Doris Chair 31007 InStock Brussels Powder Blue / Wood Base 32204 Custom Grade F / Wood Base 32205 Custom Grade I / Wood Base 32206 Custom Grade K / Wood Base 32207 Custom Grade L / Wood Base 32208 Custom Grade O / Wood Base 32209 Custom Grade S / Wood Bas

jonathanadler > Armchair

<p><b>Posh Perch.</b></p><p>Inspired by '40s Chinoiserie with a nod to Park Avenue, our Doris Chair is the primary punch that refreshes any room. The open arm detail and Ming-inspired base adds sculptural flair, but it's still a comfy perch for reading. Upholstered in bold blue velvet with a patterned trim or a fresh and vibrant shade, both with a bright white lacquer base for added impact.</p><p>Pop a pair in your parlor or add a chic seat to the corner of your boudoir.</p><p>See More About This Style for more customization options.</p><p><b>*Our shipping ETAs may be longer than usual, but safely delivering the looks you love is always our priority.</b></p>

Mews by Barber & Osgerby

mutina > Floor tile-stone

Mews, a term referring to the narrow alleys in London's historic centre with their unique and picturesque aesthetic, is inspired by urban landscape, history, and textures of the English capital. These details merge, creating pleasantly vibrant geometric compositions. The collection is the result of a long experimentation on colour, which led to the creation of a palette of nine shades: Chalk, Fog, Pigeon, Lead, Ink, Soot, Green, Light Blue and Pink, each of which is further divided into over 15 different tones, imparting a sense of depth and movement to the surfaces.

Santa Barbara Ceramic Decorative Tile: Avidan Black & Gray 1 Gloss

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Matin Wall Lamp

hay > Wall lamp

Designed by Inga Semp the Matin Wall Lamp offers a contemporary yet poetic design with a construction that combines visual delicacy with physical robustness. The head of the lamp can be angled approximately 45 degrees both upwards and downwards to create an ambient uplight as well as directional downlight. The wall-mounted design consists of a steel wire bent frame finished in polished brass with matte black hardware and is paired with a pleated cotton shade in two sizes with a variety of vibrant colours. The light source is an integrated LED offering a diffused light which is accompanied by a digital in-line dimmer control to adjust the output of light if required.

Channel Rug

hay > Carpet

Designed for HAY by Clara Von Zweigbergk Channel Rug uses different coloured yarns woven together to create a visual and textural diagonal pattern. Hand-woven in India from a blend of New Zealand wool and cotton the tactile interplay of thicknesses and colours creates a graphic three-dimensional effect. The rugs natural warmth comfort and vibrance can be used to elevate most interior spaces. OEKO-TEX STANDARD 100 cert. No 22.HIN.10331.

Moiré movementwith pattern.

terzani > Ceiling lamp

A French term derived from silk with a rippled or “watered” appearance, moiré is an optical effect that results in the illusion of waves or the movement of water. This effect is achieved by having an opaque, ruled pattern overlaid over another. Designer Christian Lava’s studies of this effect have led to his latest design aptly titled, Moiré. Using overlapping grids of metal, this LED pendant light dynamically changes shape following the viewer’s gaze, practically coming to life with a vibrating energy. Moiré is a mesmerizing addition to any room. Available in gold plated and nickel finish. Design Christian Lava. Made in Italy.

Gaia earthmother.

terzani > Ceiling lamp

In Greek mythology, Gaia is the personification of the Earth and the mother of all life. Looking to capture the mythical and natural beauty of this Earth goddess, designer Jean-François Crochet has created the Gaia pendant light. Consisting of geometric frames of brass or raw metal reminiscent of the mountains Gaia created, the pendant uses led light to push light through the “cracks” formed. The resulting light creates a magical feeling, as if the lights peaking through were alive themselves. Also available in gold, nickel and wood finish and in custom configurations, Gaia adds a vibrancy and sacred light to any space. Design Jean-François Crochet. Made in Italy

TRAMETES

skema > Wallcovering

TRAMETES, is THE acoustic balancer of technological beauty. This acoustic balancing system is the best performing product on the market today in terms of sound absorption, the only one capable of exploiting all known acoustic absorption technologies and systems: absorption by porosity, by vibration, by diffraction and by exploiting the principle of Helmoltz resonators, all of which have been condensed into a single product: TRAMETES. Its different shapes, CIRCLE and SQUARE, in its various sizes and installations, and multiple combinations guarantee absorption in all speech frequencies with Class A performance. Trametes can be wall-mounted, ceiling-mounted or come in Freestanding and Treestanding configurations, in the iconic shape reminiscent of trees. It can also be customised in upholstery fabric and colour, matching the ever-changing moodboards of interior design.

Santa Barbara Ceramic Solid Tile: Charcoal Green Matte

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Solid Tile: Jade Gloss

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Solid Tile: Toasted Chestnut Matte

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Decorative Tile: Alba 2

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Decorative Tile: Cordova

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Decorative Tile: Point Loma

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Santa Barbara Ceramic Decorative Tile: Santa Monica

casatile > Floor tile-stone

Santa Barbara ceramic tile collection evokes the California landscape, with a combination of vivid and subtle colors offset by neutrals and matte finishes. It is this combination of mattes and gloss finishes in a vast array of colors that our Santa Barbara ceramic tile becomes rich, vibrantly alive, and harmonious.Our ceramic tile is handcrafted and decorated by hand using an ancient method called Cuerda Seca that literally translates to dry cord. This technique has been used for centuries in Spain and other Mediterranean countries. The depth and richness of the colors are obtained by painstakingly applying every single drop of glaze by hand onto a delineated design.

Rituals 3

foscarini > Table lamp

The Rituals lamps speak the language of beauty and poetry. They are made with hand-blown glass marked by thin engravings which recall the art of grinding resulting from skilled craft-based workmanship. Rituals 3 is distinguished by a small volume that makes its use more versatile, with the creased surface that diffuses a warm, vibrant light.

Chantel Table Lamp

castrolighting > Table lamp

Chantel is a smooth symphony of shapes and geometry, paired with precious materials and a sharp-lined structure. Having a duality idea in its design, this contemporary table lamp reflects its top and base like a reflected image, granting a special magnetism to this piece. Chantel’s structure is made of glitzy brass, paired with a cylindrical estremoz white marble. The exceptionally elegant and creative table lamp makes it easy to uplift the interior design with a new aesthetic in decorative lighting. The charismatic and geometrical silhouette of this handmade table lamp will complement a contemporary or transitional interior design style. It is a modern statement that will be a great addition to any room. VIEW FULL FAMILY   TWO MAIN VERSIONS   #vibranthome

SPACE+ 1405A - Corner fabric armchair high-back _ Et al.

