Pendant Light A110 “Hand Grenade” by Artek
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| Brand | Artek |
|---|---|
| Category | Accessories |
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| Brand | Artek |
|---|---|
| Category | Accessories |
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Alvar Aalto's iconic Stool 60 is the most elemental of furniture pieces, equally suitable as a seat, a table, storage unit, or display surface. Born of modernist ideals and Finnish innovation, its great legacy and continued relevance owe much to Alvar Aalto's original vision for a universal object made entirely from native birch. Remaining in continuous production since 1933, Stool 60 has barely changed in either material or form, yet it continues to transcend both time and fashion.
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Alvar Aalto’s four-legged Stool E60 is the most elemental of furniture pieces, equally suitable as a seat, table, storage unit, or display surface. Projecting a sense of relaxed familiarity, Stool E60 is equally suited to the home, public buildings, and educational facilities. The legs are mounted directly to the underside of the round seat without the need for complicated connecting elements. Thanks to its geometry, the stool can be stacked to save space in a spiralling tower sculpture.
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Distinct in style and exceptionally comfortable, the Karuselli Lounge Chair exemplifies designer Yrjö Kukkapuro’s interest in achieving ultimate comfort through a union of function, ergonomics, and organic form. Kukkapuro spent several years sculpting the chair, wrapping himself in chicken wire and making a plaster cast of his body in a lounging posture in order to achieve the perfect dimensions. As soon as the chair’s iconic form was realised in 1964, it became an immediate international success. The chair prompted Gio Ponti to choose Karuselli for the cover of Domus in 1966 and inspired Sir Terence Conran to proclaim it his favourite chair.
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As voluminous as it is comfortable, Armchair 400 was created by Alvar Aalto in 1936 for an exhibition at the Milan Triennale, where it was promptly awarded a prize. The chair owes its nickname “Tank” to its distinctive wide and sturdy armrests made of form-bent birch lamella and to its robust upholstery. The springy cantilevered frame offers a flexible, comfortable seat. A favourite since the 1930s, Armchair 400 remains effortlessly modern and can be upholstered in any material.
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The hand-turned shade of this elegant floor light is made of delicate, lacquered metal strips that prevent glare by diffusing light evenly. The strips form concentric circles of increasing size that combine to form an inverted bowl shape. The slender angled neck has a polished brass collar that contrasts appealingly with the stand’s black leather finish, which is hand-sewn in Finland. The light was designed by Alvar Aalto in 1955 for the National Pensions Institute in Helsinki.
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Featuring the distinctive Domus armrests, and with a seat and backrest made out of a single plywood element, the Domus Lounge Chair is exceedingly comfortable. In 1946, designer Ilmari Tapiovaara and his wife Annikki won the commission to design the interior of the Domus Academica student housing complex in Helsinki. Confident that functionalism would promote social equality, Tapiovaara created the Domus Lounge Chair as part of a series of furniture for the students. Over time, the Domus Lounge Chair’s popularity has extended far beyond the location for which it was first intended.
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Nicknamed “Golden Bell,” Pendant Light A330S has a sculptural quality that can be appreciated whether the light is switched on or off. Casting golden reflections, the perforated rim of Pendant Light A330S creates a memorable halo effect and prevents glare. Made from a single piece of brass or steel, the elegant “Golden Bell” was created by Aino and Alvar Aalto for the interior of The Savoy Restaurant, Helsinki in 1937 and went on to be shown in the Finnish Pavilion of the Paris World Expo the same year. The “Golden Bell” embodies Alvar Aalto’s signature streamlined aesthetic, while the light it provides is both warm-toned and characteristically diffuse.
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Ilmari Tapiovaara's Domus Chair has moved beyond its 1946 student housing origins to grace private and public spaces worldwide. Its contoured wooden seat, signature short armrests, and refined proportions unite ergonomic comfort with understated elegance. The chair’s inviting warmth and familiar character bring a sense of belonging to any space. Available in natural oak or birch — unadorned or upholstered — and made in Finland.
