of design. An idea has to come when the time is right, so you have to stretch the process as long as possible and allow for enough time to get the ideas and experiments across.”
Peglev - Rocking Chair
objekto > Chair
With a simple and modern elegance, the Peglev rocking chair is a creation of the designer Michel Arnoult, one of the precursors of dismountable furniture. In declination of the model with feet, this rocking chair keeps its shape and its comfort.The pieces of full grain vegetable leather stretched over a beautiful and resistant solid wood structure give this rocking chair an iconic and singular silhouette.Very comfortable, this timeless armchair will take its place in any interior. Created in 1968 by the French designer Michel Arnoult, one of the fathers of the Ready-To-Assemble furniture (RTA) and the flat packaging in the Fifties, the Peg-Lev armchair, literally "I take and I carry", is one of the premises of the current Cash & Carry. This designer who always ardently defended the democratization of design at the expense of any creative vanity focused on flat-pack making possible the customers to carry easily their furniture, revolutionary approach for that time.The stylishness underlined by both simple and modern lines, the use of noble materials, the great care paid to the manufacturing and finishing processes, bring this iconic and very comfortable creation a timeless touch. Whatever the version you will choose, armchair or rocking chair, you always will appreciate this singular piece that will ever be in fashion. A piece that will pass through the generations.
Couture Collection
antolini > Floor tile-stone
There is a place where the perfection of Antolini®’s natural stone meets the extraordinary creativity of Alessandro La Spada, it is where the exclusive Antolini® Couture Collection comes to life. A collection made up of 12 motifs created and packaged with a sartorial method in which natural stone is expertly selected by Antolini®, marries geometric, natural and artistic decorations. The impetuous force of nature in the Artistic Mood, the acceptance of the transience of things in the Organic Mood, and the authentic rigor of the forms in the Geometric Mood are the sources of inspiration of the Antolini® Couture Collection. The peculiarities of each natural stone are greatly enhanced by the combination with metal materials that strengthens the finishes and shapes, creating a real work of art - suitable for environments of the highest quality and design. The Antolini® Couture Collection aims to unite and harmonize the world of high fashion with the universe of nature, bringing to light the characteristics of each material, thanks to the uniqueness of La Spada’s designs. Natural stone is cut, worked, and assembled to create new motifs - as if it was the fabric of a dress, giving life to a bold and revolutionary collection, dedicated to unique and exclusive projects.
Terra Nova Mediterraneo Decorative Tile: Bella 4
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Terra Nova Mediterraneo Decorative Tile: Salermo 1
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Andaluz Terra Nova Mediterraneo Morocco: Light Blue
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Andaluz Terra Nova Mediterraneo Andaluz: Light Green
casatile > Floor tile-stone
Terra Nova Mediterraneo Tiles are made using the Maiolica ceramic technique. First, a tin-glaze layer on a terracotta tile is applied, then the tile is decorated over the glazed surface with other color glazes, and lastly it is fired in a kiln until it reaches the desired finish. The name Maiolica is thought to come from the medieval Italian word for Majorca, an island in the Mediterranean on the route followed by ships bringing Hispano-Moresque wares from Valencia to Italy. Moorish potters from Majorca are reputed to have worked in Sicily and it has been suggested that their wares reached the Italian mainland from Caltagirone, a town in the island of Sicily. Terra Nova tile collection delivers the stunning design and aesthetic solutions of authentic, old-world handcrafted decorative tiles, and at the same time meets technical requirements for applications of greater stress.