Et al. > Armchair

Space Plus 1405 Corner Seating Module: A Modular Solution for Flexible Layouts The Space Plus 1405 Corner Seating Module from Et al.'s Space Plus collection is designed to enhance modular seating arrangements with a functional and stylish corner piece. Its compact dimensions and clean lines make it ideal for creating versatile configurations in public, corporate, and hospitality spaces. Design and Dimensions The Space Plus 1405 Corner Module is crafted to fit seamlessly into modular layouts, connecting other seating units in a cohesive arrangement. Its dimensions are: Height: 100 cm Width: 70 cm Depth: 70 cm Seat Height: 47 cm Seat Depth: 61.5 cm Its square profile and ergonomic design ensure comfort and practicality while maintaining a sleek aesthetic. Materials and Finishes The module is built with high-quality materials and offers a range of customisation options to fit various design needs: Frame: Made from robust metal for durability and stability. Upholstery: Choose from a wide selection of high-performance fabrics, including stain-resistant and easy-to-maintain options. Colours range from neutral tones to bold, vibrant shades to suit any space. Base Finish: Available in finishes such as matte black, metallic tones, or white to complement your design scheme. Features Corner Functionality: Designed to connect and integrate seamlessly with other Space Plus modules for flexible layouts. Compact Design: Optimises space while providing ample comfort. Modular Compatibility: Can be paired with linear and high-back modules for diverse configurations. Comfortable Seating: Padded seat and backrest offer ergonomic support for long periods of use. Applications The Space Plus 1405 Corner Module is ideal for various settings: Hospitality: Create sophisticated lounge areas, hotel lobbies, or VIP seating zones. Corporate Offices: Use in reception areas, breakout spaces, or collaborative work environments. Public Spaces: Perfect for shopping malls, airports, or healthcare waiting areas. Dining Settings: Adds versatility to booth or communal seating arrangements in restaurants and cafés. Customisation Options To suit specific project requirements, Et al. offers several enhancements for the Space Plus 1405: Privacy Panels: Add-ons to create secluded seating zones. Integrated USB Ports: Functional upgrades for tech-friendly spaces. Attachable Tables: Practical for workspace or dining purposes. Sustainability and Durability The Space Plus 1405 module is manufactured using environmentally friendly materials and processes. Upholstery options include recycled fabrics, making it a sustainable choice for modern interiors. Complementary Products This corner module pairs seamlessly with other items in the Space Plus collection: Linear Seating Modules: For straight or multi-directional layouts. Ottomans and Poufs: Add flexibility and functionality to the arrangement. Matching Coffee Tables: Provide additional utility and cohesion in design. Key Features Corner module design for modular seating flexibility. Durable construction for high-traffic environments. Customisable finishes and fabrics to suit diverse interiors. Compact and ergonomic for efficient space utilisation.

Constellation White Out Marble Waterjet Mosaic

artistictile > Floor tile-stone

The silent pulse of stars in the night sky inspires Constellation, our visually stunning new pattern. Radiant stars in contrasting stone repeat across the surface, their delicate rays beaming through a smooth natural stone background. The night sky has inspired us for millennia. Constellation brings that fascination indoors, in a pattern vibrant as the stars.

Constellation Blackout Marble Waterjet Mosaic

artistictile > Floor tile-stone

The silent pulse of stars in the night sky inspires Constellation, our visually stunning new pattern. Radiant stars in contrasting stone repeat across the surface, their delicate rays beaming through a smooth natural stone background. The night sky has inspired us for millennia. Constellation brings that fascination indoors, in a pattern vibrant as the stars.

Proust Geometrica

cappellini > Armchair

A further evolution of the icon created by Alessandro Mendini in 1978 for the Palazzo dei Diamanti in Ferrara, the Proust Geometrica armchair incorporates the heritage of the original in this revised technicolour version. A cult object in the design world, the Proust armchair has been reinterpreted here with a fixed cover made of bright multi-coloured fabric designed by Mendini himself. Hand-crafted as always, Proust Geometrica is an armchair that catches the eye with its vibrant colour blocks and uncompromising comfort: a piece that exemplifies the ideal fusion between functionality, formal attention to details and aesthetic research.

Impression valais 244

Fabromont > Synthetic Floor

Impression® Rajasthan 244 – Desert Ochre for Textured, Global Interiors Inspired by the desert sands and palace tones of Rajasthan, Impression® Rajasthan 244 delivers an earthy ochre shade that adds exotic flair to interiors. Ideal for hospitality suites, galleries, or cultural spaces, it’s a grounding yet vibrant base for eclectic or travel-inspired design themes.

Resista Cosmic tornado 636

Fabromont > Synthetic Floor

Resista® Cosmic Tornado 636 – Spirited Red-Grey for High-Energy Zones Tornado 636 infuses a grey base with a swirl of muted red, mimicking the unpredictable beauty of a tornado. This lively yet controlled colour is ideal for event venues, breakout areas, or design-forward public spaces where vibrancy is welcome. Use it to accent branding, create energy, or zone specific areas in open-plan interiors.

H-45 Red Heart

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Elica Studio > Styling

H-45 Red Heart Material Porcelain, glaze Finishing Matte Sizes (cm) 24X26X17 Weight (g) 1150 Designed in 2017 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. Weighing approximately 3 kilograms, this porcelain piece is both substantial and manageable. It can be placed on shelves, pedestals, or feature walls in residential or commercial projects. Ideal placements include living rooms, hospitality lounges, wellness areas, or even medical-themed interiors, where the symbolism of the heart resonates deeply with the function of the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.

H- 67 JELLYFISH

Elica Studio > Styling

H- 67 JELLYFISH Material Porcelain, engobes, oxides Finishing Matte Sizes (cm) 24X17X11 Weight (g) 800 Designed in 2022 Collection In alto i Cuori The H-45 Red Heart is an expressive sculptural object meticulously crafted from high-quality porcelain and finished with a lustrous red glaze. Part of Elica Studio’s evocative In alto i Cuori collection, this piece stands at 45 cm tall, offering a bold yet refined statement for interior designers seeking meaningful styling objects. The design is anatomically inspired, presenting the human heart not as a clinical model but as an artistic symbol of emotion, passion, and vitality. The intense red surface is glossy and light-reactive, accentuating every curve, vessel, and contour. These anatomical details are stylised yet recognisable—merging precision with abstraction in a way that invites closer inspection and interpretation. Its vibrant hue and dynamic form create immediate visual tension and emotional impact, making it an ideal focal point in a wide range of interiors. Whether used as a standalone piece in a minimal setting or incorporated into a curated display with eclectic artworks and design elements, the H-45 Red Heart commands presence without overwhelming the space. For designers working with narrative-driven environments, the H-45 Red Heart becomes more than an object—it’s a storytelling device. It evokes themes of love, resilience, fragility, and life itself. The handcrafted nature of the piece ensures that no two are identical, bringing a layer of authenticity and uniqueness to every project. This object exemplifies Elica Studio’s approach to design: blending the precision of Italian craftsmanship with conceptual depth and visual drama. It’s not merely decor—it’s a sculptural artefact with emotional gravity, designed to provoke thought and enhance atmosphere. The In alto i Cuori collection continues to be a vital source of inspiration for designers seeking objects that transcend trends and engage with timeless human themes. The H-45 Red Heart is a prime example—an unforgettable styling piece for interior professionals who value narrative, materiality, and presence.

CHORISIA-2

Elica Studio > Styling

Name: CHORISIA-2 Material: Porcelain, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 40 (diameter/width) × 16 (height) Weight (g): ~2400 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The CHORISIA-2, an extraordinary sculptural bowl from Elica Studio's compelling "Naturalia" collection, represents a vibrant evolution of its biomorphic design, specifically crafted to ignite imagination and captivate attention in refined interiors. Designed in 2021, this piece is a testament to the studio's innovative spirit, offering interior designers a truly unique statement for spaces that demand originality, artistic courage, and a tangible connection to the more vibrant aspects of the natural world. It masterfully balances a seemingly aggressive form with a warm, inviting hue, making it a powerful and versatile focal point in contemporary or eclectic design schemes. Meticulously crafted from high-quality porcelain, the CHORISIA-2 features a comprehensive application of engobes, oxides, and glaze, culminating in a distinctive matte finish. This treatment lends the piece a warm, tactile presence, enhancing its sculptural quality and preventing any harsh reflections. As vividly depicted in the accompanying image, the bowl’s most striking feature is its exterior, densely adorned with sharp, angular spikes that radiate outwards. These bold protrusions transform the conventional bowl form into a dynamic, almost defensive organic structure, reminiscent of a protective seed pod, a vibrant sea urchin, or even a stylized, sun-baked desert plant. The uniform orange/terracotta color deeply connects it to earthy tones, evoking sunsets, rich clays, or autumnal landscapes, while the matte finish provides an authentic, grounded feel. In stark contrast to its spiky, textural exterior, the interior of the CHORISIA-2 remains smooth and inviting, offering a serene, unblemished surface that emphasizes its functionality as a bowl while retaining its artistic integrity. This juxtaposition of a visually striking exterior with a refined, usable interior speaks to a thoughtful design philosophy that marries protection with receptivity. For interior designers, this piece offers unparalleled versatility. While it can serve as a dramatic decorative bowl for minimalist objects, its primary impact lies in its sculptural presence. It’s an ideal choice for a prominent position on a large coffee table, a console in an open-plan living space, or as a distinctive element within a curated art collection, injecting a burst of sophisticated color. Weighing approximately 2400 grams and measuring around 40 cm in its widest dimension with a height of 16 cm, the CHORISIA-2 possesses a substantial yet accessible presence. Its unique form ensures it commands attention without overwhelming the space, making it suitable for a variety of high-end residential and commercial environments. The "Naturalia" collection explores the abstract beauty of the natural world, and the CHORISIA-2, with its vibrant, thorny, almost botanical appearance, perfectly encapsulates this theme. It introduces an element of wild, untamed nature, yet presented in a highly refined and artistic manner. This piece speaks to a desire for raw, authentic beauty, interpreted through the lens of sophisticated ceramic craftsmanship, with an added layer of warm, inviting color. Designed in 2021, the CHORISIA-2 maintains its contemporary relevance, establishing itself as a timeless piece that continues to push the boundaries of decorative art. For interior designers seeking to imbue their projects with a sense of fearless style, tactile intrigue, and a definitively unique statement in a captivating hue, this bowl is an exceptional choice. Its daring form, meticulous craftsmanship, and striking visual impact make it a truly memorable addition. With a standard lead time of 30 days, incorporating this exceptional piece into project timelines is straightforward, promising to deliver a profound artistic statement that elevates the overall ambiance of any discerning interior, inviting contemplation and admiration for its extraordinary design and vibrant character.