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The tea trolley was inspired by British tea culture, which Aino and Alvar Aalto had become acquainted with though their many travels, as well as by the Japanese woodwork and architecture they admired. With a frame composed of two birch lamella loops, Tea Trolley 901 features two shelves and a solid birch handle. Twin wheels, in combination with the lightweight quality of birch, mean the trolley can be easily maneuvered and parked at will. Over the years, numerous variations of the Tea Trolley have been produced. Dutch designer and colour expert Hella Jongerius delved into Artek’s archives to offer her own take on one of Alvar Aalto’s most cherished products. Her subtle interventions resulted in a dark version of the trolley, which plays with the shifting light on the product’s upper and lower trays.
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The tea trolley was inspired by British tea culture, which Aino and Alvar Aalto had become acquainted with though their many travels, as well as by the Japanese woodwork and architecture they admired. The striking Tea Trolley 900, which features ceramic tiles and a rattan basket, was first launched internationally at the World Exhibition in Paris in 1937, a traditionally functionalist piece of furniture embellished with pared down multicultural references. Versatile and full of character, Tea Trolley 900 is the perfect centrepiece for enjoying anything from breakfast to high tea or cocktails.
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This elegant pendant light is nicknamed “Hand Grenade” for its distinctive shape. Composed of a lacquered steel shade and an inner ring, Pendant Light A110 provides an exceptional warm-toned quality of light. “Hand Grenade” projects both direct and indirect light onto ceilings, and its perforated inner ring creates a halo effect around the pendant light while simultaneously reducing glare. “Hand Grenade” was designed for the building Alvar Aalto created for the Finnish Engineers’ Association.
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The Mademoiselle Lounge Chair is made from solid birch and was specifically developed for the home. Crafted using an age-old construction method, the spoke back contrasts strikingly with the smooth modernist curves of the seat’s softly rounded edge. In creating the Mademoiselle, designer Ilmari Tapiovaara drew inspiration from traditional Finnish chairs, then applied his own modern design approach. Also available as a rocking chair.
Mademoiselle Rocking Chair
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The Mademoiselle Rocking Chair is made from solid birch and was specifically developed for the home. Crafted using an age-old construction method, the spoke back contrasts strikingly with the smooth modernist curves of the seat’s softly rounded edge. In creating the Mademoiselle, designer Ilmari Tapiovaara drew inspiration from traditional Finnish chairs, then applied his own modern design approach. Also available as a lounge chair.
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This whimsical round shelf can serve as bedside table, a dropping-off spot in an entrance area, or a platform to highlight a precious object. The shelf comprises a round panel, a vertical wall bracket, and the distinctive steel band common to the Kaari collection. The panel has a linoleum finish, while the wall bracket is made of oak. Offering diagonal support, the steel band, juxtaposed with the vertical and horizontal elements, creates a fluid, linear silhouette that enhances the curves of the round panel.
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Wall Shelf 112
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Wall Shelf 112 employs lamella loops as brackets to support a substantial birch veneer panel. The particular lamella loops used in the creation of Wall Shelf 112 require the strength of two people to bend them into shape and come with a single seam. The brackets can be placed both below and above the panel, in which case they also serve as bookends. Elegant and practical, this wall shelf displays designer Alvar Aalto’s affinity with natural materials.
Kaari Wall Console
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This console serves as desk, bar, or deep shelf, depending on the height at which it is mounted. Supporting the console are vertical wall brackets available in either natural or stained oak, with simple steel bands providing diagonal support. The surface of the console is finished in linoleum. Common to the Kaari collection as a whole, the interplay between the steel bands and the vertical and horizontal elements creates a distinctive linear silhouette.
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The Kaari Table, the result of Artek’s first collaboration with French designers Ronan & Erwan Bouroullec, has a light, fluid outline that could have been drawn with a single stroke of the pen. Two oak pillars are supported by the simple steel band that characterises the Kaari collection – “Kaari” means “arch” in Finnish. Strikingly contemporary, tables from the Kaari collection promise stability, longevity, and adaptability and are suitable for both private and public spheres. The table top is available in a choice of finishes.
Kaari Table square
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The Kaari Table, the result of Artek’s first collaboration with French designers Ronan & Erwan Bouroullec, has a light, fluid outline that could have been drawn with a single stroke of the pen. Supported by a single central pillar, the table owes its stability to the simple yet elegant steel band that fans out in four wings around its base – “Kaari” means “arch” in Finnish. The pillar is made of oak, and the table top is available in a variety of finishes. Strikingly contemporary, Kaari tables promise stability, longevity, and adaptability and are suitable for both home and public spheres.
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