Cromatica Gradiente grigio-verde
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Cromatica Rosa
florim > Wall Paint
A lexicon of colour shades for mixing. A large size and its submultiples. «This work represents a reflection on colour, and above all a proposal on how to transfer the multiplicity of shades typical of a hand-crafted piece into a project produced on a large scale.» Andrea Trimarchi & Simone Farresin Studio Formafantasma base their work in the design world on a strong vocation for research. Simone Farresin and Andrea Trimarchi view every project as an opportunity for study and the acquisition of new knowledge, and their love of speculation establishes a dialectic rapport with the situations offered by each new client. Whether it involves a material, a type or a production method, the first phase of their design process is the mapping of what the specific case places at their disposal. With Cedit, an analysis of the company's past and present was central to the inputs. Inevitably, since "Looking back to look forward" has been the design duo's mission statement for years. In this case, in particular, the company's history was a real treasure trove, a fine blend of memory and technology: on the one hand, the excellence of production technologies now extended with the added potential arising from the engineering of large-sized ceramic tiles, and on the other a wealth of experience build up with great designers of the past, from Zanuso to Noorda, through to <strong>Ettore Sottsass</strong>. Andrea and Simone decided to focus on Sottsass - who started designing for Cedit back in the late Seventies - and made an in-depth study of one of the colour charts he developed towards the end of the Nineties. A spread of colours which gave its name to the "41 Colors" collection, included in the catalogue of the period as a real alphabet for what has proved to be a lasting design language. Colour was much more than just a compulsory step in the dialogue between designer and producer, since Sottsass had already discovered the power of the mystery intrinsic to this universe of invention.<br /><br />With Cedit the master-designer, a long-established lover of ceramics and their crafted unpredictability, found a way of transferring his personal feeling for colour to a wide audience, through industrial mass production. And this assumption is another factor Formafantasma have inherited, interpreting it today with new, even more efficient technical resources just as capable of expressing the secrets of colour. «The concept of colour "in isolation" - Sottsass explained in a 1992 text - classified colour, Pantone, as they call it now, "scientific" colour, is something I still refuse to accept. (...) Colours, the idea of colour, are always intangible, they slip slowly away like words, that run through your fingers, like poetry, which you can never keep hold of, like a good story.» And Formafantasma seem to have chosen that distinction between colour "in isolation" and "intangible" yet ever-present colour as the basis of their work. However, their approach draws on their unique vocation for research and the technical resources of the third millennium. «This work - they explain to us - is a reflection on colour, and above all on <strong>how to bring the multiplicity of shades typical of a hand-crafted piece into a large-scale project</strong>.» The designers look at large, monochrome slabs and turn to the engineers for details of their secrets, their processing stages, the phases in their production. They appreciate that the colour of ceramic material, its ineffable secret, can still be present in the series and large tile sizes in which Cedit leads the way. They understand that this is, in itself, an expressive power which does not need channelling into forms, motifs and signs. But above all, they treat the surface as a large canvas on which they spread pure colour, which tends to be uniform but in fact is never really a "scientific", totally monochrome hue: it is not a Pantone. And this is the source of the fundamental insight, which only children of the transition from the analogue to the digital era could achieve, the reward for those who draw on the past to look to the future.<br /><br />The designers cut the slab into lots of regular pieces, not necessarily of the same size. They restore its identity as a "tile", a familiar name with something ancient about it, but which stands for a module, a unit of measurement, a building block. There is nothing nostalgic about this - on the contrary, the vision is completely new, and the portions of slab created can be reassembled with no restrictions, breaking down the unity of the whole and reviving its essence starting from its structure. As the cards in the pack are shuffled, what emerges is not a figure or motif but the representation of colour itself and its physical nature. It is live matter, born from the meeting of vibrating forces, the mixing of ever-varying percentages of the basic ingredients. And Formafantasma present us with the corpuscular, fragmented essence of these small frames of space and crystallised time, which reveal the code and formula of their composition. So Cromatica is a collection made up of six colours which actually have an infinite number of declinations and compositional possibilities. It is a "discrete" combination in the mathematical sense of the term, capable of generating multiple, variable subsets. At the same time, each slab can be used in its entirety, leaving the impression of analogue continuity unchanged. But what really amazes is the comparison and dialogue between the two approaches: a stroke of genius, laying clear the mysterious appeal the artificial reproduction of colour has always held for mankind. Because, as Sottsass said, «colours are language, a powerful, magical, intangible, flexible, continuous material, in which existence is made manifest, the existence that lives in time and space».
Vienna Suspension
castrolighting > Ceiling lamp
Annually held since the 19th century, the Vienna Opera Ball takes place in the auditorium of the Vienna State Opera. This auditorium is turned into a large ballroom, exquisitely decorated for the occasion. The Ball began as an entertainment for the crowned heads of Europe and the aristocracy and throughout the years has kept its exclusivity and opulence. Vienna suspension maintains the sumptuousness and richness of the event, conferred by the combination of brass with the magnificent crystals. Its elegant and subtle design creates a unique and refined look. Vienna crystal chandelier incorporates a timeless grandiosity, full of luxurious details conferred by the use of noble materials such as brass, transparent glass and the crystals, involving the surrounding space with elegance. VIEW FULL FAMILY
Nordic Serving Tray
fritzhansen > Styling
Nordic Tray is a beautiful and simple solid oak tray with a Nordic look. The circular shape and high edges make it perfect for bowls and dishes. Small rubber feet are placed under the tray, which gives it a floating expression and makes it easy to lift up from the table. Profiling Scandinavian simplicity at its best, the Nordic Tray is crafted in FSC-certified oak, food safe and minimally detailed with a raised edge that ensures whatever you place upon it stays put. It also makes a beautiful platter for fruit or vegetables. Rubber feet ensure stability. Designed by the Danish design studio VE2.