BEGONIAS

Elica Studio > Styling

Name: BEGONIAS Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 33 (diameter/width) × 49 (height) Weight (g): ~5800 Designed in: 2012 Collection: Naturalia Lead Time: 30 days Description: The BEGONIAS, an enchanting and dynamic sculpture from Elica Studio's celebrated "Naturalia" collection, offers a vivid and tangible celebration of botanical beauty, meticulously rendered to inspire and captivate. Designed in 2012, this piece is an exceptional choice for interior designers seeking to infuse spaces with vibrant natural elegance, sophisticated whimsy, and a profound artistic presence. It serves as a compelling focal point, embodying the lush, cascading forms of foliage, perfectly adapted for high-end contemporary, biophilic, or artistically inclined design schemes. Masterfully crafted from robust stoneware, the BEGONIAS boasts a unique dual aesthetic, seamlessly blending graphic modernity with organic exuberance. The primary vessel, as vividly illustrated in the accompanying image, features a pristine white body adorned with bold, vertical black brushstroke-like stripes. This graphic pattern creates a striking visual rhythm, reminiscent of abstract rainfall or a contemporary textile, providing a clean, architectural foundation. The entire surface is treated with a matte glaze, which absorbs light beautifully, emphasizing the textural qualities of the stoneware and the intricate details of the design without harsh reflections. Emerging from and gracefully draping over the rim of this striped vessel is a profusion of large, sculpted leaves, reminiscent of the lush, dramatic foliage of begonia plants. These leaves are rendered in varying shades of green, achieved through the expert application of engobes and oxides, creating a rich, organic palette. Each leaf is meticulously detailed with lifelike veins and naturalistic contours, giving them an almost living quality. Some leaves cascade downwards, others gently curl, while still others appear to sprout upwards, creating a dynamic, overflowing composition that suggests vitality and abundance. This striking contrast between the structured linearity of the vase and the organic fluidity of the foliage creates a captivating visual tension that is both playful and profoundly artistic. The BEGONIAS sculpture, with its blend of graphic pattern and natural form, offers remarkable versatility for interior designers. It introduces a vibrant pop of color and organic texture into minimalist settings, while in more eclectic or maximalist spaces, it stands out as a unique, artisanal piece. It's an ideal choice for bringing the outside in, connecting interiors to nature in a sophisticated and artful manner. With dimensions of approximately 33 cm in diameter (or width) and an impressive 49 cm in height, and weighing a substantial 5800 grams, the BEGONIAS possesses a commanding yet harmonious presence. Its robust nature and balanced proportions make it an ideal centerpiece for a spacious dining table, a distinctive accent on a large console in an entryway, or a curated addition to a sophisticated lounge area or high-end commercial lobby. The "Naturalia" collection draws its essence from the beauty and inherent power of the natural world, and the BEGONIAS, with its direct celebration of botanical forms, perfectly encapsulates this philosophy, bringing a vibrant, authentic elegance into the built environment. Designed in 2012, the BEGONIAS stands as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of lush vitality, and a profound artistic sensibility, this sculpture is an unparalleled choice. Its intricate details, substantial form, and refined finish position the BEGONIAS as an investment piece that will resonate with clients who appreciate bespoke quality, sustainable materials, and a design that truly celebrates the art of nature. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

ZOLLA

Elica Studio > Styling

Name: ZOLLA Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 27 (diameter/width) × 29 (height) Weight (g): ~2100 Designed in: 2013 Collection: Naturalia Lead Time: 30 days Description: The ZOLLA, an exceptionally innovative and deeply symbolic sculpture from Elica Studio's celebrated "Naturalia" collection, offers a profound connection to the elemental beauty of the earth and the vibrant emergence of life. Designed in 2013, this piece is a compelling statement for interior designers seeking to infuse spaces with organic authenticity, modern artistry, and a tactile sense of grounding. It embodies the captivating duality of robust earth meeting delicate growth, making it a unique and thought-provoking addition to high-end contemporary, biophilic, or minimalist design schemes. Masterfully crafted from durable stoneware, the ZOLLA boasts a rich, dark aesthetic, achieved through the expert application of engobes and oxides. The entire piece is treated with a sophisticated matte glaze, which absorbs light beautifully, highlighting its organic contours and textural qualities without harsh reflections. As vividly illustrated in the accompanying image, the ZOLLA takes the form of a rounded, somewhat irregular 'clod' or 'sod' of earth, appearing as a deep, muted charcoal or black. This base provides a solid, elemental foundation, evoking the raw beauty of soil or ancient rock formations. From the center of this dark, earthy mass, a cluster of vibrant, sharply pointed, green leaves or plant shoots vigorously emerges. The striking contrast between the dark, grounded base and the luminous, almost fluorescent green of the burgeoning foliage is the defining characteristic of the ZOLLA. The leaves, rendered with a dynamic, upward-reaching energy, symbolize growth, vitality, and the enduring power of nature to regenerate. This vibrant green is achieved through specialized glazes and oxides, ensuring its lasting brilliance. The interplay between the robust, matte stoneware and the lively, almost spiky green elements creates a captivating visual tension that is both aesthetically compelling and deeply symbolic of life bursting forth from the earth. The ensemble, often presented as a grouping in varying sizes, enhances the narrative of a thriving, natural landscape captured within an artful form. The ZOLLA, with its unique blend of organic form and contrasting elements, offers remarkable versatility for interior designers. It introduces a powerful, grounding presence in minimalist environments, adding intricate detail and a burst of natural color. In more eclectic or richly textured interiors, it acts as a distinctive anchor, harmonizing with diverse materials while asserting its unique artistic presence. Its strong connection to the "Naturalia" collection directly aligns with biophilic design principles, effortlessly bringing the tranquility and raw beauty of the natural world indoors. With dimensions of approximately 27 cm in diameter (or width) and 29 cm in height, and weighing a solid 2100 grams, the ZOLLA possesses a substantial yet approachable presence. Its versatile size makes it an ideal centerpiece for a coffee table, a captivating accent on a bookshelf or console, or as part of a curated grouping in a sophisticated lounge area or high-end commercial space. Designed in 2013, the ZOLLA continues to stand as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of authentic natural beauty, and a profound artistic sensibility, the ZOLLA is an unparalleled choice. Its intricate details, robust form, and symbolic depth position it as an investment piece that will resonate with clients who appreciate bespoke quality, sustainable materials, and a design that celebrates nature's inherent artistry. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior.

NINPHAEAE (wall elements) NFB10 –NFG10 – NFM10 – NFP10

Elica Studio > Styling

Name: INPHAEAE (wall elements) NFB10 – NFG10 – NFM10 – NFP10 Material: Stoneware, engobes, oxides, glaze Finishing: Matte Sizes (cm): Approx. 39, 30, 25 (diameter/width) Weight (g): ~2200 (per piece) Designed in: 2010 Collection: Naturalia Lead Time: 30 days Description: The INPHAEAE wall elements, a compelling and innovative collection from Elica Studio's "Naturalia" series, offer interior designers an exceptional opportunity to create dynamic, textural, and artistically rich wall installations. Designed in 2010, these modular pieces are more than mere decor; they are sculptural components that invite bespoke arrangements, transforming flat surfaces into vibrant, three-dimensional canvases. Rooted in the subtle intricacies of the natural world, the INPHAEAE elements provide a sophisticated touch of organic modernism. Crafted from robust stoneware, each INPHAEAE element is meticulously finished with engobes, oxides, and glaze, resulting in a rich, matte surface. This refined treatment absorbs light beautifully, highlighting the intricate textures and earthy tones without harsh reflections. As vividly illustrated in the accompanying image, these elements are circular, disc-like forms, presented in varying sizes (approximately 39 cm, 30 cm, and 25 cm in diameter). Their surfaces are characterized by a captivating array of organic textures, including radiating lines, subtle undulations, and a prominent central depression or aperture. This detailing evokes the delicate structures of microscopic marine life, fossilized imprints, or the complex patterns found within seeds and spores, linking directly to the "Naturalia" collection's ethos. The range (NFB10 – NFG10 – NFM10 – NFP10) indicates a selection of potential finishes, with the depicted elements showcasing a spectrum of sophisticated greens. These verdant hues, achieved through carefully balanced oxides, range from muted sage to deeper forest tones, mimicking the natural variation found in botanical and aquatic environments. This palette allows for the creation of cohesive yet visually diverse arrangements, enabling designers to evoke a sense of organic growth and natural movement across a wall. The matte finish enhances the raw, tactile quality of the stoneware, inviting touch and adding a grounding presence to any interior scheme. Weighing approximately 2200 grams per piece, these wall elements possess a substantial yet manageable weight, ensuring stability when installed while facilitating flexible arrangements. Their modular nature is a significant advantage for interior designers, allowing for custom compositions that can be scaled to fit any space, from an intimate accent wall in a luxury residence to a grand installation in a high-end commercial lobby or hospitality venue. They can be arranged in dense clusters for a dramatic effect, or sparsely placed to create a subtle rhythm, bringing a bespoke, art-gallery feel to the environment. Designed in 2010, the INPHAEAE wall elements demonstrate a timeless aesthetic that remains highly relevant in contemporary design. They are particularly well-suited for projects where designers seek to integrate biophilic elements, create unique textural narratives, and introduce a sense of serene, understated luxury. Their blend of organic form, subtle color variation, and tactile appeal positions them as an investment in enduring artistry. With a standard lead time of 30 days, incorporating these exceptional wall elements into project timelines is straightforward, promising to deliver a profound visual and textural experience that transforms ordinary walls into captivating artistic statements, leaving a lasting impression of refined taste and natural sophistication.

TURCOSA

Elica Studio > Styling

Name: TURCOSA Material: Stoneware, engobes, oxides Finishing: Matte Sizes (cm): Approx. 25 × 25 × 32 (Height × Width × Depth) Weight (g): ~4500 Designed in: 2014 Collection: Naturalia Lead Time: 30 days Description: The TURCOSA, a truly mesmerizing and dynamically sculptural object from Elica Studio's compelling "Naturalia" collection, offers a vibrant deep dive into the enchanting forms of marine life, reimagined through a sophisticated artistic lens. Designed in 2014, this piece is an extraordinary statement for interior designers seeking to introduce elements of raw artistic intensity, serene oceanic beauty, and a unique biomorphic intrigue into their curated spaces. It embodies the captivating elegance of undersea ecosystems, making it a powerful and unique focal point in high-end contemporary, coastal-inspired, or avant-garde design schemes. Masterfully crafted from robust stoneware, the TURCOSA is characterized by its vivid, striking blue hue, achieved through the expert application of engobes and oxides. The entire piece is finished with a sophisticated matte surface, which absorbs light beautifully, highlighting its complex textures and organic forms without harsh reflections. As vividly illustrated in the accompanying image, the TURCOSA presents as a dense, intricate cluster of branching structures emerging from a more solid, organic base. These elements are sculpted with remarkable detail, mimicking the delicate yet resilient forms of branching coral or calcified marine growths. The vibrant turquoise-blue color is the defining characteristic of the TURCOSA, immediately drawing the eye and infusing the space with a sense of oceanic tranquility and depth. This specific hue evokes the crystal-clear waters of tropical seas, bringing a refreshing and invigorating palette to any interior. The branching, tubular forms create a captivating play of light and shadow, giving the piece a lively, almost pulsating quality. The matte finish ensures that despite its intense color, the sculpture retains an elegant, understated presence, allowing its intricate details and sculptural form to be fully appreciated. The TURCOSA, with its unique blend of organic abstraction and powerful visual impact, offers remarkable versatility for interior designers. It introduces a bold yet harmonious presence in minimalist environments, providing intricate detail and a profound sense of artistic depth. In richly textured or eclectic interiors, it acts as a vibrant anchor, harmonizing with diverse materials and colors while asserting its unique, almost otherworldly presence. Its strong connection to the "Naturalia" collection is evident in its derivation from natural forms, interpreted in a stunning, sculptural, and highly artistic manner, creating a seamless bridge between raw marine nature and refined art. Weighing a substantial 4500 grams and measuring approximately 25 cm in width, 25 cm in depth, and 32 cm in height, the TURCOSA possesses a commanding yet perfectly balanced presence. Its robust nature and versatile size make it an ideal centerpiece for a console table in an entryway, a compelling accent on a prominent bookshelf, or a curated addition to a sophisticated lounge area or high-end commercial space. Designed in 2014, the TURCOSA continues to stand as a testament to enduring design and timeless appeal, proving its sustained relevance in contemporary interiors. For interior designers seeking to imbue their projects with unique character, a sense of vibrant elegance, and a profound artistic sensibility, the TURCOSA is an unparalleled choice. Its intricate details, substantial form, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound mysteries. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a profound visual and textural experience that enhances the overall ambiance of any sophisticated interior. Deep Research Canvas Gemini can make mistakes, including about people, so double-check it. Your p

Pisces – Vaso Pesce Azzurro 20

Elica Studio > Styling

Name: Pisces – Vaso Pesce Azzurro 20 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce Azzurro 20, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a refreshing and sophisticated interpretation of marine life with a vibrant splash of color. Designed in 2021, this unique vase transcends conventional decor, serving as a striking sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and a cool, tranquil connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce Azzurro 20 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant blue fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching blue fish tail gracefully protrudes from the opposite side. The black geometric patterns on the white body of the vase create a fascinating visual dialogue with the organic, brightly colored blue fish elements. These patterns, reminiscent of abstract webbing, tessellations, or stylized lines, provide a contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of blue for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce Azzurro 20, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce Azzurro 20 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce Azzurro 20 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce Azzurro 220

Elica Studio > Styling

Name: Pisces – Vaso Pesce Azzurro 220 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce Azzurro 220, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a refreshing and sophisticated interpretation of marine life with a vibrant splash of blue. Designed in 2021, this unique vase transcends conventional decor, serving as a striking sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and a cool, tranquil connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce Azzurro 220 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant blue fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching blue fish tail gracefully protrudes from the opposite side. The defining visual characteristic of this particular variant is the distinct black geometric patterns on the white body of the vase. Unlike its "Azzurro 20" counterpart, the "Azzurro 220" features a bold, chevron-like design, creating a fascinating visual dialogue with the organic, brightly colored blue fish elements. These chevron patterns provide a dynamic, contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of blue for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce Azzurro 220, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce Azzurro 220 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce Azzurro 220 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Pisces – Vaso Pesce – VPT20