Linear Steel Armchair
muuto > Chair
The Linear Steel Armchair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Armchair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Armchair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Armchair stacks up to 5 chairs on the floor.
Linear Steel Side Chair
muuto > Chair
The Linear Steel Side Chair is designed with clean, elegant lines and subtle details for a modern expression. Uniting invitingly organic shapes with extensive comfort and long-lasting qualities, the Linear Steel Side Chair is an outdoor chair without any compromises. It is defined by its contrasts; the clean lines of its seat and front legs in combination with the ergonomic, smoothly curved backrest for an enveloping comfort. The Linear Steel Side Chair is rationally designed in the way in which its seat is part of the apron, making for less material use in the production phase while making for a strong, durable design. Linear Steel Side Chair stacks up to 5 chairs on the floor.
ReForm Discovery Network sand grey
ege > Carpet
Seen from above, the Earth is a perfect system. On an individual level, the different natural phenomena may seem incompatible, but from a bird's eye view it’s clear that they’re closely related and very adaptable. ReForm Discovery interprets the integrated systems created by both humans and nature in 5 patterns: Planet, Earth, Network, Net and Cliffs. Each design is available in 5 colour groups that are carefully selected for their ability to create unique compositions. The Discovery wall-to-wall carpet is produced in regenerated and regenerable yarns – and since the collection is Cradle-to-Cradle Certified, it's the perfect choice for your more sustainable, aesthetically optimised project.
ReForm Maze red divine
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. ReForm Maze is an understated web of connected corridors. Like a complex maze, the pattern is built up of carefully selected tone-on-tone colours that create a subtle play in the soft carpet surface. The collection is available in 27 variants, ranging from light beige and grey shades to more saturated and warm colours. The wide range of colours makes it possible to design colour-combined solutions where several variants are put together to define quiet zones, common areas and paths that lead the way through the space or promote social distancing in busy spaces. Maze differs from the other collections in the ReForm concept by having a cut pile.
ReForm Maze breeze of blue
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. ReForm Maze is an understated web of connected corridors. Like a complex maze, the pattern is built up of carefully selected tone-on-tone colours that create a subtle play in the soft carpet surface. The collection is available in 27 variants, ranging from light beige and grey shades to more saturated and warm colours. The wide range of colours makes it possible to design colour-combined solutions where several variants are put together to define quiet zones, common areas and paths that lead the way through the space or promote social distancing in busy spaces. Maze differs from the other collections in the ReForm concept by having a cut pile.
ReForm Maze shadow grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. ReForm Maze is an understated web of connected corridors. Like a complex maze, the pattern is built up of carefully selected tone-on-tone colours that create a subtle play in the soft carpet surface. The collection is available in 27 variants, ranging from light beige and grey shades to more saturated and warm colours. The wide range of colours makes it possible to design colour-combined solutions where several variants are put together to define quiet zones, common areas and paths that lead the way through the space or promote social distancing in busy spaces. Maze differs from the other collections in the ReForm concept by having a cut pile.
ReForm Maze neutral grey
ege > Carpet
Available in 48x48 cm, 96x96 cm and 24x96 cm. ReForm Maze is an understated web of connected corridors. Like a complex maze, the pattern is built up of carefully selected tone-on-tone colours that create a subtle play in the soft carpet surface. The collection is available in 27 variants, ranging from light beige and grey shades to more saturated and warm colours. The wide range of colours makes it possible to design colour-combined solutions where several variants are put together to define quiet zones, common areas and paths that lead the way through the space or promote social distancing in busy spaces. Maze differs from the other collections in the ReForm concept by having a cut pile.
tide grey
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
wash grey
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.
coal grey
ege > Carpet
London – an eternal source of inspiration to Tom Dixon Available in 48x48 cm, 96x96 cm and 24x96 cm. Industrial Landscape mirrors the original London with all the raw, sometimes even rough, elements making up the city. Aged and patinated by the passage of time, through which the weather, people and industry have left their marks on the materials and thereby created a continuous development of new expressions. This is the essence of Industrial Landscape. Introducing the new designs, Coal and Iron, the collection interprets two important industrial pillars. While Coal reflects the dark and mysterious substance that powered the Industrial Revolution, the Iron design imitates the gradual disintegration of the oxidized metal surface that generates a random hued patination. Besides that, the collection consists of five other patterns: The Smoke design visualises the fumes from factories and workshops, while Wash is inspired by the white paste that temporarily covers shop windows during renovation. In Blur, the distorted city reflects in transient bits of water, while Tide shows the ever-changing sediments of the tidal River Thames.