Elica Studio > Styling

Name: Pisces – Vaso Pesce – VPT20 Material: Fine porcelain Finishing: White glossy paint Sizes (cm): Approx. 35 × 35 × 35 (Height × Width × Depth) Weight (g): ~1.5 Designed in: 2021 Collection: Naturalia Lead Time: 30 days Description: The Pisces – Vaso Pesce – VPT20, an exceptionally creative and dynamically sculpted piece from Elica Studio's evocative "Naturalia" collection, offers a vibrant and sophisticated interpretation of marine life with a striking pop of warm color. Designed in 2021, this unique vase transcends conventional decor, serving as a captivating sculptural element that brings a sense of modern artistry and whimsical charm to any interior. It is an ideal choice for interior designers seeking to infuse spaces with contemporary flair, a touch of unexpected delight, and an inviting connection to the aquatic world. Masterfully crafted from fine porcelain, the Pisces – Vaso Pesce – VPT20 is characterized by its crisp white base adorned with bold, graphic black patterns. The entire piece is finished with a pristine white glossy paint, which enhances its sleek silhouette and provides a luminous surface that beautifully reflects light. As vividly illustrated in the accompanying image, the vase features a clean, somewhat tapered cylindrical form. What truly sets it apart are the integrated, three-dimensional elements that transform it into a living sculpture: a vibrant orange fish head prominently emerges from one side, complete with a dark, inquisitive eye, while a matching orange fish tail gracefully protrudes from the opposite side. The defining visual characteristic of this particular variant is the distinct black geometric patterns on the white body of the vase. The "VPT20" features a bold triangular grid design, creating a fascinating visual dialogue with the organic, brightly colored orange fish elements. These intricate patterns provide a contemporary edge, ensuring the piece feels distinctly modern despite its natural subject matter. The striking contrast between the classic black-and-white scheme of the vase body and the vivid, unexpected pop of orange for the fish components creates a captivating visual impact. This deliberate artistic choice infuses the sculpture with personality and a sense of playful sophistication, making it an immediate focal point in any room. The Pisces – Vaso Pesce – VPT20, with its unique blend of abstract graphics and figural sculpture, offers remarkable versatility for interior designers. It can serve as a stunning standalone art piece, commanding attention on a mantelpiece, a console table, or a prominent shelf. While capable of holding flora, its inherent artistic merit allows it to function purely as a sculptural object. Its design is particularly well-suited for adding a touch of sophisticated whimsy to minimalist interiors, or for enhancing a vibrant, eclectic space. Belonging to the "Naturalia" collection, it subtly connects to nature, celebrating marine life in an imaginative and unconventional way. With dimensions of approximately 35 cm in height, width, and depth, and weighing around 1.5 grams, the Pisces – Vaso Pesce – VPT20 is remarkably lightweight for its presence, making it easy to handle and place. Its unique form and vibrant aesthetic make it an ideal feature for a high-end residential living area, a boutique hotel lobby, or a creative commercial space. Designed in 2021, this piece showcases contemporary design sensibilities and Elica Studio's innovative approach to ceramic art, ensuring its relevance in today's design landscape. For interior designers seeking to imbue their projects with unique character, a sense of refined artistry, and a touch of engaging playfulness, the Pisces – Vaso Pesce – VPT20 is an unparalleled choice. Its distinctive aesthetic, thoughtful integration of form and pattern, and captivating visual impact position it as an investment piece that will resonate with clients who appreciate bespoke quality, enduring design, and a connection to the artistic exploration of nature's profound and often unexpected beauty. With a standard lead time of 30 days, incorporating this exceptional sculpture into project timelines is straightforward, promising to deliver a compelling visual experience that enhances the overall ambiance of any sophisticated interior.

Angie "Dining"

minotti > Chair

A saddle-hide or leather element designs a wing that embraces the armchair, sustaining the frame like a sculptural bustier, characterised inside by the inviting softness of the seat and backrest. Behind the apparent simplicity of the design lies an advanced technological process used to make both the padding with different textures of foam and the saddle hide or leather bustier, made using two different Baydur® moulds, which perfectly follows the curved line of the armchair. The GamFratesi studio, signing the design, worked on the idea of contrast, emphasising it and juxtaposing the stiff frame of the saddle hide or leather element with the softness of the upholstered part, which can also be seen on the back, so setting the scene for interesting colour combinations of saddle hide and fabric. The legs are in Pewter-coloured die-cast aluminium and a unique bow-shaped frame connects the feet at the rear, emphasising the curve of the saddle hide or leather body.  The family of products includes an armchair, accompanied by a footstool, and a dining little armchair, both with the same features and in different sizes, now joined by the Angie Cover version upholstered entirely in fabric or leather. The presence of saddle hide is not only a distinctive feature of the GamFratesi studio’s involvement in the creative team of Minotti, but also breathes new vibrancy into a piece with classic forms, offering a palette of different shades.

SPACE+ 1401 - Fabric linear module _ Et al.

Et al. > Armchair

Space Plus 1401 Modular Seating: Modern Simplicity for Versatile Spaces The Space Plus 1401 Modular Seating, part of Et al.'s Space Plus collection, is a premium solution for creating adaptable seating arrangements in various environments. With its clean lines, durable construction, and functional dimensions, this module is ideal for high-traffic public, hospitality, and office spaces. Design and Dimensions The Space Plus 1401 module is designed with ergonomics and versatility in mind. Its simple yet elegant design integrates seamlessly into modern interiors. The dimensions are as follows: Height: 100 cm Width: 90 cm Depth: 61.5 cm Seat Height: 47 cm Seat Depth: 46 cm These proportions ensure maximum comfort while maintaining a compact footprint, suitable for diverse applications. Materials and Finishes The Space Plus 1401 modular seating offers a variety of high-quality materials and finishes, enabling customization for different design schemes: Frame: Built with robust metal for long-lasting durability. Upholstery: Choose from a wide array of high-performance fabrics, including stain-resistant and easy-to-clean options, in a palette ranging from neutral tones to vibrant colors. Base Finish: The metal base is available in finishes like matte black, metallic tones, and clean white, ensuring compatibility with any interior aesthetic. Features Modular Design: This seating module is part of a modular system that allows for creating custom seating layouts tailored to specific needs, whether for straight rows, corners, or curved arrangements. Comfortable Seating: High-density foam padding ensures comfort for extended periods. Compact Footprint: Maximizes seating capacity without overwhelming the space. Applications The Space Plus 1401 is versatile and ideal for the following settings: Hospitality: Enhances the sophistication of hotel lobbies, lounge areas, and bars. Corporate Spaces: Perfect for office reception areas and collaborative zones. Retail and Public Spaces: Suitable for shopping mall lounges, airport waiting areas, and hospital reception zones. Dining Areas: Can be used in restaurants and cafés for comfortable booth seating. Customization Options The Space Plus collection provides several add-ons and customization possibilities: Privacy Panels: For creating individual zones within open spaces. Integrated Charging Ports: USB or standard plug sockets for convenience in tech-friendly spaces. Side Tables: Attachable small tables to enhance functionality. Sustainability and Durability The Space Plus 1401 is manufactured using sustainable materials and processes, ensuring eco-friendly credentials without compromising on quality. The upholstery options include recycled and environmentally friendly fabrics. Complementary Products To complete your design, pair the Space Plus 1401 with other modules from the Space Plus collection, including: Corner Modules: For creating L-shaped or U-shaped seating arrangements. Ottomans and Benches: For added versatility and style. Matching Tables: To complement the seating with functional surfaces. Key Features Modular system for endless configuration possibilities. Durable, premium materials designed for heavy use. Compact dimensions suitable for various applications. Customizable finishes and accessories to match unique design needs.

Matrice Traccia

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Earthtech OUTBACK_FLAKES

florim > Wall tile-stone-brick

From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>

High Performance Vinyl Wallpaper by Vescom | dale - 2108.07

vescom > Wallpaper

Embrace sustainability and elegance with Vescom Dale, a natural wallcovering made with 70% post-consumer recycled wool. Offered in seven soft mélange tones, this high-quality wallcovering combines warmth, texture, and eco-conscious design to elevate your interiors with a touch of timeless sophistication. 1️⃣ 🌿 Sustainable Craftsmanship Vescom Dale features 70% post-consumer recycled wool, supported by a blend of polyester and polyamide on a non-woven backing. It's a luxurious and eco-friendly choice for environmentally mindful interior designs. 🌎 2️⃣ 🖌️ Elegant Mélange Tones Available in seven soft mélange hues, this wallcovering adds subtle sophistication and warmth to any room. The natural wool texture enhances both modern and traditional aesthetics. 🎨 3️⃣ 📏 Wide Coverage for Seamless Installation Measuring ±134 cm (±53 inches) in width, Dale wallcovering offers generous coverage and a flawless finish for large-scale applications. 📐 4️⃣ 🔥 Certified Safety and Durability This flame-retardant wallcovering meets EN 13501 (C, s1 - d0) and ASTM E84 standards, providing reliable safety for residential and commercial spaces. Superior lightfastness (ISO 105-B02 rating 8) ensures vibrant, long-lasting appeal. 🛡️ 5️⃣ 💧 Breathable and Lightweight Design With water vapor permeability (<0.5 m SD value) and a weight of ±310 gr/m² (±14 oz/yd²), Vescom Dale is not only lightweight but also breathable, enhancing the comfort and durability of your interiors. 💪 Tags: Recycled Wool Wallcovering, Mélange Tone Wall Design, Sustainable Wall Material, Natural Interior Design, Flame Retardant Wool Wallcovering, Lightweight Breathable Wallcovering, Vescom Dale Collection, Eco-Friendly Wall Solution, Textured Wall Decor, Non-Woven Backing Wallcovering

High Performance Vinyl Wallpaper by Vescom | fraser - 2109.09

vescom > Wallpaper

Enhance your interiors with Vescom Fraser, a premium wallcovering featuring a striking 3-dimensional architectural weave in opaque, softly reflective shades. Made from high-performance polyethylene tape yarn, this versatile design is available with an acrylic backing or as an unbacked option, offering exceptional durability, elegance, and eco-conscious features. Bullet Points: 1️⃣ 🌿 Sustainable and Eco-Friendly Vescom Fraser is PFAS-free, low in VOC emissions (CAL 01350 certified), and compliant with the Living Building Challenge Red List. A perfect choice for those prioritizing sustainable and healthy interior solutions. 🌎 2️⃣ 🖌️ Stunning 3D Architectural Weave The dimensional weave design and softly reflective tones create an elegant and modern aesthetic, adding depth and texture to any space. Ideal for both residential and commercial interiors. 🎨 3️⃣ 📏 Flexible Material Options Available in widths of ±137 cm (±54 inches), Fraser comes with options for acrylic backing (2109.XXB) or unbacked (2109.XXU), ensuring adaptability to your specific project requirements. 📐 4️⃣ 🔥 Safety and Durability Guaranteed Certified flame retardant (EN 13501, B, s1 - d0), this wallcovering provides reliable safety and peace of mind. Its high lightfastness (ISO 105-B02, rating 8) ensures long-lasting vibrancy even in well-lit spaces. 🛡️ 5️⃣ 💧 Enhanced Breathability and Lightweight With water vapor permeability (<0.5 m SD value) and a weight range of ±242-293 gr/m² (±11-13 oz/yd²), Vescom Fraser is lightweight, breathable, and easy to install, making it a practical yet luxurious wall solution. 💪 Tags: Polyethylene Wallcovering, 3D Architectural Weave, Low VOC Wall Decor, PFAS-Free Wallcovering, Sustainable Interior Wall Design, Flame Retardant Wallcovering, Lightfast Wall Material, Water Vapor Permeable Wallcovering, Vescom Fraser Collection, Acrylic Backing Wallcovering

JACK - Fabric sofa bed _ Milano Bedding

R

Milano Bedding > Sofa

Jack Sofa Bed by Milano Bedding The Jack sofa bed is a beautifully versatile modular solution, offering a perfect blend of contemporary design and functional comfort. Crafted to transform effortlessly, it harmonises with a wide range of interiors—from stylish city apartments and children’s rooms to guest areas and multipurpose spaces. Materials and Construction Frame & Base: Solid birch plywood slatted base ensures ergonomic support and breathability. Mattress: Dual-level mattress system—top bed measures 78 × 191 × 11 cm, bottom bed 75 × 184 × 11 cm—offering balanced comfort and compactness. Upholstery: Fully removable fabric covers available in a broad palette, and easy to wash or customise with optional leather finishes. Design Elements: Available with or without armrests, headboard, footboard, and additional storage drawers, allowing tailored configurations. Dimensions Overall: Width 202 cm, Depth 86 cm, Height 82 cm Mattress Dimensions: Top pull‑out: 78 × 191 × 11 cm Bottom bed: 75 × 184 × 11 cm Style and Aesthetic Jack is characterised by its sleek, calm profile that adapts to both minimalist and romantic design languages. The clean lines and hidden slatted base present a refined elegance, while the occasional rolled-arm variant adds a softer touch. Cushions and a secondary quilt can enhance visual depth and comfort. Functionality & Comfort A practical pull-out mechanism converts the sofa into a single or double bed in seconds, with smoothly operating frames. The layered mattress system supports both casual seating and restful sleeping. The slatted base encourages air circulation and cushions against sagging. Project Suitability Residential: Ideal for living rooms, nurseries, kids’ bedrooms or compact flats needing a flexible sleep solution. Hospitality: Excellent for boutique hotels, B&Bs, or rental apartments requiring compact, stylish spare beds. Multipurpose: Perfect for home offices or studios transforming into guest suites. Customisation & Variants Jack’s modular design offers options such as arm-less or armchair versions, headboard and footboard additions, and built-in drawer storage. Choose from a range of fabrics—neutral solids, vibrant tones or patterned weaves—to match specific design themes. The Jack sofa bed brings together timeless style, space-saving efficiency, and modular adaptability—ideal for modern interiors where versatility meets design integrity. Let me know if you’d like a technical drawing, material sample options, or comparison with variants.

Earthtech SAVANNAH_GROUND

florim > Wallcovering

From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>

SODA - Porcelain stoneware wall/floor tiles _ gruppo bardelli

gruppo bardelli > Wall tile-stone-brick

Soda by Ceramica Bardelli: A Contemporary Take on Classic Cement Tiles The Soda collection by Ceramica Bardelli brings the timeless charm of traditional cement tiles into modern interiors and exteriors. Crafted from high-quality rectified porcelain stoneware, Soda tiles combine durability with sophisticated design, offering endless opportunities for creative expression in residential and non-residential spaces alike. Design and Features Soda is available in a versatile 25x25 cm (10"x10") square format, with a robust thickness of 1 cm (25/64"). The tiles feature a matte finish with a slightly antiqued look, reminiscent of vintage cement tiles but with the added performance of porcelain stoneware. The collection includes: 16 unique decorative tiles, supplied randomly assorted and designed for the patchwork technique. 3 solid colours (ivory, light grey, and dove grey) that perfectly match the decorative tiles, enabling seamless transitions between patterns and solids. This combination of geometric designs and neutral tones provides a harmonious blend of tradition and modernity, ideal for creating spaces with a strong expressive character. Colour Variants and Versatility The collection is available in three distinct colour palettes—Soda1, Soda2, and Soda3—each offering its unique mix of tones and patterns. This variety allows designers to personalise spaces with combinations that reflect their vision, from vibrant patchwork designs to more subdued and elegant compositions using matching solid colours. The tiles are suitable for both flooring and wall cladding, and their R10-rated anti-slip properties make them an excellent choice for indoor and outdoor applications, including kitchens, bathrooms, patios, and commercial spaces. Creative Freedom with Patchwork The patchwork technique offers infinite possibilities for customisation, enabling the creation of truly unique designs. By combining the 16 decorative patterns with the solid backgrounds, designers can experiment with layouts that range from eclectic and dynamic to minimalistic and structured, making Soda adaptable to a variety of architectural styles. Applications and Aesthetic Soda’s versatility makes it perfect for a range of settings, from contemporary homes to hospitality and commercial spaces. Its slightly aged finish adds warmth and character, while its geometric motifs and neutral tones ensure it complements both modern and classic interiors. About Ceramica Bardelli Ceramica Bardelli, part of the esteemed Gruppo Bardelli, is a leader in Italian ceramic innovation. With production facilities in Cerrione and Oderzo, the Group is renowned for combining craftsmanship with cutting-edge technology to create tiles that inspire and elevate design. The Soda collection exemplifies this ethos, offering a refined yet practical solution for designers seeking to create expressive and functional spaces. For seamless design integration, downloadable 3D files are available, ensuring precision in project visualisation and execution. With its blend of tradition, innovation, and artistic freedom, Soda transforms floors and walls into works of art.

High Performance Vinyl Wallpaper by Vescom | fraser - 2109.01

vescom > Wallpaper

Enhance your interiors with Vescom Fraser, a premium wallcovering featuring a striking 3-dimensional architectural weave in opaque, softly reflective shades. Made from high-performance polyethylene tape yarn, this versatile design is available with an acrylic backing or as an unbacked option, offering exceptional durability, elegance, and eco-conscious features. Bullet Points: 1️⃣ 🌿 Sustainable and Eco-Friendly Vescom Fraser is PFAS-free, low in VOC emissions (CAL 01350 certified), and compliant with the Living Building Challenge Red List. A perfect choice for those prioritizing sustainable and healthy interior solutions. 🌎 2️⃣ 🖌️ Stunning 3D Architectural Weave The dimensional weave design and softly reflective tones create an elegant and modern aesthetic, adding depth and texture to any space. Ideal for both residential and commercial interiors. 🎨 3️⃣ 📏 Flexible Material Options Available in widths of ±137 cm (±54 inches), Fraser comes with options for acrylic backing (2109.XXB) or unbacked (2109.XXU), ensuring adaptability to your specific project requirements. 📐 4️⃣ 🔥 Safety and Durability Guaranteed Certified flame retardant (EN 13501, B, s1 - d0), this wallcovering provides reliable safety and peace of mind. Its high lightfastness (ISO 105-B02, rating 8) ensures long-lasting vibrancy even in well-lit spaces. 🛡️ 5️⃣ 💧 Enhanced Breathability and Lightweight With water vapor permeability (<0.5 m SD value) and a weight range of ±242-293 gr/m² (±11-13 oz/yd²), Vescom Fraser is lightweight, breathable, and easy to install, making it a practical yet luxurious wall solution. 💪 Tags: Polyethylene Wallcovering, 3D Architectural Weave, Low VOC Wall Decor, PFAS-Free Wallcovering, Sustainable Interior Wall Design, Flame Retardant Wallcovering, Lightfast Wall Material, Water Vapor Permeable Wallcovering, Vescom Fraser Collection, Acrylic Backing Wallcovering

High Performance Vinyl Wallpaper by Vescom | fraser - 2109.02

vescom > Wallpaper

Enhance your interiors with Vescom Fraser, a premium wallcovering featuring a striking 3-dimensional architectural weave in opaque, softly reflective shades. Made from high-performance polyethylene tape yarn, this versatile design is available with an acrylic backing or as an unbacked option, offering exceptional durability, elegance, and eco-conscious features. Bullet Points: 1️⃣ 🌿 Sustainable and Eco-Friendly Vescom Fraser is PFAS-free, low in VOC emissions (CAL 01350 certified), and compliant with the Living Building Challenge Red List. A perfect choice for those prioritizing sustainable and healthy interior solutions. 🌎 2️⃣ 🖌️ Stunning 3D Architectural Weave The dimensional weave design and softly reflective tones create an elegant and modern aesthetic, adding depth and texture to any space. Ideal for both residential and commercial interiors. 🎨 3️⃣ 📏 Flexible Material Options Available in widths of ±137 cm (±54 inches), Fraser comes with options for acrylic backing (2109.XXB) or unbacked (2109.XXU), ensuring adaptability to your specific project requirements. 📐 4️⃣ 🔥 Safety and Durability Guaranteed Certified flame retardant (EN 13501, B, s1 - d0), this wallcovering provides reliable safety and peace of mind. Its high lightfastness (ISO 105-B02, rating 8) ensures long-lasting vibrancy even in well-lit spaces. 🛡️ 5️⃣ 💧 Enhanced Breathability and Lightweight With water vapor permeability (<0.5 m SD value) and a weight range of ±242-293 gr/m² (±11-13 oz/yd²), Vescom Fraser is lightweight, breathable, and easy to install, making it a practical yet luxurious wall solution. 💪 Tags: Polyethylene Wallcovering, 3D Architectural Weave, Low VOC Wall Decor, PFAS-Free Wallcovering, Sustainable Interior Wall Design, Flame Retardant Wallcovering, Lightfast Wall Material, Water Vapor Permeable Wallcovering, Vescom Fraser Collection, Acrylic Backing Wallcovering

High Performance Vinyl Wallpaper by Vescom | fraser - 2109.06

R

vescom > Wallpaper

Enhance your interiors with Vescom Fraser, a premium wallcovering featuring a striking 3-dimensional architectural weave in opaque, softly reflective shades. Made from high-performance polyethylene tape yarn, this versatile design is available with an acrylic backing or as an unbacked option, offering exceptional durability, elegance, and eco-conscious features. Bullet Points: 1️⃣ 🌿 Sustainable and Eco-Friendly Vescom Fraser is PFAS-free, low in VOC emissions (CAL 01350 certified), and compliant with the Living Building Challenge Red List. A perfect choice for those prioritizing sustainable and healthy interior solutions. 🌎 2️⃣ 🖌️ Stunning 3D Architectural Weave The dimensional weave design and softly reflective tones create an elegant and modern aesthetic, adding depth and texture to any space. Ideal for both residential and commercial interiors. 🎨 3️⃣ 📏 Flexible Material Options Available in widths of ±137 cm (±54 inches), Fraser comes with options for acrylic backing (2109.XXB) or unbacked (2109.XXU), ensuring adaptability to your specific project requirements. 📐 4️⃣ 🔥 Safety and Durability Guaranteed Certified flame retardant (EN 13501, B, s1 - d0), this wallcovering provides reliable safety and peace of mind. Its high lightfastness (ISO 105-B02, rating 8) ensures long-lasting vibrancy even in well-lit spaces. 🛡️ 5️⃣ 💧 Enhanced Breathability and Lightweight With water vapor permeability (<0.5 m SD value) and a weight range of ±242-293 gr/m² (±11-13 oz/yd²), Vescom Fraser is lightweight, breathable, and easy to install, making it a practical yet luxurious wall solution. 💪 Tags: Polyethylene Wallcovering, 3D Architectural Weave, Low VOC Wall Decor, PFAS-Free Wallcovering, Sustainable Interior Wall Design, Flame Retardant Wallcovering, Lightfast Wall Material, Water Vapor Permeable Wallcovering, Vescom Fraser Collection, Acrylic Backing Wallcovering

High Performance Vinyl Wallpaper by Vescom | dale - 2108.03

vescom > Wallpaper

Embrace sustainability and elegance with Vescom Dale, a natural wallcovering made with 70% post-consumer recycled wool. Offered in seven soft mélange tones, this high-quality wallcovering combines warmth, texture, and eco-conscious design to elevate your interiors with a touch of timeless sophistication. 1️⃣ 🌿 Sustainable Craftsmanship Vescom Dale features 70% post-consumer recycled wool, supported by a blend of polyester and polyamide on a non-woven backing. It's a luxurious and eco-friendly choice for environmentally mindful interior designs. 🌎 2️⃣ 🖌️ Elegant Mélange Tones Available in seven soft mélange hues, this wallcovering adds subtle sophistication and warmth to any room. The natural wool texture enhances both modern and traditional aesthetics. 🎨 3️⃣ 📏 Wide Coverage for Seamless Installation Measuring ±134 cm (±53 inches) in width, Dale wallcovering offers generous coverage and a flawless finish for large-scale applications. 📐 4️⃣ 🔥 Certified Safety and Durability This flame-retardant wallcovering meets EN 13501 (C, s1 - d0) and ASTM E84 standards, providing reliable safety for residential and commercial spaces. Superior lightfastness (ISO 105-B02 rating 8) ensures vibrant, long-lasting appeal. 🛡️ 5️⃣ 💧 Breathable and Lightweight Design With water vapor permeability (<0.5 m SD value) and a weight of ±310 gr/m² (±14 oz/yd²), Vescom Dale is not only lightweight but also breathable, enhancing the comfort and durability of your interiors. 💪 Tags: Recycled Wool Wallcovering, Mélange Tone Wall Design, Sustainable Wall Material, Natural Interior Design, Flame Retardant Wool Wallcovering, Lightweight Breathable Wallcovering, Vescom Dale Collection, Eco-Friendly Wall Solution, Textured Wall Decor, Non-Woven Backing Wallcovering

Matrice Forma

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Matrice Rilievo

florim > Wallcovering

An atlas of modular signs to be combined in a wide variety of layouts. «We love concrete as a material, its versatility and its plain, austere look. We have completed our carefully designed surfaces with graphic patterning inspired by the human actions of weaving and embroidering.» Barbara Brondi & Marco Rainò To appreciate the profundity of the design project undertaken by Barbara Brondi and Marco Rainò for Cedit, it is both necessary and explanatory to start from the title the collection bears. In modern usage the term Matrice, in Italian, refers to a die or mould used to reproduce an object, but its origins are much more remote, with a meaning closer to the English “matrix”, meaning the underlying basis of something. The root of the word is related to Mater or mother: the name Matrice thus relates to the origin or cause of something. This dichotomy is expressed in several levels within the work of these architects, who study the world from a sophisticated conceptual approach and then transform it into a design. Starting from the idea of ceramic coverings, which have always been a tool not so much of architecture as of interior design, the artists work back to the origin of the surface and its decoration within their own discipline: they look at what we used to call the modern age, where modernity has also brought an uncompromising brutality, and where the use of bare concrete became the statement of an attitude to life with no time to spare for manners. Concrete is originally a liquid material, intended for shaping, which can therefore absorb and retain any type of mark created by the material and mould used to form it. Architects midway between rationalism and brutalism have used the rough-and-ready language of concrete combined with a last, elegant, anthropic decorative motif impressed on the material, that makes the concept of covering superfluous, because its place, in its older meaning of decoration rather than functional cladding, is taken by the regular patterning created in the material itself. There are therefore various grounds for believing that, in this collection, the artists are once again working in architectural terms. Firstly, with a simplicity typical of BRH+, they reduce the initial concepts to their minimal terms. So although this is a collection of coverings for walls, indoor floors, outdoor pavings and curtain walls, a great deal of time was spent on destructuring the idea of the ceramic covering itself. Unfortunately, nowadays there is no space in the contemporary construction sector for the radical approach of the past, so the cladding designed for the building actually lays bare the interior, using the choice of material – accurately interpreted (with shade variation) on the basis of an assortment of various types – to restore visual elegance and a fundamental severity. Attention to scale is another architectural feature: Matrice offers modules with architectural dimensions and different sizes through the development of “large slabs”, eliminating the visual regular grid effect. Thanks to this visual reset, geographic forms are perceived to emerge from dense, grey concrete surfaces decorated as in bygone days by special processes and by weathering during drying. The various types of slab, each an atlas of subtle, vibrant signs on the surfaces, comprise finishes that reproduce the visual effect of reinforced concrete – with the aggregates in the cement more clearly visible, of formwork – with the signs impressed on the concrete by the timber used, of a structured surface resembling bare cement plaster, of ridged and streaked surfaces – with patterning resembling some kinds of linear surface finishing processes – and finally a smooth, or basic version, over which Matrice exercises the dichotomy referred to earlier. It is on these surfaces that Brondi and Rainò have imagined additional design reverberations, a figurative code that rejects the concept of the grid, previously inseparable from that of the module: by means of a vocabulary of graphic marks cut into the slabs with a depth of 3 mm (the width of the gap left between modules during installation), they provide a framework for infinite combinations of possible dialogues. Just as in embroidery, which is based on grids of stitches and geometric repetitions, and where every stitch is at right-angles to another one to construct forms and decorations. Also taken from embroidery is the idea of introducing a degree of “softness” to reduce the stiffness of intentionally deaf surfaces. There is the impression of patterns that can continue for infinity, as in textile weaving, and a scale that, unlike the surface being worked on, is imagined as suspended and lightweight. They may not admit it, but BRH+ know a lot about music, including electronic music, and it appears to me that this organised tangle of infinite signs – unidentifiable without an overview – is rather like the representations of synthesized sounds. Sounds that are produced by machines, and thus “woven” by sampling and overlapping sounds of the most unlikely origins, combined to form jingles which, once heard, are imprinted indelibly on the brain. This may be why I am so interested in the space between this “melodic film” and its deaf, damp substrate. The eyes can navigate this suspended reality without fear of disturbance. So we are faced with different surfaces, different sizes and different graphic signs. But only one colour (surprise!) to prevent a cacophony not just of signs but also of possible interpretations: the artists retain their radical principles (and their generosity), and as curators, a role in which they are skilled, they leave the players (architects and installers) to add their own interpretations. In their hands this colour, expressed in Matrice, will produce motifs on surfaces in living spaces for someone else. This stylish covering and its workmanship will be left to the hands of someone who will probably never read this, but will be on a building site, with the radio playing on a stereo system, concentrating on installing the very pieces we describe. So a radical, apparently silent, design project like this has repercussions for the real world we live in. Matrice has no form of its own but merely acquires the ornamentation drawn on its surfaces by a second group of artists. And here this routine action, standardised by the form approved for production and workmanlike efficiency, is the origin and cause of change, generating a variability of choices and interpretations, on that dusty building site where music plays and mortar flows.

Earthtech CARBON_FLAKES

florim > Wall tile-stone-brick

From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>

Earthtech PUMICE_GROUND

florim > Wallcovering

From an ancient past to a responsible future <p>The collection injects new life into the earth through a sustainable production process, with a strong focus on green management, to offer the architect an exceptional technical and aesthetic performance in compliance with the socio-environmental context and the latest eco-friendly building needs. With EARTHTECH earth becomes “technical earth” with a highly innovative content, offering new solutions to green architecture and fulfilling the new frontiers of circular economy in construction, guaranteeing a sustainable future. <br />EARTHTECH offers a choice of organic textures to observe and touch, thanks to the wide range of finishes (Comfort, Glossy-Bright and structured) which add a tactile and unexpected perceptive dimension for use in all types of application. <br /><a class="btn arrow" href="https://www.florim.com/en/surfaces/the-new-comfort-surface/"> Discover the new Comfort surface </a></p> <p>EARTHTECH/ is also a return to the origins of the Florim brand through a full body technical product that blends surface and thickness and derives from the spontaneous mixing of carefully pre-selected fragments and pigments of different shades which give the material a unique, one-of-a-kind visual effect in each slab, mimicking the amazing variety of colours and elements in nature. The result is a composite product with a textured design, in which the flakes and aggregate grains create an original mélange effect that is vitrified during firing, producing a robust, high-quality and exceptionally strong and wear-resistant product; one which can be used in any type of building setting and weather conditions, even the harshest.</p>